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      CommentAuthorsdtom
    • CommentTimeJul 24th 2009
    I'll end this by saying Goldsmith will be missed
    listen to more classical music!
  1. Erik Woods wrote
    Christodoulides wrote
    BACKDRAFT's sound is SO 90's. Can you imagine that in a film, today?


    Well, Zimmer went back in time when he composed his score to Angels and Demons and no one seemed to care. Backdraft is bloody brilliant and still sounds like something Zimmer could accomplish today.

    -Erik-


    just like I said in my review

    excellent put Erik beer
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
  2. I think it'd be slightly better orchestrated though or recorded at least smile
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorErik Woods
    • CommentTimeJul 24th 2009
    PawelStroinski wrote
    I think it'd be slightly better orchestrated though or recorded at least smile


    Backdraft... slightly BETTER orchestrated?! My God, I'd hate to hear how Backdraft would have turned out if Shirley Walker wasn't involved.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeJul 24th 2009
    Here, Here cool
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  3. Erik Woods wrote
    PawelStroinski wrote
    I think it'd be slightly better orchestrated though or recorded at least smile


    Backdraft... slightly BETTER orchestrated?! My God, I'd hate to hear how Backdraft would have turned out if Shirley Walker wasn't involved.

    -Erik-


    It's not a case of the orchestrator, but some arrangement mistakes on Zimmer's side
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorErik Woods
    • CommentTimeJul 24th 2009
    PawelStroinski wrote
    Erik Woods wrote
    PawelStroinski wrote
    I think it'd be slightly better orchestrated though or recorded at least smile


    Backdraft... slightly BETTER orchestrated?! My God, I'd hate to hear how Backdraft would have turned out if Shirley Walker wasn't involved.

    -Erik-


    It's not a case of the orchestrator, but some arrangement mistakes on Zimmer's side


    State examples, please.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeJul 24th 2009
    I have no problems with the score, sounds great to me...arrangements and all.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  4. The only problem I have with Backdraft, the soundtrack album is way too short. Half an hour score for a 2 hour film... Criminal !!!
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
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      CommentAuthorSouthall
    • CommentTimeJul 25th 2009
    PawelStroinski wrote
    Christodoulides wrote
    Erik Woods wrote
    (IMHO, Zimmer has been stuck in the 90's with his out of date collection of synths)
    -Erik-


    That has some truth in it indeed biggrin


    Except Black Hawk Down, Tears of the Sun, Dark Knight and, I think, Angels and Demons (which is stuck in the 80s biggrin )


    Late 70s, I think. I wonder if Mike Oldfield was paid the royalties he deserves for it.
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      CommentAuthorSouthall
    • CommentTimeJul 25th 2009
    DreamTheater wrote
    The only problem I have with Backdraft, the soundtrack album is way too short. Half an hour score for a 2 hour film... Criminal !!!


    It's plenty long enough for me. Still one of Zimmer's better albums, I think.
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      CommentAuthorDemetris
    • CommentTimeJul 25th 2009
    Southall wrote
    PawelStroinski wrote
    Christodoulides wrote
    Erik Woods wrote
    (IMHO, Zimmer has been stuck in the 90's with his out of date collection of synths)
    -Erik-


    That has some truth in it indeed biggrin


    Except Black Hawk Down, Tears of the Sun, Dark Knight and, I think, Angels and Demons (which is stuck in the 80s biggrin )


    Late 70s, I think. I wonder if Mike Oldfield was paid the royalties he deserves for it.


    So much more going on in BHD that the song mate wink
    Love Maintitles. It's full of Wanders.
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      CommentAuthoromaha
    • CommentTimeJul 25th 2009
    Southall wrote
    DreamTheater wrote
    The only problem I have with Backdraft, the soundtrack album is way too short. Half an hour score for a 2 hour film... Criminal !!!


    It's plenty long enough for me. Still one of Zimmer's better albums, I think.


    Definitely
  5. I think James is talking about 160 BPM.
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorSouthall
    • CommentTimeJul 25th 2009
    Christodoulides wrote
    Southall wrote
    PawelStroinski wrote
    Christodoulides wrote
    Erik Woods wrote
    (IMHO, Zimmer has been stuck in the 90's with his out of date collection of synths)
    -Erik-


    That has some truth in it indeed biggrin


    Except Black Hawk Down, Tears of the Sun, Dark Knight and, I think, Angels and Demons (which is stuck in the 80s biggrin )


    Late 70s, I think. I wonder if Mike Oldfield was paid the royalties he deserves for it.


    So much more going on in BHD that the song mate wink


    I love Black Hawk Down (on album - not in the film). As Pawel thought, I was actually referring to the rip-off fest that is Angels and Demons.
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      CommentAuthorDemetris
    • CommentTimeJul 25th 2009
    Ah, the bells dude? GO AWAY!
    Love Maintitles. It's full of Wanders.
  6. Will you review Angels and Demons, James?
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorErik Woods
    • CommentTimeJul 25th 2009
    Christodoulides wrote
    Ah, the bells dude? GO AWAY!


    If he went away there wouldn't be a 160bpm.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
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      CommentAuthorDemetris
    • CommentTimeJul 25th 2009
    So anyone who's using those sounds is copying the bell-guy?
    Love Maintitles. It's full of Wanders.
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      CommentAuthorMartijn
    • CommentTimeJul 25th 2009
    Quasimodo? confused
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  7. lol
    http://www.filmmusic.pl - Polish Film Music Review Website
  8. Christodoulides wrote
    So anyone who's using those sounds is copying the bell-guy?


    It's not the SOUNDS, the melody is similar.
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorErik Woods
    • CommentTimeJul 25th 2009
    Christodoulides wrote
    So anyone who's using those sounds is copying the bell-guy?


    D, it's obvious! Don't be so naive on this one. Come on!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
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      CommentAuthorDemonStar
    • CommentTimeJul 25th 2009
    Martijn wrote
    Quasimodo? confused


    lol
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      CommentAuthorSouthall
    • CommentTimeJul 25th 2009
    Christodoulides wrote
    So anyone who's using those sounds is copying the bell-guy?


    No. Only if they also copy the whole of the piece - melody, harmony - like Zimmer did.