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[Closed, Sink] Now Playing XXXVIII
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- CommentAuthorKevinSmith
- CommentTimeApr 15th 2011
franz_conrad wrote
This morning...
Legend of Butch and Sundance (Poledouris)
Quigley Down Under (Poledouris)
Jane Eyre (Marianelli)
Damn, Poledouris's westerns pull on the emotions so beautifully.
You didn't listen to his greatest western of all? Lonesome DoveRevenge is sweet... Revenge is best served cold... Revenge is ice cream. -
- CommentAuthorTimmer
- CommentTimeApr 15th 2011 edited
I think you'll find that the good franz_conrad is well versed in such a soundtrack, yes.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorfranz_conrad
- CommentTimeApr 15th 2011
Thankyou Timmer, for defending my honour.
But honestly, could anyone listen to 3 Poledouris western scores in a row? I find after I play a score, I either want to play it again, or I want to play something completely different.A butterfly thinks therefore I am -
- CommentTimeApr 15th 2011
Southall wrote
Battle: Los Angeles - Brian Tyler
If they gave awards based on how loud things are, this one would sweep the board!
One of the worst scores of the year.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeApr 15th 2011
Erik Woods wrote
Southall wrote
Battle: Los Angeles - Brian Tyler
If they gave awards based on how loud things are, this one would sweep the board!
One of the worst scores of the year.
-Erik-
The film is horrible, but I honestly can't remember much of the score, except when it was playing melancholic in the more calmer periods. Of which there were few. Mostly, it was buried beneath an onslaught of sound effects.
Both film and music too loud for my taste.I am extremely serious. -
- CommentTimeApr 15th 2011
Erik Woods wrote
Southall wrote
Battle: Los Angeles - Brian Tyler
If they gave awards based on how loud things are, this one would sweep the board!
One of the worst scores of the year.
-Erik-
The recording is horrible. They are trying too hard to blend orchesta, electronics and percusion.
I enjoy a coupleof tracks, but only because I like this "Murphy" stuff.
NP: The Specialist (Barry)
Repetitive but hipnotic and sensual. Barry in his game. -
- CommentAuthorTimmer
- CommentTimeApr 15th 2011 edited
Nautilus wrote
Erik Woods wrote
Southall wrote
Battle: Los Angeles - Brian Tyler
If they gave awards based on how loud things are, this one would sweep the board!
One of the worst scores of the year.
-Erik-
The recording is horrible. They are trying too hard to blend orchesta, electronics and percusion.
I enjoy a coupleof tracks, but only because I like this "Murphy" stuff.
NP: The Specialist (Barry)
Repetitive but hipnotic and sensual. Barry in his game.
For me, John Barry is one of a very few composers who can make suspense tracks interesting, I love the subtle use of choir in some of the tracks. I agree it's a bit repetitive.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeApr 15th 2011
Nautilus wrote
The recording is horrible. They are trying too hard to blend orchesta, electronics and percusion.
I find that Tyler's recordings are over processed.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeApr 15th 2011
I find suspense tracks to be most engaging when I play them on my iPod through headphones while I'm planning and executing my bank robberies. I believe it also improves my performance in these endeavours - rather unsurprisingly since suspense music is usually written with this general type of activity in mind. The nervous sensations I would otherwise feel during the activity are able to be transmuted upwards into the music.I love you all. Never change. Well, unless you want to! -
- CommentAuthorKevinSmith
- CommentTimeApr 15th 2011
Timmer wrote
Nautilus wrote
Erik Woods wrote
Southall wrote
Battle: Los Angeles - Brian Tyler
If they gave awards based on how loud things are, this one would sweep the board!
One of the worst scores of the year.
-Erik-
The recording is horrible. They are trying too hard to blend orchesta, electronics and percusion.
I enjoy a coupleof tracks, but only because I like this "Murphy" stuff.
NP: The Specialist (Barry)
Repetitive but hipnotic and sensual. Barry in his game.
For me, John Barry is one of a very few composers who can make suspense tracks interesting, I love the subtle use of choir in some of the tracks. I agree it's a bit repetitive.
If the album was 10-15 minutes shorter, it would be less of a problem.Revenge is sweet... Revenge is best served cold... Revenge is ice cream. -
- CommentAuthorTimmer
- CommentTimeApr 15th 2011
NP : KRULL - James Horner
On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeApr 15th 2011
NP: Oorlogswinter - Pino Donaggio
First listen. Thanks to Joep who pointed me to the only website I ever found that was still selling this. -
- CommentTimeApr 15th 2011 edited
Restoration (Newton Howard)
One of my favourite melodies back when I was listening to classical music was "La folia", especially Corelli's amazing variations. So it's a pleasure to listen to this score where the theme is played frequently, especially in "The fire" where it's given a grand treatment. I need to get to know the rest better though. My brain only seems to perk up and listen attentively when "La folia" starts playing.
