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  1. justin boggan wrote
    Another update from Tadlow:

    Proposed new recording of complete Duel in the Sun postponed until Feb as supply of music scores rather slower than anticipated. And a lot of study required by Nic as tons of rubato.

    So in its place next month is a Maurice Jarre score I have been obsessed with for 50 years... crazy to do it but what the hell it's only money and only a 98 piece orchestra....well some one has to do it! (just do not tell "she who must be obeyed"


    Well, given that such a re-recording needs to appeal to a broader customer base ...

    - Doctor Zhivago?
    - Judex?
    - The Longest Day?
    Bach's music is vibrant and inspired.
  2. It might be "Is Paris Burning?". An FSM member asked about it and James replied:

    This score meant an awful lot to Maurice..and an awful lot to me.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorMartijn
    • CommentTimeNov 1st 2015
    Now THAT would be an INSTANT buy for me!
    Excellent score, and what's been available so far has been of fairly poor quality!
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  3. Interesting. So far I am completely ignorant of both, film and score.
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorSouthall
    • CommentTimeNov 1st 2015
    James F did actually confirm it's Is Paris Burning? - so no need to speculate...
    •  
      CommentAuthorMartijn
    • CommentTimeNov 1st 2015
    Yay!
    I do hope they include a vocal version of the main theme (although it'd be pretty hard to emulate Mireille Matthieu).
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  4. Southall wrote
    James F did actually confirm it's Is Paris Burning? - so no need to speculate...


    I haven't seem that yet, otherwise I would have noted it. Where is it?
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorSouthall
    • CommentTimeNov 1st 2015
  5. New from Music Box:

    JOSEPHA (1982) • FEMMES DE PERSONNE (1984)
    Two Original Motion Picture Soundtracks
    Music Composed and Conducted by Georges Delerue

    World Premiere CD release. Expanded remastered edition.
    More than 75 minutes of music, including 20 minutes of music never released before.
    8-page CD booklet with French and English liner notes by Sylvain Pfeffer.
    Limited Collector’s Edition.

    Ref: MBR-077
    Release Date: November 4, 2015



    In collaboration with EMI Music Publishing, Alter Films and Colette Delerue, Music Box Records is pleased to present on CD the collaboration between Georges Delerue and director/screenwriter Christopher Frank: Josepha (1982) starring Claude Brasseur, Miou-Miou and Bruno Cremer and Femmes de personne / Nobody's Women (1984) starring Marthe Keller, Jean-Louis Trintignant, Philippe Léotard, Fanny Cottençon, Caroline Cellier and Patrick Chesnais.

    For Josepha, the composer wrote a tormented and serious main theme, recalling the post-romantic atmosphere of Gustav Mahler. Some pieces refer to the more aggressive writing of Andrzej Zulawski’s L’important c’est d’aimer (The Most Important Thing, Love). Georges Delerue also wrote source music for the film such as the salon waltz Valse rococo, the jazz waltz in Josepha et Régis and the combo piece in Ville d’eau.

    For Femmes de personne, the main theme takes the form of a relaxed and somewhat nostalgic ballad played on the vibraphone. On the whole, Georges Delerue creates rich meld of evocative jazz, pop and even electronic music with signature romantic and melancholy orchestral scoring.

    For this brand new edition, Music Box Records presents the expanded and remastered scores for the two films and includes previously unreleased material. The scores have been fully remastered from the original ¼ master tapes which contain the previously issued LP programs. In regard to the unreleased music of Josepha, we had access to all the stereo music elements stored at EMI, in thundering, crystal clear sound. For the unreleased material of Femmes de personne, we used the composer's back-up tapes (the only source available to this day) and did our best to restore and improve the sound. This present edition includes an 8-page booklet with liner notes by Sylvain Pfeffer, discussing the film and the score.

    Now you can enjoy these two expanded scores with precious unreleased music composed by one of the most gifted European composers for movies.



