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  1. The next two Intrada's appear to have been guessed:

    "Beyond the Poseidon Adventure" (Jerry Fielding)
    "Dreamscape" (Maurice Jarre)
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorSouthall
    • CommentTimeMay 22nd 2013
    justin boggan wrote
    "Dreamscape" (Maurice Jarre)


    Synth Jarre makes me feel ill. Can't think of anything worse (except Remote Control scores).
    •  
      CommentAuthorThor
    • CommentTimeMay 22nd 2013
    Yes, I'm not a particularly big fan of Maurice's synthy scores either (if I want that, I'll go for his son, who does that perfectly). The exception, however, is JACOB'S LADDER, which is a beautiful score with many great electronic textures.
    I am extremely serious.
    •  
      CommentAuthorSouthall
    • CommentTimeMay 22nd 2013
    Haven't heard that one (apart from in the film - years ago).

    Orchestral composers trying to write for keyboards is usually as disastrous as electronic composers trying to write for orchestra.
  2. Southall wrote
    Synth Jarre makes me feel ill. Can't think of anything worse (except Remote Control scores).

    How about Harold Faltermeyer? biggrin
    •  
      CommentAuthorThor
    • CommentTimeMay 23rd 2013
    Edmund Meinerts wrote
    Southall wrote
    Synth Jarre makes me feel ill. Can't think of anything worse (except Remote Control scores).

    How about Harold Faltermeyer? biggrin


    Are you kidding? One of my alltime favourite composers!
    I am extremely serious.
  3. Thor wrote
    Are you kidding? One of my alltime favourite composers!

    But certainly not one of Mr. Southall's, if my memory serves correctly...
    •  
      CommentAuthorThor
    • CommentTimeMay 23rd 2013
    Edmund Meinerts wrote
    Thor wrote
    Are you kidding? One of my alltime favourite composers!

    But certainly not one of Mr. Southall's, if my memory serves correctly...


    Ah, sorry. I thought I was Southall there for a moment. smile
    I am extremely serious.
    • CommentAuthorTimmer
    • CommentTimeMay 23rd 2013
    What has he done apart from Axel-F?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorThor
    • CommentTimeMay 23rd 2013
    Timmer wrote
    What has he done apart from Axel-F?


    Is that a joke or are you serious?
    I am extremely serious.
    • CommentAuthorTimmer
    • CommentTimeMay 23rd 2013
    biggrin

    I quite liked his theme for The Running Man. wink
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorThor
    • CommentTimeMay 23rd 2013
    TOP GUN, RUNNING MAN, all the BEVERLY HILLS COPS, both FLETCHes, TANGO & CASH, THIEF OF HEARTS....love 'em all! Sadly, few of them have proper releases.
    I am extremely serious.
    • CommentAuthorTimmer
    • CommentTimeMay 23rd 2013
    In all seriousness I was being sarcastic as I really don't like much of anything that he's done.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  4. I think it's one of the worst composers that ever graced film music, from what I remember from the movies! Yes, yes.. Faltermeyer had the sole talent to ruin movies for me...
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeMay 23rd 2013
    To be fair I find it very hard to think of any movie he scored that I liked, The first Beverly Hills Cop was a good bit of fluff and Tango & Cash is a bit of goofy macho entertainment I suppose.

    Top Gun I hate!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  5. Timmer wrote
    In all seriousness I was being sarcastic as I really don't like much of anything that he's done.


    I suppose there have to be some points on which we do not agree. More fun that way.

    cheesy Volker
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorThor
    • CommentTimeMay 23rd 2013
    PawelStroinski wrote
    I think it's one of the worst composers that ever graced film music, from what I remember from the movies! Yes, yes.. Faltermeyer had the sole talent to ruin movies for me...


    Ouch. Vice versa, he was among the composers who got me into film music in the first place.

    Preferences! Whatcha gotta do..... biggrin
    I am extremely serious.
    •  
      CommentAuthorSouthall
    • CommentTimeMay 23rd 2013
    Edmund Meinerts wrote
    Southall wrote
    Synth Jarre makes me feel ill. Can't think of anything worse (except Remote Control scores).

    How about Harold Faltermeyer? biggrin


    Yes, he's definitely not to my taste, but at least there were some catchy tunes.
  6. Southall wrote
    Edmund Meinerts wrote
    Southall wrote
    Synth Jarre makes me feel ill. Can't think of anything worse (except Remote Control scores).

    How about Harold Faltermeyer? biggrin


    Yes, he's definitely not to my taste, but at least there were some catchy tunes.

    Also the case in a lot of Remote Control scores, you'll find. wink
    •  
      CommentAuthorSouthall
    • CommentTimeMay 23rd 2013
    Indeed, though not generally in ones which aren't credited to HZ.
  7. Lately a lot of the non-HZ Remote Control scores have had more memorable tunes than the ones that are credited to him. Ramin Djawadi's theme for Game of Thrones or Henry Jackman's for X-Men: First Class...or Steve Jablonsky's Transformers scores if you go back a little further.
  8. Kritzerland's newest is a re-issue of three OOP Small scores:

    Kritzerland is proud to present a limited edition soundtrack CD release – three complete great film scores in one two-CD set, for the price of one CD:

    BLACK WIDOW, THE STAR CHAMBER and THE DRIVER
    Music Composed and Conducted by Michael Small


    The Driver. The Star Chamber. Black Widow. Three very different films from one studio, Twentieth Century-Fox, directed by three very different filmmakers, connected by one very gifted composer – Michael Small.

