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[Closed] Now Playing - Part XXI

General Discussions » Now Playing - Part XXI (Posts 1711 to 1740 of 2515)

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    •  
      CommentAuthorMarselus
    • CommentTimeJan 2nd 2008
    I thought the same, but after "Casino Royale" I have my doubts.
    Anyway, I´d LOVE to see Powell attached to the next Bond project.
    Anything with an orchestra or with a choir....at some point will reach you
    •  
      CommentAuthorSteven
    • CommentTimeJan 2nd 2008
    'Bim Bam Smash' | John Powell

    My second favourite cue from the entire Bourne Trilogy. cool
    •  
      CommentAuthorAtham
    • CommentTimeJan 2nd 2008
    NP ALIEN - Goldsmith

    Man, this is sooooooo good! cool
    •  
      CommentAuthorSteven
    • CommentTimeJan 2nd 2008
    Atham wrote
    NP ALIEN - Goldsmith

    Man, this is sooooooo good! cool


    Amen to that. Others' idea of hell is a film music fan's idea of HEAVEN! cool
    • CommentAuthormsia2k75
    • CommentTimeJan 3rd 2008
    Timmer wrote
    Steven wrote
    Timmer wrote
    Steven wrote
    During the time of the release of Identity, it would have been hard to believe it would become so influential. Powell has surely set a new standard for modern action scoring just as the films themselves set a new standard for action.



    I'd like to see Powell take over scoring duties on James Bond, Arnold has said enough IMO.


    I agree. I mean I've loved/liked every one of Arnold's Bond scores, but it's time he passed the baton on to another composer.


    In fact, Powell is the ONLY composer I can see taking it over.


    Shearmur would do a fine job too.
    •  
      CommentAuthorErik Woods
    • CommentTimeJan 3rd 2008
    I'll add Giacchino to the mix. Some of his Alias music has a very Bondish flavour. And then of course there's The Incredibles. biggrin

    -Erik-

    PS - I disagree that Arnold has said all he has to say with the Bond series. While Die Another Day was a step in the wrong direction, the re-birth of the franchise with Casino Royale produced an inspiring score from Arnold and was one of 2006's best scores. I can't wait to hear what he will produce with the next film.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorLSH
    • CommentTimeJan 3rd 2008
    Steven wrote
    'Bim Bam Smash' | John Powell

    My second favourite cue from the entire Bourne Trilogy. cool


    What could possibly be your favourite over Bim Bam Smash?


    NP: Pay It Forward - Thomas Newman

    Overall a rather unexceptional album which could easily form a trilogy with American Beauty and Erin Brockovich, but the softer material heard in One Kiss and Sleepover is really quite lovely and haunting, with typical T. Newman melodies and moods. Good chill-out stuff.

    cool
    •  
      CommentAuthorDemetris
    • CommentTimeJan 3rd 2008 edited
    Good suggestions about the Bond composers, but i'd personally take Giacchino over the proposed ones any day.

    And also agree with that:

    Erik Woods wrote

    PS - I disagree that Arnold has said all he has to say with the Bond series. While Die Another Day was a step in the wrong direction, the re-birth of the franchise with Casino Royale produced an inspiring score from Arnold and was one of 2006's best scores. I can't wait to hear what he will produce with the next film.

    -Erik-


    Casino Royale is kick-ass and Arnold has proven he has a lot of new, adrenaline-pumped and fresh stuff to offer to the franchise.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorLSH
    • CommentTimeJan 3rd 2008
    Casino Royale is f*cking awesome!

    punk



    That's me.
    •  
      CommentAuthorErik Woods
    • CommentTimeJan 3rd 2008 edited
    LSH wrote
    Steven wrote
    'Bim Bam Smash' | John Powell

    My second favourite cue from the entire Bourne Trilogy. cool


    What could possibly be your favourite over Bim Bam Smash?


    "Berlin Foot Chase" from Supremacy. Those chopping strings performing the Bourne motif. The textures in that cue are outstanding. And the way it builds and builds upon itself with added layers of percussion... that's a wonderful composition and the best of the series. But "Tangiers" from Ultimatum is a very close second with "Bim Bam Smash" in third.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeJan 3rd 2008
    Erik Woods wrote
    I'll add Giacchino to the mix. Some of his Alias music has a very Bondish flavour. And then of course there's The Incredibles. biggrin

    -Erik-

    PS - I disagree that Arnold has said all he has to say with the Bond series. While Die Another Day was a step in the wrong direction, the re-birth of the franchise with Casino Royale produced an inspiring score from Arnold and was one of 2006's best scores. I can't wait to hear what he will produce with the next film.