    TRACK LISTING:

    JOSEPHA (19:42)
    1. Thème de Josepha (1:19)
    2. Valse rococo (3:18)
    3. La séparation (2:20)
    4. Josepha et Régis* (1:07)
    5. Le premier pas / L'arme blanche* (1:13)
    6. Le néon au bout de la rue (2:05)
    7. Le petit théâtre* (1:09)
    8. Ville d'eau (2:31)
    9. MacBeth 'Les Sorcières' / Autopsie de Dolorès Starr** (2:11)
    10. Josepha (2:03)

    FEMMES DE PERSONNE (56:34)
    11. Cécile (3:03)
    12. Solitude 1 (2:11)
    13. Porno (3:33)
    14. Coup de fil au labo (1:17)
    15. Danse de la mère (1:53)
    16. Julie* (4:35)
    17. Marc et Julie* (1:11)
    18. Solitude 2 (1:03)
    19. Cornflakes (2:51)
    20. Antoine, Philippe, Marc et Isabelle* (3:04)
    21. Arnaud (2:07)
    22. Je dors chez papa (3:54)
    23. Cécile et Arnaud* (1:38)
    24. Je t'appelle demain au bureau (3:43)
    25. Adeline* (2:42)
    26. Monica (1:41)
    27. Générique de fin (2:42)
    28. Trois heures moins dix (4:02)
    29. Killing Time (4:31)
    30. Disco Cécile* (4:04)

    * previously unreleased
    ** contains unreleased material

    Total Time • 76:18

    For sound clips and available for order, please visit: http://www.musicbox-records.com/en/2433 … sonne.html



    A TALE OF TWO CITIES (1989)
    Original Television Soundtrack
    Music Composed by Serge Franklin
    Performed by Multisinfonietta Orchestra & Budapest Studio Choir
    Conducted by Bernard Gérard

    Expanded remastered edition. Limited Collector’s Edition.
    More than 55 minutes of music, including 5 previously unreleased tracks.
    8-page CD booklet with French and English liner notes by Gérard Dastugue.

    Ref: MBR-080
    Release Date: November 4, 2015



    In collaboration with Universal Publishing Production Music, Music Box Records presents on CD the expanded score from the original television mini-series Philippe Lemonnier's A Tale of Two Cities composed by Serge Franklin in 1989. Franklin and Lemonnier had met in 1984 on the smash success peasant saga Des grives aux loups, and together forged a pathway through the ample and generous stories from the French TV series Bonne espérance, Jalna and L’Enfant des loups.

    Adapted from the 1859 historical novel by Charles Dickens, this tale, set in London and Paris, depicts the tumultuous love two men share for the same woman between 1775 and 1793, during the turbulent times of the French Revolution in 1789. This two-part television drama is based on an essentially British cast (John Mills, James Wilby and Serena Gordon, both appearing also in James Ivory’s Maurice) with the exception of a number of well-known French actors (Jean-Pierre Aumont and Xavier Deluc).

    This epic score is based on three main themes with its strong melodies, and simple yet powerful orchestration: the sweeping main theme with full orchestral and choir, the lyrical and ethereal theme of liberty and the majestic anthem-like theme.

    This expanded edition, fully remastered from the original recording sessions, features 5 previously unreleased tracks and includes an 8-page booklet with liner notes by Gérard Dastugue, discussing the film and the score.



    TRACK LISTING:

    1. A Tale of Two Cities (2:00)
    2. To the Last of Their Race (2:49)
    3. Blueberries, Lilies and Poppies (1:06)
    4. Revolt (1:17)
    5. Poverty Wears Clogs (1:58)
    6. The North Tower (1:16)
    7. The King’s Chocolate (2:20)
    8. Dr. Alexandre Manette* (2:11)
    9. The Carriage of Death (1:23)
    10. Avenging Jacques (2:32)
    11. Eternal Love (2:29)
    12. The Tomb Robbers (1:35)
    13. The Hanging (1:40)
    14. Sum Vita (3:47)
    15. Morning Smile (1:32)
    16. Rats (2:46)
    17. Sad Day (1:06)
    18. A Summer Storm (2:12)
    19. Song of Liberty (1:05)
    20. The Walls of the Bastille (1:18)
    21. The Rights of Man (1:34)
    22. Soft Dreams (1:04)
    23. March of Fate (1:17)
    24. A Story of the French Revolution* (1:33)
    25. The Supposed Evremonde* (0:54)
    26. Those Are My Dead (1:36)
    27. Resurrection (2:23)
    28. Pross vs. Defarge* (1:48)
    29. Sydney Carton’s Choice (2:24)
    30. The Game Made* (0:54)
    31. Season of Light (2:01)

    * previously unreleased

    Total Time • 57:08

    For sound clips and available for order, please visit: http://www.musicbox-records.com/en/2434 … ities.html
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  6. 30 or fewer copies remaining:
    https://www.varesesarabande.com/product … xe-edition
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  7. James Fitzpatrick will record Miklos Rozsa's The Thief of Baghdad next year with the Prague Philharmonics. Great news!

