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TREVOR RABIN

General Discussions » TREVOR RABIN (Posts 91 to 120 of 203)

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      CommentAuthorSteven
    • CommentTimeDec 24th 2007
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    There were woodwinds in Beverly Hills Cop! tongue
    "If something is in me which can be called religious then it is the unbounded admiration for the structure of the world so far as our science can reveal it." - Albert Einstein (24th March 1954)
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    Eddie Murphy got a woodie in big wind? I can't believe Faltermeyer knows what a woodwind instrument is biggrin
    http://www.filmmusic.pl - Polish Film Music Review Website
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    Finally National Treasure 2 has appeared at the german iTunes store!

    Listening to it right now... oh god, Page 47 is a wet dream for everyone who loved The Village and always wanted to know how it would sound to combine that stuff with RC stuff... extraordinary!
    I have a plan.
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      CommentAuthorRalph Kruhm
    • CommentTimeJan 7th 2008 edited
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    The rest of the score is nice, too. Some new stuff, some known stuff, quite generic in parts. A bit harsh to charge nearly 8 Euro for 22.30 minutes, but, well, I´m an RV addict... Maybe you should just purchase track 1 first and decide then for the rest of the album.
    I have a plan.
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    I am a National Treasure 1 addict, will be certainly getting it. And i am an RV addict as well.....well, sometimes at least :P
    www.scoremagacine.com | http://christodoulides.blogspot.com/ | http://scoremagacine.blogspot.com/
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      CommentAuthorMarselus
    • CommentTimeJan 7th 2008
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    Yes, a rare case in which 22 minutes are more than enough. This cue you mention is the highlight (featured in the end credits of the movie by the way). Another interesting cue is "Spirit of Paris" (I think it´s the first time that Raibn uses an accordion in a score and he does it in a funny way).
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      CommentAuthorLSH
    • CommentTimeJan 8th 2008
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    Ralph Kruhm wrote
    Page 47 is a wet dream for everyone who loved The Village and always wanted to know how it would sound to combine that stuff with RC stuff...


    I can't say that ever crossed my mind lol but, yeah, a very impressive cue nonetheless!

    cool
    I'm not saying I don't trust you and I'm not saying I do. But I don't.
    • CommentAuthordgoldwas
    • CommentTimeJan 23rd 2008
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    Composer Trevor Rabin takes on the spy spoof Get Smart, recording his score at the Eastwood Scoring Stage. He uses the main theme from the hit television series that the film is based on, and ScoringSessions.com has plenty of scoring session pictures for you to enjoy!

    http://www.scoringsessions.com/news/117/
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      CommentAuthorMarselus
    • CommentTimeJan 23rd 2008
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    Nice! Thanks Dan (seems you´ve been busy lately attending scoring sessions).
    • CommentAuthordgoldwas
    • CommentTimeJan 23rd 2008
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    No prob! yeah, there's a lot of sessions going on, and I'm trying to get as much coverage for everyone as I can. (And if you feel so inclined to click the occasional ads on the site, it will help keep me covering them!!) smile Thanks!
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      CommentAuthorAnthony
    • CommentTimeFeb 8th 2008
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    I'm off work in 10 minutes and im going to see National Treasure 2. I hope it's as good as the first as I really, really enjoyed that one.
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
    • CommentAuthorTimmer
    • CommentTimeFeb 8th 2008 edited
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    Tommy_Boy wrote
    It's time I start myself a discussion from a composer who's sound I immediately liked when he first composed Armaggeddon wink

    Later on good cool themes surfaced, and in the end he even went to full orchestral scores, more he even advanced and matured in his style, his greatest sports scores are Remember the Titans and Gridiron Gang, his best orchestral score is Flyboys, and his most fun cool tune is the Launch sequence from Armaggeddon!

