The 'Burbs

Jerry Goldsmith

 
" The most fun you'll ever have when hearing dog barks in Western thematic material, with Patton saluting the way "

Written by Thomas Glorieux - Review of the limited release

There's a project that comes to mind, where zany and creativity come together. Zany being Joe Dante's mind, creative being Jerry Goldsmith's delightful find. That pick is The 'Burbs. Joe Dante directed Tom Hanks and Bruce Dern to their most hilarious yet serious performances yet. And behind them stood a composer at the top of his game, a mastermind of creativity and dare. And Jerry Goldsmith dared to go for his wild self in this one because it stands today as one of his most creative and fun projects he ever composed.

The 'Burbs was long time an out of print release, covering 30 minutes of music. A bootleg later surfaced on the market with everything Goldsmith wrote for the picture, yet it was the quality of the recording that made us quiver. Now comes the Deluxe Edition, another exciting and worthy investment of the Varese Sarabande Club, showing the true genius of Goldsmith at work. The 'Burbs is genius in the way it enhances an already black comedy to another level with a soundscape that fits the suburban neighborhood like a glove. And in all that, Goldsmith weaves some of his most fun themes yet.

With "Night Work (Main Title)" the mysteriousness of the Klopeks is heard for the first time. The organ signifies their strange evil house, and it completely goes over the top when a little Patton motif shows Bruce Dern's crazy character. Such a noble theme for the general, and it literally identifies the patriotic character that is Rumsfield. Goldsmith shows more inventive twists with "The Window / Home Delivery" when his lovely Poltergeist like suburban theme gets a comedic barking sound, when it follows Queenie to the lawn. It's truly hilarious and above all fitting, this little dog tune.

In "Good Neighbours" the mysterious Klopek theme finally shows its delicious evil wings when Goldsmith strengthens it a bit. New for the listeners is "Let's Go". In the movie an Ennio Morricone piece was used, on album the heroic theme is heard instead. Yet here it doesn't work because Ray Petersen still isn't convinced that his neighbours are up to foul play. The eerie strings ala Rambo are spotted in "The Sentinel" while funny Gremlins effects pop up in "My Neighborhood". It is not until "The Garage" that Goldsmith goes over the top with his Klopek theme, more organ and new demonic twists grab you by the throat. It also appears to be longer than the version heard in the film

It is great as well how the organ appears more and more on the CD, due to the fact The Klopeks appear more in the film as well. And when Art is scaring Ray with his chants, the music becomes deliciously demonic in "Devil Worship" and "The Dream", creating a fantastic over the top mood with vocal, organ, percussion and strings (especially the crispy recording shows how freakin' hilarious Goldsmith's music truly is). The bone sequence in "This is Walter", the Patton motif and a new comedic march in "Snooping Around" and a fantastic array of detail of both the violin and organ in "Ask Him" shows just how well Goldsmith understood the film. This is music that just defines the movie.

More exiting is the crazy action music like in "What's in the Cellar?" and later "My Skull / The Gurney" which is basically wild yet exiting as hell. The first real sign in the film of Ray's heroic theme is "The Wig", showing that Ray finally wants to uncover the truth of The Klopeks, which are stated as well with a breathtaking altered version of their theme at the end of this track.

A march ala Small Soldiers pops up in "Hot Wires" which is great, while the heroic theme signifies Rumsfield and Ray doing their thing. "Walter's Home" has got a great building suspenseful move which grows from quirky to discovery, followed by a big blast of the heroic western theme in "Something is Moving", a truly delicious moment in both the film as on CD. This is only completed by the crazy action music, the lovely state of things for the neighborhood and a simply wild performance of all themes in "End Credits". Simply how Goldsmith ends the CD shows you how fun, crazy, zany, inventive and wild he composed all that music that stands for The 'Burbs.

It's the truth, a listener who can't find the charm and wit in this one isn't getting the big picture. This is music that is basically full of witty tunes and moments that put a smile on your face, whichever track you're hearing. From his demonic chants to the overblown heroic tune, The 'Burbs is a riveting experience coming from Goldsmith's best era. And now the sound quality shows a piece of work that defines Goldsmith's talent. He was a brilliant composer, and a real daredevil. With The 'Burbs he showed that movie music sometimes needs to be daring to become fun. And this Deluxe Edition barks its way because of that into cinema history.

Track Listing

1. Night Work (Main Title) (2.38)
2. The Window / Home Delivery (2.22) Excellent track
3. The Raven (0.51)
4. Nocturnal Feeders (0.27)
5. Good Neighbors (2.06) Excellent track
6. Let's Go (2.04)
7. Bad Karma (0.38)
8. The Sentinel (3.22)
9. My Neighborhood (2.04)
10. The Garage (4.24) Excellent track
11. Spare Key (1.19)
12. The Note (1.00)
13. Devil Worship (1.12)
14. The Dream (2.34) Excellent track
15. The Note #2 (1.28)
16. This Is Walter (2.00)
17. Snooping Around (0.50)
18. I'm O.K. (1.02)
19. Ask Him (1.24)
20. What’s In The Cellar? (1.00)
21. The Wig (2.23) Excellent track
22. Hot Wires (2.39)
23. Red Rover, Red Rover (1.11)
24. No Beer (3.07)
25. Home Furnace (1.44)
26. No Lights (0.48)
27. Walter’s Home (1.58)
28. Something Is Moving (1.46) Excellent track
29. There's A Body (1.04)
30. My Skull / The Gurney (2.24) Excellent track
31. The Trunk (1.41)
32. Pack Your Bags (2.15)
33. Square One (End Credits) (4.14) Excellent track

Total Length: 61.55
(click to rate this score)  
 
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(total of 60 votes - average 4.34/5)

Released by

Varèse Sarabande CD Club VCL 0707 1063 (limited release 2007)

Conducted by

Jerry Goldsmith

Orchestrations by

Arthur Morton

Performed by

The Hollywood Studio Symphony