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[Closed] Now Playing - Part XXII
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- CommentAuthorFalkirkBairn
- CommentTimeMar 12th 2008
NP: Star Trek: First Contact - Jerry Goldsmith
For some reason this Goldsmith Star Trek score has been absent from my collection. Listening to it now for the first time it's a solid addition to his other Star Trek scores.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorSteven
- CommentTimeMar 12th 2008
franz_conrad wrote
Steven wrote
franz_conrad wrote
Erik Woods wrote
And 110 players on M:I3 wasn't BIG enough for ya?
-Erik-
Too big for me!
The Incredibles was his first score and first big film score.
??
Edit - Ah, you weren't replying to me!
Indeed I wasn't, but I am now. Weird. -
- CommentAuthorSteven
- CommentTimeMar 12th 2008
FalkirkBairn wrote
NP: Star Trek: First Contact - Jerry Goldsmith
For some reason this Goldsmith Star Trek score has been absent from my collection. Listening to it now for the first time it's a solid addition to his other Star Trek scores.
If Carlsberg did film scores... -
- CommentAuthorTimmer
- CommentTimeMar 12th 2008
Steven wrote
FalkirkBairn wrote
NP: Star Trek: First Contact - Jerry Goldsmith
For some reason this Goldsmith Star Trek score has been absent from my collection. Listening to it now for the first time it's a solid addition to his other Star Trek scores.
If Carlsberg did film scores...
It would be THE MOTION PICTURE....not First Contact!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorTimmer
- CommentTimeMar 12th 2008
franz_conrad wrote
Christodoulides wrote
Well, as far as i am concerned, there's not a "too" and a "big" together in the same sentence
This need not concern you then.
Ah the days when film scores weren't ALL 100 plus orchestras
On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorDemetris
- CommentTimeMar 12th 2008
petersv wrote
LSH wrote
NP: Atonement - Dario Marianelli
I just can't get enough of Elegy For Dunkirk - it is one of the most inspirational cues I have heard in the past 12 months, it really touches the soul. I was left dumbfounded the first time I listened to it and it never gives up. It's place in the film and the lyrics of the hymn make it a most poignant experience and it will remain one of my favourite cues from 2007.
I haven't seen the movie yet, but I really enjoy Marianelli's score outside of the film. I'm looking forward to seeing it.
NP: Murder in the First - Christopher Young
Romantic string writing is not something I would normally associate with Young, but there it is. There is some excellent material here, to be sure!
Indeed. It's one of his finest scores to date for sure and the last piece ("16. Redemption (4:08"), the choral is beyond words captivating!
Have you listened to SWEET NOVEMBER btW?Love Maintitles. It's full of Wanders. -
- CommentAuthorErik Woods
- CommentTimeMar 12th 2008 edited
Steven wrote
Ah. What was his first film score then?
All the Michael Giacchino film scores BEFORE The Incredibles.
2003. SIN
2003. String of the Kite
2003. Phenomenon II
2002. Redeption of the Ghost
2001. The Trouble with Lou
2001. Semper Fi
1999. My Brother the Pig
1998. No Salida
1997. Legal Deceit
1995. Buffalo Soldiers
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorDemetris
- CommentTimeMar 12th 2008
How's SIN like?Love Maintitles. It's full of Wanders. -
- CommentAuthorSteven
- CommentTimeMar 12th 2008
Timmer wrote
Steven wrote
FalkirkBairn wrote
NP: Star Trek: First Contact - Jerry Goldsmith
For some reason this Goldsmith Star Trek score has been absent from my collection. Listening to it now for the first time it's a solid addition to his other Star Trek scores.
If Carlsberg did film scores...
It would be THE MOTION PICTURE....not First Contact!
Quite right. First Contact (especially the full score) is still a damn fine score, the second score I ever listened to on CD (after Star Trek Generations). -
- CommentAuthorErik Woods
- CommentTimeMar 12th 2008
NP: The Lost World: Jurassic Park - John Williams
What a rush!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorpetersv
- CommentTimeMar 12th 2008
Christodoulides wrote
petersv wrote
LSH wrote
NP: Atonement - Dario Marianelli
I just can't get enough of Elegy For Dunkirk - it is one of the most inspirational cues I have heard in the past 12 months, it really touches the soul. I was left dumbfounded the first time I listened to it and it never gives up. It's place in the film and the lyrics of the hymn make it a most poignant experience and it will remain one of my favourite cues from 2007.
I haven't seen the movie yet, but I really enjoy Marianelli's score outside of the film. I'm looking forward to seeing it.
NP: Murder in the First - Christopher Young
Romantic string writing is not something I would normally associate with Young, but there it is. There is some excellent material here, to be sure!
Indeed. It's one of his finest scores to date for sure and the last piece ("16. Redemption (4:08"), the choral is beyond words captivating!
Have you listened to SWEET NOVEMBER btW?
No, unfortunatly I haven't. I can't recall hearing anything about it either. What is it like? Is it in a similiar vein? -
- CommentAuthorfranz_conrad
- CommentTimeMar 12th 2008
Indeed. I've come to like it more than the original score album.
A butterfly thinks therefore I am -
- CommentAuthorErik Woods
- CommentTimeMar 12th 2008
franz_conrad wrote
Indeed. I've come to like it more than the original score album.
They are two very different beasts aren't they?
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorfranz_conrad
- CommentTimeMar 12th 2008
Indeed. Much as I like the themes of JURASSIC PARK, the main theme of THE LOST WORLD pretty much guarantees that the action sequences have a bit more 'rumble in the jungle' feel to them, if that makes any sense.A butterfly thinks therefore I am -
- CommentAuthorAnthony
- CommentTimeMar 12th 2008
Christodoulides wrote
How's SIN like?
Drum loops!
You used to be able to download some of the tracks from it on Michael's site. I don't think they are there any more though. It wasn't a highlight.
P.S., Does anyone else prefer the Lost season 1 soundtrack to the season 2 one? -
- CommentAuthorNautilus
- CommentTimeMar 12th 2008
Erik Woods wrote
Christodoulides wrote
No.F.Way
Yes.F.Way!
-Erik-
Agree. It was not love at the first sigh to me with MI3, but it's what every sequel score must be. Enjoy much more this score than his videogame scores.
NP:THe Last Samurai
Did I overrate this score?
I don't know, the love theme and the asian arrengement in some tracks, it seems a little bit simple right now.
And what Zimmer was thinking composing this awful action music?
I don't know...I don't know..
Anyway, it's the most coherent Zimmer score in terms ot Thematic devolopment. -
- CommentAuthorSteven
- CommentTimeMar 12th 2008
Film Works (2 disc) | Joel McNeely
I can see this becoming a favourite much like Bruce Broughton's 2 disc promo "Double Feature". Both promos showcase incredible underrated talent.
Proper film music. (A matter of opinion perhaps, but I stand by it.)
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- CommentAuthorScribe
- CommentTimeMar 12th 2008 edited
NP: The Matrix Reloaded - Don Davis
The cues with Juno Reactor are some of the best orchestra / electronic fusions ever, IMO.
It will be interesting to see if Giacchino gets to do anything like this for Speed Racer. I think he'd be even better at it.I love you all. Never change. Well, unless you want to! -
- CommentAuthorDemetris
- CommentTimeMar 12th 2008
They're very impressive for sure.Love Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeMar 12th 2008
Erik Woods wrote
franz_conrad wrote
Indeed. I've come to like it more than the original score album.
They are two very different beasts aren't they?
-Erik-
What? An extra Tyrannosaur makes it a VERY different beast?
Sorry!
I know exactly what you mean and I too find Lost World the far more enjoyable score, in fact I rarely play the original because it's always this one I want to reach forOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorAnthony
- CommentTimeMar 12th 2008 edited
Christodoulides wrote
They're very impressive for sure.
But Rob Dougan's contribution is still the best.
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- CommentAuthorTimmer
- CommentTimeMar 12th 2008
Steven wrote
Timmer wrote
Steven wrote
FalkirkBairn wrote
NP: Star Trek: First Contact - Jerry Goldsmith
For some reason this Goldsmith Star Trek score has been absent from my collection. Listening to it now for the first time it's a solid addition to his other Star Trek scores.
If Carlsberg did film scores...
It would be THE MOTION PICTURE....not First Contact!
Quite right. First Contact (especially the full score) is still a damn fine score, the second score I ever listened to on CD (after Star Trek Generations).
Yep! The full score to 'Contact' is great isn't it! ( and I thank you for that, though I did know great material was missing from watching the film ).
