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- CommentTimeMar 10th 2009
Hmm, I think his Batman score has a VERY memorable theme. Just as memorable as Elfman's IMO.
A film composer's job is not primarily to make a good listening experience on CD but to enhance the film. And that's what Goldenthal does so very well. His albums are certainly more of a challenge to listen to than your average score (well, depending on your point of view), but overrated he certainly is not! -
- CommentTimeMar 10th 2009 edited
Steven wrote
Hmm, I think his Batman score has a VERY memorable theme. Just as memorable as Elfman's IMO.
A film composer's job is not primarily to make a good listening experience on CD but to enhance the film. And that's what Goldenthal does so very well.
You are so right; but, at the end of the day, what a score geek like me needs is to enjoy the music outside the film. And if I want to enjoy Goldenthal his repertoire is limited to the three works I´ve mentioned.Anything with an orchestra or with a choir....at some point will reach you -
- CommentTimeMar 10th 2009
Steven wrote
Lesbian Vampire Killers Debbie Wiseman
This is off to a very promising start. Very... well, gothic.
After my first listen I highly recommend this. It seems more appropriate that a women should score a film with such a title. -
- CommentTimeMar 10th 2009
His textures, arrangements and overall musicianship is beyond the average film composer's wildest dreams.Love Maintitles. It's full of Wanders. -
- CommentTimeMar 10th 2009
Christodoulides wrote
His textures, arrangements and overall musicianship is beyond the average film composer's wildest dreams.
I agree, in works like Final Fantasy or Titus.Anything with an orchestra or with a choir....at some point will reach you -
- CommentTimeMar 10th 2009
Marselus wrote
Steven wrote
Hmm, I think his Batman score has a VERY memorable theme. Just as memorable as Elfman's IMO.
A film composer's job is not primarily to make a good listening experience on CD but to enhance the film. And that's what Goldenthal does so very well.
You are so right; but, at the end of the day, what a score geek like me needs is to enjoy the music outside the film. And if I want to enjoy Goldenthal his repertoire is limited to the three works I´ve mentioned.
Fair enough I guess. I think every Goldenthal fan knows there's something inherently wrong with them if they enjoy a score like In Dreams. -
- CommentTimeMar 10th 2009
Nautilus wrote
Erik Woods wrote
Nautilus wrote
NP:Star Trek First Contact (GOldsmith)
The First Contact theme is gorgeous, but there is not enough action and too much track from Joel Goldsmith.
Actually, the real mystery is to try and figure out some of the nonsense you litter this board with.
-Erik-
Why you are so cruel with me?
You called me out so I did the same with you.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeMar 10th 2009
I just find it odd that Jordi seems to find a major fault in just about everything he listens to, especially his favourite scores. There's being subjective and then there's nitpicking... I'd hate to have that kind of attitude towards scores!
Whatever floats people's boats though. -
- CommentTimeMar 10th 2009
Steven wrote
Steven wrote
Lesbian Vampire Killers Debbie Wiseman
This is off to a very promising start. Very... well, gothic.
After my first listen I highly recommend this. It seems more appropriate that a women should score a film with such a title.
The first great score of the year! Well done!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeMar 10th 2009 edited
NP: Selections from Mission: Impossible III - Michael Giacchino
Solid action writing! Bridge Battle is some of the most intense action writing I've heard. Would have preferred a bit more power from the recording of the percussion... but then it's Dan Wallin we are talking about.
-Erik-
PS - "Hunting For Jules" is probably one of the best cues Giacchino has ever written!host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorTimmer
- CommentTimeMar 10th 2009
Matt C wrote
NP: Hellbound: Hellraiser II (Young)
Simply wonderful. "Second Sight" is singlehandedly one of Young's best cues to date, without a doubt. At times I think it's more sophisticated than his Species or Grudge scores in terms of choral and orchestral layering.
Matt, have you ever listened to Rebirth from Jerry Goldsmith's Poltergeist? very VERY similar to 'Second Sight'. Still, Hellbound is one HELL of a score, brilliant!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 10th 2009
Erik Woods wrote
NP: Selections from Mission: Impossible III - Michael Giacchino
Solid action writing! Bridge Battle is some of the most intense action writing I've heard. Would have preferred a bit more power from the recording of the percussion... but then it's Dan Wallin we are talking about.
-Erik-
PS - "Hunting For Jules" is probably one of the best cues Giacchino has ever written!
Love Maintitles. It's full of Wanders. -
- CommentTimeMar 10th 2009
Anthony wrote
DreamTheater wrote
Bangkok Dangerous (Brian Tyler)
If you ever feel the need to hear an uninspired and totally uninteresting action score, than you can give this one a try. Not often do I feel the need to turn something off, but here I seriously need to resist myself. I'll just hear this to the end so I never have to put it on again... From CutThroat Island to this??? I seriously need a checkup
Ah, there's your problem! Bangkok Dangerous isn't an action score! The quieter moments are what make it good.