    Michael Small began his film music journey in 1969. However, Small’s breakthrough film happened two years later when Alan Pakula hired him to score his first film as a director, Klute. The marriage of director and composer on Klute was absolute perfection and Small’s score was unique, original, and immediately put him in demand. From there, he went on to write incredible scores for some classic 1970s films, including Pakula’s Love and Pain and the Whole Damn Thing and The Parallax View, The Stepford Wives, Night Moves, The Drowning Pool, Marathon Man, and Audrey Rose, with each score unique, original, and filled with the Michael Small sound, which was unlike any other composer working back then. In the midst of all that wonderful work, he wrote three of his finest scores, and those are the three scores represented in this two-CD set: The Driver (1978), The Star Chamber (1983), and Black Widow (1987), for directors Walter Hill, Peter Hyams, and Bob Rafelson. They are a perfect neo-noir musical trilogy.

    Black Widow is a terrific thriller starring Theresa Russell and Debra Winger. The acting is superb, the photography of Conrad Hall is amazing, as always, and the production design of Gene Callahan is stunning. Michael Small’s score is as entrancing, captivating, alluring, and dangerous as the Black Widow of the title. It has all the hallmarks of a classic Michael Small score and is one of his best.

    The Star Chamber, directed by Peter Hyams and featuring a stellar cast, including Michael Douglas, Hal Holbrook, Yaphet Kotto, and Sharon Gless, became kind of a cult film thanks to cable TV and home video and is generally well thought of today. Once again, Michael Small provides a terrific score, beginning with its classic Small main title, majestic-yet-ominous, strings, woodwinds and piano doing an uneasy dance against a steady rhythmic pulse, a perfect beginning for the music and drama to follow.

    Walter Hill’s The Driver is a quintessential 1970s movie – it looks, smells, feels and sounds like the 1970s. If anyone is unsure of this, the fact that Quentin Tarantino has referenced it in two films and thinks it’s one of the coolest movies ever made cements its reputation and is probably one of the key reasons the film has just been remade. The cast couldn’t be better – Ryan O’Neal as the The Driver, Bruce Dern as The Detective determined to catch “the cowboy who’s never been caught,” and beautiful Isabelle Adjani as The Player. And Michael Small as The Composer.

    Small’s score for The Driver is, like the film, lean, cool, stylish and, yes, unique. Small uses electronics sparingly amidst the strings, reeds, and brass, and plays off The Detective’s line about The Driver being “the cowboy who’s never been caught,” with the use of a twangy country-western guitar that occasionally insinuates itself into the music.

    All three scores were previously released by Intrada – Black Widow as a standalone and The Star Chamber and The Driver together on one CD. For this release, all three have been remastered by Mike Matessino, carefully removing numerous small dropouts and ticks and pops, most especially on The Driver. Black Widow and The Star Chamber are in stereo, while The Driver is in mono. With The Star Chamber and The Driver about to make their debut on Blu-ray, we thought the timing was perfect to make these three large Small scores available again in a two-CD value-for-money set. If you have never heard this music, you owe it to yourselves to grab this – there has never really been anyone quite like Michael Small.

    BLACK WIDOW/THE STAR CHAMBER/THE DRIVER is limited to 1000 copies only. The price is $19.98, plus shipping.

    CD will ship the first week of July, but preorders placed at Kritzerland usually ship one to five weeks early (we’ve been averaging four weeks). To place an order, see the cover, or hear audio samples, just visit www.kritzerland.com.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorDemetris
    • CommentTimeMay 30th 2013
    Thor wrote
    Yes, I'm not a particularly big fan of Maurice's synthy scores either (if I want that, I'll go for his son, who does that perfectly). The exception, however, is JACOB'S LADDER, which is a beautiful score with many great electronic textures.


    I am not a fan of the father's scores in general. There, i said it. With the exception of the gorgeous Jesus of NAzareth
    Love Maintitles. It's full of Wanders.
  9. I, too, was never the biggest fan of Maurice Jarre. Exceptions are Dr Zhivago; Lawrence of Arabia; Enemy Mine; Dead Poets Society; Jesus of Nazareth. Another two compilations and that's all I have from the man.

    My parents had (or have rather) a vinyl single from "Zhivago". They really did score singles back then. One of the first thing film music I ever listened to.

    Volker
    Bach's music is vibrant and inspired.
    • CommentAuthorTimmer
    • CommentTimeMay 30th 2013
    Demetris wrote
    Thor wrote
    Yes, I'm not a particularly big fan of Maurice's synthy scores either (if I want that, I'll go for his son, who does that perfectly). The exception, however, is JACOB'S LADDER, which is a beautiful score with many great electronic textures.


    I am not a fan of the father's scores in general. There, i said it. With the exception of the gorgeous Jesus of NAzareth


    Though it's a long time ago now, it did take me some time to warm to Maurice Jarre. I still truly dislike his synth scores though, at least as listening experiences.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  10. Fewer than 28 copies left of the FSM Suiperman box.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  11. My copy arrived this very minute!
    cool
    Bach's music is vibrant and inspired.
  12. Only nine copies left now. Should be sold out in 24 hours or less.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  13. There should be copies left at local vendors though.
    Bach's music is vibrant and inspired.
  14. The Superman box at SAE is "Up! Up! And Awaaaaayyy!!!".
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.