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International Film Music Critics Association - Nominations 2007

General Discussions » International Film Music Critics Association - Nominations 2007 (Posts 1 to 15 of 15)

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      CommentAuthorJon Broxton
    • CommentTimeJan 18th 2008 edited
    NOMINATIONS ANNOUNCED FOR THE 4th ANNUAL INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARDS

    January 18, 2008. The International Film Music Critics Association announces their 2007 nominees for excellence in scoring for film and other visual media.

    Alexandre Desplat leads the nominations with seven, including two for Best Score of 2007: Ang Lee's romance drama LUST, CAUTION, and the fantasy adventure THE GOLDEN COMPASS. Dario Marianelli, who recently won the Golden Globe for Best Score for ATONEMENT, is nominated for four awards for the Joe Wright-directed World War II drama. Tied with Marianelli with four nominations is Michael Giacchino, who is up for Best Score for the animated film RATATOUILLE, as well as for his nomination in the newly-formed Best Original Score for a Video Game or Interactive Media category for his MEDAL OF HONOR: AIRBORNE score.

    Other composers with multiple nominations include John Debney (2), David Shire (2), newcomer Fernando Velázquez (2), Christopher Young (2) Aaron Zigman (2) and Hans Zimmer (2).

    Since the focus of the group is international, many films that received nominations have yet to be released in the United States, including Philippe Rombi's score for François Ozon's English language film ANGEL; legendary composer Ennio Morricone's score for Simona Izzo's romantic comedy TUTTE LE DONNE DELLA MIA VITA (ALL THE WOMEN IN MY LIFE); Joe Hisaishi's score for the Korean television series TAE WANG SA SHIN GI (THE STORY OF THE GREAT KING AND THE FOUR GODS), and Jane Antonia Cornish's score for Danish director Nikolaj Arcel's DE FORTABTE SJÆLES Ø (ISLAND OF LOST SOULS), for which she received a Breakthrough Composer nomination.

    The winners will be announced on Friday, 15 February 2008.

    ==================================

    INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION
    2007 Award Nominations

    A - SCORE OF THE YEAR

    * ATONEMENT, music by Dario Marianelli
    * THE GOLDEN COMPASS, music by Alexandre Desplat
    * LUST, CAUTION, music by Alexandre Desplat
    * RATATOUILLE, music by Michael Giacchino
    * ZODIAC, music by David Shire

    B - FILM COMPOSER OF THE YEAR

    * ALEXANDRE DESPLAT
    * MICHAEL GIACCHINO
    * JAMES NEWTON HOWARD
    * MARK ISHAM
    * DARIO MARIANELLI

    C - BREAKTHROUGH COMPOSER OF 2007

    * JANE ANTONIA CORNISH for De Fortabte Sjæles Ø (Island of Lost Souls)
    * ILAN ESHKERI for Stardust
    * JONNY GREENWOOD for There Will Be Blood
    * FERNANDO VELÁZQUEZ for El Orfanato (The Orphanage)
    * CHRISTOPHER WONG for Journey to the Fall

    D - BEST ORIGINAL SCORE FOR A DRAMA FILM

    * ANGEL, music by Philippe Rombi
    * ATONEMENT, music by Dario Marianelli
    * EASTERN PROMISES, music by Howard Shore
    * THE KITE RUNNER, music by Alberto Iglesias
    * LUST, CAUTION, music by Alexandre Desplat

    E - BEST ORIGINAL SCORE FOR A COMEDY FILM

    * ENCHANTED, music by Alan Menken
    * EVAN ALMIGHTY, music by John Debney
    * HOT FUZZ, music by David Arnold
    * REIGN OVER ME, music by Rolfe Kent
    * TUTTE LE DONNE DELLA MIA VITA (ALL THE WOMEN IN MY LIFE), music by Ennio Morricone

    F - BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

    * THE BOURNE ULTIMATUM, music by John Powell
    * GHOST RIDER, music by Christopher Young
    * LIVE FREE OR DIE HARD, music by Marco Beltrami
    * PIRATES OF THE CARIBBEAN: AT WORLD'S END, music by Hans Zimmer
    * SPIDER-MAN 3, music by Christopher Young

