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[Closed] Now Playing XXXIII

General Discussions » Now Playing XXXIII (Posts 3001 to 3030 of 3084)

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    •  
      CommentAuthorDemetris
    • CommentTimeJan 24th 2010 edited
    SAMUEL SIM - Emma

    Can't remember the last time i was so annoyed by a score. Emma is a BBC mini series (if i am not mistaken) from last year and the score desperately tries to sounds like another elegant and orchestral Marianelli, only it lacks melodic discipline, actual themes and character. It's all over the place without any form of continuity or thematic coherence, to the point one quickly looses interest and attention. Next.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorNautilus
    • CommentTimeJan 24th 2010
    NP:The Sum of All fears (goldsmith)

    Gorgeous main theme. Powerful Heroic Fanfarre. Addictive middle eastern theme.

    Why we have a complete from Chain reaction, and not from this score????

    I remember there is a lot of unrealeased music !!!
    •  
      CommentAuthorSteven
    • CommentTimeJan 24th 2010 edited
    Christodoulides wrote
    Steven wrote
    With that in mind, I'd probably hate Goldsmith if I didn't love him so much. dizzy [/blue]


    You'd be just another Sunil, then.


    DON'T SAY THINGS LIKE THAT! YOU'RE MEAN!!! cry
    •  
      CommentAuthorDemetris
    • CommentTimeJan 24th 2010
    I love that late Goldsmith sound, and the score in particular.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJan 24th 2010
    FalkirkBairn wrote
    NP: Four In The Morning - John Barry

    My first listen to this score - and I've not seen the movie. But, I think that it's one of those '60s "kitchen sink dramas" that Britain did so well back then. The score's very much monothematic but Barry's dour scoring fits very well with this genre.

    It may really only have the one theme, but it is quite mesmerising!


    Yeah, it's a very small score. If memory serves me right he did this score for free.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeJan 24th 2010
    NP : THE OTHER BOLEYN GIRL - Paul Cantelon



    My first listen to this one, I'm only half way through but it's an incredibly enjoyable score with some large nods of the hat to John Barry and Georges Delerue which, in my book is a brilliant thing! cool
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeJan 24th 2010
    NP : BREAKFAST AT TIFFANY'S - Henry Mancini



    Wonderfully chilled out score, typical of his easy listening re-recordings. The title song isn't just one of the best film songs of all time, it's one of the best songs of all time, period!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemonStar
    • CommentTimeJan 24th 2010
    NP: The Promise - Klaus Badelt

    One of his best scores ever. Love the mix of huge orchestra and ethnic instrumentation. cool
    • CommentAuthorTimmer
    • CommentTimeJan 24th 2010
    DemonStar wrote
    NP: The Promise - Klaus Badelt

    One of his best scores ever. Love the mix of huge orchestra and ethnic instrumentation. cool


    It could do with being shorter but yes, it's not bad at all.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeJan 24th 2010
    Timmer wrote
    NP : THE OTHER BOLEYN GIRL - Paul Cantelon



    My first listen to this one, I'm only half way through but it's an incredibly enjoyable score with some large nods of the hat to John Barry and Georges Delerue which, in my book is a brilliant thing! cool


    Didn't like it at first, but after repeated listens and focus, it turns out it's actually pretty good!
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJan 24th 2010
    Christodoulides wrote
    Timmer wrote
    NP : THE OTHER BOLEYN GIRL - Paul Cantelon



    My first listen to this one, I'm only half way through but it's an incredibly enjoyable score with some large nods of the hat to John Barry and Georges Delerue which, in my book is a brilliant thing! cool


    Didn't like it at first, but after repeated listens and focus, it turns out it's actually pretty good!


    On reflection after hearing the whole album the influence is far more Barry than Delerue, still, I thought it was very good and look forward to hearing it again. I'm glad you came around to liking it.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeJan 24th 2010
    Yeah, it quickly managed to win me over with its graces, after the first listen and after watching the movie too. Unlike his score for W.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJan 24th 2010
    NP : CASINO ROYALE - Burt Bacharach



    cheesy cool punk
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSteven
    • CommentTimeJan 24th 2010
    You spelled David Arnold wrong.
    •  
      CommentAuthorlp
    • CommentTimeJan 24th 2010
    Christodoulides wrote
    Yeah, it quickly managed to win me over with its graces, after the first listen and after watching the movie too. Unlike his score for W.


