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Now Playing XLI

General Discussions » Now Playing XLI (Posts 2911 to 2940 of 3120)

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    •  
      CommentAuthorSteven
    • CommentTimeFeb 25th 2012
    I hope so! Goldsmith is very personal to me - anyone who can't accept that isnt worth it (but she is, very much so. She makes the effort to listen to film music! Incredible.)
    •  
      CommentAuthorDemetris
    • CommentTimeFeb 25th 2012
    Nautilus wrote
    CREATION (Chris Young)

    shocked


    Join the club!
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorSteven
    • CommentTimeFeb 25th 2012
    Tintin John Williams

    I can't deicide between this, War Horse or Mars Needs Moms as my favourite scores of 2011. In which case I have three No. 1 top scores of 2011.
    •  
      CommentAuthorplindboe
    • CommentTimeFeb 25th 2012
    Your highness (Jablonsky)

    The first tracks on the album are great, and same with the last tracks. It drags in the middle though, where I can't find many moments to enjoy. There's about a half hour of excellent music on this album, the other half I could do without.

    Rating: ****

    Entertaining movie too. Rather unsophisticated humour, but sometimes that can be rather enjoyable.

    Peter smile
  5. "Loch Ness"
    By: Trevor Jones


    The suite on Youtube is a little misleading, it lures you into the sense that it's very repetitious with little variation, but it's not.

    I've been wanting this ever since Perseverance Records released it a few years back, and with a bit of Christmas money, got it for probably the cheapeast price I could have in a long while.

    I'm only half way through, but the score is wonderful. It never feels like the simplistic writing you hear a lot these days by clones, and the orchestration is varied, and the writing just as much. The nice touch of some celtic instruments and style, ads to the flavor of the score. While for the most part of certainly breaks no new ground (but not ever score does, after all), it does ad some moments that are new to me, playing with the color of the celtic harmonics and ideas.

    Id' personally call it one of his best, though most people would be disappointed since it never reaches the heights of his known action scores. I'm not one of these people -- I can find greatness in lesser efforts and small ensemble works.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    • CommentAuthorTimmer
    • CommentTimeFeb 25th 2012
    Southall wrote
    The Ghost and the Darkness - Jerry Goldsmith

    It's about as authentically African as Ali Bongo, but it's so entertaining. "Lions Attack" is one hell of an action track.


    Obviously authentic then. There's some great music missing from the CD, I'd buy an expanded.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeFeb 25th 2012 edited
    Steven wrote
    Angela's Ashes is one of my favourite scores, without a doubt. It's melancholy without being depressing, and beautiful without being overbearing. The string writing is perhaps some of the best I've heard from John Williams. It's just wonderful. (I've only ever heard the 'promo' version, so I don't know anything about the dialogue.)


    I bought my copy in HMV, it has NO dialogue, someone can correct me if I'm wrong but I think it was the American issue that contained dialogue?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeFeb 25th 2012
    Steven wrote
    I hope so! Goldsmith is very personal to me - anyone who can't accept that isnt worth it (but she is, very much so. She makes the effort to listen to film music! Incredible.)


    A catch! cool beer
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorErik Woods
    • CommentTimeFeb 25th 2012
    Timmer wrote
    Steven wrote
    Angela's Ashes is one of my favourite scores, without a doubt. It's melancholy without being depressing, and beautiful without being overbearing. The string writing is perhaps some of the best I've heard from John Williams. It's just wonderful. (I've only ever heard the 'promo' version, so I don't know anything about the dialogue.)


    I bought my copy in HMV, it has NO dialogue, someone can correct me if I'm wrong but I think it was the American issue that contained dialogue?


    Yup. The Academy promo is also sans dialogue.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorDavid OC
    • CommentTimeFeb 25th 2012
    Breakheart Pass - Jerry Goldsmith

    Not a vintage Goldsmith western though the infectious main theme certainly is vintage. Love the sensitive variation it gets in 'The Trestle'. The absolute highlight though is the blistering 'Runaway' - dear God, the brass section must have been sweating bullets when they saw the closing moments of this on their stands!
    https://2020filmsight.wordpress.com https://screenfanaticblog.wordpress.com
    •  
      CommentAuthorSouthall
    • CommentTimeFeb 25th 2012
    Batman Begins - Zimmer & Howard

    I like this much more than I used to.
    http://www.movie-wave.net | http://facebook.com/moviewave
    •  
      CommentAuthorMartijn
    • CommentTimeFeb 25th 2012
    Steven wrote
    (I've only ever heard the 'promo' version, so I don't know anything about the dialogue.)


