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  1. Why? smile
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorSteven
    • CommentTimeDec 7th 2008
    The first place you went to when someone mentioned needing some sort of food was that something must be wrong, i.e. comfort food. Elementary dear Watson!
  2. I didn't think of food actually biggrin

    I never heard the score myself, but I thought it's some sweet music, so she needed *this* kind of comfort, not necessary food biggrin
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorLSH
    • CommentTimeDec 7th 2008
    NP: Defiance - James Newton Howard

    Great score, one of the best this year for sure. The violin dominated passages are heartbreakingly beautiful and I really like the climax in the Tank cue. Can't wait for the official CD.

    cool
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      CommentAuthorSteven
    • CommentTimeDec 7th 2008
    LSH wrote
    NP: Defiance - James Newton Howard

    Great score, one of the best this year for sure. The violin dominated passages are heartbreakingly beautiful and I really like the climax in the Tank cue. Can't wait for the official CD.

    cool


    It's one of thew few things on my Christmas list. I'm not listening to it until I get the CD... it's something very special.

    Can't wait to see the film if just to get a context for the music.
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      CommentAuthorLSH
    • CommentTimeDec 7th 2008 edited
    Steven wrote
    I'm not listening to it until I get the CD...


    I wish I could resist. However I am looking forward to hearing it all arranged differently. And, of course, in better sound quality.
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      CommentAuthorDemetris
    • CommentTimeDec 7th 2008
    JOHN DEBNEY - Lair

    For me, this is massive entertainment once i programmed out the Lisbeth Scott tracks. I really can't stand them.
    Love Maintitles. It's full of Wanders.
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      CommentAuthorSteven
    • CommentTimeDec 7th 2008
    Me too. Never been a fan of whaling women.
  3. I've never heard of a whaling woman. That's a man's job I guess biggrin
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorDemetris
    • CommentTimeDec 7th 2008
    Only in some cases.
    Love Maintitles. It's full of Wanders.
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      CommentAuthorSteven
    • CommentTimeDec 7th 2008
    Martijn, you see this!? It's not just me.
    Honestly. slant
    •  
      CommentAuthorSteven
    • CommentTimeDec 7th 2008
    Goldsmith Jerry Goldsmith

    I'm just playing a selection of awesome Goldsmith cues for my flatmates to hear. I will show them great music! biggrin
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      CommentAuthorNautilus
    • CommentTimeDec 7th 2008
    Christodoulides wrote
    JOHN DEBNEY - Lair

    For me, this is massive entertainment once i programmed out the Lisbeth Scott tracks. I really can't stand them.


    Care about your words. Lisbeth is my true love.

    NP:Medicine Man (Goldsmith)

    A real sense of documentary. Soundscapes and the gorgeous love theme , for one of the most beautigul places in the world.
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      CommentAuthorSteven
    • CommentTimeDec 7th 2008
    Nautilus wrote
    Christodoulides wrote
    JOHN DEBNEY - Lair

    For me, this is massive entertainment once i programmed out the Lisbeth Scott tracks. I really can't stand them.


    Care about your words. Lisbeth is my true loves.


    She is the worst vocalist I have ever heard in my entire life.
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      CommentAuthoromaha
    • CommentTimeDec 7th 2008
    Listened to Oblivion this morning. Good stuff!
    The main theme is so much more majestic in this one.
    All the Elder Scrolls music is so much fun to listen through.
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      CommentAuthorErik Woods
    • CommentTimeDec 7th 2008
    Christodoulides wrote
    JOHN DEBNEY - Lair

    For me, this is massive entertainment once i programmed out the Lisbeth Scott tracks. I really can't stand them.


    Then you are missing out on some of the most original and breathtaking cues out of the entire score.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
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      CommentAuthorHeeroJF
    • CommentTimeDec 7th 2008
    Christodoulides wrote
    United 93 is a tremendously shocking, emotional experience in all levels, audio and visual. John Powell's score is beyond anything i'd have ever expected this movie to have as a musical accompaniment and i cannot really think of anything more appropriate to escort the gripping visuals.

    Well, I don't think I have a case with anyone who's seen the movie... I mean truly try to imagine if you were analyzing the music alone, without having experienced the film, or if you didn't even know what it was about. But then again if those rhythmic moments without melody in BHD and TotS are sincerely to your liking then maybe there really something in United 93 for you that I can't get.

    Me, I guess I'll just stick to Schindler's List.

    NP: Tarzan, Mark Mancina
    The 42-min score-only boot. GREAT stuff. One of Mancina's very best. Tremendous action. Gool tribal stuff. Maybe not up to TLK standards but in that same ballpark.
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
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      CommentAuthorSteven
    • CommentTimeDec 7th 2008
    Erik Woods wrote
    Christodoulides wrote
    JOHN DEBNEY - Lair

    For me, this is massive entertainment once i programmed out the Lisbeth Scott tracks. I really can't stand them.


    Then you are missing out on some of the most original and breathtaking cues out of the entire score.

    -Erik-


    Actually, you're right. I keep them in the album, but there's a couple of times where I wish Lisbeth wasn't whaling at the top of her lungs. The end cue is fantastic though.
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      CommentAuthorHeeroJF
    • CommentTimeDec 7th 2008 edited
    Steven wrote
    Actually, you're right. I keep them in the album, but there's a couple of times where I wish Lisbeth wasn't whaling at the top of her lungs. The end cue is fantastic though.

