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- CommentTimeJun 26th 2019
Edmund Meinerts wrote
Love Arnold and his Godzilla though I'm a little surprised to see the same sentiment from you, Thor, given how loud that score is
Don't get too excited. I think he likes the original score album that has a lot less action.
But yeah, no, it's an insane score in the best way possible. Recording this must have been fun. -
- CommentAuthorEdmund Meinerts
- CommentTimeJun 26th 2019 edited
Thor wrote
Well, you have to remember that when it comes to 90s scores and earlier, I'm usually in line with all the other lovers of big symphonic action scores here. It's contemporary, post-2000 scores in the same idiom I tend to have issues with (for the most part; there are exceptions here too).
Do you think that has more to do with the music itself or your perception thereof? I think this is quite interesting. For instance, if you were to listen to a big grand bombastic action score from the 90s that you had never heard before, would you enjoy it or not? -
- CommentAuthorPawelStroinski
- CommentTimeJun 26th 2019
Steven wrote
Edmund Meinerts wrote
Love Arnold and his Godzilla though I'm a little surprised to see the same sentiment from you, Thor, given how loud that score is
Don't get too excited. I think he likes the original score album that has a lot less action.
But yeah, no, it's an insane score in the best way possible. Recording this must have been fun.
The original album that had like 7 minutes of score and a shitload of songs?http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeJun 26th 2019
Wasn't there a bootleg score album? Regardless, even I think the 2 disc version is too much. But there are more than enough highlights to make a great album (that is, if you like the score). -
- CommentAuthorPawelStroinski
- CommentTimeJun 26th 2019
It was about as long as the official limited release, but sans the bonus tracks.http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeJun 26th 2019
Edmund Meinerts wrote
Do you think that has more to do with the music itself or your perception thereof? I think this is quite interesting. For instance, if you were to listen to a big grand bombastic action score from the 90s that you had never heard before, would you enjoy it or not?
I don't think such a thing exists, as I'm pretty up-to-date about all things that came out in that decade, but I'd probably enjoy it. Back then, these scores were more extrovert, thematically driven, with wider dynamic range than they eventually became.I am extremely serious. -
- CommentTimeJun 27th 2019
Steven wrote
Far From Home Suite Home Michael Giacchino
Well this is a nice surprise.
Here, have a suite from the second movie to enjoy :-)
https://www.facebook.com/SonyPicturesIR … 175866950/Editor-in-chief at http://soundtrackworld.com / http://soundtrackwereld.nl -
- CommentTimeJun 27th 2019
Caliburn wrote
Steven wrote
Far From Home Suite Home Michael Giacchino
Well this is a nice surprise.
Here, have a suite from the second movie to enjoy :-)
https://www.facebook.com/SonyPicturesIR … 175866950/
I really like this! This isn't the same suite on youtube is it?
This morning I gave RORY'S WAY by Frank Ilfman a first listen. It's very pretty. A little too low key for fans of bigger music, but I enjoyed it. -
- CommentTimeJun 28th 2019 edited
I can't believe it's been four years, this week, since we lost James Horner.
NP: THE PERFECT STORM - JAMES HORNER
This one always struck a chord with me... and the (unofficial) expanded version is grand. Hope it gets an official expansion one day. There's so much great action music here. -
- CommentTimeJul 4th 2019
NP: The Goonies (1985) - Dave Grusin
The recent Varese Sarabande release. Believe it or not, I have never seen that film. Also this is the first entry that Grusin makes in my collection. The score seems to be a lot of fun!
VolkerBach's music is vibrant and inspired. -
- CommentAuthorPawelStroinski
- CommentTimeJul 6th 2019 edited
Hans Zimmer - Beyond Rangoon
Revisiting an old friendhttp://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorJoep
- CommentTimeJul 7th 2019
Tôn-Thât Tiêt - Xich Lo -
- CommentTimeJul 8th 2019
Captain Future wrote
NP: The Goonies (1985) - Dave Grusin
The recent Varese Sarabande release. Believe it or not, I have never seen that film. Also this is the first entry that Grusin makes in my collection. The score seems to be a lot of fun!
Volker
the movie is a lot of fun, and the score is so enjoyable in it. If you can accept constant shouting and running around teenagers (though all in the good sense of 80's fun), you really should give this one a chance.waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentTimeJul 9th 2019
NP: Heaven & Earth (1993) - Kitaro
Amazing!Bach's music is vibrant and inspired. -
- CommentAuthorPawelStroinski
- CommentTimeJul 11th 2019
Thomas Glorieux wrote
Captain Future wrote
NP: The Goonies (1985) - Dave Grusin
The recent Varese Sarabande release. Believe it or not, I have never seen that film. Also this is the first entry that Grusin makes in my collection. The score seems to be a lot of fun!
Volker
the movie is a lot of fun, and the score is so enjoyable in it. If you can accept constant shouting and running around teenagers (though all in the good sense of 80's fun), you really should give this one a chance.
He's a teacher. That's his day job.http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeJul 12th 2019
PawelStroinski wrote
Thomas Glorieux wrote
Captain Future wrote
NP: The Goonies (1985) - Dave Grusin
The recent Varese Sarabande release. Believe it or not, I have never seen that film. Also this is the first entry that Grusin makes in my collection. The score seems to be a lot of fun!
Volker
the movie is a lot of fun, and the score is so enjoyable in it. If you can accept constant shouting and running around teenagers (though all in the good sense of 80's fun), you really should give this one a chance.
