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Silva Screen: MUSIC FROM THE FILMS OF ACADEMY AWARD™ WINNING DIRECTOR JAMES CAMERON

General Discussions » Silva Screen: MUSIC FROM THE FILMS OF ACADEMY AWARD™ WINNING DIRECTOR JAMES CAMERON (Posts 1 to 16 of 16)

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      CommentAuthorDemetris
    • CommentTimeApr 21st 2010
    MORE AND CD COVER:
    http://scoremagacine.blogspot.com/2010/ … james.html

    *DIGITAL ALBUM

    MUSIC FROM THE FILMS OF ACADEMY AWARD™ WINNING DIRECTOR JAMES CAMERON

    From Avatar to Titanic, Innovative Director’s Range is Celebrated In New Collection.

    Few directors can claim both the critical and commercial success of James Cameron. Cameron directed the highest grossing film in history (Avatar), a film which won a record-tying 11 Academy Awards™ (Titanic) and directed films from several beloved film franchises, (Terminator, Aliens, and Rambo).

    The recording features music composed by James Horner, Jerry Goldsmith, Alan Silvestri, Brad Fiedel, and Cliff Martinez.

    CAT NO: SILED4516

    UK / EUROPE RELEASE DATE: 26th APRIL

    US RELEASE DATE: 9th FEBRUARY

    Silva Screen Records is set to digitally release MUSIC FROM THE FILMS OF JAMES CAMERON in the UK and Europe on 26th April and in the US on 4th May.

    From Avatar to Titanic, this new collection features music by James Horner, Jerry Goldsmith, Alan Silvestri, Brad Fiedel, and Cliff Martinez.

    Tracklisting:
    1. Avatar – War (James Horner)
    2. Titanic - My Heart Will Go On – Instrumental (James Horner)
    3. Titanic - Take Her To Sea, Mr. Murdoch (James Horner)
    4. True Lies - Main Title / Harry Makes His Entrance / Escape From the Chateau (Brad Fiedel)
    5. Terminator 2: Judgement Day – Desert (Brad Fiedel)
    6. Terminator 2: Judgement Day - Trust Me (Brad Fiedel)
    7. Terminator 2: Judgement Day- It’s Over (Brad Fiedel)
    8. The Abyss End Credits (Alan Silvestri)
    9. Aliens - Prelude / Ripley's Rescue (James Horner)
    10. The Terminator (Brad Fiedel)
    11. Rambo: First Blood Part 2 - Main Theme (Jerry Goldsmith)
    12. Solaris - Don't Blow It (Cliff Martinez)
    Love Maintitles. It's full of Wanders.
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      CommentAuthorMartijn
    • CommentTimeApr 21st 2010
    Gee.
    What an innovative choice.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
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      CommentAuthorBobdH
    • CommentTimeApr 21st 2010 edited
    Rambo? Solaris?! I know he produced it, but that's quite stretching it.
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      CommentAuthorThor
    • CommentTimeApr 21st 2010
    BobdH wrote
    Rambo? Solaris?! I know he produced it, but that's quite stretching it.


    Same here. Totally out-there; a very marginal involvement for those two. There are still others they could have included that were actually DIRECTED by him, like Donaggio's PIRANHA 2 (or was that Cipriani?) and McNeely's GHOSTS OF THE ABYSS.
    I am extremely serious.
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      CommentAuthorErik Woods
    • CommentTimeApr 21st 2010
    BobdH wrote
    Rambo? Solaris?! I know he produced it, but that's quite stretching it.


    Actually, he wrote Rambo II. Too bad there isn't anything from Strange Days or Dark Angel on this set.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeApr 21st 2010
    No PIRANHA 2 : THE FLYING KILLERS? shocked
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
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      CommentAuthorsdtom
    • CommentTimeApr 21st 2010
    as we know most of this is recycled material and the key of course is the orchestration being written. I'm not sure how many are new.
    listen to more classical music!


  8. 9. Aliens - Prelude / Ripley's Rescue (James Horner)


    If it's the same recording found on the Space 3 album, and the recent Horror music film collection from Silva, This will make me cringe once again. The opening credits which were so well done by the LSO are completely raped by the Prague Philharmonic. Horrible, I always imaginarily vomit a little when I hear it.
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
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      CommentAuthorErik Woods
    • CommentTimeApr 21st 2010
    ^ Prepare to be disappointed!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  10. No I'll get the bucket ready ! sad

    Have you heard it Erik?
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
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      CommentAuthorErik Woods
    • CommentTimeApr 21st 2010
    DreamTheater wrote
    No I'll get the bucket ready ! sad

    Have you heard it Erik?


    Yup! Same cue. I really think that Tadlow/Silva should start re-recording EVERYTHING now that they seem to have gotten there stuff together concerning performance and sound. The Film Music 2009 album is really really good (minus the Star Trek suite)

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  12. Exactly... I was hoping the Aliens suite would be brandnew on the 4CD Horror compilation, since it was a good 10 years since its first recording on the Space 3 compilation. Imagine the look on my face when I heard that same opening. Again. crazy
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
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      CommentAuthorsdtom
    • CommentTimeApr 21st 2010
    just the nature of the company
    listen to more classical music!
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      CommentAuthorfommes
    • CommentTimeApr 23rd 2010
    I really don't mind all that anymore; it makes good money for them, I hope, money they'll use to fund great rerecordings like Guns of Navarone and El Cid. Or is that all Fitzpatrick?

    Plus, once in a while we actually get some unreleased music through them! (Like some John Barry tracks and scores, or the excellent concert versions of Prisoner of Azkaban.)
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      CommentAuthorsdtom
    • CommentTimeApr 23rd 2010
    fommes wrote
    I really don't mind all that anymore; it makes good money for them, I hope, money they'll use to fund great rerecordings like Guns of Navarone and El Cid. Or is that all Fitzpatrick?

    Plus, once in a while we actually get some unreleased music through them! (Like some John Barry tracks and scores, or the excellent concert versions of Prisoner of Azkaban.)


    The re-recordings are Fitzpatrick on his Tadlow label.

    I think the reuse of the orchestrations on multiple CD's is critical to pay for them.
    Thomas
    listen to more classical music!
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      CommentAuthorsdtom
    • CommentTimeApr 23rd 2010
    I'm listening to it right now as I type. No opinion yet.
    Thomas
    listen to more classical music!

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