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JOHN POWELL
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- CommentAuthorAnthony
- CommentTimeOct 27th 2009
Again? -
- CommentAuthorpaulmaherjr
- CommentTimeOct 27th 2009
Does anyone have the longer version of Powell's "Beam"? -
- CommentAuthorAnthony
- CommentTimeOct 27th 2009
Longer? -
- CommentAuthorpaulmaherjr
- CommentTimeOct 27th 2009
sure, it is based on Francesco Lupica's Cosmic Beam, and Powell embellished it with an orchestral score. It is longer . . . much longer. -
- CommentAuthorMarselus
- CommentTimeOct 27th 2009
Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorAnthony
- CommentTimeOct 27th 2009
What? Beam is a cue from The Thin Red Line. -
- CommentAuthorMarselus
- CommentTimeOct 27th 2009
Bourne in the Middle East again? A longer version of "Beam"? What´s going on!Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorAnthony
- CommentTimeOct 27th 2009
Bourne in Baghdad then. -
- CommentAuthorDemetris
- CommentTimeOct 27th 2009
It's been done to death, this Middle-Eastern thingy with the terrsts and us action in the territory.Love Maintitles. It's full of Wanders. -
- CommentAuthorpaulmaherjr
- CommentTimeOct 27th 2009
It IS a cue from Thin Red Line, and by being a cue, it is an excerpt of something longer . .. -
- CommentAuthorNautilus
- CommentTimeOct 28th 2009
ice age dawn of dinousaurs : end credits from 1:36 to 2:06.
This seconds drives me crazy!
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- CommentAuthorAnthony
- CommentTimeOct 28th 2009
paulmaherjr wrote
It IS a cue from Thin Red Line, and by being a cue, it is an excerpt of something longer . ..
...a score...by Hans Zimmer...?
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- CommentAuthorNautilus
- CommentTimeOct 28th 2009
Anthony wrote
paulmaherjr wrote
It IS a cue from Thin Red Line, and by being a cue, it is an excerpt of something longer . ..
...a score...by Hans Zimmer...?
Powell did one track. And it's one of the best tracks of the whole album! -
- CommentAuthorMarselus
- CommentTimeOct 28th 2009
paulmaherjr wrote
It IS a cue from Thin Red Line, and by being a cue, it is an excerpt of something longer . ..
Koko? Is this you?Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorAnthony
- CommentTimeOct 28th 2009
:D
I thought that too! -
- CommentAuthorDemetris
- CommentTimeOct 28th 2009
Marselus wrote
paulmaherjr wrote
It IS a cue from Thin Red Line, and by being a cue, it is an excerpt of something longer . ..
Koko? Is this you?
Love Maintitles. It's full of Wanders. -
- CommentAuthorpaulmaherjr
- CommentTimeOct 28th 2009 edited
First, I agree, it IS one of the best tracks, and not just because of Powell, but also Lupica's Cosmic Beam giving it that atmospheric feel . . . btw, "Beam" is sampled for a few seconds at the beginning of Public Enemies when Depp escapes in the car. No credit that i could see was given for the track or the composers, but it's there regardless. -
- CommentAuthorAnthony
- CommentTimeOct 28th 2009
I think I speak for all of us here that we don't know what you're talking about. -
- CommentAuthorpaulmaherjr
- CommentTimeOct 28th 2009
Then your answer would be that nobody here has the longer version of "Beam."
Thanks -
- CommentAuthorMarselus
- CommentTimeOct 28th 2009
Paul, "Beam" is a 3:44 minute cue in the soundtrack cd (I assume you have the cd or know this detail). I honestly don´t remember if a longer version of the cue is used in the film; actually I don´t even remember when this particular cue is used, although it is probably edited in the picture as most of the tracks are. So, what´s exactly your question?Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorAnthony
- CommentTimeOct 28th 2009
And what is "Lupica's Cosmic Beam" and what does this have to do with Powell's cue? -
- CommentAuthorpaulmaherjr
- CommentTimeOct 28th 2009 edited
Anthony wrote
And what is "Lupica's Cosmic Beam" and what does this have to do with Powell's cue?
