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[Closed] Now Playing XLVII
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- CommentTimeOct 5th 2014
Southall wrote
Fury - Steven Price
Ah, it's Gravity 2. I like it a lot. Demetris will hate it a lot.
And tell me how this fits a war movie again?Love Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeOct 5th 2014
Demetris wrote
Thor wrote
Once again, Demetris and I are on opposite poles. GRAVITY was -- by far -- the best film of last year, and the score among the Top 3. Especially in the film, but it has grown on me considerably on album too.
Ok this makes 2 people. Thor and Southall (what's happened to Southall btw? he used to have such a good taste )
Sorry D, that makes 3 now!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeOct 5th 2014
Demetris wrote
Southall wrote
Fury - Steven Price
Ah, it's Gravity 2. I like it a lot. Demetris will hate it a lot.
And tell me how this fits a war movie again?
It's extremely claustrophobic, intense, visceral - the intention is to put you in the mind of the soldiers, experiencing an onslaught of pressure and tension. It's a similar approach to Black Hawk Down. -
- CommentAuthorEdmund Meinerts
- CommentTimeOct 5th 2014
And, indeed, Gravity. Claustrophobia, intensity...yeah, I guess it makes sense. Not the sort of approach that makes for an album I'll enjoy, though. -
- CommentTimeOct 5th 2014
Anybody who didn't like Gravity except for the last couple of tracks will most certainly not like this. -
- CommentTimeOct 5th 2014
Demetris wrote
Southall wrote
Fury - Steven Price
Ah, it's Gravity 2. I like it a lot. Demetris will hate it a lot.
And tell me how this fits a war movie again?
How does any score fit any film? -
- CommentAuthorEdmund Meinerts
- CommentTimeOct 5th 2014
I guess D is wondering why a score for a war movie would sound extremely similar to one for a space thriller. It's a fair enough question, I think. -
- CommentTimeOct 5th 2014
Southall wrote
Anybody who didn't like Gravity except for the last couple of tracks will most certainly not like this.
Well that sounds like shit!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeOct 5th 2014
Edmund Meinerts wrote
I guess D is wondering why a score for a war movie would sound extremely similar to one for a space thriller. It's a fair enough question, I think.
I suppose. But the implication is that it couldn't, and it might work very well. There's no rule that a war film, or perhaps more generally any period film should be scored with a symphonic orchestra, even if they tend to lend themselves to that approach. -
- CommentTimeOct 5th 2014
Genre is completely irrelevant anyway.
What matters is how the music adds to the style or approach of the film.I am extremely serious. -
- CommentAuthorEdmund Meinerts
- CommentTimeOct 5th 2014 edited
Right - and I didn't say anything about orchestral vs. not-orchestral. The danger is of Price becoming a one-trick pony very fast, one who doesn't have anything to offer beyond a very specific style of heavily processed, manipulated music. He can't just slather that onto every film and expect it to work - but so far, that's all he has done.
Then again, I haven't heard this score, so I have no idea whose side I'm even arguing. -
- CommentTimeOct 5th 2014 edited
After recently listening to the score of this year´s RoboCop, I must say this is the very first time where I thought that a dark RC-type, ostinato-driven action score was incredibly boring to me. I am used to love this style, but this one was immensely lacking originality. When the only highlight is a short jingle of Poledouris' original theme, you know something went really wrong here.
Hell, if I don´t like a score of this type, something is DAMN wrong here.
Yes, we all know Poledouris is a tough act to follow, but I´m inclined to say that Bates did a better job with the recent Conan remake than the guy who did this one.
The movie, however, was at least trying to do something good and relevant with the story, but had to fail, ultimately, because, let´s be honest, how do you beat Verhoeven if you are not Verhoeven? -
- CommentTimeOct 5th 2014
There's a lot of hate for Captain America 2: Electric Boogaloo, and deservedly so, but I think Robocop is worse. It's loathsome. -
- CommentTimeOct 5th 2014
I really like Winter Soldier. That´s how bad RoboCop is. -
- CommentTimeOct 5th 2014
Ralph Kruhm wrote
Yes, we all know Poledouris is a tough act to follow, but I´m inclined to say that Bates did a better job with the recent Conan remake than the guy who did this one.
Oh, he definitely did. -
- CommentTimeOct 5th 2014
NP: KNIGHTS OF BADASSDOM (Bear McCreary)
The heavy metal meets Irish stuff is fun, but again McCreary presents an album that is too long. This had been really good had it clocked in at 40 minutes or so.I am extremely serious. -
- CommentAuthorEdmund Meinerts
- CommentTimeOct 5th 2014
Southall wrote
Ralph Kruhm wrote
Yes, we all know Poledouris is a tough act to follow, but I´m inclined to say that Bates did a better job with the recent Conan remake than the guy who did this one.
Oh, he definitely did.
You don't still defend that Bates Conan score though, do you? Because it's really rather awful. -
- CommentTimeOct 5th 2014
Edmund Meinerts wrote
Southall wrote
Ralph Kruhm wrote
Yes, we all know Poledouris is a tough act to follow, but I´m inclined to say that Bates did a better job with the recent Conan remake than the guy who did this one.
Oh, he definitely did.
You don't still defend that Bates Conan score though, do you? Because it's really rather awful.
It's better than Robocop, that's all I'm saying. Most things are (except Winter Soldier). -
- CommentTimeOct 5th 2014
I listened to WINTER SOLDIER last night, and it reconfirmed that I like this far better than anyone else, it seems.
I loved ROBOCOP (the film), but don't remember that much from the score.I am extremely serious. -
- CommentTimeOct 5th 2014
I can reconfirm the new Robocop score is terrible, so you may like it. -
- CommentTimeOct 5th 2014 edited
Thor wrote
I listened to WINTER SOLDIER last night, and it reconfirmed that I like this far better than anyone else, it seems.
I really like it, so we´re two. -
- CommentAuthorEdmund Meinerts
- CommentTimeOct 5th 2014
Demetris is with you guys as well, if I recall correctly. So that's three for the insane asylum so far. -
- CommentTimeOct 5th 2014 edited
The world has gone mad. One moment I'm disagreeing vehemently with Demetris, then I'm agreeing. Then it's the same with Steven. Then with Southall etc. etc.
There is no system anymore!
I think we need to talk about Poledouris' CONAN soon -- a score that everyone and their grandmother likes. Just to have some common ground.I am extremely serious. -
- CommentTimeOct 5th 2014
I don't want to talk about that bag of shite with anyone. -
- CommentAuthorEdmund Meinerts
- CommentTimeOct 5th 2014
Thor wrote
The world has gone mad. One moment I'm disagreeing vehemently with Demetris, then I'm agreeing. Then it's the same with Steven. Then with Southall etc. etc.
There is no system anymore!
It's almost like we all have differing tastes or something. Freaky. -
- CommentTimeOct 5th 2014
Thor wrote
The world has gone mad. One moment I'm disagreeing vehemently with Demetris, then I'm agreeing. Then it's the same with Steven. Then with Southall etc. etc.
There is no system anymore!
Did you know I can enjoy 2001: A Space Odyssey purely on its audiovisual merits, divorced from the central story.
Screw the system. -
- CommentTimeOct 5th 2014
It's a madhouse! A MADHOUSE!!!
I am extremely serious. -
- CommentAuthorEdmund Meinerts
- CommentTimeOct 5th 2014
Penny Dreadful - Abel Korzeniowski
Pretty good in parts, but man if it doesn't sail exceptionally close to his Romeo and Juliet score from last year, especially "Street Horse Smell Candle" and "Welcome to the Grand Guignol". If James Horner or any of the RC guys pulled something this blatant, the cries of hackery would be deafening. -
- CommentTimeOct 6th 2014
Southall wrote
Demetris wrote
Southall wrote
Fury - Steven Price
Ah, it's Gravity 2. I like it a lot. Demetris will hate it a lot.
And tell me how this fits a war movie again?
It's extremely claustrophobic, intense, visceral - the intention is to put you in the mind of the soldiers, experiencing an onslaught of pressure and tension. It's a similar approach to Black Hawk Down.
BlackHawk Down was full of themes and varying pieces, not snoozy ambiance. And what was wrong with film score approaches to war films like War of the worlds or Saving private Ryan?Love Maintitles. It's full of Wanders. -
- CommentTimeOct 6th 2014
Edmund Meinerts wrote
Penny Dreadful - Abel Korzeniowski
Pretty good in parts, but man if it doesn't sail exceptionally close to his Romeo and Juliet score from last year, especially "Street Horse Smell Candle" and "Welcome to the Grand Guignol". If James Horner or any of the RC guys pulled something this blatant, the cries of hackery would be deafening.
Penny Dreadful is significantly inferior (inspirational-wise) to his previous works, esp. Romeo and Juliet.Love Maintitles. It's full of Wanders.