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WILLIAM ROSS
General Discussions » WILLIAM ROSS (Posts 1 to 30 of 31)
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- CommentAuthormoviescore
- CommentTimeJan 19th 2008
This great composer - and orchestrator/conductor of a large number of scores by other composers - has an "inspiring" (I guess) sports movie coming up:
OUR LADY OF VICTORY
http://upcomingfilmscores.blogspot.com/ … ctory.html
Cheers,
mcMikael Carlsson • MovieScore Media -
- CommentAuthorMiya
- CommentTimeJul 2nd 2008 edited
Has anyone heard My Dog Skip? I saw the movie recently, and I loved its score... the main theme is very beautiful and touching. I haven't bought the score album yet, but I requested to add it at StreamingSoundtracks
aka Pridelander / "Everyone deserves the chance to fly." - Wicked The Musical -
- CommentAuthorThomas Glorieux
- CommentTimeJul 2nd 2008
Miya wrote
Has anyone heard My Dog Skip? I saw the movie recently, and I loved its score... the main theme is very beautiful and touching. I haven't bought the score album yet, but I requested to add it at StreamingSoundtracks
it is cute, yet not special. Ross wrote much better material for The Black Stallion!waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorChristodoulides
- CommentTimeJul 2nd 2008
Tommy_Boy wrote
Miya wrote
Has anyone heard My Dog Skip? I saw the movie recently, and I loved its score... the main theme is very beautiful and touching. I haven't bought the score album yet, but I requested to add it at StreamingSoundtracks
it is cute, yet not special. Ross wrote much better material for The Black Stallion!
And where else? (in need of William Ross suggestions) -
- CommentAuthorLSH
- CommentTimeJul 2nd 2008
The Games Of Their Lives
September Dawn
Tuck Everlasting (packed with temp-track influences though)"Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?" Douglas Adams -
- CommentAuthorChristodoulides
- CommentTimeJul 2nd 2008
I have the first 2, never heard of the last one. What temp-track influences are we talking here? -
- CommentAuthorLSH
- CommentTimeJul 2nd 2008
You can notice a lot of Thomas Newman (surprise surprise) and I remember some Last Of The Mohicans rips too."Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?" Douglas Adams -
- CommentAuthorThomas Glorieux
- CommentTimeJul 2nd 2008
Christodoulides wrote
I have the first 2, never heard of the last one. What temp-track influences are we talking here?
indeed Tuck Everlasting is packed with serious temptracks of Last of the Mohicans and The Horse Whisperer, but I can't deny they sound wonderfulwaaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorChristodoulides
- CommentTimeJul 2nd 2008
Doesn't sound too bad
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- CommentAuthorThomas Glorieux
- CommentTimeJul 2nd 2008
trust me, normally I hate temptracks, but it is so lovely done and it chose really great temptracks I don't mind at all
waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorLSH
- CommentTimeJul 2nd 2008 edited
From what I've heard, a lot of Ross' work for Jay Russell is temp-tracked beforehand. There is a cue from Ladder 49 which sounds identical to one from Horner's The Devil's Own."Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?" Douglas Adams -
- CommentAuthorSouthall
- CommentTimeJul 2nd 2008
My Dog Skip is, I believe, subtitled "Variations on Jerry Goldsmith's theme from Rudy"As Carl Orff said to his wife after she gave him cheese sandwiches for the ninth successive day, "O! For tuna" -
- CommentAuthorPawelStroinski
- CommentTimeJul 2nd 2008
Main Title is inspired by Horner, yes. One of the action cues sounds like Silvestri too.http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorLSH
- CommentTimeJul 2nd 2008
I think The Game Of Their Lives is the best score he's done. It's incredibly moving in parts and has a lovely inspirational tone throughout, kind of like Rudy but not a copy of it like you'd expect. I also agree with Thomas - don't let the temp-tracking put you off Tuck Everlasting, it really is a very nice score."Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?" Douglas Adams -
- CommentAuthorThomas Glorieux
- CommentTimeJul 2nd 2008
LSH wrote
I also agree with Thomas - don't let the temp-tracking put you off Tuck Everlasting, it really is a very nice score.
wow, somebody knows my true name over here
waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorErik Woods
- CommentTimeJul 2nd 2008 edited
Tommy_Boy wrote
Miya wrote
Has anyone heard My Dog Skip? I saw the movie recently, and I loved its score... the main theme is very beautiful and touching. I haven't bought the score album yet, but I requested to add it at StreamingSoundtracks
it is cute, yet not special. Ross wrote much better material for The Black Stallion!
IMHO, My Dog Skip is one of the best Ross has done. Young Black Stallion is a temp track lovers dream. I can't stand it!
-Erik-host and producer of CINEMATIC SOUND | http://www.geocities.com/cinematicsound http://www.geocities.com/cinematicsound/gerhardt | http://www.last.fm/user/cinsoundradio -
- CommentAuthorThomas Glorieux
- CommentTimeJul 2nd 2008
Erik Woods wrote
Tommy_Boy wrote
Miya wrote
Has anyone heard My Dog Skip? I saw the movie recently, and I loved its score... the main theme is very beautiful and touching. I haven't bought the score album yet, but I requested to add it at StreamingSoundtracks
it is cute, yet not special. Ross wrote much better material for The Black Stallion!
IMHO, My Dog Skip is one of the best Ross has done. Young Black Stallion is a temp track lovers dream. I can't stand it!
-Erik-
It's indeed Young Black Stallion, but the way he temp tracks Goldsmith's The Mummy is very excitingwaaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorErik Woods
- CommentTimeJul 2nd 2008
Tommy_Boy wrote
It's indeed Young Black Stallion, but the way he temp tracks Goldsmith's The Mummy is very exciting
Aha. Yes, The Mummy. You know where it is even more exciting to hear portions of The Mummy? in THE MUMMY! Temp tracks suck and The Mummy has no business being in Ross' score.
Why is it that director don't want to have an original musical voice for there films anymore? Frustrating!
-Erik-host and producer of CINEMATIC SOUND | http://www.geocities.com/cinematicsound http://www.geocities.com/cinematicsound/gerhardt | http://www.last.fm/user/cinsoundradio -
- CommentAuthorSouthall
- CommentTimeJul 2nd 2008
I'll tell you what - if you've heard a William Ross score and you don't think it's 100% temp track arrangements then that's only because you've never heard the scores he's ripping off.As Carl Orff said to his wife after she gave him cheese sandwiches for the ninth successive day, "O! For tuna" -
- CommentAuthorMiya
- CommentTimeJul 3rd 2008 edited
Southall wrote
I'll tell you what - if you've heard a William Ross score and you don't think it's 100% temp track arrangements then that's only because you've never heard the scores he's ripping off.
That's my case
I started listening to various scores just a few years ago, so there are so many scores I haven't listened out there. They will be pleasures for my rest of life... 
Anyway, temp tracked or not, I think My Dog Skip score was what this kind of movies should have... tearjerking beautiful music (in a good way). I love it
aka Pridelander / "Everyone deserves the chance to fly." - Wicked The Musical -
- CommentAuthorThomas Glorieux
- CommentTimeJul 3rd 2008 edited
Erik Woods wrote
Temp tracks suck.
-Erik-
Then you must really hate a lot of scores
waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorDemonStar
- CommentTimeJul 3rd 2008
I watched the HP and the Chamber of Secrets film and I was surprised to find that a huge many portions from the first score were tracked straight into the CoS film's scenes. I was surprised as to why John Williams to do that, but at that time I did not know that Ross had arranged most of the score
All you Hans Zimmer/Lion King/Disney fans, please take some time to read and sign the following petition to get the complete score of The Lion King released officially - www.petitiononline.com/LIONKING/petition.html Thanks! -
- CommentAuthormoviescore
- CommentTimeAug 2nd 2008
Don't know about you guys, but I wonder if this isn't going to be one of the best scores of 2008:
http://www.impawards.com/2008/tale_of_despereaux.html
mcMikael Carlsson • MovieScore Media -
- CommentAuthorMartijn
- CommentTimeAug 2nd 2008
Why?
Just your friendly neighbourhood disturbance in the Force. -
- CommentAuthormoviescore
- CommentTimeAug 2nd 2008
Because William Ross is one of the most underrated and talented composers, and the film seems to be of the kind that could result in a very inspired, entertaining, beautiful and exciting orchestral score!
That's why!
mcMikael Carlsson • MovieScore Media -
- CommentAuthorMartijn
- CommentTimeAug 2nd 2008
I like Ross'work a lot, but I'm not 100% sure this project would bring out the best in anyone (but heck, I'm just basing my suspicions on a movie poster and the intended release date, so I may easily be proven wrong).
Hmmmm... might there perchance already be a distributor for the score contracted?
A small, independent one in Scandinavia, mayhap?
Just your friendly neighbourhood disturbance in the Force. -
- CommentAuthorChristodoulides
- CommentTimeAug 2nd 2008
Just wanted to say that i've been playing SEPTEMBER DAWN non-stop all week and it's absolutely gorgeous, a very sentimental experience. -
- CommentAuthormoviescore
- CommentTimeAug 2nd 2008
Martijn wroteHmmmm... might there perchance already be a distributor for the score contracted?
A small, independent one in Scandinavia, mayhap?

Hehe. Well, that would have been awesome, but I'm pretty sure one of the major labels will pick this one up... after all it's a Christmas release and it's a major studio behind it, Universal.
mcMikael Carlsson • MovieScore Media -
- CommentAuthorChristodoulides
- CommentTimeNov 2nd 2008
Great, overlooked composer.
I am currently playing his Young Black Stallion which holds up there with MULAN or The Prince of Egypt, brilliantly middle-eastern colored orchestral score, with sweeping strings and bold thematic statements you rarely hear. Lyrical and beautiful, it's so surprising this composer is so little talked about. -
- CommentAuthorjustin boggan
- CommentTimeNov 9th 2008
"The Tale of Despereaux" is recorded.
I had to ask about it, since I am interested in what Ross does. One of the things I specifically asked about is if there was any mickey-mousing, and there is a little.The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
