Categories
Vanilla 1.1.4 is a product of Lussumo. More Information: Documentation, Community Support.
CD collection cleanout!
-
- CommentTimeDec 1st 2007 edited
Updated May 2, 2015
ALAN SILVESTRI
Ricochet -- $5
ALFRED NEWMAN
Song of Bernadette, the (2CD) -- $15
BERNARD HERRMANN
Citizen Kane (McNeely/varese) -- $5
BILL CONTI
Rocky (original EMI release) -- $3
BRUCE ROWLAND
The Man From Snowy River -- $7
DANNY ELFMAN & VARIOUS
Anywhere But Here -- $2
Chicago -- $5
Edward Scissorhands (ballet) -- $7
Heartbreakers -- $2
Taking Woodstock -- $5
DAVID ARNOLD
Tomorrow Never Dies -- $5
World is not Enough, the -- $5
Stargate (original release) -- $7
DUST BROTHERS, THE
Fight Club -- $7
ENNIO MORRICONE
The Legend of 1900 -- $7
FRANCIS MONKMAN
The Long Good Friday -- $5
GEORGES AURIC
The Film Music of... (Chandos) -- $7
GEORGES DELERUE
Black Robe -- $10
Agnes of God -- $10
Great Composers (2CD Varese) -- $10
GERT WILDEN JR.
The Fencer (promo) -- $7
HANS ZIMMER
Black Rain (Virgin) -- $5
Rain Man (Perseverance) -- $7
HENRIK SKRAM
Den som søker (Crestfallen) (promo) -- $7
HENRY MANCINI
Breakfast at Tiffany's -- $5
JAMES HORNER
Star Trek 2: The Wrath of Khan (original release) -- $5
The Mask of Zorro -- $7
JERRY GOLDSMITH
Basic Instinct (Japanese Varese release) -- $5
Papillon (Silva) -- $5
Legend (Silva) -- $7
Star Trek: First Contact -- $7
IQ/Seconds -- $7
JOEL MCNEELY
Samantha -- $7
JOHN WILLIAMS
MYSTERY SCIENCE THEATRE 3000 - DADDY-O (CD-R with video of episode) -- FREE
THE KILLERS (CD-R, audio rip) -- FREE
LUDWIG VAN BEETHOVEN
Immortal Beloved -- $5
MATTI BYE
Faro (promo) -- $7
MAURICE JARRE
Dr. Zhivago (Rhino) -- $7
MIKLOS ROZSA
Ben Hur (Rhino/Turner Classics) -- $7
NINO ROTA
Film Music (EMI Classics) -- $10
PASCAL GAIGNE
Matka Edeniin (A Journey to Eden) -- $5
The Last Days of Lucifer - $5
Theo's House -- $5
PATRICK DOYLE
Harry Potter and the Goblet of Fire -- $5
RAGNAR BJERKREIM
The Green Planet -- $7
RICHARD ROBBINS
The Remains of the Day -- $5
SERGEI PROKOFIEV
Alexander Nevsky (RCA/Temirkanov) -- $10
SHIRLEY WALKER
Space: Above & Beyond (3CD) -- $15
TANGERINE DREAM & VARIOUS
Risky Business -- $3
VICTOR YOUNG
For Whom the Bell Tolls / The Life, Loves and Adventures of Omar Khayaam (Disques Cinemusique) -- $7
VARIOUS
The Best of Star Trek - 30th Anniversary Special (GNP) -- $7
Music from Alfred Hitchcock Films (Ketcham/Utah) -- $7
5. Festiwal Muzyki Filmowej 2012 (2CD) -- $10
7. Festiwal Muzyki Filmowej 2014 (2CD) -- $10
---------------------------------
OTHER MUSIC:
10CC
Greatest Hits -- $2
ANDREW POWELL
Andrew Powell and the Philharmonia Orchestra Play The Best of Alan Parsons Project -- $5
ALAIN SIMON
Excalibur (studio album) -- $5
Excalibur (live album) -- $5
Excalibur II -- $5
Gaïa -- $5
BRUCE SPRINGSTEEN
Live 1975-1985 (3CD) -- $10
CREEDENCE CLEARWATER REVIVAL
Chronicle, Vol. 2 -- $5
FRANZ SCHUBERT
The Romantic... (Naxos) -- $3
GENESIS
Calling All Stations -- $5
HAYDN/MOZART/SCHUMANN
Chamber Music Favourites (Naxos) -- $3
JOINT (blues band w/Supertramp lead man Rick Davies)
Freak Street -- $5
MIKE OLDFIELD
Hergest Ridge -- FREE
Incantations -- FREE
PINK FLOYD
Various rarities (3CD-R) -- FREE
Objects of Fantasy - Palmer & The Royal Philharmonic Play Pink Floyd -- $3
Crazy Diamond (Syd Barrett 3CD box) -- $30
RICK WAKEMAN
Journey to the Centre of the Earth -- $5
Anderson Bruford Wakeman Howe -- $5
THE ROLLING STONES
Voodoo Lounge -- $5
SPARKS
Sampler CD-R -- FREE
S.P.O.C.K.