    Who else here loves Trevor Rabin? cheesy


    I don't! tongue


    Tommy, all the composer headings are in BOLD CAPITALS, could you change this one to continue that tradition? smile
    BURN THE BUNNY!
    •  
      CommentAuthorAnthony
    • CommentTimeFeb 8th 2008
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    Well NT2 was a massive disssapointment. sad
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
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    Movie-wise or score-wise? 'Cause if you're talking about the first one, what did you expect? wink
    www.scoremagacine.com | http://christodoulides.blogspot.com/ | http://scoremagacine.blogspot.com/
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      CommentAuthorAnthony
    • CommentTimeFeb 8th 2008
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    I loved the first film and the score was one on my favourites of 2004, but the second is pretty bland in both cases.
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
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    Interesting.....i haven't watched neither and i thought the first score was KICK-ASS. Haven't heard the 2nd one though but i'd assume it was actually good?
    www.scoremagacine.com | http://christodoulides.blogspot.com/ | http://scoremagacine.blogspot.com/
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      CommentAuthorAnthony
    • CommentTimeFeb 8th 2008
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    Not really, the second movie is tracking hell - there's hardly any new material in NT2 and everything that is there is just hacked up, re-orchestrated material.
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
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    And what's wrong with that, if you liked the first one?
    www.scoremagacine.com | http://christodoulides.blogspot.com/ | http://scoremagacine.blogspot.com/
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      CommentAuthorAnthony
    • CommentTimeFeb 8th 2008
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    Take a listen and you'll see. It's not like the first one to be honest - it feels hacked up and in places can be very annoying. The first track is quite nice, but the rest is a bit meh.
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
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      CommentAuthorMarselus
    • CommentTimeFeb 9th 2008 edited
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    Anthony wrote
    Take a listen and you'll see. It's not like the first one to be honest - it feels hacked up and in places can be very annoying. The first track is quite nice, but the rest is a bit meh.

    Yeah the first track is nice, but it´s used for the end credits music.
    As for the rest of the score, not that the film deserved more than this.
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    I think its much more coherent and easy going than the first, and a track as the first makes some all the difference wink
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
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      CommentAuthorAnthony
    • CommentTimeFeb 9th 2008
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    NT2 = Bargain Basement Indiana Jones
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
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      CommentAuthorMarselus
    • CommentTimeFeb 9th 2008
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    Anthony wrote
    NT2 = Bargain Basement Indiana Jones

    You are too kind. NT2= trash. Period.
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      CommentAuthorThomas
    • CommentTimeMay 14th 2008
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    GET SMART

    Trevor Rabin has composed the wonderfully exciting score that looks back to the era of the classic television show, cleverly incorporating the famous original theme into his trademark contemporary style.

    Release Date: 06/17/08

    -> http://www.varesesarabande.com/upcoming.asp
    http://hans-zimmer.com | aTunes: GPL audio player and manager - http://atunes.org | http://www.last.fm/user/ScoreListener/
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    Cool a real release for Rabin after all (I'm still waiting for... The Guardian slant )...


    But I'm still in the complete score of Hot Rod... So fun ! punk beer
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      CommentAuthorAnthony
    • CommentTimeMay 14th 2008
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    Sweet, I'm looking forward to the movie. Didn't know Rabin was scoring it. cheesy
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
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    "Trevor Rabin has composed the wonderfully exciting score (...)"





    Varese rolleyes
    www.scoremagacine.com | http://christodoulides.blogspot.com/ | http://scoremagacine.blogspot.com/
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      CommentAuthorAnthony
    • CommentTimeMay 14th 2008
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    What would you put if it was your job to write those things (not necessarily for that score though)?
    www.johnpowellcomposer.com/fourtrombones - The Musical Library Of Lost
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      CommentAuthorbartley
    • CommentTimeMay 14th 2008
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    Anthony wrote
    What would you put if it was your job to write those things (not necessarily for that score though)?

    how 'bout
    Trevor Rabin has done it again.

    (open to interpretation)
 
 

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