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      CommentAuthorSteven
    • CommentTimeApr 5th 2008
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    Great news! I hope this is the rebirth of his film music career.
    A painter paints pictures on canvas. But musicians paint their pictures on silence | Leopold Stokowski
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      CommentAuthorBobdH
    • CommentTimeApr 5th 2008
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    Well, Mann always came back to using that Steel Cello Lament from Heat, which he obviously loved, so he was bound to ask Goldenthal again as soon as he was available again.
    Get High!!! On Pottery
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    The Lord is good! Blessed be the name of the Lord!
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    And I think that compared to some projects, Mann was generous with using Goldenthal's score for heat, incidentally one of his best efforts.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeApr 5th 2008
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    Steven wrote
    Great news! I hope this is the rebirth of his film music career.



    Me too!

    Very welcome in an era of mind blowing mediocrity.
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      CommentAuthorSouthall
    • CommentTimeApr 6th 2008
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    Great news!
    As Carl Orff said to his wife after she gave him cheese sandwiches for the ninth successive day, "O! For tuna"
    • CommentAuthorEnemyToo
    • CommentTimeApr 6th 2008 edited
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    Awesome! Hopefully, like Steven said, this will open the door for many more new Goldenthal scores.
    • CommentAuthorMatt C
    • CommentTimeApr 6th 2008
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    I'm actually looking forward to Public Enemies, both film and score-wise.

    Plus, Public Enemies doesn't seem to be the sort of film Mann would stick a lot of songs in, particularly that it's not a contemporary film like Miami Vice and Collateral.
    http://unsungfilmscores.blogspot.com/ -- My film/TV/game score review blog
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      CommentAuthorThor
    • CommentTimeApr 12th 2008
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    beer

    Cheers, Elliot! Great to see you back!
    • CommentAuthorTimmer
    • CommentTimeApr 12th 2008
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    Matt C wrote
    I'm actually looking forward to Public Enemies, both film and score-wise.

    Plus, Public Enemies doesn't seem to be the sort of film Mann would stick a lot of songs in, particularly that it's not a contemporary film like Miami Vice and Collateral.


    I wouldn't bet on it! slant
    • CommentAuthorTimmer
    • CommentTimeApr 12th 2008
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    Thor wrote
    beer

    Cheers, Elliot! Great to see you back!


    Shame it's not some big sci-fi or fantasy adventure!?

    Goldenthal would be one of my top choices for a new Conan film.
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      CommentAuthorSouthall
    • CommentTimeAug 19th 2008
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    Stand by... Julie Taymor's making The Tempest! punk
    As Carl Orff said to his wife after she gave him cheese sandwiches for the ninth successive day, "O! For tuna"
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      CommentAuthorSteven
    • CommentTimeAug 19th 2008
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    I just had a scoregasm. And it hasn't even been composed yet.
    A painter paints pictures on canvas. But musicians paint their pictures on silence | Leopold Stokowski
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    Steven wrote
    I just had a scoregasm. And it hasn't even been composed yet.


    It has; FINAL FANTASY : THE SPIRITS WITHIN. Play it loud , now. cool
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    In the words of Jean Luc Picard: MAKE IT SO.

    I wonder if Taymor's version will be more or less tame than Greenaway's off-the-wall PROSPERO'S BOOKS (fine score by Nyman).
    • CommentAuthorTimmer
    • CommentTimeAug 19th 2008
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    I can just see Harry Enfield's 'Scousers'

    "calm down, calm down"
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    I've never connected with Goldenthal.
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      CommentAuthorThor
    • CommentTimeSep 8th 2008
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    That's cool! Your loss! wink
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    Thor wrote
    That's cool! Your loss! wink


    Pretty much. I always consider Goldenthal's music as one of the greatest gifts modern film music had the fortune to be blessed with.
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    Yes, that's true. He's so wonderfully creative and has a lot of distance to his work for film (his track titles are really amazing at times biggrin )
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeSep 9th 2008 edited
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    KevinSmith wrote
    I've never connected with Goldenthal.



    I think that's fair enough Kevin. Sure, I don't understand it because I love Goldenthal's work but on a similar note I've never connected to Gustav Mahler despite my love for classical music, very blasphemous in classical circles when you consider what a colossus Mahler is.
    • CommentAuthorTimmer
    • CommentTimeSep 9th 2008
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    Thor wrote
    That's cool! Your loss! wink


    Pot & Kettle mate, Pot & Kettle! wink
    • CommentAuthorMatt C
    • CommentTimeOct 8th 2008
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    Another project in Goldenthal's horizons: Julie Taymor's The Tempest.

    http://www.comingsoon.net/news/movienews.php?id=49509
    http://unsungfilmscores.blogspot.com/ -- My film/TV/game score review blog
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    No mention about Goldenthal yet; yes, i know she's his wife wink
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    Christodoulides wrote

    Pretty much. I always consider Goldenthal's music as one of the greatest gifts modern film music had the fortune to be blessed with.


    What always stood out with Goldenthal for me, was no two scores ever sounded the same, or his ability to come up with original material each time. Sure he has his style, but never have I heard him write something that was totally ripped from something else.

    But I understand not all people dig his style. He can sound very inaccessible at times.
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    "Public Enemies" should record soon.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
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      CommentAuthoromaha
    • CommentTimeOct 8th 2008
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    This film could be very good.
    Loved Heat. kill
    -Gt I am the master of my fate: I am the captain of my soul.