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      CommentAuthorSteven
    • CommentTimeOct 7th 2017
    And I don't have high hopes for a Mark Mothersbaugh score. Then again, I would have said the same about Christophe Beck, so who knows.
  1. NP: The Hills Run Red - Frederik Wiedmann

    Worthwhile score this one. There's more frenetic strings than scares which makes for a better listening experience. Orchestral in style with occasional support from synths.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  2. Powell's X-score is easily better than anything Marvel has gotten to date!
  3. NP: La Maschera del Demonio - Les Baxter

    A brutal score, with blaring brass, lots of unnerving staccato figures and some early electronics too. Sometimes with these earlier scores there's an early emphasis on more melodic, almost romantic music before all the badness happens. Not here. It's brutal from the word go.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
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      CommentAuthorAidabaida
    • CommentTimeOct 8th 2017
    Edmund Meinerts wrote
    Powell's X-score is easily better than anything Marvel has gotten to date!


    this is correct
    Bach's music is heartless and robotic.
  4. NP: Retribution - Alan Howarth

    A synth score that's definitely of its time. Some catchy synth rhythms but it's mostly stuff that doesn't linger in the mind. Being Howarth, there's a lot of sound design elements included in a number of tracks.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    • CommentAuthorTimmer
    • CommentTimeOct 8th 2017
    Edmund Meinerts wrote
    Powell's X-score is easily better than anything Marvel has gotten to date!


    Agree. Love that score. I didn't include it because it's not in Marvel's connected film universe.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeOct 8th 2017
    Steven wrote
    I can't think of any better Marvel scores than Giacchino's, although Ant-Man is pretty much equal in my eyes.


    Oh yes, I forgot to mention Ant-Man, that's a fine score and came left of field.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  5. Clint Mansell - Loving Vincent

    A beautiful, minimalistic score for a beautiful must-watch film. A Polish-UK co-production, this animated film tells of the last days of the life of Vincent van Gogh. As it turns out, they filmed it with actors and then realized that what they really need is to make the film look like van Gogh's paintings. And in that it's really, really beautiful.

    Mansell's score helps building a pleasant, yet very emotional ambience for the film.
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorAidabaida
    • CommentTimeOct 8th 2017
    PawelStroinski wrote
    Clint Mansell - Loving Vincent

    A beautiful, minimalistic score for a beautiful must-watch film. A Polish-UK co-production, this animated film tells of the last days of the life of Vincent van Gogh. As it turns out, they filmed it with actors and then realized that what they really need is to make the film look like van Gogh's paintings. And in that it's really, really beautiful.

    Mansell's score helps building a pleasant, yet very emotional ambience for the film.


    can you really call it 'animated'? Every frame is hand painted. I'd call that "Paint-imated" biggrin
    Bach's music is heartless and robotic.
  6. Animation is about the movement, not the technique. A friend of a friend of mine was one of the painters.
    http://www.filmmusic.pl - Polish Film Music Review Website
  7. Some kind of rotoscope technique?
    Bach's music is vibrant and inspired.
  8. Hand painting, literally. I'll have to find out more. But they did film the whole thing traditionally and realized that it should be animated to maintain Van Gogh's style. So essentially it's one moving painting and yes, it was painted by hand.
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorFalkirkBairn
    • CommentTimeOct 8th 2017 edited
    Here's a piece on the movie - but the video may be restricted to the UK...

    http://www.bbc.co.uk/news/av/41422698/l … inted-film

    And here's a YouTube video: https://youtu.be/eOtwJL4iV8s
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
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      CommentAuthorSteven
    • CommentTimeOct 8th 2017 edited
    Battle Beyond the Stars James Horner

    This is my top pick for a rerecording. This score was also reused in Space Raiders (not the corn-based savoury snack). I guess Corman knew it was good.
  9. If it's hand painted that's about as animated as it gets!
  10. Aidabaida wrote
    Man of Steel

    Majestic, Memorable, Thematic, Intelligent, Complex.


    Not sure how you would describe Williams' take on Superman ?? confused

    The film is the biggest shit I've ever seen.
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
  11. STAR TREK II - Horner

    Now this is majestic, memorable and all those other things that modern scores don't have. cool
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
  12. Majestic - here and there, some noble attempts;
    Memorable - once in a while
    Thematic - yes, has a few themes, including a really bad one (Zod's pseudofanfare)
    Intelligent - actually in the flight cue, yes, very much. And in how the Krypton and Earth themes start with the same four note motif, albeit in different keys (with Earth represented by a major key and Krypton by minor)
    Complex - not at all. In fact, lack of complexity is the score's ultimate downfall.