    -Erik-


    I can! It'll be more of the same.

    I liked Casino Royale but let's be honest, take away the nods to Barry and it's just another generic action score.

    Your right about Giacchino though, good choice, I shouldn't have forgotten him.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorErik Woods
    • CommentTimeJan 3rd 2008
    Timmer wrote
    I liked Casino Royale but let's be honest, take away the nods to Barry and it's just another generic action score.


    Disagree completely. The big action set pieces were in the Arnold style but contained a lot of new and interesting ideas. Miami International... especially the the latter half of that cue is something pretty special.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorMatt C
    • CommentTimeJan 3rd 2008
    Batman | Danny Elfman

    As much as I enjoy it, the main theme seems a bit too upbeat and not dark enough for the character. Still, it's Elfman's best superhero score to date and very enjoyable from start to finish (particularly "Main Titles", "Descent into Mystery" and "Main Theme Reprise"). I just think Shirley Walker's Batman theme just seems like the perfect music representation of the character, just dark enough and seems more Gothic than Elfman's two Batman scores and no power anthem retread by Zimmer.
    http://unsungfilmscores.blogspot.com/ -- My film/TV/game score review blog
    •  
      CommentAuthorErik Woods
    • CommentTimeJan 3rd 2008
    Matt C wrote
    Batman | Danny Elfman

    As much as I enjoy it, the main theme seems a bit too upbeat and not dark enough for the character.


    I think it very dark and gothic but it also needs a bit of a heroic touch since he is a comic book hero!!!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTrekkinD
    • CommentTimeJan 3rd 2008 edited
    Christodoulides Wrote:
    Casino Royale is kick-ass and Arnold has proven he has a lot of new, adrenaline-pumped and fresh stuff to offer to the franchise.


    I'd agree that Arnold still has what it takes to score the next Bond movie. "African Rundown" was probably my favorite action cue of the year with the excellent percussion. Great driving music. He did a wonderful job of incorporating the "You Know My Name" melody into the score, using it as a pusedo Bond theme until the big reveal at the end. The James Bond theme is one of my favorite themes of all time, I can't get enough of it and the fact that I didn't miss it in Casino Royale says something about Arnold's writing. His scores are some of my favorites, and I'd be dissapointed if they went with someone else. Less if that someone else was Powell or Giacchino.

    NP: Film Cuts by the Chieftains

    A selection of Chieftains music that has been featured in movies such as Treasure Island, Rob Roy, and Far and Away. If you liked them in Water Horse, or just enjoy Irish music, you'll want to check out this CD.
    •  
      CommentAuthorSteven
    • CommentTimeJan 3rd 2008
    Erik Woods wrote
    LSH wrote
    Steven wrote
    'Bim Bam Smash' | John Powell

    My second favourite cue from the entire Bourne Trilogy. cool


    What could possibly be your favourite over Bim Bam Smash?


    "Berlin Foot Chase" from Supremacy. Those chopping strings performing the Bourne motif. The textures in that cue are outstanding. And the way it builds and builds upon itself with added layers of percussion... that's a wonderful composition and the best of the series. But "Tangiers" from Ultimatum is a very close second with "Bim Bam Smash" in third.

    -Erik-


    My top three Bourne cues are the same, but in a different order; Tangiers, Bim Bam Smash, then Berlin Foot Chase.

    For me, 'Tangiers' sums up perfectly what the Bourne scores are about in one cue. 'Bim Bam Smash' is more of a digression from the rest of the score, so as much as I love it I prefer 'Tangiers'. 'Berlin Foot Chase' and 'Tangiers' are pretty much two versions of the same thing. (I'd love to have all of the Tangiers music from Ultimatum.)
  17. 'Waterloo' is my favourite Bourne cue, then 'Tangiers', 'The Drop', 'Berlin Foot Chase' and 'Bim-Bam Smash'.
    A butterfly thinks therefore I am
    •  
      CommentAuthorSteven
    • CommentTimeJan 3rd 2008
    I played 'Waterloo' on my iPod when I was coming back home for the weekend... walking through Waterloo station! biggrin

    F*cking brilliant. punk (Though I must have looked like a twat because I was sure at the time I was actually Jason Bourne. rolleyes )
    •  
      CommentAuthorBobdH
    • CommentTimeJan 3rd 2008 edited
    Even though it stands on it's own as one of the few uplifting cues, I also love Goa (from Supremacy), and I've had a time in which I was really addicted to that cue. lick

    It's not really one of my 'favorites', though, since it doesn't have enough Bourne-elements to make it representative for the scores. I'd probably also go for Tangiers or Waterloo; everything I love from Bourne, but then taken to 'the next level'. Pure exhileration!

