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      CommentAuthorDemetris
    • CommentTimeFeb 28th 2008 edited
    No, i don't have any specific to say about the composer at the time being nor am I familiar with his work at all; But i've seen The Other Boleyn Girl on amazon and would really like some input from someone who has! smile
    Love Maintitles. It's full of Wanders.
    • CommentAuthorAnthony
    • CommentTimeFeb 28th 2008
    Anyone who replaces Edward Shearmur = sad

    I'm still interested to hear what it turned out like though.
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      CommentAuthorBobdH
    • CommentTimeFeb 28th 2008 edited
    I've seen the film a few weeks ago (just published my review actually: go see it for Natalie, Bana and Scarlett, but the direction is uninspired), and I wasn't overly enthusiastic. It's a nice effort, but by no means what you call a strong debut. It accompanies the scenes like it should, sometimes with the use of some periodic instruments, but it's not until the final scene where Cantelon can get dramatic and finally sweeps you away a bit with his string writing. Everything that goes before borders on generic dramatic composition.
  1. I quite Cantelon's music for EVERYTHING IS ILLUMINATED:
    http://www.musicweb-international.com/f … illum.html

    He also did the score of THE DIVING BELL AND THE BUTTERFLY. Worked very well in the film.
    A butterfly thinks therefore I am
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      CommentAuthorDemetris
    • CommentTimeFeb 28th 2008
    Interesting, Bob. How would you describe its overall instrumentation, style and mood?
    Love Maintitles. It's full of Wanders.
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      CommentAuthorBobdH
    • CommentTimeFeb 28th 2008 edited
    Dominated by strings, he uses heavy drums for extra grandeur for the English court, harp for the sisters and occasionally flutes for extra color. As the story unfolds and it becomes more intense, he uses guitar and piano for emotional effect. The best parts are when he gets to use a solo violin and cello; it's these moments where he really gets a dramatic tension across. Other then that, the music remains settled in the background, except for the traditional 18th century party/source music.

    Personally, I'd say he could've done with a more classic approach, instead of this common sound. Still, it works within the film, and it's probably a nice listen on album. Just don't expect to mention this when the Best of 2008 lists are there again.
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      CommentAuthorBobdH
    • CommentTimeFeb 28th 2008
    Soundclips from THE OTHER BOLEYN GIRL:

    http://music.barnesandnoble.com/search/ … &itm=1
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      CommentAuthorDemetris
    • CommentTimeFeb 28th 2008 edited
    Do you have soundclips from THE boleyn girl as well? biggrin



    Thanks mate, sounds very interesting!
    Love Maintitles. It's full of Wanders.
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      CommentAuthorBobdH
    • CommentTimeFeb 29th 2008 edited
    Christodoulides wrote
    Thanks mate, sounds very interesting!


    No, no, you haven't listened: it's not! rolleyes tongue
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      CommentAuthorSouthall
    • CommentTimeMar 9th 2008
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      CommentAuthorBregt
    • CommentTimeJun 11th 2008
    It's somewhere in between!

    Marie-Lises detailed review of The Other Boleyn Girl
    http://www.maintitles.net/reviews/the-o … leyn-girl/
    Kazoo
    • CommentAuthorEnemyToo
    • CommentTimeJul 28th 2008 edited
    Paul Cantelon is writing the music for Oliver Stone's George W. Bush bio-pic, "W." According to the film's teaser trailer.

    http://www.youtube.com/watch?v=PJh7Md5KuWc&fmt=18
  2. I think the score could be really good. Movies about alcoholics and religious awakening had some very fine scores in the past.
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      CommentAuthorDemetris
    • CommentTimeJul 28th 2008
    I doubt it, judging from THE OTHER BOLEYN GIRL.
    Love Maintitles. It's full of Wanders.
  3. Clips for all the cues on "W" posted here:

    http://www.emusic.com/album/Paul-Cantel … 92959.html


    It's very well done. I wonder who orchestrated it.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  4. It's a little belated, but here's my review of what I consider to be the best score of 2008 so far: THE OTHER BOLEYN GIRL, by Paul Cantelon.

    http://www.moviemusicuk.us/otherboleyngirlcd.htm
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      CommentAuthorDemetris
    • CommentTimeOct 8th 2008
    Jon Broxton wrote
    It's a little belated, but here's my review of what I consider to be the best score of 2008 so far: THE OTHER BOLEYN GIRL, by Paul Cantelon.

    http://www.moviemusicuk.us/otherboleyngirlcd.htm


    Wow! Really? I guess i have to re-listen to this.
    Love Maintitles. It's full of Wanders.
  5. Clark reviewed "W." for Movie Music UK (mainly about the movie, but also a little bit about Cantelon's score)

    http://www.moviemusicuk.us/wmovie.htm

    Also, here's a link where you can stream Cantelon's entire score: http://app.topspin.net/artist/215260/ho … _id=215260

    Listen to the first cue, "Bayou", and tell me that's not utterly beautiful.
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      CommentAuthorDemetris
    • CommentTimeSep 25th 2009
    ‘Betty Anne Waters’ gets score by Cantelon, as reported by moviescoremagazine.com

    "French composer Paul Cantelon, who wrote the acclaimed score for The Other Boleyn Girl as well as Oliver Stone’s latest film, W., is doing the score for Betty Anne Waters, the new feature film from actor-turned-director Tony Goldwyn."

