Categories
Vanilla 1.1.4 is a product of Lussumo. More Information: Documentation, Community Support.
[Closed] Now Playing XXXI
-
- CommentTimeAug 5th 2009
DreamTheater wrote
Erik Woods wrote
NP: Drag Me To Hell - Christopher Young
THIS. IS. A. GREAT. HORROR. SCORE!
Highly , HIGHLY recommended!
-Erik-
Okay this I have to hear!! I was just playing The Fly II earlier and that score is just splendid in its atmospherics and use of themes, including a gorgeous main theme statement in 'Dad'. If that new score can just sound a little like that combined with his spectacular Hellraiser writing, I'm totally interested. I think 'The Uninvited' wasn't all that great. Not bad, just nothing hellraising, ahem!
The Fly II is such a massive horror score too! Glad you're liking it, not too many people seem to be mentioning that modern classic anymore!Love Maintitles. It's full of Wanders. -
- CommentTimeAug 5th 2009
Anthony wrote
DRAG ME TO HELL - Christopher Young
I love this! 4 minutes into "Loose Teeth" is probably one of the coolest things I've heard this year. What is making that messed up "groan" sound!?
I read somewhere that it's Chris Young himself.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeAug 5th 2009
BhelPuri wrote
Christodoulides wrote
CARL VINE - the battlers
Quite Delerue-ish / Barry-ish. Love it, sweeping and romantic.
Ooh, interesting. Never heard of it. Where can this be bought?
Maybe here?
http://www.amazon.com/Battlers-Carl-Vine/dp/B000003IYP
http://www.hbdirect.com/album_detail.php?pid=171541Love Maintitles. It's full of Wanders. -
- CommentTimeAug 5th 2009
Suite #1 from Goldsmith's Legend (as edited by Justin). I must say that this is the first I've heard clips from Legend and actually considered buying the score. Most of the music I've heard from it before really turned me off from it, but Justin has selected some nice music to compile together. -
- CommentTimeAug 5th 2009
All the suites will have all the bits I think were good enough to hear from the score; your first judgement might prove correct.
Anyway, I hope you all like the suites. Suite 2 in about an hour.The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentTimeAug 5th 2009
Justin - Yor editing needs a bit of work. You need to find a natural progression between the two pieces you are editing or else the suites really don't hold up as stand alone piece of music... more like a collection of short cues roughly edited together. I'll upload a few of my suites for you all to listen to so you can get an idea of what I'm talking about.
Anyway, Justin, keep practicing... I'm really interested in what you have done here.
-Erik-ehost and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeAug 5th 2009
I had only two things in mind when making the edits in the suites:
1. Does the next part play well after the first (not an jarring, abrupt change in style; continues on the same theme; sound like it "fits" with the feel and emotion of the previous piece)
2. Could be edited together without causing a hugely noticable edit like a couple or so times in my "Eraser" suites.
After this I will move slowly onto "Krull" (that'll be HARD to fit together)
And then maybe ... maybe ... "The Shadow".The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentTimeAug 5th 2009
christopher wrote
Suite #1 from Goldsmith's Legend (as edited by Justin). I must say that this is the first I've heard clips from Legend and actually considered buying the score. Most of the music I've heard from it before really turned me off from it, but Justin has selected some nice music to compile together.
Everyone is different and likes different things, of course - and if I were to edit Legend into what I consider the essential parts, it would be the whole album. One of Goldsmith's most amazing accomplishments, I think (but the one Goldsmith score that divides opinion more than any other, at a guess). -
- CommentTimeAug 5th 2009
DreamTheater wrote
Star Wars: A New Hope (John Williams)
Absolutely horrible! What was Williams taking when he wrote this? The good side is it's not as horrible as his vomit-inducing 'The Empire Strikes Back' or the truly abysmal 'Return of the Jedi'!!!!!
Bloody awful. My first bucket is already full.
The urge to stop playing this is huge !!!!!
One of the worst scores ever !
Justin, are you signing in under someone else's ID? -
- CommentTimeAug 5th 2009
Rambling Rose - Elmer Bernstein
Several of the high number of Bernstein releases in the last few years have been pretty ordinary (with exceptions, of course) but over the last few days I've been going back to the scores that made him one of my favourites, and this is one. What absolutely gorgeous, beautiful music. Nobody else wrote film music with this charm. -
- CommentTimeAug 5th 2009
Erik Woods wrote
Anthony wrote
DRAG ME TO HELL - Christopher Young
I love this! 4 minutes into "Loose Teeth" is probably one of the coolest things I've heard this year. What is making that messed up "groan" sound!?
I read somewhere that it's Chris Young himself.
-Erik-
Okay I listened to it though the melodic stuff is very impressive, classic Young, the ambient stuff is harder to get into... Well of course it is, it's horror
I just mean to say I've got to listen to it a few times to really get the scope of the thing. And on speakers, not on these MP3 in ear-plugs I've heard it through. But I can't say I'll find this better than the melodic shockers he's done in the past.
Southall wrote
Justin, are you signing in under someone else's ID?
I can assure you, sir, that no one else is writing these remarks but my own sick braincells.