He's a teacher. That's his day job.
Bach's music is vibrant and inspired. -
- CommentTimeJul 12th 2019
Captain Future wrote
PawelStroinski wrote
Thomas Glorieux wrote
Captain Future wrote
NP: The Goonies (1985) - Dave Grusin
The recent Varese Sarabande release. Believe it or not, I have never seen that film. Also this is the first entry that Grusin makes in my collection. The score seems to be a lot of fun!
Volker
the movie is a lot of fun, and the score is so enjoyable in it. If you can accept constant shouting and running around teenagers (though all in the good sense of 80's fun), you really should give this one a chance.
He's a teacher. That's his day job.
then why haven't you've seen it? Go GOwaaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentTimeJul 19th 2019
NP: Game of Thrones Season 8 (2019) - Ramin Djawadi
Still largely ignorant of books and show, I have all 8 albums of film music in my collection. The journey closes with a lavish 2 CD album. The music is as strong as it ever was.
VolkerBach's music is vibrant and inspired. -
- CommentTimeJul 19th 2019 edited
I've never really understood the praise Djawadi gets for Game of Thrones. I put it down to a love of the show, and anything related to it. There are some okay tracks, some catchy tunes, but nothing beyond that. Not only this, but his approach to scoring many of the scenes were utterly lacklustre.
Point in case: The entire episode of The Long Night in season 8. Say what you will about the writing, but the visual spectacle of that episode was clearly a watershed moment for TV. But Djawadi wrote one long, tense underscore with a shitty piano theme at the end. The most boring, simplistic and unemotional approach to a visually epic, episode-long battle scene.
Or when Jon and Dany were flying on friggin' dragons. The music was painfully boring. How do you see a scene like that and decide, "You know what this needs? Nothing special." He's like the anti-John Powell.
The main theme is the best thing, and even that is nothing beyond okay.
The show had its problems and turned into utter shite the longer it went on, but there were countless opportunities to have much more interesting things happening in the music. -
- CommentTimeJul 19th 2019
Well, this is one of the rare occasions, when I can't relate the music to pictures, moods or characters. And even though the albums have their share of filler cues, I still like most of the music.Bach's music is vibrant and inspired. -
- CommentTimeJul 19th 2019
All power to ya, but my god I hate the praise these scores get, especially from non-film music fans.
I know food analogies are over used, but it's like someone praising McDonald's for being this wonderful little local restaurant where they serve the best food. -
- CommentTimeJul 19th 2019 edited
NP: Shaka Zulu (1986) - Dave Pollecutt
Do you know a score, that you consider a holy grail, even though few people besides you are even aware of it? Dave Pollecutt was a rather low profile South African TV composer. To be fair, the underscore here is nothing special. The magic resides in the vocal cues. Those are outstanding.
VolkerBach's music is vibrant and inspired. -
- CommentTimeJul 24th 2019
NP: Bad Boys (1995) - Marc Mancina
I had to give this amazing score a relisten after the news of Balfe going to score the new one.Editor-in-chief at http://soundtrackworld.com / http://soundtrackwereld.nl -
- CommentTimeJul 27th 2019 edited
NP: Flight of the Navigator (1986) - Alan Silvestri
A delightful and uplifting little score for a delightful and uplifting film. A CD was released only in the 90s. It sells for lunatic money now. I just discovered there is a budget priced digital download available from amazon (and possibly in other places). This probably diminishes the likeliness of a CD reissue from one of the boutique labels. Nevertheless the music is here to enjoy.
This is a purely synthesizer based score, featuring 80s pop sensibilities a la Moroder and Faltermayer. So this is probably not everyone's cup of tea.
VolkerBach's music is vibrant and inspired. -
- CommentAuthorJoep
- CommentTimeJul 27th 2019
Krzesimir Debski - Stara Basn - Kiedy Slonce Bylo Bogiem
Brilliant from start to finish. -
- CommentAuthorPawelStroinski
- CommentTimeAug 1st 2019
Hans Zimmer - Drop Zone
Because of... The Lion King's Stampede cue. Today it's the finale only (as in the two final action tracks). It's fun, but I think a bit overrated as I prefer Broken Arrow to it. It gets a bit incoherent at times.http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeAug 2nd 2019
I hadn't listened to Thomas Newman's Meet Joe Black in awhile and well...it's still incredible. And makes me weep every time. -
- CommentTimeAug 5th 2019
NP: The Sign of Four (1983) - Harry Rabinowitz
The Opening Titles Suite that I ripped from the DVD. You'll also find the music on YouTube.
VolkerBach's music is vibrant and inspired. -
- CommentTimeAug 9th 2019
NP: Theme from Remington Steele (1982) - Henry Mancini
I was never able to hunt this theme down on some Mancini or TV themes compilation. Now I found, what appears to be the original recording, on a Spanish compilation. (Grandes Clásicos de la Tele, Vol. 1) It's on Spotify and amazon, download only.
VolkerBach's music is vibrant and inspired. -
- CommentTimeAug 11th 2019
NP: THE SPITFIRE GRILL - JAMES HORNER
On a journey, ploughing through every Horner score chronologically. Up to 1995. I'm in no way a Horner-basher (I love his music regardless of the nay-sayers) but when you plough through his entire filmography it does play like an enormously long concept album, haha. Finding motives here and there... can never place where they came from. This is great though.