    Captain Ahab whaled while he was at the top of his game, himself. And still it wasn't enough to catch the Great White. I wonder if Lisbeth could've competed.

    NP: Driftwood, William Ross
    After realizing that I'd grossly misjudged September Dawn, I'm figuring out that Driftwood may very well be another William Ross I put away on my shelf too early. I'll be giving it a few more spins now.
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
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      CommentAuthorSouthall
    • CommentTimeDec 7th 2008
    The Day the Earth Stood Still - Tyler Bates

    Hmm.
    •  
      CommentAuthorSteven
    • CommentTimeDec 7th 2008 edited
    HeeroJF wrote
    Steven wrote
    Actually, you're right. I keep them in the album, but there's a couple of times where I wish Lisbeth wasn't whaling at the top of her lungs. The end cue is fantastic though.

    Captain Ahab whaled while he was at the top of his game, himself. And still it wasn't enough to catch the Great White. I wonder if Lisbeth could've competed.


    Um.

    Well done, you passed the test. It was in fact a deliberate typo. Top work.
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      CommentAuthorHeeroJF
    • CommentTimeDec 8th 2008
    Steven wrote
    HeeroJF wrote
    Steven wrote
    Actually, you're right. I keep them in the album, but there's a couple of times where I wish Lisbeth wasn't whaling at the top of her lungs. The end cue is fantastic though.

    Captain Ahab whaled while he was at the top of his game, himself. And still it wasn't enough to catch the Great White. I wonder if Lisbeth could've competed.


    Um.

    Well done, you passed the test. It was in fact a deliberate typo. Top work.

    Sarcasm worthy of Dinsdale Piranha!

    Norman the Hedgehog: "Dinsdaaaaale!"
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
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      CommentAuthoromaha
    • CommentTimeDec 8th 2008
    I've been in a baseball mood so I've listened to The Field of Dreams and For Love of The Game.
    Both worked out great as I wrote my community service paper. Who wants to do a grammar check for me? wink
    Haha, I have yet to reread it myself. I need to get it out of my head a while before I do so.

    Some scores just require your attention for you to concentrate on them. These were very good for work. smile
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      CommentAuthorHeeroJF
    • CommentTimeDec 8th 2008
    Just finished listening to Michael J. Lewis' The Madwoman of Chaillot, and am going back to Driftwood now.
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
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      CommentAuthorSouthall
    • CommentTimeDec 8th 2008
    Wall-E - Thomas Newman

    Still one of my favourites from this year. A thoroughly impressive album, and a great score in the film.
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      CommentAuthorErik Woods
    • CommentTimeDec 8th 2008
    HeeroJF wrote
    Just finished listening to Michael J. Lewis' The Madwoman of Chaillot, and am going back to Driftwood now.


    And that's all you have to say about Madwoman? shocked

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  4. Southall wrote
    The Day the Earth Stood Still - Tyler Bates

    Hmm.


    The people want to know the truth.
    A butterfly thinks therefore I am
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      CommentAuthorNautilus
    • CommentTimeDec 8th 2008 edited
    NP:THe Happening (James Newton Howard)

    A great combination of War of the Worlds, Godzilla and The VIllage.

    After my first dissapointment, Now I think it's one of the best scores of the year (Im still fighting about if it's better than I am Legend, wich contains one of his best themes )

    JNH is becoming one of my favourites composers, he is very irregular but his voice is becoming stronger and when he is good, he is really Good.

    I will play next: Alias Season 2 (Giacchino)

    And Improvement over the first Album. More thematic, darker, more dramatic and with more orchestral action music very close to MI3.

    Inferno is one of the best dramatic tracks composeds by Giacchino.
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      CommentAuthorHeeroJF
    • CommentTimeDec 8th 2008
    Erik Woods wrote
    HeeroJF wrote
    Just finished listening to Michael J. Lewis' The Madwoman of Chaillot, and am going back to Driftwood now.


    And that's all you have to say about Madwoman? shocked

    -Erik-

    Ah, oops. I thought maybe that it should be a given that I consider it a superbly executed score with amazing themes. And that percussion track for the palace is simply breathtaking. That's why I included it in my medieval guessing game.

    NP: Elf, John Debney
    Not nearly enough scores have a distinctive 50's feel to them. I'm sure not many here might have expected to hear any praise about this score from anyone, but I think it's absolutely unique for that wonderful retro feel. Truly lovely, and so good for that December feel.
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
    • CommentAuthorKatiek
    • CommentTimeDec 8th 2008
    OK, I'm playing a CD from a Japanese animated film, but I need help figuring out which one spin

    I got it from a friend some time ago, but now I can't remember the name of the film (and of course the info is all in Japanese).

    Here is a picture of the front and back of the cd - can anyone help me identify it? The cover is a cat driving a train, and the front car of the train is shaped like a snail. The music is very soothing - it features an instrument that sounds like chimes (almost like this music box my parents play at Christmastime)


    http://i211.photobucket.com/albums/bb15 … 0_1861.jpg

    http://i211.photobucket.com/albums/bb15 … 0_1859.jpg


    Thanks in advance for any assistance.