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My compositions
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- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
Erik Woods wrote
sdtom wrote
I would suggest that if he is truly interested he take a class
I can't believe that none of you see this for what it is. What I would give to see Justin's face when we reads all of these comments!
-Erik-
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- CommentAuthorWilliam
- CommentTimeFeb 24th 2009 edited
Well, what can I say? Justin has inspired me to try writing in his vein, so I thought I'd have a go at his style and see what I could come up with. You will note that the silence in the beginning is very reminiscent of what you'd hear on a professional recording, the critical moments of hesitation leading into that first note. Also, I'd like to point out the end note, a C-sharp, which is completely out of the key signature of the work, and is used to create a sense of suspense. And last but not least, I'd like to draw attention to the shortness of this work of genius, something that alludes to the insane amounts of time and effort I put into making this, as well as the many melodic ideas I have managed to pack into such a short amount of time. So, without further ado, here it is:
http://wdbard.googlepages.com/UntitledPiece.mp3
For those who would like to hear some of my other music, please go here. -
- CommentAuthorMartijn
- CommentTimeFeb 24th 2009
Ye're a wee bastard, aren't ye? 'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
Martijn wrote
Ye're a wee bastard, aren't ye?
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- CommentAuthorBregt
- CommentTimeFeb 24th 2009
It's spastic. Not a good start of my evening.Kazoo -
- CommentAuthorAnthony
- CommentTimeFeb 24th 2009
I don't know why, but that last synthesized woodwind (?) note made me burst out laughing.
Bravo William!
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- CommentAuthorErik Woods
- CommentTimeFeb 24th 2009
William wrote
So, without further ado, here it is:
http://wdbard.googlepages.com/UntitledPiece.mp3
For those who would like to hear some of my other music, please go here.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
Anthony wrote
I don't know why, but that last synthesized woodwind (?) note made me burst out laughing.
Bravo William!
Thanks Anthony! And I'm guessing the last note was either a horn or stringed instrument, as I used absolutely NO woodwinds in this music.
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- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
Erik Woods wrote
William wrote
So, without further ado, here it is:
http://wdbard.googlepages.com/UntitledPiece.mp3
For those who would like to hear some of my other music, please go here.
-Erik-
Isn't it awe-inspiring? Makes you want to go try it yourself, hm? Unfortunately, very few possess the expertise in the field of composition needed to pull off such a piece like I have just written. What a shame.
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- CommentAuthorErik Woods
- CommentTimeFeb 24th 2009
Anthony wrote
I don't know why, but that last synthesized woodwind (?) note made me burst out laughing.
Me too. But William totally ripped off Justin Boggan's patented style. Can't you come up with something original. I mean, back in the day at least composers tried to "write" original material. You're just aping a far superior style you hack!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
William wrote
... which is completely out of the key signature of the work...
I just think I should point out that practically every note is "out of the key signature."
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- CommentAuthorPawelStroinski
- CommentTimeFeb 24th 2009
William wrote
Well, what can I say? Justin has inspired me to try writing in his vein, so I thought I'd have a go at his style and see what I could come up with. You will note that the silence in the beginning is very reminiscent of what you'd hear on a professional recording, the critical moments of hesitation leading into that first note. Also, I'd like to point out the end note, a C-sharp, which is completely out of the key signature of the work, and is used to create a sense of suspense. And last but not least, I'd like to draw attention to the shortness of this work of genius, something that alludes to the insane amounts of time and effort I put into making this, as well as the many melodic ideas I have managed to pack into such a short amount of time. So, without further ado, here it is:
http://wdbard.googlepages.com/UntitledPiece.mp3
For those who would like to hear some of my other music, please go here.
Your piece is STILL better than anything Justin has ever written. I actually DO sense a structure and rhythm here
If you take this vein more seriously, you could develop into a nice atonal composer, I'm serious!http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorWilliam
- CommentTimeFeb 24th 2009 edited
Erik Woods wrote
Anthony wrote
I don't know why, but that last synthesized woodwind (?) note made me burst out laughing.
Me too. But William totally ripped off Justin Boggan's patented style. Can't you come up with something original. I mean, back in the day at least composers tried to "write" original material. You're just aping a far superior style you hack!
-Erik-
Ah, you got me.
Sorry; I just wish I could compose as well as Justin. It would seem I have to resort to ripping off his incredible work, as I am nowhere near able to write as well as him on my own.
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- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
PawelStroinski wrote
William wrote
Well, what can I say? Justin has inspired me to try writing in his vein, so I thought I'd have a go at his style and see what I could come up with. You will note that the silence in the beginning is very reminiscent of what you'd hear on a professional recording, the critical moments of hesitation leading into that first note. Also, I'd like to point out the end note, a C-sharp, which is completely out of the key signature of the work, and is used to create a sense of suspense. And last but not least, I'd like to draw attention to the shortness of this work of genius, something that alludes to the insane amounts of time and effort I put into making this, as well as the many melodic ideas I have managed to pack into such a short amount of time. So, without further ado, here it is:
http://wdbard.googlepages.com/UntitledPiece.mp3
For those who would like to hear some of my other music, please go here.