And for the record, Star Wars su... uhm, rocks.... Pheewww!!!"considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeAug 5th 2009
NP: my own John Williams playlist
Bliss.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentAuthorTimmer
- CommentTimeAug 6th 2009 edited
^
I hear tale it's better than Justin's Krull edit!?On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorPawelStroinski
- CommentTimeAug 6th 2009
-
- CommentAuthorfranz_conrad
- CommentTimeAug 6th 2009
NP: Stop Loss (John Powell)
Just the last cue. It reminds me of 'Homeless March' from Poledouris's gorgeous AMERIKA.A butterfly thinks therefore I am -
- CommentAuthorTimmer
- CommentTimeAug 6th 2009 edited
NP : New Worlds - David Shire
Excellent track from his score to 2010, seriously good!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeAug 6th 2009
DreamTheater wrote
Star Wars: A New Hope (John Williams)
Absolutely horrible! What was Williams taking when he wrote this? The good side is it's not as horrible as his vomit-inducing 'The Empire Strikes Back' or the truly abysmal 'Return of the Jedi'!!!!!
Bloody awful. My first bucket is already full.
The urge to stop playing this is huge !!!!!
One of the worst scores ever !
Okay, enough with this...
Bad joke of the year.Racism, Prejudices and discrimination exists everywhere. -
- CommentTimeAug 6th 2009
WP: Kung Fu Panda - Hans Zimmer and John Powell
After watching the (terrific) movie, I began to appreciate this one even more. The ethnic material is perfectly used, the emotional cues (especially Oogway Ascends) are lovely and the action music is spot-on. I also love Po's theme and feel it fits the character perfectly. Even the electronics are well used so they don't feel out of place. 4.5 stars from me, lovely score. -
- CommentAuthorMatt C
- CommentTimeAug 6th 2009
NP: In My Sleep - Conrad Pope
Yes, "Drive to Gwen's" is heavily influenced by Pope's work on John Williams' War of the Worlds (as well as Desplat's piano writing in quieter moments). However, there's something hypnotic about it that's distinctly original, particularly in "Main Title Sleepwalking" with the meandering piano, fluttering woodwinds and undulating strings. It's just a beautiful yet delicate and uneasy score.http://unsungfilmscores.blogspot.com/ -- My film/TV/game score review blog -
- CommentAuthorPanthera
- CommentTimeAug 6th 2009 edited
DemonStar wrote
WP: Kung Fu Panda - Hans Zimmer and John Powell
After watching the (terrific) movie, I began to appreciate this one even more. The ethnic material is perfectly used, the emotional cues (especially Oogway Ascends) are lovely and the action music is spot-on. I also love Po's theme and feel it fits the character perfectly. Even the electronics are well used so they don't feel out of place. 4.5 stars from me, lovely score.
It's one of my most played scores. I love the film and the music way more than can be expressed over these forums. I hope Zimmer and Powell return for the sequel! -
- CommentTimeAug 6th 2009
Panthera wrote
I hope Zimmer and Powell return for the sequel!
Ditto! -
- CommentTimeAug 6th 2009
franz_conrad wrote
NP: Stop Loss (John Powell)
Just the last cue. It reminds me of 'Homeless March' from Poledouris's gorgeous AMERIKA.
I thought the whole score was powerful, and definitely overlooked.Love Maintitles. It's full of Wanders. -
- CommentTimeAug 6th 2009
Panthera wrote
DemonStar wrote
WP: Kung Fu Panda - Hans Zimmer and John Powell
After watching the (terrific) movie, I began to appreciate this one even more. The ethnic material is perfectly used, the emotional cues (especially Oogway Ascends) are lovely and the action music is spot-on. I also love Po's theme and feel it fits the character perfectly. Even the electronics are well used so they don't feel out of place. 4.5 stars from me, lovely score.
It's one of my most played scores. I love the film and the music way more than can be expressed over these forums. I hope Zimmer and Powell return for the sequel!
There's a sequel!?! :buckit:Love Maintitles. It's full of Wanders. -
- CommentTimeAug 6th 2009
Coming in 2011, titled Kung Fu Panda: The Kaboom of Doom. -
- CommentTimeAug 6th 2009
NP: Drag Me To Hell - Christopher Young
Wonderful stuff! Young at his best here!
Great fun. Yet quite scary at times!
And here I was thinking such exciting and thematic score music wasn't written anymore!
Well done Mr. Young! -
- CommentTimeAug 6th 2009
Something Wicked This Way Comes (James Horner)
Great sound and good track sequencing can make a world of difference, I'm now enjoying this a whole lot more than the unofficial release (which I hated), but it still doesn't rank as high as his other 1983 epics. The main theme is typical Horner loveliness. Not one I'll put on every week, that's for sure, but it has some good moments."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentAuthorfranz_conrad
- CommentTimeAug 6th 2009
NP: Lover's Prayer (McNeely)
A personal favourite among McNeely's works. Both main themes are gorgeous evocations of a more romantic era of film music, close to the heart of Rachmaninov.A butterfly thinks therefore I am -
- CommentTimeAug 6th 2009
McNeely is SO underused, I wish the man got bigger and better projects... -
- CommentTimeAug 6th 2009 edited
I liked Joel McNeely score for Flipper. It is so sweet and also some of the tracks sounded like of John Williams style. Did anyone have this score?Racism, Prejudices and discrimination exists everywhere. -
- CommentTimeAug 6th 2009 edited
franz_conrad wrote
NP: Lover's Prayer (McNeely)
A personal favourite among McNeely's works. Both main themes are gorgeous evocations of a more romantic era of film music, close to the heart of Rachmaninov.
My favorite McNeely film score.
DemonStar wrote
McNeely is SO underused, I wish the man got bigger and better projects...
You know... with those direct to video Disney sequels McNeely is able to really let loose. Listening to something like Cinderella III or Tinkerbell: The Movie, I don't think he would get away with a "sound" like that THIS if he was scoring a major film. Sad yes, but at least he is working and delivering one gorgeous score after another.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!