Basic Instinct

Jerry Goldsmith

 
" Thrilling score for ice pick lovers "

Written by Thomas Glorieux - Review of the regular release

While the collaboration with Paul Verhoeven has always been successful, Basic Instinct will remain their best ever in both the creative mind as result. Sexual thrillers don't often come this riveting, sexy and bloody effective as this. More, Goldsmith wrote probably one of his most mature compositions and it became one of the most effective listens of the year.

It is Goldsmith's driving thematic mind that makes Basic Instinct so darn good in the film and even so rightfully effective on disc. His main theme and sensual rhythm makes the movie work, creating alongside Sharon Stone's leg crossing the classic status it has today. Ever so fruitfully a composer finds out that only he can make the movie work. And the brooding climatic build up is all what separates it from movie magic.

The score is probably one of those rightful Oscar winners because without this kind of music by its side, the movie would have lost everything of its appeal. I mean Aladdin is kiddy stuff compared to this. And even if indeed Aladdin is an animated picture, you know that there isn't a more mature composition composed that year.

Of course we know now that Oscars aren't a reference to the score's quality, because Basic Instinct has a lot to offer. Just listen to the effective and inspiring main theme that the music carries through its veins. It not only makes the listen that good but puts the movie (and probably yourself) in ecstasy. "Main Title (Theme from Basic Instinct)" and "Morning After" keep building on this immensely effective and above all sensual brooding theme. Yet the sole class of this theme is that it can also work in an action setting. There aren't a lot of chase scenes in the movie but be darn sure that "Night Life" and the brilliant "Roxy Loses" make up for that loss. A relentless pace and a hell of an attitude are what needed to keep you on the edge of your seat.

"Catherine's Sorrow" has in the begin The Haunting all over it, while the spectacular climatic track "An Unending Story" is simply brilliant in its effect. Strangely the ending of this track is different that the one in the movie, it nonetheless is what sex is all about. It builds until the final seconds to give you the necessary and welcome climax any man and woman are longing for in the first place.

Easily to say, Basic Instinct is one of the top '90 scores of its generation. The action takes on the brilliance and pace of classics of other Paul Verhoeven movies. Yet Basic Instinct is also brilliant in the way it builds and reaches its climax. The last track alone proves my point. The trumpet playing of the theme in the begin and the climactic burst of relief and thrill around 4.30 are simply put musical magic.

If any wants a textbook example of movie scoring, then Jerry Goldsmith's Basic Instinct is the score for you. It is one of his finest, probably the finest in the genre right next to Body Heat of John Barry and is darn right brilliant listening. Basically it is music that screams out Oscar Winner.

Tracklisting

1. Main Title (Theme From Basic Instinct) (2.15)
2. Crossed Legs (4.52)
3. Night Life (6.05) Excellent track
4. Kitchen Help (4.00)
5. Pillow Talk (5.02) Excellent track
6. Morning After (2.30)
7. The Games Are Over (5.37)
8. Catherine's Sorrow (2.41)
9. Roxy Loses (3.18) Excellent track
10. An Unending Story (7.56) Excellent track

Total Length: 44.26
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(total of 33 votes - average 4.26/5)

Released by

Varèse Sarabande VSD-5360 (regular release 1992)

Conducted by

Jerry Goldsmith

Orchestrations by

Alexander Courage

Performed by

The National Philharmonic Orchestra