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CD sale/trade

Market Place » CD sale/trade (Posts 1 to 30 of 36)

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      CommentAuthorThor
    • CommentTimeDec 1st 2007 edited
     permalink
    Additional shipping costs vary according to destination and volume.

    Back to the Future II (Alan Silvestri) $20
    Batman Trilogy, the (Elfman/Goldenthal/Hefti, Varese compilation) $6
    Blue Max, the (Jerry Goldsmith, Sony Legacy) $6
    British Years, the (Hans Zimmer comp.) $6
    Captain Corelli's Mandolin (Stephen Warbeck) $6
    Carl Stalling Project, the (Carl Stalling) $6
    Casablanca - Classic Film Music from Humphrey Bogart Films (Various, RCA/Gerhardt) $6
    Death Becomes Her (Alan Silvestri) $6
    E.T. - The Extraterrestrial (John Williams, 20th anniv. edition) $6
    Exit to Eden (Patrick Doyle) $6
    Frankenstein (Patrick Doyle) $6
    Killing Fields, the (Mike Oldfield) $6
    Last Man Standing (Elmer Bernstein, minor scratches on disc surface, but plays fine) $2
    Logan's Run (Jerry Goldsmith, FSM release) $16
    Lord of the Rings (Leonard Rosenman) $6
    Miami Vice (Jan Hammer / various) $6
    Nightmare Before Christmas, the (Danny Elfman) $6
    Ninth Gate, the (Wojciech Kilar, Promo, but same contents as regular release) $6
    Omen, the (Jerry Goldsmith, original Varese release) $6
    Red Violin, the (John Corigliano) $6
    Ricochet (Alan Silvestri) $6
    Rocky (Bill Conti, original EMI release) $6
    Stripper, the / Nick Quarry (Jerry Goldsmith) $13


    OTHER MUSIC:

    Franz Schubert - The Romantic Schubert (Naxos compilation) $5
    Various - Classical Christmas (CD Classics compilation) $5
    Various - Classical Spectacular, vol. 1 (2CD Carlton Classics compilation) $8
    Haydn/Mozart/Schumann - Chamber Music Favourites (Naxos compilation) $5
    Various - The World of Private Music, vol. 2 (New Age compilation) $5
    Manfred Mann's Earthband - The Very Best Of..., vol. 2 (some water damage to the front cover) $2
    10CC - Greatest Hits $4
    Genesis - Calling All Stations $5
    Creedence Clearwater Revival - Chronicle, vol. 2 $5
    Robbie Krieger - No Habla $5
    The Alan Parsons Project - The Very Best of....Live! (1994 live album, European version) $5
    Various - 30 Years of Rock and Fashion (Polygram compilation) $5
    Steppenwolf - Live at 25 (2CD live compilation) $8
    Tony Webb - Dirty Diapers $5


    E-mail is tjhaga at yahoo.com
    •  
      CommentAuthorMartijn
    • CommentTimeDec 1st 2007
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    Snt you an e-mail, Thor.
    Just your friendly neighbourhood disturbance in the Force.
    •  
      CommentAuthorThor
    • CommentTimeDec 3rd 2007
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    List updated.
    • CommentAuthortjguitar
    • CommentTimeJan 6th 2008 edited
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    batman trilogy is still a varese release :P

    and what did Riddle compose? The bonus track was the Neil Hefti theme! wink
    •  
      CommentAuthorBregt
    • CommentTimeJan 6th 2008
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    How is The Player, that Newman score?
    How deep is your fjord?
    •  
      CommentAuthorThor
    • CommentTimeJan 6th 2008
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    tjguitar wrote
    batman trilogy is still a varese release :P

    and what did Riddle compose? The bonus track was the Neil Hefti theme! wink


    Ah yes, VARESE, of course. Will be corrected.

    But actually, Riddle's TV theme is not really a bonus track, it's the last track on the album, nr. 22.
    •  
      CommentAuthorThor
    • CommentTimeJan 6th 2008
     permalink
    Bregt wrote
    How is The Player, that Newman score?


    It's a schizophrenic score that ranges between Newman's quirky mode, some offbeat source cues, one or two dialogue bits/sound effects and a wonderful symphonic ending. Unfortunately, I do not own it anymore, so it has been removed from the list.
    • CommentAuthortjguitar
    • CommentTimeJan 6th 2008
     permalink
    Thor wrote
    tjguitar wrote
    batman trilogy is still a varese release :P

    and what did Riddle compose? The bonus track was the Neil Hefti theme! wink


    Ah yes, VARESE, of course. Will be corrected.

    But actually, Riddle's TV theme is not really a bonus track, it's the last track on the album, nr. 22.