    G - BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

    * BRIDGE TO TERABITHIA, music by Aaron Zigman
    * THE GOLDEN COMPASS, music by Alexandre Desplat
    * MR. MAGORIUM'S WONDER EMPORIUM, music by Alexandre Desplat and Aaron Zigman
    * STARDUST, music by Ilan Eshkeri
    * SUNSHINE, music by John Murphy and Underworld

    H - BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

    * EL ORFANATO (THE ORPHANAGE), music by Fernando Velázquez
    * FLOOD, music by Debbie Wiseman
    * I KNOW WHO KILLED ME, music by Joel McNeely
    * SLEUTH, music by Patrick Doyle
    * ZODIAC, music by David Shire

    I - BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

    * BEE MOVIE, music by Rupert Gregson-Williams
    * BEOWULF, music by Alan Silvestri
    * GEDO SENKI (TALES FROM EARTHSEA), music by Tamiya Terajima
    * MEET THE ROBINSONS, music by Danny Elfman
    * RATATOUILLE, music by Michael Giacchino

    J - BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

    * DARFUR NOW, music by Graeme Revell
    * EARTH, music by George Fenton
    * IN THE SHADOW OF THE MOON, music by Philip Sheppard
    * LA PLANÈTE BLANCHE, music by Bruno Coulais
    * LE PREMIER CRI, music by Armand Amar

    K - BEST ORIGINAL SCORE FOR TELEVISION

    * BATTLESTAR GALACTICA [SEASON 3], music by Bear McCreary
    * DOCTOR WHO [SEASON 3], music by Murray Gold
    * LOST [SEASON 3], music by Michael Giacchino
    * TAE WANG SA SHIN GI (THE STORY OF THE GREAT KING AND THE FOUR GODS), music by Joe Hisaishi
    * TIN MAN, music by Simon Boswell

    L - BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

    * BIOSHOCK, music by Garry Schyman
    * CALL OF DUTY 4: MODERN WARFARE, music by Stephen Barton and Harry Gregson-Williams
    * LAIR, music by John Debney
    * MEDAL OF HONOR: AIRBORNE, music by Michael Giacchino
    * WARHAWK, music by Christopher Lennertz

    M - BEST NEW RELEASE/RE-RELEASE/RE-RECORDING OF AN EXISTING SCORE

    * ALIEN, music by Jerry Goldsmith - Douglass Fake, Michael Matessino and Nick Redman (producers)
    * GODZILLA, music by David Arnold - Ford A. Thaxton and David Arnold (producers)
    * THE LORD OF THE RINGS: THE RETURN OF THE KING, music by Howard Shore - Howard Shore, Peter Jackson, Fran Walsh and Paul Broucek (producers)
    * THE PRIVATE LIFE OF SHERLOCK HOLMES, music by Miklós Rózsa - James Fitzpatrick (producer)
    * THE WIND AND THE LION, music by Jerry Goldsmith - Douglass Fake and Lukas Kendall (producers)

    N - BEST FILM MUSIC COMPILATION ALBUM

    * AMAZING STORIES: ANTHOLOGY 3, Douglass Fake (producer)
    * THE KARATE KID BOX SET, Robert Townson and Bill Conti (producers)
    * MAD, MOD & MACABRE: THE RONALD STEIN COLLECTION, Taylor White (producer)
    * MIKLÓS RÓZSA: A CENTENARY CELEBRATION, Robert Townson (producer)
    * THE UNFORGIVEN: CLASSIC WESTERN SCORES FROM UNITED ARTISTS, Lukas Kendall (producer)

    O - FILM MUSIC RECORD LABEL OF THE YEAR

    * FILM SCORE MONTHLY, Lukas Kendall
    * INTRADA, Douglass Fake
    * LA-LA LAND RECORDS, M.V. Gerhard and Matt Verboys
    * MOVIESCORE MEDIA, Mikael Carlsson
    * VARÈSE SARABANDE, Robert Townson

    P - FILM MUSIC COMPOSITION OF THE YEAR

    * "Elegy for Dunkirk" from ATONEMENT, music by Dario Marianelli
    * "Graysmith Obsessed" from ZODIAC, music by David Shire
    * "Last Shift" from LIONS FOR LAMBS, music by Mark Isham
    * "Up Is Down" from PIRATES OF THE CARIBBEAN: AT WORLD’S END, music by Hans Zimmer
    * "Wong Chia Chi’s Theme" from LUST, CAUTION, music by Alexandre Desplat

    ==================================

    The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing about original film and television music. The IFMCA Awards are the only awards given to composers by film music journalists.

