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      CommentAuthorDemetris
    • CommentTimeSep 29th 2011
    So they replaced him with Jane Antonia Cornish? It's odd since 'fireflies in the garden' is considered as one of his best scores...
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeNov 21st 2011


    shocked Indeed!

    Headline REAL COMPOSER SCORES FILM SHOCK
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  1. Countdown until rejection and Ramin/Bates/Tyler/Zimmer replacement.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
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      CommentAuthorScribe
    • CommentTimeNov 21st 2011
    omg wtf, have i woken up in an alternate reality?
    I love you all. Never change. Well, unless you want to!
  2. Justin, NAvarrete REPLACES Tyler on this one.
    http://www.filmmusic.pl - Polish Film Music Review Website
  3. I don't see anything, with a very quick search, that says Tyler was hired; what do you know about it?


    Great move, if you ask me; this could prove very interesting.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  4. Tyler has been speaking about the project and he was hired due to previous collaboration with the director. That's all I know.
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorBobdH
    • CommentTimeMar 10th 2012 edited
    The official website has several lengthy samples up of Javier Navarrete's WRATH OF THE TITANS score. Some might say his sound has veered a little towards RC-isms (it certainly sounds unlike anything HE has done before), but thanks to just enough orchestral depth and color (several ethnic instruments along the way) it still sounds great to me and aeons better than Djawadi's effort!

    http://wrathofthetitans.warnerbros.com/ … soundtrack

    It's an epic score for large orchestra and choir, added with some electronics for contemporary effect.
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      CommentAuthorDemetris
    • CommentTimeMar 10th 2012
    It'd be logical that he'd be asked to color it with RC-isms; think of the movie and its target audience.
    Love Maintitles. It's full of Wanders.
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      CommentAuthorBobdH
    • CommentTimeMar 10th 2012 edited
    Yeap, and I don't really care; this sounds like one of those guilty pleasure efforts that just need to be fun, but are above average and as such not all that guilty. Certainly a purchase for me.
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      CommentAuthorDemetris
    • CommentTimeMar 10th 2012
    What' s the link please?
    Love Maintitles. It's full of Wanders.
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      CommentAuthorBobdH
    • CommentTimeMar 10th 2012
    Um... see my original post, just a few inches up wink
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      CommentAuthorDemetris
    • CommentTimeMar 10th 2012
    Nice, sounds Silvestri-an!
    Love Maintitles. It's full of Wanders.
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      CommentAuthorDemetris
    • CommentTimeMar 10th 2012
    The choir is quite intriguing and awe-inspiring...
    Love Maintitles. It's full of Wanders.
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      CommentAuthorBobdH
    • CommentTimeMar 10th 2012 edited
    Yeap, it's not one of those regular sounding choir-thingys for the sake of having a choir, it's well implemented.
    • CommentAuthorTimmer
    • CommentTimeMar 10th 2012
    You guys have intrigued me with your comments, I'll have to give it a listen.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
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      CommentAuthorDemetris
    • CommentTimeMar 10th 2012
    Those electronics get quite harsh towards the end though..
    Love Maintitles. It's full of Wanders.
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      CommentAuthorBobdH
    • CommentTimeMar 10th 2012 edited
    If you're talking about final track Kronos Megalos Remix, I'm guessing this isn't from Navarrete but some producer that was asked to give it a poppy spin for the end credits.
  5. Funny but it doesn't sound too much like a remix like I was afraid of. I agree, the choral work it doesn't sound typical (a couple of "ooh", "aahs" with a terribly low mix that makes that you can't hear it). Zeus In The Underworld creeps me out.

    Also, I like the main theme.
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      CommentAuthorDemetris
    • CommentTimeMar 11th 2012
    The harsh brass clusters are the ones I liked the most smile
    Love Maintitles. It's full of Wanders.
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      CommentAuthorCristian
    • CommentTimeMar 11th 2012 edited
    Too harsh for my taste.

    I only like the quiet parts and the first cue (Wrath of the Titans).
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      CommentAuthorErik Woods
    • CommentTimeMar 11th 2012
    The samples are a big load of meh!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
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      CommentAuthorMartijn
    • CommentTimeMar 14th 2012
    Erik Woods wrote
    The samples are a big load of meh!

    -Erik-


    Unfortunately I tend to agree.
    But then I never much liked Navarrete to begin with.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
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      CommentAuthorDemetris
    • CommentTimeMar 17th 2012
    Seriously? Not even Pan's Labyrinth or Cracks?
    Love Maintitles. It's full of Wanders.
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      CommentAuthorCristian
    • CommentTimeMar 18th 2012
    Cracks is a great score.
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      CommentAuthorMartijn
    • CommentTimeMar 18th 2012
    Demetris wrote
    Seriously? Not even Pan's Labyrinth or Cracks?


    Seriously.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
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      CommentAuthorBobdH
    • CommentTimeMar 18th 2012
    Fireflies in the Garden?
  6. BobdH wrote
    Fireflies in the Garden?

    Is not one of his best.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
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      CommentAuthorBobdH
    • CommentTimeMar 18th 2012 edited
    Of you ask me, it most definitely is! It might not be one of his most elaborate ones in terms of scope, but it's certainly among his best. Definitely above (the also lovely) Cracks. To me, Fireflies and Labyrinth both show two different sides of his best work; one the intimate melancholic one, and the other the one that shows he knows how to handle big orchestra and vocals as well.