register

  • Categories

Vanilla 1.1.4 is a product of Lussumo. More Information: Documentation, Community Support.

 

[Closed] Now Playing XLVI

General Discussions » Now Playing XLVI (Posts 1051 to 1080 of 6016)

  1. <
  2. 1
  3. ...
  4. 32
  5. 33
  6. 34
  7. 35
  8. 36
  9. 37
  10. 38
  11. 39
  12. ...
  13. 201
  14. >
    •  
      CommentAuthorDemetris
    • CommentTimeJan 22nd 2014
    justin boggan wrote
    Demetris wrote
    Thor wrote
    NP: PAIN & GAIN (Steve Jablonsky)

    Turned out this was -- in fact -- one of the best scores of the year!


    Fucking hell man, i want to meet you one day and have a lot of beers with you, i think you will be great in person and i will like you tremendously but man you got some weird stuff going on in your head wink beer kiss punk


    Just remember: when he whips out the fava beans and a nice chianti, it's time to run.


    biggrin

    Thor wrote
    Demetris wrote
    Thor wrote
    NP: PAIN & GAIN (Steve Jablonsky)

    Turned out this was -- in fact -- one of the best scores of the year!


    Fucking hell man, i want to meet you one day and have a lot of beers with you, i think you will be great in person and i will like you tremendously but man you got some weird stuff going on in your head wink beer kiss punk


    Ha, ha...indeed. Then again, everyone who is interested in film music has a lot of "weird stuff going on in the head". :D


    True. true., a bit fudged up in the head we all are, in varying degrees and ways wink
    Love Maintitles. It's full of Wanders.
  2. Thor wrote
    Demetris wrote
    Thor wrote
    NP: PAIN & GAIN (Steve Jablonsky)

    Turned out this was -- in fact -- one of the best scores of the year!


    Fucking hell man, i want to meet you one day and have a lot of beers with you, i think you will be great in person and i will like you tremendously but man you got some weird stuff going on in your head wink beer kiss punk


    Ha, ha...indeed. Then again, everyone who is interested in film music has a lot of "weird stuff going on in the head". :D


    Truer words were seldom spoken. christmas_drunk
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorlp
    • CommentTimeJan 22nd 2014
    Captain Future wrote
    SKYFALL


    Yeah, whenever I hear Skyfall, I think, let's listen to a better Bond score, and then go to Quantum of Solace instead.
    •  
      CommentAuthorErik Woods
    • CommentTimeJan 22nd 2014
    Thor wrote
    NP: PAIN & GAIN (Steve Jablonsky)

    Turned out this was -- in fact -- one of the best scores of the year!


    lol
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorThor
    • CommentTimeJan 22nd 2014
    If you listen to my recent CT episode, you'll find it WHY it is so. Because it is so. Make it so.
    I am extremely serious.
  6. Demetris wrote
    Thor wrote
    NP: PAIN & GAIN (Steve Jablonsky)

    Turned out this was -- in fact -- one of the best scores of the year!


    Fucking hell man, i want to meet you one day and have a lot of beers with you, i think you will be great in person and i will like you tremendously but man you got some weird stuff going on in your head wink beer kiss punk


    I have framed a screen capture of this on my wall and sent a copy to the UN to promote wold peace.
    A butterfly thinks therefore I am
    •  
      CommentAuthorDemetris
    • CommentTimeJan 22nd 2014
    beer biggrin
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJan 23rd 2014 edited
    lp wrote
    Captain Future wrote
    SKYFALL


    Yeah, whenever I hear Skyfall, I think, let's listen to a better Bond score, and then go to Quantum of Solace instead.


    When I hear that score I think, let's listen to a better Thomas Newman score and there are many.

    If I want a great Bond score it's neither by Newman or his superior in Bond scores David Arnold.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorErik Woods
    • CommentTimeJan 23rd 2014 edited
    When I want to listen to a Bond score the first score I think of is Arnold's Casino Royale.... or Tomorrow Never Dies.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeJan 23rd 2014
    Erik Woods wrote
    When I want to listen to a Bond score the first score I think of is Arnold's Casino Royale.... or Tomorrow Never Dies.

    -Erik-


    Most people with inferior taste do!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  11. When I think: What Bond score do I NOT want to listen to?, two names pop into my head, the first being David Arnold.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  12. THE WIND RISES - Joe Hisaishi.

    I guess I just don't like Hisaishi's music. And this doesn't even sound like most of his other Miyazaki scores. This one has that whole Italian sound, but I still don't enjoy it much. It's happened several times now: I hear all this hype, so I seek out a score of his only to be disappointed by it. Everyone gushes about his music generally, and many have been really impressed by this score in particular, but I'm most of the way through it now and I have to say that I do not see what all the fuss is about. It has some nice tracks, sure, but most of it is short tracks without a lot going on. It adds to my frustration that most of his music isn't available cheaply. You can't download it from itunes or listen to it on Spotify. You have to import it from some specialty website or get lucky enough to find the one copy someone is selling on Amazon (which is also rarely inexpensive). Maybe I just need to accept that I don't get much out of his music and not bother in the future...
    • CommentAuthorDavid OC
    • CommentTimeJan 23rd 2014
    The Abyss - Alan Silvestri

    Haven't heard this in years when I was watching the film quite regularly. There are wonderful, rightfully well known, transcendent moments like 'Bud on the Ledge' and the Finale but plenty of uninteresting bits in between. Can't say the expanded edition appeals much.
    https://2020filmsight.wordpress.com https://screenfanaticblog.wordpress.com
  14. David OC wrote
    The Abyss - Alan Silvestri

    Haven't heard this in years when I was watching the film quite regularly. There are wonderful, rightfully well known, transcendent moments like 'Bud on the Ledge' and the Finale but plenty of uninteresting bits in between. Can't say the expanded edition appeals much.