Sampler CD-R -- FREE
STEPPENWOLF
Live at 25 (2CD) -- $5
SUPERTRAMP
The Very Best Of, Vol. 2 -- $5
VANGELIS
Mythodea -- $7
YES
Talk! (limited collector's edition) -- $10
VARIOUS
30 Years of Rock and Fashion (Polygram compilation) -- $3
Classical Christmas (CD Classics compilation) -- $3
Classical Spectacular, vol. 1 (2CD Carlton Classics compilation) -- $5
World of Private Music, the - vol. 2 (New Age compilation) -- $5
-----------------------------------
DVD:
Alien Quadrilogy (9DVD) -- $25
1941 (double sided) -- FREE
Amistad -- FREE
A.I. - Artificial Intelligence -- $3
Apocalypse Now - Special Edition -- $3
Back to the Future Trilogy (3DVD) -- $10
Boccacio 70 -- $5
Catch Me If You Can -- $5
Charlie and the Chocolate Factory (Burton) -- $5
Crouching Tiger Hidden Dragon -- FREE
The Crow -- $5
The Duellists -- $5
Edward Scissorhands -- FREE
Empire of the Sun -- FREE
E.T. The Extraterrestrial (Gift Box Set) -- $40
Everywhen (Bluray) -- FREE
Exotica -- $5
Get Carter -- FREE
Jaws -- $5
Hook -- FREE
Indiana Jones trilogy (4DVD) -- $10
Iron Weed - FREE
Jurassic Park trilogy (3DVD) -- $10
The Kid/A Dog's Life -- FREE
Minority Report -- $5
Motorway -- FREE
Mørke Sjeler (Dark Souls) -- FREE
Close Encounters of the Third Kind -- $5
Paranormal Activity -- FREE
Planet of the Apes (Burton) -- $5
Red Eye -- FREE
Saving Private Ryan -- $5
Schindler's list -- $5
Sholay -- $5
To Kill a Mockingbird -- FREE
Silverado -- FREE
Touchy Feely -- FREE
War of the Worlds (Spielberg) -- $5
Blade Runner (single-disc release) -- FREE
Hitchhikers Guide to the Galaxy -- $5
Star Wars: Attack of the Clones -- FREE
-----------------------------------
SHIPPING RATES:
Shipping costs are according to weight. You can choose to have them sent with or without jewel cases. Price list in Norwegian kroner can be found here. Divide by appr. 6 to get US dollars:
http://www.posten.no/en/products-and-se … ces/stamps
I prefer paypal.
E-mail is tjhaga at yahoo dot com.I am extremely serious. -
- CommentTimeDec 1st 2007
Snt you an e-mail, Thor.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeDec 3rd 2007
List updated.I am extremely serious. -
- CommentAuthortjguitar
- CommentTimeJan 6th 2008 edited
batman trilogy is still a varese release :P
and what did Riddle compose? The bonus track was the Neil Hefti theme! -
- CommentTimeJan 6th 2008
How is The Player, that Newman score?Kazoo -
- CommentTimeJan 6th 2008
tjguitar wrote
batman trilogy is still a varese release :P
and what did Riddle compose? The bonus track was the Neil Hefti theme!