    Volker
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorMartijn
    • CommentTimeNov 11th 2015
    That is FANTASTIC news!
    It'll be lovely to compare this to Rozsa's original suite and the (excellent!) Bernstein rerecording.

    I absolutely adore this film and the soundtrack (admittedly ina large part for sentimental reasons: it was my dear late father's favourite movie).
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  8. justin boggan wrote
    30 or fewer copies remaining:
    https://www.varesesarabande.com/product … xe-edition


    Now sold out.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  9. Today from Intrada: Just when you thought it was safe to put away your wallet...

    Rather this Tuesday, 1 of 4 makes its appearance in a stunning little 2-CD package, featuring a reissue of the of the original MCA album on one disc, with an added selection of source cues from the film. The second disc is remixed and restored from the original 3-track session masters allowing the film tracks to deliver a thrilling punch unlike anything you've heard from this score before, including a bit of unreleased material and alternates.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  10. pom pom-pom pom-pom-pom pom-pom pom-pom pompompompompompompompompom
    Bach's music is vibrant and inspired.
  11. The Varese Sarabande CD Club is back yet again, November 16:

    CD CLUB coming Monday, November 16. No grails or Deluxe Editions this time but a few Encores that have a bit of a connection. See you Monday!




    And a collaborative release from Digitmovies and Beat Records:
    "Digitmovies and Beat Records in association with Gruppo Sugar and with the supervision and friendly assistance of Mrs. Colette Delerue, wife of the composer, proudly present a 3-CD box set featuring six original motion picture soundtracks composed and conducted by Georges Delerue, one of the titanic international names in film music.

    Comme un boomerang (il figlio del gangster): Police movie directed by José Giovanni in 1976 and starring Alain Delon, Carla Gravina and Charles Vanel. A boy accidentally kills a policeman, and his father (Delon), who has a history as a notorious outlaw, tries to save him through legal means, but when things go wrong, the man returns to his old ways. (Features the same program as the original 33 rpm album but from a first generation stereo master.)

    L'incorrigible (L’incorregibile): Comedy directed in 1975 by Philippe De Broca and starring Jean-Paul Belmondo, Genevieve Bujold and Capucine. The adventures of Victor Vauthier, who, fresh out of prison, gets back to “work” immediately.

    Va voir maman, papa travaille (Your turn, my turn): Directed by François Leterrier in 1978 and starring Marlène Jobert, Philippe Leotard, Micheline Presle and Macha Méril. A wife and ideal mother who, while driving her son to the zoo, collides with another car and becomes the lover of the other driver. (The music of L'incorrigible and Va voir maman, papa travaille were already released on CD in complete form by Music Box Records in 2011.)

    Fantômas: Mini-series directed by Claude Chabrol in 1980 and Juan Luis Buñuel and starring Helmut Berger, Jacques Dufilho, Pierre Malet and Gayle Hunnicutt. Franco-German co-production in four episodes of 90 minutes each, created by Bernard Revon based on the eponymous work of Marcel Allain and Pierre Souvestre, produced in 1979 and broadcasted in 1980 by Antenne 2. (All surviving music is included: three previously-unreleased tracks in addition to the main theme and a suite that was previously released on a compilation.)

    We also release for the first time on disc two rarities by Maestro Delerue: Les insulaires, a TV movie directed in 1979 by Gilles Grangier and starring Jacques Dufilho, Odette Laure and Fabrice Eberhard, and Banlieue Sud-est, a TV series in three episodes based on the novel by Rene Fallet, directed in 1977 by Gilles Grangier and starring Paul Le Person, Maurice Biraud, Marie Lubin and Christopher Beaunay. From August 1939 to June 1944, life in Villeneuve-Saint-Georges, a suburb southeast of Paris in the village of Auvergne, brings first love, friendship, family drama and political concerns.

    In pre-production for over two years and scrutinized in every detail, GEORGES DELERUE FILM MUSIC COLLECTION was a labor of love for the two record labels involved, In celebration of the 90th year since his birth, it’s an important appointment with the discography of the iconic French composer. Full of poetry and art, it’s a vibrant, melodic tribute to the fabulous school beyond the Alps of which the great Maestro is the leader.

    Digital remastering and liner notes by Claudio Fuiano, 12-page color booklet designed by Alessio Iannuzzi. Project supervised by Colette Delerue."