    Au contraire monsieur! I have really come to appreceate those ambient aspects of the score. The make the rousing finale even more compelling. Transcendent is the right word btw. The music has a distinct religious feel about it. Silvestri took some imspiration from Palestrina here I guess.

    Volker
    Bach's music is vibrant and inspired.
  15. Christopher, I didn't particularly enjoy The Wind Rises either.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  16. Playing this morning:

    The Legend of 1900 (1999) - Ennio Morricone
    and
    Les Aventures de David Balfour (1978) - Vladimir Cosma

    Two truly beautiful scores.

    Volker
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorThor
    • CommentTimeJan 23rd 2014
    christopher wrote
    THE WIND RISES - Joe Hisaishi.

    I guess I just don't like Hisaishi's music. And this doesn't even sound like most of his other Miyazaki scores. This one has that whole Italian sound, but I still don't enjoy it much. It's happened several times now: I hear all this hype, so I seek out a score of his only to be disappointed by it. Everyone gushes about his music generally, and many have been really impressed by this score in particular, but I'm most of the way through it now and I have to say that I do not see what all the fuss is about. It has some nice tracks, sure, but most of it is short tracks without a lot going on. It adds to my frustration that most of his music isn't available cheaply. You can't download it from itunes or listen to it on Spotify. You have to import it from some specialty website or get lucky enough to find the one copy someone is selling on Amazon (which is also rarely inexpensive). Maybe I just need to accept that I don't get much out of his music and not bother in the future...


    You're right. It has a very LA VITA E BELLA feel to it, which isn't necessarily my cup of tea. There are some great tracks inbetween, but not enough to make this a Hisaishi favourite for me. That being said, I saw the film during this year's TIFF and thought it was wonderful! An appropriate swan song for Miyazaki.
    I am extremely serious.
    •  
      CommentAuthorSteven
    • CommentTimeJan 23rd 2014
    Timmer wrote
    Erik Woods wrote
    When I want to listen to a Bond score the first score I think of is Arnold's Casino Royale.... or Tomorrow Never Dies.

    -Erik-


    Most people with inferior taste do!


    Die Another Day is the best Bond score. FACT!
    •  
      CommentAuthorDemetris
    • CommentTimeJan 23rd 2014
    Thor wrote
    You're right. It has a very LA VITA E BELLA feel to it, which isn't necessarily my cup of tea.


    Thank God, i thought i was the only one who couldn't stand that movie and score.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorThor
    • CommentTimeJan 23rd 2014
    I love the film; I'm not too keen on the score.
    I am extremely serious.
  21. I basically like both, film and score. Nevertheless I think the score got the Oscar in the wake of it's film. (As it is so often.) Saving Private Ryan and Thin Red Line are clearly superior scores. Hirschfelder's Elizabeth I would see on par with Piovani. Randy Newman's Pleasantville I can't say anything about.

    Volker
    Bach's music is vibrant and inspired.
    • CommentAuthorTimmer
    • CommentTimeJan 23rd 2014
    Steven wrote
    Timmer wrote
    Erik Woods wrote
    When I want to listen to a Bond score the first score I think of is Arnold's Casino Royale.... or Tomorrow Never Dies.

    -Erik-


    Most people with inferior taste do!


    Die Another Day is the best Bond song. FACT!


    ...just because you're in love with Madonna's ropey old buttocks rolleyes
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  23. Timmer wrote
    Steven wrote
    Timmer wrote
    Erik Woods wrote
    When I want to listen to a Bond score the first score I think of is Arnold's Casino Royale.... or Tomorrow Never Dies.

    -Erik-


    Most people with inferior taste do!


    Die Another Day is the best Bond song. FACT!


    ...just because you're in love with Madonna's ropey old buttocks rolleyes

    vomit
  24. NP:
    Alien 3 (1992) - Ellioth Goldenthal

    Great!

    Alien vs. Predator: Requiem (2007) - Brian Tyler

    Hm. This seems to have been a major battle in the loudness war. That score doesn't do very much for me.
    Bach's music is vibrant and inspired.
    • CommentAuthorTimmer
    • CommentTimeJan 23rd 2014
    AVP: R

    What a horrible, nasty earache that score is. I wish I'd never seen the film either.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  26. Stopped listening to AVP: R. Went on to Frizzell's Alien Resurrection (1997).
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorDemetris
    • CommentTimeJan 23rd 2014
    Edmund Meinerts wrote
    Timmer wrote
    Steven wrote
    Timmer wrote
    Erik Woods wrote
    When I want to listen to a Bond score the first score I think of is Arnold's Casino Royale.... or Tomorrow Never Dies.

    -Erik-


    Most people with inferior taste do!


    Die Another Day is the best Bond song. FACT!


    ...just because you're in love with Madonna's ropey old buttocks rolleyes

    vomit


    My sentiments exactly smile
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorEric
    • CommentTimeJan 23rd 2014
    NP : I, Frankenstein - Johnny Klimek, Reinhold Heil & Lisa Gerrard

    First spin ... spin
    "Simplicity is the key to brilliance"
    •  
      CommentAuthorDemetris
    • CommentTimeJan 23rd 2014
    Got some nice cues in it but overall nicht very gut as a score; but the highlights really standout, 3-4 cues.
    Love Maintitles. It's full of Wanders.
  30. Did Gerrard actually do any composing? She's credited on a few cues, but I'm thinking that's probably just because of her voice...

1051 to 1080 of 6016

  1. <
  2. 1
  3. ...
  4. 32
  5. 33
  6. 34
  7. 35
  8. 36
  9. 37
  10. 38
  11. 39
  12. ...
  13. 201
  14. >