Powell based his cue around an original composition by Francesco Lupica titled "Beam." The track is longer, it is edited on the TTRL soundtrack. let us forget it, ok?
Let me add this, Powell based his composition on Lupica's and "forget" to credit the original composer. -
- CommentAuthorBregt
- CommentTimeOct 28th 2009
No problem Paul.
I'm surprised Anthony didn't knew.Kazoo -
- CommentAuthorpaulmaherjr
- CommentTimeOct 28th 2009
"A number of specialty instruments are employed by Zimmer, though their roles are somewhat diminished in the final mix. The Taiko drums are the most prominent of these, but their mixing varies significantly between scenes within the film and on album. The more surreal contributions by John Powell and Francesco Lupica, which do punctuate key moments in the film, offer pronounced use of Tibetan bowls and a deep electronic effect called a "Cosmic Beam." "
I think I will start a Thin red Line Thread . . . -
- CommentAuthorAnthony
- CommentTimeOct 28th 2009 edited
paulmaherjr wrote
Anthony wrote
And what is "Lupica's Cosmic Beam" and what does this have to do with Powell's cue?
Powell based his cue around an original composition by Francesco Lupica titled "Beam." The track is longer, it is edited on the TTRL soundtrack. let us forget it, ok?
Let me add this, Powell based his composition on Lupica's and "forget" to credit the original composer.
Thank you, that's what I've been asking for the past day.
Bregt wrote
I'm surprised Anthony didn't knew.
Really? I'm the resident Giacchino nut now you know.
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- CommentAuthorPawelStroinski
- CommentTimeOct 28th 2009
paulmaherjr wrote
"A number of specialty instruments are employed by Zimmer, though their roles are somewhat diminished in the final mix. The Taiko drums are the most prominent of these, but their mixing varies significantly between scenes within the film and on album. The more surreal contributions by John Powell and Francesco Lupica, which do punctuate key moments in the film, offer pronounced use of Tibetan bowls and a deep electronic effect called a "Cosmic Beam." "
I think I will start a Thin red Line Thread . . .
Umm, there is one Lupica-credited track on the soundtrack (Sit Back & Relax). Possibly the Lupica composition you are talking about is a Cosmic Beam improvisation written over Powell's orchestral backdrop?http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorMarselus
- CommentTimeOct 29th 2009
Anthony wrote
Really? I'm the resident Giacchino nut now you know.
Bring the John powell web back!
Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorAnthony
- CommentTimeOct 29th 2009
Even better Green Zone trailer. -
- CommentAuthorMarselus
- CommentTimeOct 29th 2009
This looks reaaaally good. And definitely not a Bourne movie.Anything with an orchestra or with a choir....at some point will reach you -
- CommentAuthorpaulmaherjr
- CommentTimeOct 30th 2009
PawelStroinski wrote
paulmaherjr wrote
"A number of specialty instruments are employed by Zimmer, though their roles are somewhat diminished in the final mix. The Taiko drums are the most prominent of these, but their mixing varies significantly between scenes within the film and on album. The more surreal contributions by John Powell and Francesco Lupica, which do punctuate key moments in the film, offer pronounced use of Tibetan bowls and a deep electronic effect called a "Cosmic Beam." "
I think I will start a Thin red Line Thread . . .
Umm, there is one Lupica-credited track on the soundtrack (Sit Back & Relax). Possibly the Lupica composition you are talking about is a Cosmic Beam improvisation written over Powell's orchestral backdrop?
It is the other way around; Malick wanted to use Lupica's work for Q, right after Days of Heaven, then he disappeared. Then he materialized for Thin Red line, kept his word and used the music. Think about it, the track is called "BEAM." Powell built his orchestration around the cosmic beam music, then he ran off with the single-writer credit.