Ah yes, VARESE, of course. Will be corrected.
But actually, Riddle's TV theme is not really a bonus track, it's the last track on the album, nr. 22.I am extremely serious. -
- CommentTimeJan 6th 2008
Bregt wrote
How is The Player, that Newman score?
It's a schizophrenic score that ranges between Newman's quirky mode, some offbeat source cues, one or two dialogue bits/sound effects and a wonderful symphonic ending. Unfortunately, I do not own it anymore, so it has been removed from the list.I am extremely serious. -
- CommentAuthortjguitar
- CommentTimeJan 6th 2008
Thor wrote
tjguitar wrote
batman trilogy is still a varese release :P
and what did Riddle compose? The bonus track was the Neil Hefti theme!
Ah yes, VARESE, of course. Will be corrected.
But actually, Riddle's TV theme is not really a bonus track, it's the last track on the album, nr. 22.
Its still from Neil Hefti and not Riddle. :P -
- CommentTimeJan 6th 2008 edited
Oh God, that's true. I've always....ALWAYS...mixed Nelson Riddle with Neil Hefti, even though they don't necessarily sound very like.I am extremely serious. -
- CommentAuthortjguitar
- CommentTimeJan 7th 2008
Well, it makes sense cause Nelson Riddle DID compose the score for the 1960's Batman movie that FSM released---and he incorporated Mr. Hefti's theme, I'm sure. -
- CommentTimeOct 28th 2008 edited
OK, time to put out some babies on ebay again, this time with new additions:
http://shop.ebay.com/merchant/soundtrac … omZQQ_mdoZ
The big collector's item is the GODZILLA 2CD set from LaLaLand, but there are many others as well. Some Goldsmith gems, for example. Low starting bids.
Here's the list:
Blue Max, the (Jerry Goldsmith, Sony Legacy)
Captain Corelli's Mandolin (Stephen Warbeck)
Casablanca - Classic Film Music from Humphrey Bogart Films (Various, RCA/Gerhardt)
Devotion (Erich Wolfgang Korngold, Marco Polo)
Exit to Eden (Patrick Doyle)
Frankenstein (Patrick Doyle)
Godzilla (David Arnold, 2CD)
Haunting, the (Jerry Goldsmith)
Hollow Man (Jerry Goldsmith)
Killing Fields, the (Mike Oldfield)
King Solomon's Mines (Jerry Goldsmith)
Last Man Standing (Elmer Bernstein, minor scratches on disc surface, but plays fine)
Lord of the Rings (Leonard Rosenman)
Mad Max 2: The Road Warrior (Brian May)
Miami Vice (Jan Hammer / various)
Ninth Gate, the (Wojciech Kilar, Promo, but same contents as regular release)
Omen, the (Jerry Goldsmith, original Varese release)
Party, the / The Great Race (Henry Mancini)
Pink Panther Strikes Again, the (Henry Mancini)
Pirates (Philippe Sarde)
Poltergeist (Jerry Goldsmith)
Ricochet (Alan Silvestri)
Rocky (Bill Conti, original EMI release)
Secret of NIMH, the (Jerry Goldsmith)
Van Helsing (Alan Silvestri)
Watcher, the (Marco Beltrami)I am extremely serious. -
- CommentAuthorAnthony
- CommentTimeOct 28th 2008
Why are you selling Godzilla??? -
- CommentTimeOct 28th 2008
Anthony wrote
Why are you selling Godzilla???
Dood, there are a ton ofon that list.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeOct 28th 2008 edited
Anthony wrote
Why are you selling Godzilla???
I actually replaced my old promo with this 2CD because I like the score so much. I gave the C&C a chance, in other words. Unfortunately - and predictably - it's a horrible listening experience with that presentation that drains every last drop of pleasure out of my appreciation of the score. So I'm selling it and re-acquiring the promo again (at some point...and if I can find it).I am extremely serious. -
- CommentTimeOct 28th 2008
Actually, I feel The Neverending Story II is a nice juicy collector's item, too. I just acquired my own copy a few months ago and had to shell out a good $40 for it. It's quite nice, too.''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentAuthorAnthony
- CommentTimeOct 28th 2008
Thor wrote
Anthony wrote
Why are you selling Godzilla???