    And by the way, I prefer To The Roof over Berlin Foot Chase, now that cue contains all the brilliant stringwork and build-up! (aren't you guys confusing Berlin for this one?) lick
    •  
      CommentAuthorBobdH
    • CommentTimeJan 3rd 2008 edited
    Steven wrote
    I played 'Waterloo' on my iPod when I was coming back home for the weekend... walking through Waterloo station! biggrin


    shocked

    Just think about it... the exact same spot as where the scene was filmed, Matt Damon was chased down, and where that music was based upon!!

    *jealous* shame
  21. I was in Waterloo last year, and I was quite convinced at the time that my life was being rooted by a powerful corporation determined to track me down. In my case, it was just the company that ran the trains!
    A butterfly thinks therefore I am
    •  
      CommentAuthorAtham
    • CommentTimeJan 3rd 2008
    I really must listen to all the Bourne scores again. I have them all. Heard them all. Seen the first 2 films.
    But I've never been bowled over by the music. I'm sure I'm just missing something here!
    •  
      CommentAuthorSteven
    • CommentTimeJan 3rd 2008
    Atham wrote
    I really must listen to all the Bourne scores again. I have them all. Heard them all. Seen the first 2 films.
    But I've never been bowled over by the music. I'm sure I'm just missing something here!


    They're Bond scores for the 21st century. They make you feel like Bourne just as I'm sure the Barry Bond scores made its listeners feel like Bond. Well, that's what I like about the scores anyway!
    •  
      CommentAuthorBobdH
    • CommentTimeJan 3rd 2008 edited
    NP: SPHERE - Elliot Goldenthal

    I just needed something that would go above my little sisters 'singing', and this thankfully did the trick dizzy
    •  
      CommentAuthorStavroula
    • CommentTimeJan 3rd 2008
    NP: Beowulf - Alan Silvestri

    Happy New Year to all my fellow music lovers with a wonderful score which I play so loud that I rock the whole house!!! punk
    Whatever you gaze rests on,do not use your vision, but the eyes of your soul...She knows better...
    •  
      CommentAuthorPat
    • CommentTimeJan 3rd 2008
    NP: X-Men 3: The Last Stand - John Powell

    One of those albums I never get tired of.

    Best wishes to all wave
    •  
      CommentAuthorDemetris
    • CommentTimeJan 3rd 2008
    Pat wrote
    NP: X-Men 3: The Last Stand - John Powell

    One of those albums I never get tired of.

    Best wishes to all wave


    One of those scores i could only handle playing 5 times overall and never again wink But SPHERE and BEOWULF above?! ROCK-ON! punk
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorBobdH
    • CommentTimeJan 3rd 2008
    Christodoulides wrote
    One of those scores i could only handle playing 5 times overall and never again wink But SPHERE and BEOWULF above?! ROCK-ON! punk


    Absolutely punk I just started playing it to get something awesome and loud, but I also noticed a lot of other, very interesting things going on. The brass-work is amazing!
    •  
      CommentAuthorSteven
    • CommentTimeJan 3rd 2008
    Christodoulides wrote
    Pat wrote
    NP: X-Men 3: The Last Stand - John Powell

    One of those albums I never get tired of.

    Best wishes to all wave


    One of those scores i could only handle playing 5 times overall and never again wink But SPHERE and BEOWULF above?! ROCK-ON! punk


    Pff. You suck! tongue


    X-Men: The Last Stand | John Powell

    I was playing it before I saw that post spookly enough...
    •  
      CommentAuthorPat
    • CommentTimeJan 3rd 2008
    Christodoulides wrote
    Pat wrote
    NP: X-Men 3: The Last Stand - John Powell

    One of those albums I never get tired of.

    Best wishes to all wave


    One of those scores i could only handle playing 5 times overall and never again wink But SPHERE and BEOWULF above?! ROCK-ON! punk


    WHAT?! shocked
    tongue

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