NP : BRAM STOKER'S DRACULA - Wojchiech Kilar
A great score with a fine album release but missing one superb track from the film.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorScribe
- CommentTimeMar 12th 2008
NP: Battlefield Modern Combat: Rupert Gregson-Williams
A very intense listening experience. It takes a certain mood. And there are so many little motifs that show up once in each track and then dissappear that it takes a lot of listens to get to know it...which I haven't yet.I love you all. Never change. Well, unless you want to! -
- CommentAuthorNautilus
- CommentTimeMar 12th 2008
Scribe wrote
NP: The Matrix Reloaded - Don Davis
The cues with Juno Reactor are some of the best orchestra / electronic fusions ever, IMO.
It will be interesting to see if Giacchino gets to do anything like this for Speed Racer. I think he'd be even better at it.
In my opinion I think the most interesting cues from Matrix Trilogy are the ones with Juno Ractor except for the Matrix theme , wich is quite impressive).
About Speed Racer..being Alias score used in the trailer..you can guess what kind of score will be.
NP:Prince of Egypt
Why ten Commandaments ( I mean the epic conclusion) reminds me so much to the epic ending of Hoist the Colours?
Anyway....The best animation score, if you mix the songs with the score. (Mulan or Secreth of Nimh could be better scores, and Hunchback of Notredame could have the best songs ) -
- CommentAuthorScribe
- CommentTimeMar 12th 2008 edited
Nautilus wrote
Scribe wrote
NP: The Matrix Reloaded - Don Davis
The cues with Juno Reactor are some of the best orchestra / electronic fusions ever, IMO.
It will be interesting to see if Giacchino gets to do anything like this for Speed Racer. I think he'd be even better at it.
In my opinion I think the most interesting cues from Matrix Trilogy are the ones with Juno Ractor except for the Matrix theme , wich is quite impressive).
About Speed Racer..being Alias score used in the trailer..you can guess what kind of score will be.
Yes, and it makes me very excited. I hope there will be enough "emotional" content in the film that it won't become another M:i:III (not that there's anything wrong with said score, its just very intense for very long...)
Nautilus wrote
NP:Prince of Egypt
Why ten Commandaments ( I mean the epic conclusion) reminds me so much to the epic ending of Hoist the Colours?
Anyway....The best animation score, if you mix the songs with the score. (Mulan or Secreth of Nimh could be better scores, and Hunchback of Notredame could have the best songs )
Because it's Zimmer and he writes epic things in similar ways across different films....
And yes...absolutely the best score for an animated movie.
NP: Nanny McPhee - Patrick Doyle.
One of his most charming scores.I love you all. Never change. Well, unless you want to! -
- CommentAuthorMarselus
- CommentTimeMar 12th 2008
Nautilus wrote
NP:Prince of Egypt
Why ten Commandaments ( I mean the epic conclusion) reminds me so much to the epic ending of Hoist the Colours?
I don´t think so...it´s just a "sound" or a "sonority" that "Goodbye Brother" (I assume you´re talking about this cue) reminds you to "Hoist the Colour Suite"?Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorScribe
- CommentTimeMar 12th 2008
Marselus wrote
Nautilus wrote
NP:Prince of Egypt
Why ten Commandaments ( I mean the epic conclusion) reminds me so much to the epic ending of Hoist the Colours?
I don´t think so...it´s just a "sound" or a "sonority" that "Goodbye Brother" (I assume you´re talking about this cue) reminds you to "Hoist the Colour Suite"?
He's talking about a cue that is not on the regular release.I love you all. Never change. Well, unless you want to! -
- CommentAuthorMarselus
- CommentTimeMar 12th 2008
^ And that cue would be?Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorScribe
- CommentTimeMar 12th 2008
It's called "Ten Commandments" on some "releases." I'm not positive, but I think it's the same thing as what I have as a self-made DVD rip of the last two minutes of the film, in which there aren't really any sound effects but a dramatically swelling orchestral conclusion.I love you all. Never change. Well, unless you want to! -
- CommentAuthorMarselus
- CommentTimeMar 12th 2008
Damn bootlegs, always messing around with the track titles
I´ll contact with Jordi, I´m really curious about this "Ten Commandments" - "Hoist the Colours" thing.Anything with an orchestra or with a choir....at some point will reach you