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[Closed] Now Playing XLVI
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- CommentAuthorErik Woods
- CommentTimeFeb 27th 2014 edited
NP: Medal of Honor - Michael Giacchino
This doesn't sound like Junkie XL, which is a good thing.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorCaptain Future
- CommentTimeFeb 27th 2014
NP: The Reivers (1968) - John Williams
What a lovely score this one is. One of the finest pre-SW-scores for shure.
Someone (Erik?) mentioned that the theme of some recent score bore some resembalce with this one. I can't remember exactly.
VolkerBach's music is vibrant and inspired. -
- CommentAuthorDemetris
- CommentTimeFeb 27th 2014
Captain Future wrote
NP: Rome & Juliet (2013) - Abel Korzeniowsky
Beautiful!
Still, I'd love to hear Horner's score some day.
Volker
Love Abel's score, gorgeous from note 1 to end; have you heard his W.E. and A SINGLE MAN too?Love Maintitles. It's full of Wanders. -
- CommentAuthorErik Woods
- CommentTimeFeb 27th 2014
Captain Future wrote
NP: The Reivers (1968) - John Williams
What a lovely score this one is. One of the finest pre-SW-scores for shure.
Someone (Erik?) mentioned that the theme of some recent score bore some resembalce with this one. I can't remember exactly.
Volker
Such an important and historic score. You should really check out the concert version of this score with narration by Burgess Meredith. It's on a Boston Pops album called Music For Stage and Screen. Actually, you can hear the entire suite at http://www.cinematicsound.net/1963-2/ Right at the end of Part I.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorCaptain Future
- CommentTimeFeb 27th 2014 edited
Demetris:
Nope. The only other one I know is Copernicus' Star. These two score alone have brought AK up front and center to my attention. So I am certianly going to look into his other works.Bach's music is vibrant and inspired. -
- CommentAuthorErik Woods
- CommentTimeFeb 27th 2014
Captain Future wrote
Demetris:
Nope. The only other one I know is Copernicus' Star. These two score alone have brought AK up front and center to my attention. So I am certianly going to look into his other works.
Check out Escape From Tomorrow. http://www.cinematicsound.net/the-best-scores-of-2013/
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorCaptain Future
- CommentTimeFeb 27th 2014
Erik Woods wrote
Captain Future wrote
Demetris:
Nope. The only other one I know is Copernicus' Star. These two score alone have brought AK up front and center to my attention. So I am certianly going to look into his other works.
Check out Escape From Tomorrow. http://www.cinematicsound.net/the-best-scores-of-2013/
-Erik-
Bookmarked! Will do so.
Bach's music is vibrant and inspired. -
- CommentAuthorTimmer
- CommentTimeFeb 27th 2014
Erik Woods wrote
Captain Future wrote
Demetris:
Nope. The only other one I know is Copernicus' Star. These two score alone have brought AK up front and center to my attention. So I am certianly going to look into his other works.
Check out Escape From Tomorrow. http://www.cinematicsound.net/the-best-scores-of-2013/
-Erik-
Now everything is done, dusted and settled I have to say that Escape From Tomorrow was my favourite score from last year.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorErik Woods
- CommentTimeFeb 27th 2014
Timmer wrote
Erik Woods wrote
Captain Future wrote
Demetris:
Nope. The only other one I know is Copernicus' Star. These two score alone have brought AK up front and center to my attention. So I am certianly going to look into his other works.
Check out Escape From Tomorrow. http://www.cinematicsound.net/the-best-scores-of-2013/
-Erik-
Now everything is done, dusted and settled I have to say that Escape From Tomorrow was my favourite score from last year.
host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorCaptain Future
- CommentTimeFeb 27th 2014
Timmer wrote
Erik Woods wrote
Captain Future wrote
Demetris:
Nope. The only other one I know is Copernicus' Star. These two score alone have brought AK up front and center to my attention. So I am certianly going to look into his other works.
Check out Escape From Tomorrow. http://www.cinematicsound.net/the-best-scores-of-2013/
-Erik-
Now everything is done, dusted and settled I have to say that Escape From Tomorrow was my favourite score from last year.
Another bookmark!Bach's music is vibrant and inspired. -
- CommentAuthorDemetris
- CommentTimeFeb 27th 2014
Captain Future wrote
Demetris:
Nope. The only other one I know is Copernicus' Star. These two score alone have brought AK up front and center to my attention. So I am certianly going to look into his other works.
bOY, you're in for a treat my friend!Love Maintitles. It's full of Wanders. -
- CommentAuthorCaptain Future
- CommentTimeFeb 27th 2014 edited
I just saw they sell W/E for 6 € on amazon.de. Instantly bought.
Escape from Tomorrow: Well, I still don't download. But I am going to install spotify this weekend.
I misspelled his name: Abel KorzeniowskiBach's music is vibrant and inspired. -
- CommentAuthorThor
- CommentTimeFeb 27th 2014
Captain Future wrote
NP: The Reivers (1968) - John Williams
What a lovely score this one is. One of the finest pre-SW-scores for shure.
Someone (Erik?) mentioned that the theme of some recent score bore some resembalce with this one. I can't remember exactly.
