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  1. THE EDGE - JERRY GOLDSMITH

    The expanded release which I'm glad has replaced the now somewhat lacking album. A very strong score, strong as Bart the bear in fact. punk
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
  2. NP: I Pugni In Tasca - Ennio Morricone

    Maria Rigel Tonini's haunting Siren-like (not in the emergency services sense) vocals is an immediate hook for this score and it has a quality of drawing the listener in (hence the Siren reference). Morricone's avant-garde tinklings play against this beautiful wordless vocal for a great theme.

    Seeing the film itself, it comes across as a bit of a bleak movie where there's going to be little music.

    Nice to hear something of Morricone's that's something I have not really heard from him before.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    •  
      CommentAuthorErik Woods
    • CommentTimeMay 11th 2012
    Thor wrote
    And TAXI DRIVER for New York.


    For the sleazy side, yes... but I always think of Peter Best's music from Crocodile Dundee to best represent the hustle and bustle of the busy metropolitan.

    -Erik-
    host and producer of CINEMATIC SOUND | www.cinematicsound.net | www.facebook.com/cinematicsound
  3. PRINCESS MONONOKE: SYMPHONIC SUITE - JOE HISAISHI

    This is a very nice album with its share of lovely highlights and grand thematic statements. Recommended if you don't already know it.
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
    •  
      CommentAuthorThor
    • CommentTimeMay 11th 2012 edited
    PawelStroinski wrote

    Except Taxi Driver (and potentially, when it comes to NYC, also On the Waterfront; interestingly that score was heavily referred to in at least a few noir scores for movies taking place in LA), would you have more of those urban soundscape albums you could recommend to me? Preferrably (somehow) LA.


    There are plenty. Check out this article of mine (even if you can't read Norwegian, you'll see the examples and sound clips):

    http://montages.no/2012/01/arven-fra-ta … sikkpoesi/
    •  
      CommentAuthorThor
    • CommentTimeMay 11th 2012
    PawelStroinski wrote
    Hans Zimmer - K2

    A very good and overlooked score. I know this one does have a few spins on this board (namely Timmer likes it). Some really good thematic material and a more epic sound from Hans in the time when he wasn't renowned for having an epic sound. The combination of synthesizers, ethnic instruments (how many synthesized though?) and a full orchestra makes for a well-rounded listen with some of a darker presentation of awe-inspiring nature (the film was dubbed a thriller after all).

    This score is in my collection and it has a nice story to it. Kevin Smith of this very board decided to buy me a score for my birthday 2 years ago and lo and behold one day K2 is what I got. Thanks, Kevin.


    I love that one too, and play it quite often. Also like the long suite concept.
    • CommentAuthorTimmer
    • CommentTimeMay 11th 2012
    DreamTheater wrote
    Timmer wrote
    PawelStroinski wrote
    Just finished:

    James Horner - Braveheart

    Listening to this masterpiece was like revisiting an old friend who I haven't seen for too long a time. Brilliant score.


    Fantastic score to a very fun but seriously flawed film.


    Flawed in what way? All I see are passionate performances and three-dimensional characters, wonderful medieval setting and cinematography, thrilling battle sequences, and a finale to make even the Hulk cry. I think this movie is pretty much perfect, it may not be historically accurate but who cares with such brilliant film making. To make it even better is Horner's work, which I think is the best he has ever done. His score is the pulsating heart of the film.

    Finally, I've never thought of Braveheart as fun !!! confused


    It's the Historical aspect that makes it flawed, it's quite hilarious really but because this film is set so long ago hardly anyone would notice. It's equivalent would be something like all the soldiers in SAVING PRIVATE RYAN wearing American Civil War uniforms and that's just one of many gaffs.

    But like I said, it IS an enjoyable film on a fantasy level and Horner's score is one of my all time favourites.
    who cares if it's tiny? Come on! - Demetris
    •  
      CommentAuthorplindboe
    • CommentTimeMay 12th 2012
    FalkirkBairn wrote
    NP: I Pugni In Tasca - Ennio Morricone

    Maria Rigel Tonini's haunting Siren-like (not in the emergency services sense) vocals is an immediate hook for this score and it has a quality of drawing the listener in (hence the Siren reference). Morricone's avant-garde tinklings play against this beautiful wordless vocal for a great theme.

    Seeing the film itself, it comes across as a bit of a bleak movie where there's going to be little music.

    Nice to hear something of Morricone's that's something I have not really heard from him before.


    I don't enjoy listening to this much, but it's hard to deny the fact that it's an interesting and unique listen.

    Peter smile
    •  
      CommentAuthorThor
    • CommentTimeMay 12th 2012
    NP: HIGHLANDER - THE ORIGINAL SCORES (Kamen/Copeland/Robinson)

    A decent CD. The Kamen is obviously the highlight, especially the soaring main theme. Some highlights in the other scores as well, but also lots of standard action/suspense music that doesn't do much for me.
  4. Thor wrote
    NP: HIGHLANDER - THE ORIGINAL SCORES (Kamen/Copeland/Robinson)

    A decent CD. The Kamen is obviously the highlight, especially the soaring main theme. Some highlights in the other scores as well, but also lots of standard action/suspense music that doesn't do much for me.


    I like the choral pieces in the Robinson score, some epic stuff in there
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
    •  
      CommentAuthorThor
    • CommentTimeMay 12th 2012
    Thomas Glorieux wrote
    Thor wrote
    NP: HIGHLANDER - THE ORIGINAL SCORES (Kamen/Copeland/Robinson)

    A decent CD. The Kamen is obviously the highlight, especially the soaring main theme. Some highlights in the other scores as well, but also lots of standard action/suspense music that doesn't do much for me.


    I like the choral pieces in the Robinson score, some epic stuff in there


    Whatever happend to J. Peter Robinson, by the way?
  5. Hans Zimmer - The House of the Spirits

    I haven't listened to this beautiful and well-rounded orchestral score since I finished my contest script in January, when it was a huge source of inspiration for my writing. One of my favourite early Zimmer scores.
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorThor
    • CommentTimeMay 12th 2012 edited
    Many of the scores you seem to listen to lately are considered contemporary 'classics', Pawel, but there's obviously a reason for that, as they're bloody brilliant, including HOUSE OF THE SPIRITS. You have good taste! smile
    •  
      CommentAuthorThor
    • CommentTimeMay 12th 2012
    NP: DAYS OF THUNDER (Hans Zimmer)

    Great score, with power anthems and groovy bits. Wish it got a proper release some day.
  6. Thor wrote
    Thomas Glorieux wrote
    Thor wrote
    NP: HIGHLANDER - THE ORIGINAL SCORES (Kamen/Copeland/Robinson)

    A decent CD. The Kamen is obviously the highlight, especially the soaring main theme. Some highlights in the other scores as well, but also lots of standard action/suspense music that doesn't do much for me.


    I like the choral pieces in the Robinson score, some epic stuff in there


    Whatever happend to J. Peter Robinson, by the way?


    he's still scoring some films, mostly for director Roger Donaldson (Seeking Justice & The Bank Job), I will remember him for his wonderful effective work on Wes Craven's New Nightmare (aka the last Freddy Krueger movie), some equally epic choral stuff in that movie
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
  7. Thor wrote
    NP: DAYS OF THUNDER (Hans Zimmer)

    Great score, with power anthems and groovy bits. Wish it got a proper release some day.


    yep, the good old Hans Zimmer sound, would love that final race music (which wasn't included on the bootleg)
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
  8. Thor wrote
    Many of the scores you seem to listen to lately are considered contemporary 'classics', Pawel, but there's obviously a reason for that, as they're bloody brilliant, including HOUSE OF THE SPIRITS. You have good taste! smile


    Judging from this forum, this score is sadly overlooked. I think many Zimmer detractors would find a lot to enjoy here though. This one (also K2, actually) features some of the best early orchestrations from a composer who in his early works had struggle writing properly orchestral music. And even this one was done without any influence from Shirley Walker (who allowed some blunders on his earlier works).

    Contemporary classics? How about this one?

    Jerry Goldsmith - Legend

    Beautiful, melodic, awe-inspiringly orchestrated work that while sounds a lot like Goldsmith is probably his most beautifully orchestrated score. Yes, it sounds very impressionistic and has also quite a lot of Romantic idiom. The 70-minute Silva release, which I own since quite recently, is great also because the tracks are usually long, which allows the music to simply flow, which in case of such classically-tingled sound is definitely a big advantage. Also, nice to find a chord progression from Star Trek: The Motion Picture to show in this score, representing probably the awe and beauty (haven't seen the film yet, a very rare instance in case of Ridley Scott), just like it did in the previous score.

