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      CommentAuthorErik Woods
    • CommentTimeMay 9th 2012
    BSXCD-8909

    Music From The Motion Picture LEGEND

    Music Composed by Tangerine Dream

    Produced and Arranged by Brandon K. Verrett

    $15.95

    Ships 5/21/12


    BUYSOUNDTRAX Records is proud to present a new recording of the score for the 1985 fantasy film, LEGEND, featuring music composed by electronic music pioneers Tangerine Dream (SORCERER, THIEF, RISKY BUSINESS) for the fantasy film directed by Ridley Scott (ALIEN, BLADE RUNNER, THE DUELLISTS), written by William Hjortsberg and starring Tom Cruise, Mia Sara and Tim Curry. Tangerine Dream’s electronic music for the film is presented here in a new recording produced and arranged by composer Brandon K. Verrett.

    LEGEND is a visually stunning fantasy/adventure that takes place in a mythical forest inhabited by fairies, goblins, unicorns and mortals, where an epic battle of Good versus Evil begins to unfold. Tom Cruise plays Jack, a peasant boy in love, perhaps tragically, with the beautiful princess Lili (Mia Sara). Jack and Lili become pawns in a much larger game as the Lord of Darkness (Tim Curry) exploits their relationship to reveal the location of the remaining members of the purest race in the world, the last pair of Unicorns. He dispatches his goblins to kill the Unicorns and claim their horns, so that he may claim their mystical power and bring about an everlasting age of Darkness. Jack finds himself forced to undertake a quest, to save Lili, try to prevent the death of the last Unicorn and defeat the plans of the Lord Of Darkness, or the sun will rise no more.

    The music for LEGEND was a subject of great controversy in 1985. Initially, Ridley Scott had turned to composer Jerry Goldsmith to score the film, which would reunite them after their great success on ALIEN in 1979. Goldsmith responded by writing an enchanting, organic symphonic score emphasizing strings, woodwinds and choir, a score that the composer, the director of the film and many others felt was among Goldsmith’s best work. After a disappointing test screening, studio executives encouraged Ridley Scott to replace the music with something that would be more commercially appealing to the film’s expected youth market. Tangerine Dream had realized great success with their score to RISKY BUSINESS in 1983, another film aimed at the youth market and so they were hired to compose a brand new score for the film.

    Tangerine Dream ultimately composed 80 minutes of music for LEGEND, using 35 different synthesizers, yielding a score that many feel is the group’s finest musical endeavor for film. Despite inevitable comparison between the two scores, the music that Tangerine Dream composed for the film was extremely effective and remains their most lyrical and complex work for films, from the delicate melody for Nell’s Cottage, the hauntingly fragile melody for the Unicorns, the crackling percussive motif for the Goblins and and the pervasive dark synthetic pulses associated with Darkness.

    In the spirit of BSX’s fondness for reinterpreting significant film scores new musical presentations, composer/arranger Brandon K. Verrett has created a new performance of Tangerine Dream’s music for LEGEND, keeping an eye toward respect for their original performances and ear toward the sounds of today’s technology. With this new performance of the LEGEND score, album producer Ford A. Thaxton wanted to bring out the many beautiful elements that existed within Tangerine Dream’s music but could not be realized with the gear used in 1985, taking into account how much technology has changed in 27 years since the music was first recorded and giving it a fresh face, utilizing the modern digital instruments of 2012.

    To prepare for the project, composer Brandon K. Verrett thoroughly studied Tangerine Dream’s complete score. His intention for the new recording was to stay true to the familiar soundtrack performances of the original score but to do so while retaining the freedom to put his own musical stamp on the presentation. According to the composer, “Those who are familiar with the original score will find subtle changes in tempo, musical gestures and timbre. Some of the interpretations may be found to be fairly literal. Other tracks seem to invite more development and exploration and with those tracks, I allowed myself to explore Tangerine Dream’s material and to paraphrase using my own compositional vocabulary.” While the original score was composed largely on synthesizers, this new recording of LEGEND retains the original organic concept of the instrumentation, augmenting it with violin, erhu, piano, guitar, voice, cello and other exotic instruments, carefully molded to bring the music alive. This mindset extended to the songs featured in the film and this new recording of LEGEND also includes new presentations of the classic songs “Loved By The Sun” and “Is Your Love Strong Enough”, featuring the voice of singer Katie Campbell.

    Brandon K. Verrett’s formal musical training began at age 11. After having discovered an interest in composing while in middle and high school, Verrett continued his studies at the University of Lousiana-Monroe, where he received a Bachelor’s degree in theory and composition. He also holds a graduate certificate in Scoring For Motion Pictures And Television from the University Of Southern California. Verrett’s scores have been featured in films for theatrical and television releases and have also premiered in both local and international festivals. In addition to composing, Verrett’s arrangements and orchestrations can be found in films such as PRIEST, DRAG ME TO HELL, UNTRACEABLE, THE INFORMERS and many other films.

    BUYSOUNDTRAX proudly presents LEGEND – MUSIC FROM THE MOTION PICTURE, featuring a new exciting recording of music composed by Tangerine Dream, produced and arranged by Brandon K. Verrett, featuring vocal performances by Katie Campbell. LEGEND – MUSIC FROM THE MOTION PICTURE includes exclusive liner wrotes written by noted author Randall D. Larson, detailing the history of the film’s music and new comments from composer/arranger Brandon K. Verrett related to the development of the project. LEGEND – MUSIC FROM THE MOTION PICTURE also features striking front cover and rear tray artwork produced by noted artist and illustrator Jerry Bingham (BATMAN: SON OF THE DEMON, BEOWULF) that is exclusive to this release.
    LEGEND – MUSIC FROM THE MOTION PICTURE is a limited edition release of 1500 units. The first 100 units ordered from our website will include a booklet signed by composer/arranger Brandon K. Verrett and singer Katie Campbell.

    1. Prologue (2:28)
    2. Opening (3:41)
    3. Cottage (4:15)
    4. Unicorn Theme (4:48)
    5. Goblins (4:48)
    6. Fairies (2:58)
    7. Blue Room (3:58)
    8. The Dance (2:19)
    9. Darkness (3:10)
    10. Kitchen Fight (3:26)
    11. Unicorn Theme Reprise (1:45)
    12. Jack Versus Darkness (3:29)
    13. Unicorn Saga (3:52)
    14. Loved By the Sun (6:27)
    Music: Tangerine Dream
    Lyrics: Jon Anderson
    Performed by Katie Campbell
    15. The Unicorn Song (3:19)
    Adapted from “The Angel” by William Blake
    Performed by Katie Campbell
    16. Is Your Love
    Strong Enough (5:31)
    Music: Tangerine Dream
    Lyrics: Bryan Ferry
    Performed by Katie Campbell
    17. Cottage - Alternate (3:19)
    18. Unicorn Theme
    Alternate (4:42)
    19. Fairies - Alternate (2:50)
    20.Unicorn Saga
    Alternate (4:33)

    Total Time: 74:07

    http://buysoundtrax.stores.yahoo.net/lemufrmopiby.html
    host and producer of CINEMATIC SOUND RADIO | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeMay 9th 2012
    An enjoyable score and album, I'll be getting this CD release.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
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      CommentAuthorThor
    • CommentTimeMay 9th 2012
    Love the score, but am skeptical about recreating such a unique sound. BSX failed with the rerecording of Vangelis' BOUNTY, for example, but from the sound clips above, this doesn't sound half bad.
    I am extremely serious.
  1. I hadn't realised that this was a re-recording. Their recreation of The Thing was excellent - a highlight of last year.

    I am not keen enough for Tangerine Dream to go for this though.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    •  
      CommentAuthorErik Woods
    • CommentTimeMay 9th 2012
    Thor wrote
    Love the score, but am skeptical about recreating such a unique sound. BSX failed with the rerecording of Vangelis' BOUNTY, for example, but from the sound clips above, this doesn't sound half bad.


    I thought BSX's interpretation of BOUNTY sounded fine and they did a brilliant job on their THE THING re-recording last year! I'm looking forward to this release.

    -Erik-
    host and producer of CINEMATIC SOUND RADIO | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  2. I haven't heard the original version of Tangerine Dream's score for Legend but I am liking what I am hearing with the BSX version. In fact, I am finding it much more listenable than Goldsmith's version.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    •  
      CommentAuthorErik Woods
    • CommentTimeMay 15th 2012
    omg
    host and producer of CINEMATIC SOUND RADIO | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  3. I know. But there's just too much about Goldsmith's choices that puts me off most of his score. I just can't listen to his choice of synths in this one: puts me off entire tracks. I would need the editing skills of a skilled music editor to make them listenable. And the vocals too are something I usually want to avoid.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  4. I have a similar feeling as Alan with Legend, the orchestral part is very sweet and magical, but those synths are totally inappropriate for what the orchestral sound establishes. I usually have no problem whatsoever with electronics in the 80s and 90s Goldsmith, but here they sound out of place, I don't know. It's part why I don't return to this score often. But take something like Gremlins and I absolutely welcome the synths, they're part of the overall sound which makes it tremendous fun.
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
  5. For me, I am not sure it has anything to do with appropriateness - I haven't seen the film. There are many examples where Goldsmith melds orchestra and synths and there's many a time where you could question the appropriateness. In mu case, just don't like the sounds that the composer creates with the synths.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
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      CommentAuthorMartijn
    • CommentTimeMay 15th 2012
    I really like both versions (I've ordered the BSX rerecording: I thought the clips were very good!).
    I prefer Goldsmith's far more Romantic approach.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorThor
    • CommentTimeMay 15th 2012
    FalkirkBairn wrote
    I haven't heard the original version of Tangerine Dream's score for Legend but I am liking what I am hearing with the BSX version. In fact, I am finding it much more lisenable than Goldsmith's version.


    I agree. I've always preferred the TD version more, even though there are definite qualities in the JG too (buried beneath not-so-wise decisions).
    I am extremely serious.
    • CommentAuthorTimmer
    • CommentTimeMay 15th 2012
    Martijn wrote
    I really like both versions (I've ordered the BSX rerecording: I thought the clips were very good!).
    I prefer Goldsmith's far more Romantic approach.


    yeah
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorThor
    • CommentTimeMay 21st 2018
    English pocket review of CARGO (Thorsten Quaeschning from Tangerine Dream), by Jon Aanensen:

    http://celluloidtunes.no/cargo-thorsten-quaeschning/
    I am extremely serious.