I would just say the quieter moments make the score slightly less dreadful. But it still remains unlistenable to me for the most part."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeMar 10th 2009
christopher wrote
Thomas Glorieux wrote
NP: Saints and Soldiers (J Bateman and Bart Hendrickson)
Soft elegant war score, so far nothing loudly or action wise, but the small moments do remind me of Horner at times (perhaps meant to be)
Wow, who told you about this one? I love the film, but it's one of the least well known American films to come out in the last few years. I'm surprised you were listening to the score.
I listen to everything, I find almost most things, I want to experience it all
The end is definitely not bad on this little scorewaaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentTimeMar 10th 2009
NP: FLOOD (Debbie Wiseman)
Not bad, albeit much of the samewaaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorTimmer
- CommentTimeMar 10th 2009
NP : FOR A FEW DOLLARS MORE - Ennio Morricone
A classic, iconic, Morricone Western score and very influential on me as a film music lover at a very young age.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 10th 2009
NP : Deep Rising - Jerry Goldsmith
What can I say ?!
BLOODY GREAT !!"Simplicity is the key to brilliance" -
- CommentAuthorTimmer
- CommentTimeMar 10th 2009
NP : THE FLY - Howard Shore
WonderfulOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 10th 2009
Eric wrote
NP : Deep Rising - Jerry Goldsmith
What can I say ?!
BLOODY GREAT !!
yep, even a lesser effort by goldsmith standards is still fucking great, man I love this soundtrack toowaaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentTimeMar 10th 2009
Thomas Glorieux wrote
Eric wrote
NP : Deep Rising - Jerry Goldsmith
What can I say ?!
BLOODY GREAT !!
yep, even a lesser effort by goldsmith standards is still fucking great, man I love this soundtrack too
Indeed an under appreciated effort. I made a wonderful 7 minute suite of the score as well. Lots of fun. Love the deep brass writing and great use of synths!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorTimmer
- CommentTimeMar 10th 2009
NP : FROM RUSSIA WITH LOVE - John Barry
ClassicOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 10th 2009
Timmer wrote
NP : FROM RUSSIA WITH LOVE - John Barry
Classic
But I thought you liked good music? -
- CommentTimeMar 10th 2009 edited
NP:Dragon Ball Evolution ( Brian Tyler)
The same I said about almost every other tyler score.
A generic main theme (but not so generic as the eagle eye one) and all the secondary motifs and orchestration tricks he used in every single score since Darkness falls (his masterpiece)
Tyler seems to use the same textures and mood for a terror tale, a racer movie or for aliens and predators....and I'm tired of it.
Am i enjoying it? Im sure I will enjoy it when I need something loud, but then I'm not so sure if I will take Alien VS Predator Requiem instead. -
- CommentAuthorAnthony
- CommentTimeMar 10th 2009
Nautilus wrote
NP:Dragon Ball Evolution ( Brian Tyler)
A generic main theme (but not so generic as the eagle eye one) and all the secondary motifs and orchestration tricks he used in every single score since Darkness falls (his masterpiece)
I'm looking forward to it then! -
- CommentTimeMar 10th 2009
Went from "Star Trek: Generations" a day ago, to the fantastic Intrada release of "Bill & Ted's Bogus Journey". One of David Newman's best scores, yet his lesser efforts are the ones that sell out faster. Go figure.The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentAuthorAnthony
- CommentTimeMar 10th 2009
Anthony wrote
Nautilus wrote
NP:Dragon Ball Evolution ( Brian Tyler)
A generic main theme (but not so generic as the eagle eye one) and all the secondary motifs and orchestration tricks he used in every single score since Darkness falls (his masterpiece)
I'm looking forward to it then!
I've got this on now...and it's a very difficult listen. It has it's moments, but it's really not particularly good...or interesting. -
- CommentTimeMar 10th 2009
Anthony wrote
Anthony wrote
Nautilus wrote
NP:Dragon Ball Evolution ( Brian Tyler)
A generic main theme (but not so generic as the eagle eye one) and all the secondary motifs and orchestration tricks he used in every single score since Darkness falls (his masterpiece)
I'm looking forward to it then!
I've got this on now...and it's a very difficult listen. It has it's moments, but it's really not particularly good...or interesting.
I like it. -
- CommentAuthorAnthony
- CommentTimeMar 10th 2009
It's weird...there's rock and R&B elements mixed with all this Asian sounding fantasy music. An odd mix. -
- CommentAuthorAnthony
- CommentTimeMar 10th 2009
NP: Fast And The Furious - Tokyo Drift - Brian Tyler
Now we're talking. -
- CommentTimeMar 10th 2009 edited
Steven wrote
Anthony wrote
Anthony wrote
Nautilus wrote
NP:Dragon Ball Evolution ( Brian Tyler)
A generic main theme (but not so generic as the eagle eye one) and all the secondary motifs and orchestration tricks he used in every single score since Darkness falls (his masterpiece)
I'm looking forward to it then!
I've got this on now...and it's a very difficult listen. It has it's moments, but it's really not particularly good...or interesting.
I like it.
Haven't heard it yet but maybe Tyler wasn't the right choice? Dunno, judging by the looks of the movie, i'd certainly go a bit shamefully bananas over a Jablonsky score for it, perhaps.Love Maintitles. It's full of Wanders.