    3 discs box set - 70 brani (28 brani inediti) - durata totale: 163:27
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  12. New from Quartet Records:

    THE STATUE
    Music Composed and Conducted by Riz Ortolani
    Limited edition of 350 units



    Quartet Records presents the premiere release of great Riz Ortolani comedy gem!. Directed by Rod Amateau in 1971, starring David Niven, Virna Lisi, Robert Vaughn and John Cleese.

    Based on the play of Australian playwright Alex Coppel, The Statue tells the story of Alex Bolt (Niven), a British linguist whose development of a universal language makes him an international sensation and the recipient of a Nobel prize. Ambitious diplomat Roy Whiteley commissions Bolt’s wife to sculpt a statue of her husband which can be erected at a London square, but the 18-foot nude of the linguist poses a special challenge...

    The score of The Statue is a breezy affair spearheaded by its title song "Charlie" whose instrumental version opens the CD. The insane globetrotting affair is augmented by similarly colorful cues, making this score Riz Ortolani's It's a Mad, Mad, Mad, Mad World. Highlights include Alex’s futile attempts at taking a few photos during a boat trip (Seq. 4) and the Zorba-inspired sirtaki cue for our hero’s trip to the Meteora monasteries in Greece (Seq. 7).

    This albums marks the first ever release of this short but catchy score, containing the album mock-up prepared by Maestro Ortolani himself in 1971, but it had finally never released. Mastered by Claudio Fuiano from the stereo album tapes, courtesy of The Riz Ortolani Estate, with a pristine sound. The 8-page full color booklet features liner notes by Gergely Hubai discussing the film and the score.

    This album is now on stock. For order, more info and listen audio samples, please visit www.quartetrecords.com



    LA LUNGA NOTTE DEL '43
    Music Composed by Carlo Rustichelli
    Conducted by Pierluigi Urbini
    Limited edition of 350 units



    Quartet Records and Gruppo Sugar presents the premiere release of Carlo Rustichelli’s (L’isola di Arturo, Avanti!, Delitto d’amore) dramatic score for the Italian black & white classic La Lunga Notte del’43, directed by Florestano Vancini in 1960, starring Belinda Lee, Gabrielle Ferzetti and Enrico Maria Salerno.

    Featuring real events in the backdrop of the love story, La lunga notte del '43 begins in Ferrara at a time when the war is already lost, but the Fascists still hold on to their power. Pharmacist Pino Barilari (Salerno) has been crippled by a disease and is taken care of by his wife Anna (Lee). The woman sticks by his side faithfully but without love – at least until she meets Mario (Ferzetti), a former suitor/army deserter who wants to rekindle the old flame. When eleven citizens are executed near the castle, the relationships are put to a real test...

    The martial opening by Rustichelli ("Rievocazione") is set against striking stills of Italy’s greatest defats from the war. While the march is reprised at the end ("In Marcia") for the shot of the victims’ plaque, Rustichelli’s greatest achievement in the score is Pino’s motive, a love theme without love depicting the deteriorating relationship of the embittered pharmacist and his wife. The two halves of the score are nicely brought together in the massacre sequence, as the Fascist’s portentous material is mixed with hints of Pino’s motive as the hapless, wheel-chair bound witnesses the death of eleven victims. (Seq. 9.).

    This CD includes the complete score composed by Carlo Rustichelli, mastered by Claudio Fuiano from the original mono tapes courtesy of Gruppo Sugar. The 8-page booklet features liner notes by Gergely Hubai discussing the film and the score.

    This album is now on stock.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  13. LLLR's Black Friday titles have been delayed from the announcement date of the 17th, to the 19th. As it stands the titles have not been anounced or hinted at and the exact number are not known, but at most it may be six titles.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  14. New from Kritzerland:


    Kritzerland is proud to present a new limited edition world premiere release – four great scores on one CD:

    VICTOR YOUNG AT PARAMOUNT VOLUME II

    THE PROUD AND PROFANE

    FOREVER FEMALE

    LITTLE BOY LOST

    MY FAVORITE SPY

    Music Composed and Conducted by Victor Young

    Paramount and Victor Young – one of the greatest studio/composer relationships in history. Over the course of his career, Victor Young received an astonishing twenty-two Oscar nominations (in 1940 and 1941 he was nominated four times in the same year!). But he would not win the golden statuette during his lifetime – he won the Oscar for Best Music (Dramatic or Comedy Picture) posthumously for Around the World in Eighty Days. Some of his themes are among the most beloved of all time. For this CD, we are proud to present four world premiere releases. They are a diverse gathering that beautifully illustrates how he could write for any kind of story.