    That's not the promo version. That's the Decca version.
    Oddly two different versions were simultaneously released, and the European Decca version does not have the narration.
    Thatk the maker.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorAtham
    • CommentTimeFeb 25th 2012
    David OC wrote
    Breakheart Pass - Jerry Goldsmith

    Not a vintage Goldsmith western though the infectious main theme certainly is vintage. Love the sensitive variation it gets in 'The Trestle'. The absolute highlight though is the blistering 'Runaway' - dear God, the brass section must have been sweating bullets when they saw the closing moments of this on their stands!


    It's been way too long since I last played this. You've got me motivated now David!
    • CommentAuthorTimmer
    • CommentTimeFeb 25th 2012
    Atham wrote
    David OC wrote
    Breakheart Pass - Jerry Goldsmith

    Not a vintage Goldsmith western though the infectious main theme certainly is vintage. Love the sensitive variation it gets in 'The Trestle'. The absolute highlight though is the blistering 'Runaway' - dear God, the brass section must have been sweating bullets when they saw the closing moments of this on their stands!


    It's been way too long since I last played this. You've got me motivated now David!


    It's not one of his best but the theme is FANTASTIC and the album is short enough not to outstay it's welcome.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSteven
    • CommentTimeFeb 25th 2012
    Martijn wrote
    Steven wrote
    (I've only ever heard the 'promo' version, so I don't know anything about the dialogue.)


    That's not the promo version. That's the Decca version.
    Oddly two different versions were simultaneously released, and the European Decca version does not have the narration.
    Thatk the maker.


    Ah reet. My CD has a single page front insert and no printing on the back... plus the disc looks pretty minimal too? That's why I thought I had a "promo" (even though it doesn't say promo anywhere... I don't think?)

    Anyway. That's the version I know and love. Hearing dialogue would be very weird.
    •  
      CommentAuthorErik Woods
    • CommentTimeFeb 25th 2012
    The European version and Academy PROMO have zero dialogue. The North American version has dialogue!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorSouthall
    • CommentTimeFeb 25th 2012
  18. Southall wrote
    PROMO!


    PIVOT!
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  19. NP: AVATAR (James Horner)

    There comes a day in every man's life when he understands the appeal of a previously unappreciable score... but it is not this day.
    A butterfly thinks therefore I am
    •  
      CommentAuthorThor
    • CommentTimeFeb 26th 2012
    franz_conrad wrote
    NP: AVATAR (James Horner)

    There comes a day in every man's life when he understands the appeal of a previously unappreciable score... but it is not this day.


    Damn....what an anti-climax. You got me all jazzed up for a second there. smile
    I am extremely serious.
    •  
      CommentAuthorMiya
    • CommentTimeFeb 26th 2012
    I haven't played this for a while...

    NP: Dances With Wolves - John Barry

    Aoooooo (wolf howl)
    Labels are for cans, not people. - Anthony Rapp
  22. cool
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorCristian
    • CommentTimeFeb 26th 2012
    The Last Airbender - James Newton Howard

    Flow Like Water -------> punk
    http://cristianlee.1x.com/
    • CommentAuthorTimmer
    • CommentTimeFeb 26th 2012
    Miya wrote
    I haven't played this for a while...

    NP: Dances With Wolves - John Barry

    Aoooooo (wolf howl)


    love
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  25. Terence Blanchard - Inside Man

    First listen. It works great in the very good movie though.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeFeb 26th 2012
    PawelStroinski wrote
    Terence Blanchard - Inside Man

    First listen. It works great in the very good movie though.


    One of my favourite 00's scores.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeFeb 26th 2012
    I was listening to this earlier...

    chicken TARZAN'S NUTS chicken
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  28. Porn much?
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeFeb 26th 2012
    PawelStroinski wrote
    Porn much?


    confused
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  30. I just thought of Tarzan's balls biggrin
    http://www.filmmusic.pl - Polish Film Music Review Website

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