    I had a similar observation listening to Rambo 2 recently. A suspenseful chord progression forcefully reappears in Mulan, also denoting suspense (featured very prominently in the film's first scene).
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeMay 12th 2012
    NP : WAR OF THE WORLDS - John Williams



    One of my favourite JW scores from the 00's.
    who cares if it's tiny? Come on! - Demetris
    • CommentAuthorTimmer
    • CommentTimeMay 12th 2012
    PawelStroinski wrote
    Thor wrote
    Many of the scores you seem to listen to lately are considered contemporary 'classics', Pawel, but there's obviously a reason for that, as they're bloody brilliant, including HOUSE OF THE SPIRITS. You have good taste! smile


    Judging from this forum, this score is sadly overlooked. I think many Zimmer detractors would find a lot to enjoy here though. This one (also K2, actually) features some of the best early orchestrations from a composer who in his early works had struggle writing properly orchestral music. And even this one was done without any influence from Shirley Walker (who allowed some blunders on his earlier works).

    Contemporary classics? How about this one?

    Jerry Goldsmith - Legend

    Beautiful, melodic, awe-inspiringly orchestrated work that while sounds a lot like Goldsmith is probably his most beautifully orchestrated score. Yes, it sounds very impressionistic and has also quite a lot of Romantic idiom. The 70-minute Silva release, which I own since quite recently, is great also because the tracks are usually long, which allows the music to simply flow, which in case of such classically-tingled sound is definitely a big advantage. Also, nice to find a chord progression from Star Trek: The Motion Picture to show in this score, representing probably the awe and beauty (haven't seen the film yet, a very rare instance in case of Ridley Scott), just like it did in the previous score.

    I had a similar observation listening to Rambo 2 recently. A suspenseful chord progression forcefully reappears in Mulan, also denoting suspense (featured very prominently in the film's first scene).


    I can't remember if it was you Pawel whom I suggested should give Maurice Ravel's DAPHNIS & CHLOE a listen? Very influetial on this JG score as well as others.
    who cares if it's tiny? Come on! - Demetris
  9. I'll definitely look into Ravel when I'll get back into classical music mood, which hasn't happened for a scarily long time.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeMay 12th 2012
    -10 kudos points for Pawel wink
    who cares if it's tiny? Come on! - Demetris
    • CommentAuthorTimmer
    • CommentTimeMay 12th 2012 edited
    Ray Harryhausen was going to make a purely stop-motion film set to Daphnis Et Chloe, even going so far as to making some creatures, after some minor readjustments his model of a Satyr became a Cyclops for The 7th Voyage of Sinbad.

    Harryhausen also had plans to make a fantasy film set to an original piece to be composed by Bernard Herrmann, what a shame neither project materialised.
    who cares if it's tiny? Come on! - Demetris
  10. Michael Giacchino - Medal of Honor: Frontline

    My favourite of the series. Takes the adventurous sound of the first game scores, just to put it through a more dramatic environment. The new Market Garden theme is plain beautiful, possibly the composer's best theme. And the choral parts are very good. Thanks to Erik I know where the choir sings the names of Giacchino's children and that's a great and sweet touch. GRACE sang in a big action piece is pretty damn effective, I'd say!
    http://www.filmmusic.pl - Polish Film Music Review Website
  11. Just to add - After the Drop is a beautiful piece of music, my personal favourite from the composer.
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorSouthall
    • CommentTimeMay 12th 2012
    Once Upon a Time - Mark Isham

    Hmm. Bit disappointed with this. Very plinky-plonky.
  12. Michal Lorenc - Bandyta

    A great Polish score, many people may know it actually, it's been quite popular both in Poland and outside of the country. Wonderful heartfelt music by one of the best composers we've ever had. He's got a very distinct style too.

    I also heard his score to Prowokator (The Provocateur?) today, another great work of the man, because I bought a cheap twofer in a store today. It features both scores in one package and was very cheap. So I have it now. These are my first two entries of this man's music in my collection.
    http://www.filmmusic.pl - Polish Film Music Review Website
  13. I can't get the Godzilla main theme out my head. I'm trying to see what the best version of it is.
    • CommentAuthorTimmer
    • CommentTimeMay 13th 2012
    I have a few versions and like them all.
    who cares if it's tiny? Come on! - Demetris
  14. I think the very first version is the best, just like the film itself. Akira Ifukube was a master.
    •  
      CommentAuthorErik Woods
    • CommentTimeMay 13th 2012 edited
    Kevin Scarlet wrote
    I can't get the Godzilla main theme out my head. I'm trying to see what the best version of it is.


    Which Godzilla? wink

    -Erik-
    host and producer of CINEMATIC SOUND | www.cinematicsound.net | www.facebook.com/cinematicsound