    First up is the 1956 Perlberg-Seaton war film, The Proud and the Profane. The film was directed and written by George Seaton, and starred William Holden, Deborah Kerr and Thelma Ritter. Young wrote a memorable and beautiful main theme for the drama, which weaves in and out of the score in many guises. It’s a wonderful score and classic Young.

    Next up is the 1953 film Forever Female, starring Ginger Rogers, William Holden, Paul Douglas and Pat Crowley. This time it’s Victor Young in full-out sparkling mode, beginning with a lilting and lovely waltz that then morphs into some fun big-city music. The score is like a glass of champagne – bubbly, effervescent and sophisticated.

    Also from 1953 we have another George Seaton film, Little Boy Lost, a drama starring Bing Crosby. It’s a compelling film about a World War II correspondent whose French wife was killed by the Nazis, returning to France after the war to try and find his son.
    Little Boy Lost has a superb Victor Young score, right up there with his best. Originally there were only three surviving cues from this brilliant score, but in a last-minute bit of serendipity, almost all of it was found and so it’s a real treat to be able to present just about everything from this Victor Young classic. The score has just about everything that made Victor Young one of the greats.

    Finally we have My Favorite Spy, a great 1951 Bob Hope comedy, directed by Norman Z. McLeod (who also directed the Marx Brothers’ Horse Feathers and Monkey Business). Young’s music suits the film perfectly, underscoring the comedy and intrigue with panache and a grand sense of fun.

    All scores have been carefully transferred and restored by Chris Malone from the elements in the Paramount vaults.

    Victor Young at Paramount Volume II is limited to 1000 copies only and is priced at $19.98, plus shipping.

    CDs will ship by the third week of December, but we’ve been averaging three to five weeks early in terms of shipping ahead of the official ship date. To place an order, see the cover, or hear audio samples, just visit www.kritzerland.com.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  15. A little over 200 remaining of the new Kritzerland set.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  16. SO, what does everyone here think about those new La-La-Land releases ?

    - Home Alone (Williams)
    - Dances with Wolves (Barry)
    - Pagemaker (Horner)
    - Braveheard (Horner)
    - Giant (Tiomkin)

    I was never that interested in Pagemaker as many others seem to be. Of the other four I own the original releases (safe Giant ) and I don't think I'll double dip. I ordered those recent JAWS releases by Intrada and that will do for Christmas. Concerning Giant I think I would be more interested in a re-recording.

    Timmer, will you get the Dances with Wolves ?

    smile Volker
    Bach's music is vibrant and inspired.
    • CommentAuthorTimmer
    • CommentTimeNov 27th 2015 edited
    Yes I will.

    There are so many other Barry's I wish it had been though, The Cotton Club, Howard The Duck, Legend of The Lone Ranger, Year of The Comet, The Tamarind seed, Jagged Edge.....

    Of the rest only Braveheart interests me but I expect I'll give it a miss.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  17. Without a doubt Braveheart, the best Horner IMO, and a true work of art. Not getting this expansion would be a mistake of enormous proportions for me.

    It's 2+ hours long... c'mon that means quite a bit of previously unreleased material.
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
    • CommentAuthorTimmer
    • CommentTimeNov 27th 2015
    ( channelling my inner Thor ) The original Braveheart album is perfect as is!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  18. I will be the voice of reason here and point out that while the original release is a fantastic album that contains all the noteworthy material, it's also great for Horner fans to finally have the entire score available to them!
    • CommentAuthorTimmer
    • CommentTimeNov 28th 2015
    Edmund Meinerts wrote
    I will be the voice of reason here and point out that while the original release is a fantastic album that contains all the noteworthy material, it's also great for Horner fans to finally have the entire score available to them!


    That goes without saying. Same with any of these releases and all the other label releases of complete/expanded and whatever scores wink
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  19. Exactly! And yet we always end up arguing about it... wink
  20. Covering some labels here.


    Info' (sans title names) for the December releases from Quartet:
    We can confirm the schedule of December releases

    1 and 2 – We are very excited about these two, because they are the first orchestral recordings we produce, and with two of our most usual composers. These couple of releases will be announced at any time next week.

