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  1. Thanks for the link, Anthony! Listening now. Anyone know what everyone is chanting in track three?
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      CommentAuthorDemetris
    • CommentTimeJul 10th 2012
    biggrin Just one extra release? I doubt it!
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorBregt
    • CommentTimeJul 10th 2012
    Not a big fan. Feels like listening to Dark Knight Part 2.
    Kazoo
    • CommentAuthorTimmer
    • CommentTimeJul 10th 2012 edited
    Erik Woods wrote
    But there will be a Deluxe Super-dooper Bat-tastic Bane Growl Edition released exclusively to Lossy Downloading Music Service to suck more money out of the pockets of fans. Christ... release one album and do it right the first time. Shit!

    -Erik-


    yeah

    Though I'm not even sure I'll buy the score in the first place.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorErik Woods
    • CommentTimeJul 10th 2012
    christopher wrote
    Thanks for the link, Anthony! Listening now. Anyone know what everyone is chanting in track three?


    "Turn it off
    After this track
    Because it goes down hill
    Really quickly."

    Repeat!


    All spoken in Sanskrit because no one has ever done that before. uhm

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorSouthall
    • CommentTimeJul 10th 2012
    • CommentAuthorTimmer
    • CommentTimeJul 10th 2012
    biggrin
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeJul 10th 2012
    Erik Woods wrote
    christopher wrote
    Thanks for the link, Anthony! Listening now. Anyone know what everyone is chanting in track three?


    "Turn it off
    After this track
    Because it goes down hill
    Really quickly."

    Repeat!


    All spoken in Sanskrit because no one has ever done that before. uhm

    -Erik-


    Pawel knows.....
    Love Maintitles. It's full of Wanders.
  2. Deshi deshi basara basara (discussed a lot during the first trailers, but it was somehow missed on this board) means "He Rises"
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorErik Woods
    • CommentTimeJul 11th 2012
    How clever. slant

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorAnthony
    • CommentTimeJul 11th 2012 edited
    An interesting snippet from this interview. http://www.empireonline.com/interviews/ … p?IID=1532

    "I kept thinking and talking to Chris about what I thought the Batman character was. If there was an arc to be had, it was that he sees his parents getting killed – that’s the defining moment of his life – and he feels guilty for it. The theme is interrupted at essentially two notes: it’s never completed, because he never gets past this point. I spent three weeks removing notes from the main Batman theme until I got it down to just two notes. I am very proud of it."


    Congratulations. You wrote a theme and then chose two notes from it. Fantastic. Over three weeks.
  3. I disagree with his assertions about Batman's character.

    And it seems when the first film came out that he was saying it was a two-note theme because this was just the beginning of the story and Batman hadn't "earned" his full theme yet, which implied that he was going to add notes to his theme in later films. Anyone else remember that?
    •  
      CommentAuthorErik Woods
    • CommentTimeJul 11th 2012
    I don't think even Zimmer remembers that. It's all verbal diarrhea.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorDemetris
    • CommentTimeJul 11th 2012
    Well, he did say in his interview that "it’s never completed, because he never gets past this point.". The whole parents dead-dark character thingy. I don't think it's anything illogical, as an approach.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeJul 11th 2012
    It’s always the beginning of a theme. It promises that he can become a hero or a complete man, but none of that ever happens, because he can’t get past that moment. If you listen really carefully in the first film, there’s this little choir boy at one point, and what the choir boy does, through electronic trickery and too much time spent in the studio, his note actually freezes and goes on for about four minutes. I know that’s really dodgy symbolism, but we literally froze him in time.


    I think whether we like it or not, he justifies his choice pretty well.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorSouthall
    • CommentTimeJul 11th 2012
    Demetris wrote
    Well, he did say in his interview that "it’s never completed, because he never gets past this point.". The whole parents dead-dark character thingy. I don't think it's anything illogical, as an approach.


    I agree. Everything he says about these scores make them sound like they should be brilliant. Sadly words can only get you so far.
    •  
      CommentAuthorMartijn
    • CommentTimeJul 11th 2012
    Demetris wrote
    . I know that’s really dodgy symbolism


    he justifies his choice pretty well.


