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  1. FOR IMMEDIATE RELEASE

    HOWE RECORDS TO RELEASE HUGO SCORE
    NOVEMBER 22, 2011

    Music By Academy Award® Winner Howard Shore
    Featuring Zaz on the Original Song “Coeur Volant”

    (November 15, 2011—New York, NY) Howe Records is pleased to announce the release of the Hugo – Original Score, available in stores and digitally on November 22, 2011. Hugo marks the sixth collaboration between director Martin Scorsese and composer Howard Shore. Like Scorsese’s film, Shore’s score to Hugo is a love letter both to the French culture in the 1930s and to the groundbreaking early days of cinema.

    Hugo tells the story of Hugo Cabret, a boy who lives behind the walls of a Parisian train station. Shore’s music is composed for two ensembles – one nested within the other – to create a sense of layering in the musical palette. Inside a full symphony orchestra resides a smaller ensemble, a sort of nimble French dance band that includes the ondes Martenot, musette, cimbalom, tack piano, gypsy guitar, upright bass, a 1930s trap-kit, and alto saxophone. “I wanted to match the depth of the sound to the depth of the image,” says Shore.

    The Hugo score is based around a family of primary musical themes. “The themes are used for clarity of storytelling and they develop over the course of the film,” says the composer. The score’s central theme is a Parisian waltz that develops into the song “Coeur Volant.” Howard Shore invited renowned French singer Zaz to collaborate with Elizabeth Cotnoir and him on the song, which captures the lyrical essence of the world of Hugo.

    The theme for Hugo’s quest begins the score with clocklike precision in piano octaves. A figure for strings, celesta, and ondes Martenot rotates downward through minor modes to depict the mysterious automaton that Hugo’s father left behind. The Station Inspector is portrayed by a marche comique featuring bassoon and striding snare drum, while the cinematic innovations of Georges Méliès – “Papa Georges” to Hugo and Isabelle – receive Shore’s most theatrical flourishes, which recreate the spirited energy of live theater orchestras and the very first film scores.

    Academy Award®-winning composer Howard Shore is among today’s most respected, honored, and active composers and conductors. His work with Peter Jackson on The Lord of the Rings trilogy stands as his most towering achievement to date, earning him three Oscars® and four Grammy® awards. Since 2003 Shore’s music from the beloved trilogy has been constantly performed in concert halls around the world. Howe Records recently released a live recording of The Lord of the Rings Symphony: Six Movements for Orchestra and Chorus, which continues to appear on Billboard Magazine’s classical charts.

    As one of the original creators of Saturday Night Live, Shore served as the show’s music director from 1975 to 1980. At the same time, he began collaborating with David Cronenberg, and has since scored 13 of the director’s films, including The Fly, Dead Ringers, Crash, Naked Lunch, Eastern Promises, and 2011’s A Dangerous Method. Shore continues to distinguish himself with a wide range of projects, from Martin Scorsese’s The Departed, The Aviator, and Gangs of New York, to Ed Wood, The Silence of the Lambs, Philadelphia, and Mrs. Doubtfire. He is currently working on his second opera, and is returning to Middle-earth with J.R.R. Tolkien’s The Hobbit.

    Through the years, Academy Award® winner Martin Scorsese has transported us to extraordinary places. This Holiday season he will take audiences to a magical time and place as only he can, in his first ever 3D film, based on Brian Selznick’s award winning and imaginative New York Times bestseller, The Invention of Hugo Cabret.

    Hugo is the astonishing adventure of a wily and resourceful boy whose quest to unlock a secret left to him by his father will transform Hugo and all those around him, and reveal a safe and loving place he can call home. The film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory, Michael Stuhlbarg, Frances de la Tour, Richard Griffiths, with Jude Law.

    Paramount Pictures will present Hugo in theaters on November 23, 2011. The Hugo – Original Score from Howe Records will be available in stores and digitally on November 22, 2011.

    ###

    For more information: cinemediapromo@yahoo.com or on Twitter @cinemediapromo

    About HUGO
    HUGO, presented by Paramount Pictures and GK Films, is a GK Films / Infinitum Nihil Production and a Martin Scorsese Picture, produced by Graham King, Tim Headington, Martin Scorsese and Johnny Depp. It is directed by Martin Scorsese from a screenplay by John Logan based on the book entitled The Invention of Hugo Cabret by Brian Selznick. The film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory, Michael Stuhlbarg, Frances de la Tour, Richard Griffiths, with Jude Law.
    •  
      CommentAuthorsdtom
    • CommentTimeNov 16th 2011
    So far I'm having a hard time getting into to this one.
    Tom
    listen to more classical music!
  2. I am listening to this at the moment and the accordion isn't as prominent as I thought it might be - so far.

    What is striking me though is why get someone as Howard Shore to compose a score like this? Choosing a composer for a project I would have thought that the style of a composer is something that would add a specific sound to a score, a sound that you would want a bit of in your movie.

    But so far, I am not getting any sense that this is a Howard Shore score, Sure, it shouldn't sound exactly like what he has done before, but some link should be there. There is a hint of similarity with The Aviator, but I would love Shore to give me a bit more of the type of scores he composed back in 1990s.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  3. Well they do love to be pigeon-holed like that. wink
    I haven't heard it myself, but I'd be surprised if there was no hint of the Shore of MRS DOUBTFIRE or NOBODY'S FOOL or BIG.
    A butterfly thinks therefore I am
  4. It is just that usually I like to hear some reminders of the style that first drew me to a composer.

    The titles you mention are some of my least favourite from Shore - though the themes in Nobody's Fool (rather than the composer's style) make this an enjoyable listen.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  5. All I'm saying is, he has done childlike/innocent stuff before.

    But as to why you'd get Shore to do this... isn't it because he's done Scorsese's last few traditional scores? (departed, aviator, even gangs of new york, to an extent)
    A butterfly thinks therefore I am
  6. franz_conrad wrote
    All I'm saying is, he has done childlike/innocent stuff before.

    I didn't mean to shoot you down with my comments. Am I coming across as constantly being antagonistic or something? (Said in a questioning and not a confrontational way.)

    And I had not realised that Hugo was a Scorsese project. As comedian Rich Hall was saying on TV last night (on a doc about road movies), you always expect to see someone like Joe Pesci in his films, with lots of gangster types and killing.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  7. Indeed. It's not the most likely Scorsese film. (Although KUNDUN has some great sequences set around a child's point of view of the world.)

    No, you're not confrontational, don't worry. wink
    A butterfly thinks therefore I am