Peter -
- CommentTimeApr 16th 2011
Great score. "The Fire" reminds me a bit of a theme in LAST OF THE MOHICANS, if memory serves.
I play it quite often. Seamless blend between JNH and Purcell's material.I am extremely serious. -
- CommentAuthorKevinSmith
- CommentTimeApr 16th 2011
The Young Indiana Jones Chronicles Vol 1 - Joel McNeely/Laurence Rosenthal
It's nice orchestral music, but due to the nature of the album not terribly cohesive. Maybe the next ones will be better...Revenge is sweet... Revenge is best served cold... Revenge is ice cream. -
- CommentTimeApr 16th 2011
Timmer wrote
NP : KRULL - James Horner
Never heard of it.
What's it like? Probably another small-time intimate score with lots of boring cues that send me to sleep."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeApr 16th 2011
THE WIND AND THE LION - JERRY GOLDSMITH
The short release this time, the 2nd CD in fact... Liking it a tad more than the expanded, this is powerful Jerry from the year I was born, can't believe I've never truly listened to this one before."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeApr 16th 2011
DreamTheater wrote
Timmer wrote
NP : KRULL - James Horner
Never heard of it.
What's it like? Probably another small-time intimate score with lots of boring cues that send me to sleep.
It's the biggest crock of crap ever written that Krull!
Don't even attempt to listen to it.
Thank god they write scores with less of that ridiculous "theme" or "melody" nonsense!
Now they have non-intrusive, non- thematic underscore drone that's not "in your face" like this stuff!
And why waste a full orchestra and choir when you can emulate that synthetically now?
Glad those days of scoring are gone! Utter nonsense!
Man, that killed me writing that! I think I've listened to Krull at least 32 dozen times! -
- CommentTimeApr 16th 2011 edited
Yeah, I know you're being ironical and all, but beyond the "Firemares" cue, there has never really been that much interesting in that score to me. Too much melodramatic horror and suspense stuff. I gave away my copy of the old 2CD set awhile back. Sorry if that is akin to swearing to some here.I am extremely serious. -
- CommentAuthorTimmer
- CommentTimeApr 16th 2011
Thor wrote
Yeah, I know you're being ironical and all, but beyond the "Firemares" cue, there has never really been that much interesting in that score to me. Too much melodramatic horror and suspense stuff. I gave away my copy of the old 2CD set awhile back. Sorry if that is akin to swearing to some here.
Swearing!??? That's the very least mate, there a goddamn price on your head now!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeApr 16th 2011
Tim, you take the left. I'll take the right. He won't have a chance! -
- CommentAuthorTimmer
- CommentTimeApr 16th 2011
You're on! I suggest slow and painful rather than quick and merciful.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeApr 16th 2011
He'll probably enjoy it anyway. Unless it's over 40 minutes!
OK slowish, painful kill! -
- CommentTimeApr 16th 2011
I am extremely serious. -
- CommentTimeApr 16th 2011
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- CommentAuthorTimmer
- CommentTimeApr 16th 2011
Atham wrote
He'll probably enjoy it anyway. Unless it's over 40 minutes!
OK slowish, painful kill!
We'll put the C&C into torture and death.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeApr 16th 2011
I dreamt that I was listening to Poledouris' For love of the game and that I thought it was one of the best scores I'd ever heard. I better do what my subconscious is trying to tell me, so I'm listening to it now.
Peter -
- CommentTimeApr 16th 2011
Thor wrote
Great score. "The Fire" reminds me a bit of a theme in LAST OF THE MOHICANS, if memory serves.
I play it quite often. Seamless blend between JNH and Purcell's material.
I must admit that I always skip the Purcell material. When I'm in a film score mood I don't want to listen to classical music.
Peter -
- CommentTimeApr 16th 2011 edited
Timmer wrote
Thor wrote
Yeah, I know you're being ironical and all, but beyond the "Firemares" cue, there has never really been that much interesting in that score to me. Too much melodramatic horror and suspense stuff. I gave away my copy of the old 2CD set awhile back. Sorry if that is akin to swearing to some here.
Swearing!??? That's the very least mate, there a goddamn price on your head now!
Indeed, I issue a film score fatwā on Thor's head!
Peter -
- CommentTimeApr 16th 2011
plindboe wrote
Thor wrote
Great score. "The Fire" reminds me a bit of a theme in LAST OF THE MOHICANS, if memory serves.
I play it quite often. Seamless blend between JNH and Purcell's material.
I must admit that I always skip the Purcell material. When I'm in a film score mood I don't want to listen to classical music.
Peter
When it's done as seamless as in this case, I don't really care one way or the other.I am extremely serious.