    I think that was just an apology, not a justification.
    (if it was, it was a really dodgy justification)
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorDemetris
    • CommentTimeJul 11th 2012
    Why, isn't it true that he's a pretty dark character, almost never convinced about his own motives and actions? and always concerned on how he affects his surroundings, his loved ones and the city?
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorMartijn
    • CommentTimeJul 11th 2012 edited
    It's
    Two
    Notes.

    The ONLY composer EVER in film history to have ever gotten away with that is John Williams....and he wasn't going on and on about the shark being a tableau vivant in a metaphorical ocean of literal sea, undeserving of the fullness of a full THREE-note theme just yet due to being haunted by the dark and murky traumas of shark fin soup.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorSouthall
    • CommentTimeJul 11th 2012
    •  
      CommentAuthorDemetris
    • CommentTimeJul 11th 2012
    Hey, inception is one note. And works pretty well.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorErik Woods
    • CommentTimeJul 11th 2012
    Southall wrote
    Demetris wrote
    Well, he did say in his interview that "it’s never completed, because he never gets past this point.". The whole parents dead-dark character thingy. I don't think it's anything illogical, as an approach.


    I agree. Everything he says about these scores make them sound like they should be brilliant. Sadly words can only get you so far.


    yeah
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorErik Woods
    • CommentTimeJul 11th 2012
    Martijn wrote
    It's
    Two
    Notes.

    The ONLY composer EVER in film history to have ever gotten away with that is John Williams....and he wasn't going on and on about the shark being a tableau vivant in a metaphorical ocean of literal sea, undeserving of the fullness of a full THREE-note theme just yet due to being haunted by the dark and murky traumas of shark fin soup.


    punk
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorSteven
    • CommentTimeJul 11th 2012
    It works for me. I hear those two notes and I instantly think of Nolan's films. As much as I'd like to hear a more traditional type of score for the films, I'm also happy with what Zimmer (and JNH) have written. Seems to work very well with Nolan's style.

    Though it helps that my girlfriend is currently feeding me cheap bourbon.
    •  
      CommentAuthorDemetris
    • CommentTimeJul 11th 2012
    As long as she is feeding you stuff buddy, as long as she's feeding you.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeJul 11th 2012
    As for the interview, i truly think the stupid, unprofessional formatting of Empire with the bold and caps is making things worse.

    I KNOW HOW TO WRITE A BIG BOMBASTIC SCORE - I'VE DONE A FEW!
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeJul 11th 2012
    Oh and here's another man to blame:

    " I brought in Mel Wesson to become a bridge between sound effects and music. He does a lot of the ambient sound design, and you can’t quite put your finger on if it’s a sound effect or if it’s music."


    .........or NOT to blame wink In fact, i am with Steven. I am enjoying it too, but only as a continuation of The Dark Knight. But i am disappointed that they left out the 2 excellent compositions from trailer 3 and 4.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorThor
    • CommentTimeJul 12th 2012
    Martijn wrote
    It's
    Two
    Notes.

    The ONLY composer EVER in film history to have ever gotten away with that is John Williams....


    And Bernard Herrmann, who basically used just ONE.
    I am extremely serious.
    •  
      CommentAuthorMartijn
    • CommentTimeJul 12th 2012 edited
    Thor wrote
    Martijn wrote
    It's
    Two
    Notes.

    The ONLY composer EVER in film history to have ever gotten away with that is John Williams....


    And Bernard Herrmann, who basically used just ONE.


    shocked GOOD one! thumbsup
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  4. Martijn wrote
    It's
    Two
    Notes.

    The ONLY composer EVER in film history to have ever gotten away with that is John Williams....and he wasn't going on and on about the shark being a tableau vivant in a metaphorical ocean of literal sea, undeserving of the fullness of a full THREE-note theme just yet due to being haunted by the dark and murky traumas of shark fin soup.


    Yes.

    But... there is another:
    http://www.youtube.com/watch?v=2V-KLn_PgQg

    biggrin
    A butterfly thinks therefore I am