    Film is truly crap. Makes me wish not to watch any Zack Snyder again.
    http://www.filmmusic.pl - Polish Film Music Review Website
  13. Steven wrote
    Battle Beyond the Stars James Horner

    This is my top pick for a rerecording. This score was also reused in Space Raiders (not the corn-based savoury snack). I guess Corman knew it was good.


    Well, on the BTX album you have a taste of re-recording right there. wink
    Bach's music is vibrant and inspired.
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      CommentAuthorSteven
    • CommentTimeOct 8th 2017
    I do? uhm
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      CommentAuthorAidabaida
    • CommentTimeOct 8th 2017 edited
    DreamTheater wrote

    Not sure how you would describe Williams' take on Superman ?? confused



    even more majestic, memorable, complex, and intelligent? wink

    Complex - not at all. In fact, lack of complexity is the score's ultimate downfall.


    I don't know, I thought so too until I bought the sheet music. Specifically, "Do you Love these People" has a marvelously intricate set of chord progressions and interesting rhythms set against each other.
    Bach's music is heartless and robotic.
  14. Steven wrote
    I do? uhm


    There's the Prague recording of the theme as a bonus track.

    EDIT: There isn't. I added that one myself. tongue
    Bach's music is vibrant and inspired.
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      CommentAuthorSouthall
    • CommentTimeOct 8th 2017
    Lust, Caution Alexandre Desplat

    Wham bam, thank you ma'am: this'll do nicely.
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      CommentAuthorBobdH
    • CommentTimeOct 8th 2017 edited
    BLADE RUNNER 2049 - Benjamin Wallfisch, Hans Zimmer

    Heard it last night for the first time outside of the film, and I'm in two minds about it. First of all, listened to it on bed, in the dark, as per usual, and it didn't bore me for a second. Whereas with most of the scores I listen to nowadays that way I don't make it till the end, I was captivated throughout. It's the kind of experience in which the whole is more than its part - especially during that final half hour I was swept away on the ambient soundwaves.

    But still.

    I love the many references towards Vangelis - but it could've been taken further.
    I understand this doesn't need to be an overt melodic score - but more than just the Mesa theme would've been nice.
    I like how the action material is mercifully not like the cliché'd RC-sound, and I love the rawness - but it could've been better developed.
    I appreciate the added color of the piano - but why not have it lean more towards Vangelis' electronic piano? Why use it so sparingly instead of making the sound an actual thematic construct?
    I understand it had to be different from the original Blade Runner and I love how the film is also its own thing - but I miss the filmnoir elements and synth-blues - but that also could've hurt the transcendental mood this one sets.
    At times it almost feels cheap - other times it's spot on.

    There's some great moments which I wished would've been extended later on - like Flight to LA which combines touches from Vangelis' original with the modern bass and sound - and in general I love the flow of the ambient music, but it also feels underdeveloped. Not so much in terms of thematic development per se, but in exploring the sonic soundscape. They were on the right track, but had to meet a deadline before their work came to its full creative fruition.
  15. NP: When A Stranger Calls - James Dooley

    Listening to this, the track titles are a bit redundant - every track sounds the same so far regardless of what's supposedly happening. Also, Zimmer's The Ring seems to be a major influence for this.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  16. Might be because Dooley did work on The Ring.
    http://www.filmmusic.pl - Polish Film Music Review Website
  17. NP: Cannibal Apocalypse (1980) - Alexander Blonksteiner

    These 80s 'video nasties' had some funky scores! Catchy basslines, disco strings and funky electric guitars dominate here with the barest of hints to any horror. But, it's damn catchy indeed!
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  18. NP: Pupper Master: Axis of Evil (2010) - Richard Band

    Band does a good job at making this an interesting listen. Some of the melodic passages are quite lovely, but there's little to suggest a horror element so far. On the whole the choice of synths and samples is reasonably good.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  19. PawelStroinski wrote
    Might be because Dooley did work on The Ring.

    Yes, that's probably true. But, he should be able to be a bit more inventive and approach a similar need in a different manner?
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn