Anonyma - Eine Frau In Berlin
Zbigniew Preisner
" The slow high-pitched violins, silences and resonance create a desolated and sober atmosphere "Written by Joep de Bruijn - Review of the regular release
Zbigniew Preisner is of a rare breed of renowned Polish composers who has always written personal scores. Therefore he was a perfect choice for the German film Anonyma – Ein Frau In Berlin. The film is a tragic story of a German woman trying to survive after the Sovjet troops have invaded Berlin in the last days of the Second World War.
Preisner’s score opens with the Prelude performed by piano. Leszek Możdżer, pianist and regular collaborator, didn't play the piano on this score; Marcin Wasilewski and Konrad Mastylo did. While I strongly prefer Możdżer, the other pianists have contributed much of great value to numerous of Preisner scores as well, so it's no real problem. Preisner wrote several variations on the piano theme and several new ones. Most of the music consists of the composer’s typical compositions for a small-scale ensemble and piano, while also using some harp and Hammond organ. The slow high-pitched violins, silences and resonance create a desolated and sober atmosphere, fitting the things happening to the main character in the film. Preisner has real gift for composing distinctive and sincere film music like Anonyma. Yet the score also contains a more melodramatic, rhythmic theme with a fuller orchestral sound, which is reprised too often. I would argue that the removal of a few reprises might have helped to nicely counterbalance the subtleness. This results in a score that has an undeniable flaw, but still manages to be an inspiring work.
Anonyma – Ein Frau In Berlin is the first release of a Preisner score since The Beauitful Country in 2005. It became about time someone brought us a new Preisner on cd and for that I deeply thank Königskinder. We’ve got some more to go (Un Secret, Sportman van de Eeuw, SuperTex…), but this is a good step into the right direction again. Anonyma is a score that should not be neglected by Preisner admirers, nor by anyone who even remotely likes his music.
Preisner’s score opens with the Prelude performed by piano. Leszek Możdżer, pianist and regular collaborator, didn't play the piano on this score; Marcin Wasilewski and Konrad Mastylo did. While I strongly prefer Możdżer, the other pianists have contributed much of great value to numerous of Preisner scores as well, so it's no real problem. Preisner wrote several variations on the piano theme and several new ones. Most of the music consists of the composer’s typical compositions for a small-scale ensemble and piano, while also using some harp and Hammond organ. The slow high-pitched violins, silences and resonance create a desolated and sober atmosphere, fitting the things happening to the main character in the film. Preisner has real gift for composing distinctive and sincere film music like Anonyma. Yet the score also contains a more melodramatic, rhythmic theme with a fuller orchestral sound, which is reprised too often. I would argue that the removal of a few reprises might have helped to nicely counterbalance the subtleness. This results in a score that has an undeniable flaw, but still manages to be an inspiring work.
Anonyma – Ein Frau In Berlin is the first release of a Preisner score since The Beauitful Country in 2005. It became about time someone brought us a new Preisner on cd and for that I deeply thank Königskinder. We’ve got some more to go (Un Secret, Sportman van de Eeuw, SuperTex…), but this is a good step into the right direction again. Anonyma is a score that should not be neglected by Preisner admirers, nor by anyone who even remotely likes his music.