    Its still from Neil Hefti and not Riddle. :P
    •  
      CommentAuthorThor
    • CommentTimeJan 6th 2008 edited
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    Oh God, that's true. I've always....ALWAYS...mixed Nelson Riddle with Neil Hefti, even though they don't necessarily sound very like.
    • CommentAuthortjguitar
    • CommentTimeJan 7th 2008
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    Well, it makes sense cause Nelson Riddle DID compose the score for the 1960's Batman movie that FSM released---and he incorporated Mr. Hefti's theme, I'm sure. smile
    •  
      CommentAuthorThor
    • CommentTimeOct 28th 2008 edited
     permalink
    OK, time to put out some babies on ebay again, this time with new additions:

    http://shop.ebay.com/merchant/soundtrac … omZQQ_mdoZ

    The big collector's item is the GODZILLA 2CD set from LaLaLand, but there are many others as well. Some Goldsmith gems, for example. Low starting bids.

    Here's the list:

    Blue Max, the (Jerry Goldsmith, Sony Legacy)
    Captain Corelli's Mandolin (Stephen Warbeck)
    Casablanca - Classic Film Music from Humphrey Bogart Films (Various, RCA/Gerhardt)
    Devotion (Erich Wolfgang Korngold, Marco Polo)
    Exit to Eden (Patrick Doyle)
    Frankenstein (Patrick Doyle)
    Godzilla (David Arnold, 2CD)
    Haunting, the (Jerry Goldsmith)
    Hollow Man (Jerry Goldsmith)
    Killing Fields, the (Mike Oldfield)
    King Solomon's Mines (Jerry Goldsmith)
    Last Man Standing (Elmer Bernstein, minor scratches on disc surface, but plays fine)
    Lord of the Rings (Leonard Rosenman)
    Mad Max 2: The Road Warrior (Brian May)
    Miami Vice (Jan Hammer / various)
    Ninth Gate, the (Wojciech Kilar, Promo, but same contents as regular release)
    Omen, the (Jerry Goldsmith, original Varese release)
    Party, the / The Great Race (Henry Mancini)
    Pink Panther Strikes Again, the (Henry Mancini)
    Pirates (Philippe Sarde)
    Poltergeist (Jerry Goldsmith)
    Ricochet (Alan Silvestri)
    Rocky (Bill Conti, original EMI release)
    Secret of NIMH, the (Jerry Goldsmith)
    Van Helsing (Alan Silvestri)
    Watcher, the (Marco Beltrami)
    •  
      CommentAuthorAnthony
    • CommentTimeOct 28th 2008
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    Why are you selling Godzilla??? shocked
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 28th 2008
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    Anthony wrote
    Why are you selling Godzilla??? shocked


    Dood, there are a ton of shocked on that list.

    -Erik-
    host and producer of CINEMATIC SOUND | http://www.geocities.com/cinematicsound http://www.geocities.com/cinematicsound/gerhardt | http://www.last.fm/user/cinsoundradio
    •  
      CommentAuthorThor
    • CommentTimeOct 28th 2008 edited
     permalink
    Anthony wrote
    Why are you selling Godzilla??? shocked


    I actually replaced my old promo with this 2CD because I like the score so much. I gave the C&C a chance, in other words. Unfortunately - and predictably - it's a horrible listening experience with that presentation that drains every last drop of pleasure out of my appreciation of the score. So I'm selling it and re-acquiring the promo again (at some point...and if I can find it).
    •  
      CommentAuthorHeeroJF
    • CommentTimeOct 28th 2008
     permalink
    Actually, I feel The Neverending Story II is a nice juicy collector's item, too. I just acquired my own copy a few months ago and had to shell out a good $40 for it. It's quite nice, too.
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
    •  
      CommentAuthorAnthony
    • CommentTimeOct 28th 2008
     permalink
    Thor wrote
    Anthony wrote
    Why are you selling Godzilla??? shocked


    I actually replaced my old promo with this 2CD because I like the score so much. I gave the C&C a chance, in other words. Unfortunately - and predictably - it's a horrible listening experience with that presentation that drains every last drop of pleasure out of my appreciation of the score. So I'm selling it and re-acquiring the promo again (at some point...and if I can find it).


    Wah?


    WAH?!


    shocked
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
    •  
      CommentAuthorThor
    • CommentTimeOct 28th 2008
     permalink
    Well, I thought everyone knew this, but YES, Anthony, I really dislike scores that are presented in complete and chronological order. They usually ruin the listening experience for me, no matter how good the music is.
    • CommentAuthortjguitar
    • CommentTimeOct 28th 2008
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    That doesn't explain Devotion though!
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 29th 2008
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    tjguitar wrote
    That doesn't explain Devotion though!