Your piece is STILL better than anything Justin has ever written. I actually DO sense a structure and rhythm here
If you take this vein more seriously, you could develop into a nice atonal composer, I'm serious!
Why, thank you, Pawel! I take that as a very fine compliment, especially seeing as the entire thing was conceived at the tips of my fingers as they chaotically hopped about the keyboard!
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- CommentAuthorThor
- CommentTimeFeb 24th 2009
William wrote
Well, what can I say? Justin has inspired me to try writing in his vein, so I thought I'd have a go at his style and see what I could come up with. You will note that the silence in the beginning is very reminiscent of what you'd hear on a professional recording, the critical moments of hesitation leading into that first note. Also, I'd like to point out the end note, a C-sharp, which is completely out of the key signature of the work, and is used to create a sense of suspense. And last but not least, I'd like to draw attention to the shortness of this work of genius, something that alludes to the insane amounts of time and effort I put into making this, as well as the many melodic ideas I have managed to pack into such a short amount of time. So, without further ado, here it is:
http://wdbard.googlepages.com/UntitledPiece.mp3
For those who would like to hear some of my other music, please go here.
ROFL!!I am extremely serious. -
- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
Thor wrote
William wrote
Well, what can I say? Justin has inspired me to try writing in his vein, so I thought I'd have a go at his style and see what I could come up with. You will note that the silence in the beginning is very reminiscent of what you'd hear on a professional recording, the critical moments of hesitation leading into that first note. Also, I'd like to point out the end note, a C-sharp, which is completely out of the key signature of the work, and is used to create a sense of suspense. And last but not least, I'd like to draw attention to the shortness of this work of genius, something that alludes to the insane amounts of time and effort I put into making this, as well as the many melodic ideas I have managed to pack into such a short amount of time. So, without further ado, here it is:
http://wdbard.googlepages.com/UntitledPiece.mp3
For those who would like to hear some of my other music, please go here.
ROFL!!
Looks like someone appreciates my sense of humor.
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- CommentAuthorPawelStroinski
- CommentTimeFeb 24th 2009
I think only one person won't appreciate your sense of humor here.
[spoiler]Justin.[/spoiler]http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorSouthall
- CommentTimeFeb 24th 2009
I thought you were going to say [spoiler]Koko the clown[/spoiler] -
- CommentAuthorjustin boggan
- CommentTimeFeb 24th 2009
New piece: Upbeat 1:
http://www.youtube.com/watch?v=wD_h6BkiTfEThe views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentAuthorDemetris
- CommentTimeFeb 24th 2009
Southall wrote
I thought you were going to say [spoiler]Koko the clown[/spoiler]
Devil's chicken? no way!Love Maintitles. It's full of Wanders. -
- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
And he doesn't even comment on my work of genius!
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- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
PawelStroinski wrote
I think only one person won't appreciate your sense of humor here.
[spoiler]Justin.[/spoiler]
Uh oh.
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- CommentAuthorPawelStroinski
- CommentTimeFeb 24th 2009
William wrote
And he doesn't even comment on my work of genius!
You are too structured to mimic his ingenious style, man!http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorPawelStroinski
- CommentTimeFeb 24th 2009
Southall wrote
I thought you were going to say [spoiler]Koko the clown[/spoiler]
Is he available on CD?http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
PawelStroinski wrote
William wrote
And he doesn't even comment on my work of genius!
You are too structured to mimic his ingenious style, man!
Ah, darn.
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- CommentAuthorWilliam
- CommentTimeFeb 24th 2009
PawelStroinski wrote
Southall wrote
I thought you were going to say [spoiler]Koko the clown[/spoiler]
Is he available on CD?
Whoever he is, I'd rather buy a CD of him than Justin!
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- CommentAuthorjustin boggan
- CommentTimeFeb 24th 2009
I'm not for sale. Besides, you couldn't afford me if I were.The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentAuthorDemetris
- CommentTimeFeb 24th 2009
justin boggan wrote
I'm not for sale. Besides, you couldn't afford me if I were.
Love Maintitles. It's full of Wanders. -
- CommentAuthorSouthall
- CommentTimeFeb 24th 2009
Christodoulides wrote
Tee-hee! I didn't know any of those existed! -
- CommentAuthorErik Woods
- CommentTimeFeb 24th 2009 edited
Bernard Herrmann's White Witch Doctor doesn't stand a chance! Fucking genius!
Dum Dum Dum Dum Dum Dum! Booolooolooop! Aaaah Ugh! BlooBlooBloooBloooBlooop Aaaah Ugh! Booloooolooop! Aaaah Ugh! BlooBlooBloooBloooBlooop Aaaah Ugh!! BlooBlooBloooBloooBlooop! Aaaah Ugh! Dum Dum Dum Dum Dum Dum Dum Dum!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!