    3 and 4 – The Christmas batch: Only two this years, but what a duo!. Ultimate releases with two of the most beloved composers. Both are a 2CD editions, and will be announced on December 14.

    5 – A current film. Not clear yet if we announce this title the last week of December, or perhaps early January

    Very happy to finish the year with an exciting batch of releases. A lot more the next year!



    New this month from Digitmovies:

    For the absolute first time on CD, Digitmovies releases two complete soundtracks by Gianni Ferrio for the Spaghetti Westerns “California” (aka “Adios California”) and “Reverend’s Colt” (“Reverendo Colt”).

    From “California,” only an EP single was released by Ariston, with the film’s main score on side A. The master tapes from this OST were thought to have been completely lost until the mono master tapes were found in the private archives of Gianni Ferrio, which made this CD possible to create (63:10 minutes). Unfortunately the originals were not in good condition, and even after restoring them some tracks are still damaged. Nevertheless, this CD should be considered a miracle. Ferrio wrote a wistful main score with a male choir, orchestra and harmonica which alternates between Western themes and other more modern themes with a touch of rock. The score is brought up later in the commentary. Another precious discovery from the private archives of Ferrio was the OST from “Reverend’s Colt.” Also this OST was thought to have been lost forever, but it was found under the pseudonym “Lady Park”. Thanks to a mono master tape, fans can enjoy the excellent music performed by Alessandro Alessandroni on guitar and whistle, accompanied by winds, horns and drums for the main score.


    "La Ragazzina"
    Nico Fidenco composed a lovely OST, most certainly inspired by the young and beautiful Gloria Guida. In this OST, romantic melodies alternate with dance melodies popular in clubs in the mid-1970s. Edda Dell’Orso performs solo and her exceptional voice creates a sweet and magical atmosphere. Previously C.A.M. had released a promotional LP with 15 songs in full stereo (C.A.M. CAM CML – 068), which we rereleased for the first time on CD in 2007. After finding the original recording session in full stereo, we were able to add about 18 unedited minutes. We discovered that the speed of the only master album available had been slowed down when we compared it to the current master tape used for this release. We’ve also added the songs “Why Are You Running Fast” and “The Flag,” performed by the group “La Rosa Dei Venti, which was released only as a rare single Erre RR 3066. We used this single as our source because the original single master tape is lost forever and even after an adequate restoration, the quality of the sound was not comparable to the rest of the CD.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  21. Two labels in this post.


    Meanwhile in Scandinavia...

    Probably THE most sought after score from Scandinavia, is from the Norwegian stop-motion film Pinchcliffe Grand Prix (Flåklypa Grand Prix in Norwegian) from 1975.

    The film was voted the second best film of 1975, and has been seen by more than 5 million people in Norway alone.

    The score is extremely thematic, and has several melodies that people from Scandinavia have loved ever since it´s release. The main theme is so popular in Norway, that many believe it to be a traditional folk-song, when in fact, it was composed for the film by Danish composer Bent Fabricius-Bjerre.

    Incredibly, then music has never been release, until now, and will now be available on a limited edition 40th anniversary CD.

    Click on this link to read more about it, and listen to a preview of the music.

    http://plantsounds.net/product/pinchfli … npre-order




    And two of Intrada's December 8 batch releases are known:

    "Something Wicked This Way Comes" (the rejected Delerue score, from better tapes and hopefully the complete score, as opposed to the France release that incorrectly advertised theirs as such)

    and "The Monkey King". Young will be doing some signing at an event.


    The other two titles have not been revealed, but Roger has confirmed the composers at the Intrada forum: Gail Kubik and Heinz Roemheld.

    EDIT: Leith Stevens has also been added today.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  22. Caldera Records posted a note today at the FSM forum:

    One of our customers kindly dropped us a mail to let us know that there is a 'klick' in cue no. 19. Unfortunately, this is correct. This is not a mistake from the pressing plant but appeared during the transfer from the DAT tapes. No one of us noticed despite a long and careful examination before giving it to the pressing plant. This shouldn't have happened and we can't explain how this could happen. Please accept our sincerest apology.

    Unfortunately, as a small independent label we can not afford a new pressing. Instead, we did a re-master of the specific cue and uploaded it on our homepage for customers who bought the CD. This is not an ideal solution but we hope you can understand the problem we are facing. Thanks very much to all of you who bought this CD and support us!
    http://caldera-records.com/wp-content/u … stered.wav
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.