    Or The Blue Max
    Or the getting rid of a Gerhardt album. <-- This is nuts!
    Or Frankenstein
    Or Poltergeist
    Or The Secret of NIMH
    Or The Neverending Story II

    shocked

    -Erik-
    host and producer of CINEMATIC SOUND | http://www.geocities.com/cinematicsound http://www.geocities.com/cinematicsound/gerhardt | http://www.last.fm/user/cinsoundradio
    • CommentAuthorTimmer
    • CommentTimeOct 29th 2008
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    To each they're own I say.
    BURN THE BUNNY!
    •  
      CommentAuthorsdtom
    • CommentTimeOct 29th 2008
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    I adore that Bogart/Gerhardt Cd
    Thomas smile
    "There is a principle which is a bar against all information, which is proof against all arguments and which can not fail to keep a man in everlasting ignorance... that principle is contempt prior to investigation" Herbert Spencer
    •  
      CommentAuthorAnthony
    • CommentTimeOct 29th 2008
     permalink
    Then why are you selling it? confused
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
    •  
      CommentAuthorMartijn
    • CommentTimeOct 29th 2008
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    Tom and Thor are different persons, Anthony. smile
    Just your friendly neighbourhood disturbance in the Force.
    •  
      CommentAuthorAnthony
    • CommentTimeOct 29th 2008
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    Martijn wrote
    Tom and Thor are different persons, Anthony. smile


    Oh yeah...shut up...I was....testing you... angelic biggrin
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
    •  
      CommentAuthorHeeroJF
    • CommentTimeOct 29th 2008 edited
     permalink
    Erik Woods wrote
    Or the getting rid of a Gerhardt album. <-- This is nuts!

    Actually, "to each their own" is correct, because I would never dream of owning a Gerhardt album, myself. I greatly dislike incomplete scores and compilations, no matter the effort that went into their recording and production.

    Having a score presented in its complete, chronological form however is perfection for me. It may not even be the best listening experience, but it just feels like what's "right" to me. If that makes any sense. I want to get the feeling that a story is being told to me as I listen to it, and having a complete & chronological scheme is the only way I can achieve that fully.
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
    •  
      CommentAuthorSteven
    • CommentTimeOct 29th 2008
     permalink
    HeeroJF wrote
    Erik Woods wrote
    Or the getting rid of a Gerhardt album. <-- This is nuts!

    Actually, "to each their own" is correct, because I would never dream of owning a Gerhardt album, myself. I greatly dislike incomplete scores and compilations, no matter the effort that went into their recording and production.


    You really are missing out on something special then. Music is music; if it's good, listen to it. Why should listening to scores just be about 'complete and chronological'? Granted, I usually prefer listening to score albums too, but compilations are also very enjoyable to listen to - especially if you make a 'Heroes' playlist containing non-stop heroic music. It's awesome. (And of course there's the opposite end of the spectrum with Thor who seems to loathe complete and chronological scores which is just plain nuts.)
    "If something is in me which can be called religious then it is the unbounded admiration for the structure of the world so far as our science can reveal it." - Albert Einstein (24th March 1954)
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      CommentAuthorHeeroJF
    • CommentTimeOct 29th 2008
     permalink
    But fact is: I probably already have all the scores presented on that Gerhardt compilation, so why should I bother?
    ''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me
    •  
      CommentAuthorMartijn
    • CommentTimeOct 29th 2008 edited
     permalink
    To hear a different interpretation.
    It's no different from what Tom said in another thread: it's like owning different versions of the same symphony. For example, I'm glad I have Rozsa's own mind-blowing interpretation of El Cid, but also Tadlow's speaker-blasting version. And some of the finest renditions of Williams' Star Wars themes have not been executed by the maestro himself.

    I'm glad I have laid my hands on some of the Gerhardt CDs as there are some essential ones (where the original score is unavailable or as an original only in a degraded, technically imperfect way). The Casablanca one is a good example. A very fine CD!
    Just your friendly neighbourhood disturbance in the Force.
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 29th 2008
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    •  
      CommentAuthorSteven
    • CommentTimeOct 29th 2008
     permalink
    HeeroJF wrote
    But fact is: I probably already have all the scores presented on that Gerhardt compilation, so why should I bother?


    For the reasons Martijn described. Hearing different interpretations of a particular piece of music is pretty much what the classical world thrives on, so why not film music? Gerhardt's albums are so much more than just cheap cash-in compilation albums. To neglect them simply because you "already have the music" is an injustice to the creativity that went into these recordings!
    "If something is in me which can be called religious then it is the unbounded admiration for the structure of the world so far as our science can reveal it." - Albert Einstein (24th March 1954)
 
 

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