I actually replaced my old promo with this 2CD because I like the score so much. I gave the C&C a chance, in other words. Unfortunately - and predictably - it's a horrible listening experience with that presentation that drains every last drop of pleasure out of my appreciation of the score. So I'm selling it and re-acquiring the promo again (at some point...and if I can find it).
Wah?
WAH?!
-
- CommentTimeOct 28th 2008
Well, I thought everyone knew this, but YES, Anthony, I really dislike scores that are presented in complete and chronological order. They usually ruin the listening experience for me, no matter how good the music is.I am extremely serious. -
- CommentAuthortjguitar
- CommentTimeOct 28th 2008
That doesn't explain Devotion though! -
- CommentTimeOct 29th 2008
tjguitar wrote
That doesn't explain Devotion though!
Or The Blue Max
Or the getting rid of a Gerhardt album. <-- This is nuts!
Or Frankenstein
Or Poltergeist
Or The Secret of NIMH
Or The Neverending Story II
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorTimmer
- CommentTimeOct 29th 2008
To each they're own I say.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeOct 29th 2008
I adore that Bogart/Gerhardt Cd
Thomaslisten to more classical music! -
- CommentAuthorAnthony
- CommentTimeOct 29th 2008
Then why are you selling it? -
- CommentTimeOct 29th 2008
Tom and Thor are different persons, Anthony.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentAuthorAnthony
- CommentTimeOct 29th 2008
Martijn wrote
Tom and Thor are different persons, Anthony.
Oh yeah...shut up...I was....testing you... -
- CommentTimeOct 29th 2008 edited
Erik Woods wrote
Or the getting rid of a Gerhardt album. <-- This is nuts!
Actually, "to each their own" is correct, because I would never dream of owning a Gerhardt album, myself. I greatly dislike incomplete scores and compilations, no matter the effort that went into their recording and production.
Having a score presented in its complete, chronological form however is perfection for me. It may not even be the best listening experience, but it just feels like what's "right" to me. If that makes any sense. I want to get the feeling that a story is being told to me as I listen to it, and having a complete & chronological scheme is the only way I can achieve that fully.''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentTimeOct 29th 2008
HeeroJF wrote
Erik Woods wrote
Or the getting rid of a Gerhardt album. <-- This is nuts!
Actually, "to each their own" is correct, because I would never dream of owning a Gerhardt album, myself. I greatly dislike incomplete scores and compilations, no matter the effort that went into their recording and production.
You really are missing out on something special then. Music is music; if it's good, listen to it. Why should listening to scores just be about 'complete and chronological'? Granted, I usually prefer listening to score albums too, but compilations are also very enjoyable to listen to - especially if you make a 'Heroes' playlist containing non-stop heroic music. It's awesome. (And of course there's the opposite end of the spectrum with Thor who seems to loathe complete and chronological scores which is just plain nuts.) -
- CommentTimeOct 29th 2008
But fact is: I probably already have all the scores presented on that Gerhardt compilation, so why should I bother?''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentTimeOct 29th 2008 edited
To hear a different interpretation.
It's no different from what Tom said in another thread: it's like owning different versions of the same symphony. For example, I'm glad I have Rozsa's own mind-blowing interpretation of El Cid, but also Tadlow's speaker-blasting version. And some of the finest renditions of Williams' Star Wars themes have not been executed by the maestro himself.
I'm glad I have laid my hands on some of the Gerhardt CDs as there are some essential ones (where the original score is unavailable or as an original only in a degraded, technically imperfect way). The Casablanca one is a good example. A very fine CD!'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeOct 29th 2008
^ What he said!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeOct 29th 2008
HeeroJF wrote
But fact is: I probably already have all the scores presented on that Gerhardt compilation, so why should I bother?
For the reasons Martijn described. Hearing different interpretations of a particular piece of music is pretty much what the classical world thrives on, so why not film music? Gerhardt's albums are so much more than just cheap cash-in compilation albums. To neglect them simply because you "already have the music" is an injustice to the creativity that went into these recordings!