Volker
We probably wouldn't have had all those classic Spielberg scores if it wasn't for this!I am extremely serious. -
- CommentAuthorlp
- CommentTimeFeb 28th 2014
NP: The Saint - Graeme Revell
I remember watching this movie in the theater and really liking the love theme. So I bought the score, which required some extensive searching. I wish there were more iteration of the love theme, but I'm glad that Mr. Revell included all of them(?). The rest of the score is very good, as good as Graeme's ever done. There were electronics interspersed in, but the majority of the score is well rendered in orchestral instrumentation. -
- CommentAuthorjustin boggan
- CommentTimeFeb 28th 2014
Revell did somewhere over five versions of the love theme, which were not included on the commercial CD.The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentAuthorlp
- CommentTimeFeb 28th 2014 edited
justin boggan wrote
Revell did somewhere over five versions of the love theme, which were not included on the commercial CD.
Now I have another reason to want an Expanded Version of the score. MAKE IT HAPPEN LALALAND, PLEASE!!!!!!
The End Titles/Love Theme Suite is gorgeous. I would love to hear an album of such music. -
- CommentAuthorTimmer
- CommentTimeFeb 28th 2014 edited
lp wrote
NP: The Saint - Graeme Revell
I remember watching this movie in the theater and really liking the love theme. So I bought the score, which required some extensive searching. I wish there were more iteration of the love theme, but I'm glad that Mr. Revell included all of them(?). The rest of the score is very good, as good as Graeme's ever done. There were electronics interspersed in, but the majority of the score is well rendered in orchestral instrumentation.
An excellent score!
lp wrote
Now I have another reason to want an Expanded Version of the score. MAKE IT HAPPEN LALALAND, PLEASE!!!!!!
On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorDemetris
- CommentTimeFeb 28th 2014
Where is Revell these days btw?Love Maintitles. It's full of Wanders. -
- CommentAuthorlp
- CommentTimeFeb 28th 2014
NP: The Blue Max - Jerry Goldsmith
The best part about the score is the action cues. They're highly wound, punchy, intense cues that really grabs the attention and completely overwhelms you. Everything else is gravy. I've heard about 3 versions of this score now, and I will say that the LLLR edition cleans up much of the artifacts and eliminated much of the tinny sound that marred the listening experience. I personally wouldn't mind a re-recording of this score, preferably done by Nic Raine and the City of Prague Philharmonic Symphony Orchestra. -
- CommentAuthorErik Woods
- CommentTimeFeb 28th 2014
lp wrote
I personally wouldn't mind a re-recording of this score, preferably done by Nic Raine and the City of Prague Philharmonic Symphony Orchestra.
Have you heard THIS re-recording?
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorCaptain Future
- CommentTimeFeb 28th 2014
Or this one?
http://www.amazon.de/Jerry-Goldsmith-Ye … +GoldsmithBach's music is vibrant and inspired. -
- CommentAuthorlp
- CommentTimeFeb 28th 2014 edited
Erik Woods wrote
lp wrote
I personally wouldn't mind a re-recording of this score, preferably done by Nic Raine and the City of Prague Philharmonic Symphony Orchestra.
Have you heard THIS re-recording?
-Erik-
NOPE. -
- CommentAuthorErik Woods
- CommentTimeFeb 28th 2014
Same recording, Captain.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorlp
- CommentTimeFeb 28th 2014
Erik Woods wrote
Same recording, Captain.
-Erik-
It does sound much MUCH better. Full bodied, warm sound with a wider dynamic range. However, there isn't the same immediacy that I felt with the dry-er recording. -
- CommentAuthorErik Woods
- CommentTimeFeb 28th 2014
lp wrote
Erik Woods wrote
Same recording, Captain.
-Erik-
It does sound much MUCH better. Full bodied, warm sound with a wider dynamic range. However, there isn't the same immediacy that I felt with the dry-er recording.
Well, you won't get a dry recording with the City of Prague Philharmonic. If you want close miked then Tribute Film Classics would be more suited to your preference of recording.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorCaptain Future
- CommentTimeFeb 28th 2014
Erik Woods wrote
Same recording, Captain.
-Erik-
I see.Bach's music is vibrant and inspired. -
- CommentAuthorlp
- CommentTimeFeb 28th 2014
Erik Woods wrote
lp wrote
Erik Woods wrote
Same recording, Captain.
-Erik-
It does sound much MUCH better. Full bodied, warm sound with a wider dynamic range. However, there isn't the same immediacy that I felt with the dry-er recording.
Well, you won't get a dry recording with the City of Prague Philharmonic. If you want close miked then Tribute Film Classics would be more suited to your preference of recording.
-Erik-
I like the original recording for its sense of urgency, mostly trying to match to the click track. I prefer the brassy vibrant take that Nic Raine has emphasized in the various recordings he's done with the Prague symphony. -
- CommentAuthorThor
- CommentTimeMar 1st 2014 edited
I find THE BLUE MAX to be a grating score. I sold my ol' copy several months ago.I am extremely serious. -
- CommentAuthorTimmer
- CommentTimeMar 1st 2014
Thor wrote
I find THE BLUE MAX to be a grating score. I sold my ol' copy several months ago.
Really!??On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorErik Woods
- CommentTimeMar 1st 2014
Thor wrote
I find THE BLUE MAX to be a grating score. I sold my ol' copy several months ago.
It's time for you to leave. Seriously. Go!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!