    The IFMCA was originally formed in the late 1990s as the Film Music Critics Jury by editor and journalist Mikael Carlsson, a contributor to filmmusicradio.com and filmmusicweekly.com, and the owner of the Swedish film music label MovieScore Media. Since its inception, the IFMCA has grown to comprise 43 members from countries as diverse as Australia, Belgium, Canada, Cyprus, Germany, Greece, Italy, Poland, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America. The IFMCA presented its first awards in 2004.

    The IFMCA strongly feels that a film score's strength lies in the combined impact of two important elements: the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience. As such, the membership votes for the best scores of each year with these two criteria in mind, and strives to recognize scores which excel in both these areas. As an international organization, the IFMCA also makes conscious efforts to celebrate the best film music, not just from mainstream Hollywood productions, but world-wide, wherever it may originate.

    Previous winners of the IFMCA Score of the Year Award include James Newton Howard's LADY IN THE WATER in 2006, John Williams' MEMOIRS OF A GEISHA in 2005 and Michael Giacchino's THE INCREDIBLES in 2004.

    For more information about the International Film Music Critics Association, please visit http://www.filmmusiccritics.org or contact press@filmmusiccritics.org.
    Movie Music UK http://www.moviemusicuk.us
  2. Some punctuation in that post really rubbed this forum up the wrong way. dizzy
    A butterfly thinks therefore I am
  3. I was just thinking that slant
    Movie Music UK http://www.moviemusicuk.us
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      CommentAuthorBobdH
    • CommentTimeJan 18th 2008 edited
    No Assassination of Jesse James in the category Breakthrough Composer, but Stardust instead!? And where's Doyle's As You Like It?? confused

    Nice list, for the rest, though of course I'm not content with everything... With such extensive categories, though, you're bound to see some of your favorites on it.
  5. As You Like It was categorised as a drama score, and that category was a very stiff competition this year.

    I think there was some debate as to whether Assassination of Jesse James was a breakthrough for the Cave/Ellis duo, or whether that came with The Proposition.
    A butterfly thinks therefore I am
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      CommentAuthorBobdH
    • CommentTimeJan 18th 2008 edited
    Ah... right. However, Eshkeri had already composed L4yer Cake and Hannibal Rising as well. Oh well... you could probably argue those were hardly a 'breakthrough'.
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      CommentAuthormoviescore
    • CommentTimeJan 18th 2008
    One oddity is that Mark Isham was nominated for the "Composer of the Year" award without getting any nomination in the different genre categories (although he was nominated for "Film Music Composition of the Year" for that beautiful cue from Lion for Lambs)...

    Otherwise, I have to say that this year's nominations are very inspiring and it's wonderful to see that there are not only US scores on the list!

    mc
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      CommentAuthorBregt
    • CommentTimeJan 18th 2008
    Not all the choices I wished were in there (no 3:10 to Yuma), but with a lot of possible nominees and 43 people, it is a very good list! cool
    Kazoo
  9. It's a very good list indeed.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
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      CommentAuthorBhelPuri
    • CommentTimeJan 19th 2008 edited
    That's a lot of categories but it's a nice list. I'm glad to see Wong and Greenwood on the list of new talents.
    I do like Morricone's Tutti Le Donne... score but it's interesting to see it nominated. I don't remember anything from the other nominees for comedy. Was it a weak field this time?

    Can someone tell more about the Amar and Coulais scores?
  11. Comedy was a bit of a weak field. I think those that stood out were there because there wasn't much to go on that everybody had heard. I thought Graham Tardiff's DR PLONK was rather good (in a Chaplin spirit), but hardly anyone outside Australia has actually seen it.
    A butterfly thinks therefore I am
    • CommentAuthorAnthony
    • CommentTimeJan 21st 2008
    Goldsmith's Alien - was that re-recorded or just re-released?
  13. Re-released. The unused material was recorded. There is also some original session material (for example before adding Echoplex). Some amazing orchestrations in the score.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorAnthony
    • CommentTimeJan 31st 2008
    Echoplex? dizzy What's that?
  15. This is an effect that makes an instrument "echo". Listen to the trumpet parts in Patton. They were put through an echoplex.
    http://www.filmmusic.pl - Polish Film Music Review Website

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