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  1. Every now and then Alex Ross writes an article that has an echo for our little area of interest.

    This article... about a composer whose music and film music I love... could have been written by a film music critic about James Horner's borrowings, to an extent:
    http://www.newyorker.com/online/blogs/c … ereus.html

    Recently there's a little dig on his website on THE ARTIST's winning of best score -- noting the power added to the film by Bernard Herrmann -- over Cliff Martinez's ineligible DRIVE score.
    A butterfly thinks therefore I am