    MY reaction could have been similar to yours. I didn't like it after listening to the soundtrack, saw the movie and heard the score again and decided that the whole enterprise could have been better. Everything was wasted in the movie. Gorgeous set design didn't get the treatment it deserved from the direction, good actors couldn't fix the stilted dialogue, and the low key, middling score made the whole thing feels like a step-brother of The Tudors.

    In short, big "MEH!" all around

    NP: Michael Tavera - Exo Squad

    Good TV score for a greatly missed animated series.
  16. Steven wrote
    You spelled David Arnold wrong.


    applause
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeJan 24th 2010
    Steven wrote
    You spelled David Arnold wrong.
    tongue
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSteven
    • CommentTimeJan 24th 2010
    Poltergeist Jerry Goldsmith

    One of the greatest scores ever produced with one of the loveliest melodies ever written for film, 'Carol Anne's Theme'.

    I only play this in the evenings.     cool
    •  
      CommentAuthorMiya
    • CommentTimeJan 25th 2010
    NP: The Land Before Time - James Horner

    Calm and beautiful... I'm getting to love this score more and more lately. I like the Peter & The Wolf ish stuff. I even like the sweet song. smile
    Labels are for cans, not people. - Anthony Rapp
    • CommentAuthorTimmer
    • CommentTimeJan 25th 2010
    Steven wrote
    Poltergeist Jerry Goldsmith

    One of the greatest scores ever produced with one of the loveliest melodies ever written for film, 'Carol Anne's Theme'.

    I only play this in the evenings.     cool


    Are there people who can't?

    A fantastic score though eh? Way beyond your average ( i.e. generic ) horror score.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorAtham
    • CommentTimeJan 25th 2010
    Timmer wrote
    Steven wrote
    Poltergeist Jerry Goldsmith

    One of the greatest scores ever produced with one of the loveliest melodies ever written for film, 'Carol Anne's Theme'.

    I only play this in the evenings.     cool


    Are there people who can't?

    A fantastic score though eh? Way beyond your average ( i.e. generic ) horror score.


    Love this score!
    I'm looking forward to the deluxe remastered version!
    I always thought the Rhino relese was to flat and hissy.
    •  
      CommentAuthorSunil
    • CommentTimeJan 25th 2010
    LSH wrote
    NP: Signs - James Newton Howard

    Fantastic. cool


    Superb Score. No doubt. cool
    Racism, Prejudices and discrimination exists everywhere.
  23. Timmer wrote
    Steven wrote
    Poltergeist Jerry Goldsmith

    One of the greatest scores ever produced with one of the loveliest melodies ever written for film, 'Carol Anne's Theme'.

    I only play this in the evenings.     cool


    Are there people who can't?

    A fantastic score though eh? Way beyond your average ( i.e. generic ) horror score.


    I can play that one in the morning, noon, afternoon. punk

    In the morning that's one hell of a wake-up call, I can assure you.
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
    •  
      CommentAuthorSteven
    • CommentTimeJan 25th 2010 edited
    I prefer not to play it in the mornings or afternoon. It's just one of those scores worth waiting until the end of the day I suppose, but mostly because it's the type of score that doesn't suit daylight. Surely others have "evening" scores and albums?
    •  
      CommentAuthorkeky
    • CommentTimeJan 25th 2010
    I have been playing the score of AVATAR, twice in a row and I have a question: I own the original CD album but it sounds a bit low in volume. I always have to turn up the volume a bit and also, the signs on my equalizer doesn't really move during playing.
    I would like to know if it is the same with you too or it is just my CD (which would be really strange...)?
    •  
      CommentAuthorSteven
    • CommentTimeJan 25th 2010
    Never noticed that myself, but I'll give it a listen now and see if I notice anything.
    •  
      CommentAuthorSteven
    • CommentTimeJan 25th 2010
    Yes, it is a bit quite now you mention it. It's mixed low in the film too.
    •  
      CommentAuthorNautilus
    • CommentTimeJan 25th 2010 edited
    it's raining...it's perfect time to play ...

    NP:Weather man (zimmer)

    A great music to listen while you are at work.

    It's the best way to listen "Wicker Park" sound without feeling guilty to listen a mediocre composer . tongue I LOVE THIS SOUUUUUUUUUND!

    Anyway, I wonder how much music is actually from Zimmer and wich is from Levine since sometimes it sounds like "nip/tuck"
  29. I think you're still banned from Zimmer? shocked
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorkeky
    • CommentTimeJan 25th 2010
    Steven wrote
    Yes, it is a bit quite now you mention it. It's mixed low in the film too.


    Thanks for the answer. I was afraid I had to buy the CD again...

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