    More, at http://moviescoremagazine.com/2009/09/b … ycantelon/
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeSep 26th 2009
    Jon Broxton wrote
    It's a little belated, but here's my review of what I consider to be the best score of 2008 so far: THE OTHER BOLEYN GIRL, by Paul Cantelon.

    http://www.moviemusicuk.us/otherboleyngirlcd.htm


    I think James ( in a shorter version ) said something similar!? Either way, this has my attention.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
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      CommentAuthorDemetris
    • CommentTimeDec 22nd 2010
    The Music Never Stopped’ to feature a score by Paul Cantelon

    http://filmmusicreporter.wordpress.com/ … -cantelon/
    Love Maintitles. It's full of Wanders.
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      CommentAuthorDemetris
    • CommentTimeJan 27th 2011
    CONVICTION

    Usual suspects at the instrumentation area, piano and orchestra, with emphasis on woodwinds. Lovely main theme, very melodic albeit simple. The rest are forgettable mostly; reminded me of a standard Rachel Portman score; good parts but nowhere as strong as his 'THE OTHER BOLEYN GIRL" score. Hope he shows different aspects in future, i'll be following for sure.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJan 27th 2011
    Christodoulides wrote
    CONVICTION

    Usual suspects at the instrumentation area, piano and orchestra, with emphasis on woodwinds. Lovely main theme, very melodic albeit simple. The rest are forgettable mostly; reminded me of a standard Rachel Portman score; good parts but nowhere as strong as his 'THE OTHER BOLEYN GIRL" score. Hope he shows different aspects in future, i'll be following for sure.


    i thought The Other Boleyn Girl was quite underrated by film score fans, I liked it a lot.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
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      CommentAuthorDemetris
    • CommentTimeMar 18th 2011
    from RHINO MUSIC:
    http://media.rhino.com/press-release/mu … on-picture

    cd cover:
    http://filmmusicreporter.files.wordpres … dtrack.jpg

    THE MUSIC NEVER STOPPED

    Release Date:
    Tue, 03/29/2011

    Soundtrack To Essential Pictures’ Film Features Six Grateful Dead Songs
    Including Three Previously Unreleased Live Recordings

    Digital Release Available Now, CD Arrives March 29

    LOS ANGELES – Essential Pictures presents The Music Never Stopped, a drama directed by Jim Kohlberg that is based on Dr. Oliver Sacks’ case study, “The Last Hippie.” Set in the mid-1980s, the film chronicles the struggles of a father (J. K. Simmons) trying to re-connect with his estranged son (Lou Taylor Pucci), who is recovering from brain surgery that has left him unable to create any long-term memories, effectively stranding him in 1968.

    Through the music that embodied the generation gap of the 1960s – particularly Grateful Dead – the father forms a most unusual but emotionally vibrant bond with the son he thought he had lost. Indeed, music plays a vital role in the film, which features songs by Bob Dylan, Crosby, Stills and Nash, Steppenwolf, Donovan and the Dead, who wrote the song for which the film is named.

    Prior to the film’s theatrical release, THE MUSIC NEVER STOPPED – MUSIC FROM THE MOTION PICTURE is available now from Rhino at all digital retailers for a suggested list price of $11.99. The collection will also be available on CD on March 29 at Amazon.com and select indie retail stores for a suggested list price of $13.98. The film opens in limited release on March 18. Please visit www.themusicneverstopped-movie.com for more info and access to select advance screenings.

    A pivotal moment in the film features the father and son share a bonding moment while attending a Grateful Dead concert in the ’80s. Previously unreleased live performances of “Truckin’” (Noblesville, IN, 7/15/89) and “Touch of Grey” (East Rutherford, NJ, 10/14/89) can be heard playing during the scene. Both are included on the soundtrack, along with a previously unreleased live version of “Sugar Magnolia” recorded on February 24, 1971 in Port Chester, NY. In addition to the three unreleased tracks, a trio of classic Dead recordings also appear on the soundtrack: “Ripple,” “Uncle John’s Band,” and the live version of “Not Fade Away/Goin’ Down The Road Feeling Bad” from their eponymous live album, better known as Skull & Roses.

    The soundtrack also features a new track from The Tulips, a musical group formed first as friends, then to perform "Summer Song" for the film. The song was written by Kraig Jarret Johnson, sung by Chrissy Amphlett, accompanied by Charley Drayton, Kraig Jarret Johnson and Greg Wieczorek and produced by Charley Drayton. More will be blooming from The Tulips as they continue to write and record.

    “Music is such an integral character,” director Jim Kohlberg says of the film. “We were able to put together this incredible soundtrack with a great deal of detail, patience and luck. I wasn’t going to do the film unless we could get the music...”

    THE MUSIC NEVER STOPPED – MUSIC FROM THE MOTION PICTURE
    Track Listing

    1. “Till There Was You” – Peggy Lee
    2. “Uncle John’s Band” – Grateful Dead
    3. “Sugar Magnolia” (Live) – Grateful Dead*
    4. “I Threw It All Away” – Bob Dylan
    5. “Magic Carpet Ride” – Steppenwolf
    6. “Mellow Yellow” – Donovan
    7. “Suite: Judy Blue Eyes” – Crosby, Stills & Nash
    8. “Not Fade Away/Goin’ Down The Road Feeling Bad” (Live) – Grateful Dead
    9. “Truckin’” (Live) – Grateful Dead*
    10. “Touch Of Grey” (Live) – Grateful Dead*
    11. “Ripple” – Grateful Dead
    12. “Summer Song” – The Tulips*
    13. “Gabriel’s Theme” – Paul Cantelon
    Love Maintitles. It's full of Wanders.
  6. You publicist head on overdrive, D? All that for just one track?
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
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      CommentAuthorDemetris
    • CommentTimeMar 18th 2011
    I actually found it in the rhino website, nobody sent it to me smile I guess there will be a score release hopefully?
    Love Maintitles. It's full of Wanders.
  7. Christodoulides wrote
    I actually found it in the rhino website, nobody sent it to me smile I guess there will be a score release hopefully?

    I'd listened to the clip yesterday. And I hope not! wink
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn