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- CommentTimeNov 11th 2008
NP: Comand & Conquer - Red Alert 3 - Frank Klepacki
One part MV/RC, one part HeavyMetal/MetalCore, with a smidge of Yoko Kanno, all adding up to an engrossing listening experience. It's my first Frank Klepacki score and my second C&C score (after Tiberium War by Steve Jablonsky & Trevor Morris) and I'm quite surprised at how good it is. The action tracks does have that familiar "heard it before, I think" but it's so convicted to being so badass sounding that I just can't help but enjoy.
MV/RC fans should take a listen to it. -
- CommentTimeNov 11th 2008
WantLove Maintitles. It's full of Wanders. -
- CommentAuthorfranz_conrad
- CommentTimeNov 11th 2008
Southall wrote
Marselus wrote
Southall wrote
Quantum of Solace - David Arnold
Really enjoying this. Best Bond score since The Living Daylights.
Really? So you think it is Arnold´s best Bond?
Yes. I like parts of all his Bond scores but this one seems the most consistently-impressive. Casino Royale had one or two parts which are better than anything here, but this I find more impressive on the whole.
I have also been infected with this opinion.A butterfly thinks therefore I am -
- CommentAuthorTimmer
- CommentTimeNov 11th 2008
Christodoulides wrote
Timmer wrote
Martijn wrote
Timmer wrote
Where d' mountains dem? That's Greek ironing boards! ( pretty fit ironing boards but still ironing boards )
Fair enough.
Interestingly, Iwas gonna open a topic on how our perception of "sexy" has changed from voluptuously curved primary sexual indicators (hips and breasts, and to a lesser extent buttocks) to an anaemic, straight-lined androgynous look, but I wasn't sure I'd have the proper target audience here.
Oh, believe me you have!!! Do it man.
You don't. Only 70's men like fat chicks.
[small] ( stick to Keira Knightly then )
NP : DAMIEN : OMEN II - Jerry Goldsmith
Love the development of the old themes in this plus the new material, brilliant!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 11th 2008 edited
Christodoulides wrote
Want
Woot! -
- CommentAuthorAnthony
- CommentTimeNov 11th 2008
Timmer wrote
I've got ( used to have ) a thing about Sophie Ellis Bexter ( possibly the worlds widest face ), she was so full bodied but now she's a bean pole with a giant wide head
NP : THE SUM OF ALL FEARS - Jerry Goldsmith
How weirdly appropriate.
Quote of the day. -
- CommentTimeNov 11th 2008 edited
NP: Indiana Jones and the Kingdom of the Crystal Skull - John Williams
There's definitely some very interesting stuff on this album but it's far from reaching the heights and greatness of the original trilogy. Even the complete Jungle Chase and unreleased Warehouse Escape can't match the excitement, energy and creativity of any of the action cues on the original trilogy. The tracked music in those cues are a let down. Actually, it's not tracked since they were re-recorded but note for note lifts of previous cues from the other film scores don't do much for me at all.
The Mutt music is GREAT "music" but it just doesn't fit the film or the character. While Mutt does "swing from vines and fights with swords" the corny swashbuckling music didn't work in the Jungle Chase. And the "Ants" cue is easily one of the most disappointing fist fight cues in the Indy saga. No character, no real excitement - just a lot of blaring instruments, chipping trumpets and swirling strings that has no identity of it's own.
On a positive note, the Crystal Skull theme and Irina's theme are excellent. They are incorporated into the score perfectly! The sax the opens up Irina's Theme is sleek, sexy and with a hint of danger. Who else would have come up with that instrument of choice? The two finale tracks "Temple Ruins And The Secret Revealed" and "The Departure" are splendid cues and hark back to a Williams style of old.
The end credit piece could have used less of Marion's Theme and maybe a different arrangement of the Crystal Skull motif in it's place. I'm happy with my re-edit which included more Mutt music (I know, what a hypocrite) and the latter portions of The Jungle Chase.
Overall, it's an average score with a few solid stand out cues.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeNov 11th 2008
The Prince of Egypt -
- CommentAuthorPanthera
- CommentTimeNov 12th 2008
DemonStar wrote
Miya wrote
NP: The Lion King (expanded) - my another hero
Yeah. Remember who you are.
The best score ever by him. So far nothing he's ever composed moved me like this. My fingers crossed for the genuine Academy Promo...
NP: the same
The expanded ...To Die For (albeit mono ) = the best Zimmer action cue ever (for me).
I love this score so much. I wish the music people would release it -
- CommentAuthorPanthera
- CommentTimeNov 12th 2008
Steven wrote
Twilight Zone: The Movie Jerry Goldsmith
CLASSIC score. Goldsmith's creativity during the 70s and early 80s (perhaps even peaking during the latter part of that 'era') was astounding, and this score is certainly one of the best.
If there was ever one composer who would be best suited to scoring dreams, Goldsmith would probably be my first choice (well, early-80s Goldsmith).
Too bad one of the lead actors got decapitated and two children got crushed to death in a helicopter accident. The assistant director who should be responsible for the safety completely broke rules to make this film, and what do you know, three people are dead.
Wit that said, I'm sure the music is great. -
- CommentAuthorPanthera
- CommentTimeNov 12th 2008
Miya wrote
NP: Spirit: Stallion Of The Cimarron - Hans Zimmer
This morning suddenly I wanted to listen to this, so I'm playing my custom playlist (including some songs I like) several times. Homeland is one of my favorite movie themes. It's simple, like the story, but really catchy and beautiful. And the great track Run Free has full of energy and great joy.
Another favorite moment is, on the 2nd part of The Long Road Back, when "Homeland" theme follows after "Brothers Under The Sun" theme, and then guitar plays "Nothing I've Ever Known" love theme. I like the scene, too. The main characters can't speak any words, so music and animation (that is also amazing) tell everything.
My playlist (I excluded some Bryan Adams songs I dislike )
1. Homeland (Main Title) <--- brilliant
2. Here I Am <--- I like the playful theme for Spirit as a colt
3. This Is Where I Belong
4. Rain
5. Nothing I've Ever Known <--- but I prefer the instrumental version used in the movie
6. The Long Road Back
7. Run Free
8. I Will Always Return (Finale) <--- it's a nice song, isn't it?
It's funny. I listened to the CD yesterday too.... I just had a random urge to hear it. I hadn't listened to it for a long time either.
HeeroJF wrote
"Run Free" is probably my single favourite Hans Zimmer track ever.
NP: Catwoman, Klaus Badelt
Another one of those new boots that somehow have 89 minutes on a single pressed disc. This score is unfortunately pretty formulaic... Too much derivative rock 'n roll action stuff, but the more somber parts will probably grow on me.
Give it a chance. I enjoy the music a lot.
Miya wrote
NP: The Power Of One - Hans Zimmer
After seeing French animated film Kirikou et la sorcière (Kirikou And The Sorceress), I wanted to play something African. Even though Youssou N'Dour's score on that film was totally different from Zimmer's.
Unimportant note: Lyrics of Penny Whistle Song sounds to me like Japanese words "ohikkoshi wa? ohikkoshi wa? (moving house? moving house?)"
Is that a good African sounding score?I never heard of it, but you might have caught my interest. I have a tendency to really like those types of scores. I also think The Power of One is great, but The Lion King will always be my favorite African style Zimmer score.
DemonStar wrote
NP: Eight Below - Mark Isham
Why, this is terrific! Lovin' it!!
For some reason scores focused on sled dogs or huskies in general hav really good music. Mark Isham's is excellent. It deserves a physical CD release. -
- CommentAuthorTimmer
- CommentTimeNov 12th 2008
Panthera wrote
Steven wrote
Twilight Zone: The Movie Jerry Goldsmith
CLASSIC score. Goldsmith's creativity during the 70s and early 80s (perhaps even peaking during the latter part of that 'era') was astounding, and this score is certainly one of the best.
If there was ever one composer who would be best suited to scoring dreams, Goldsmith would probably be my first choice (well, early-80s Goldsmith).
Too bad one of the lead actors got decapitated and two children got crushed to death in a helicopter accident. The assistant director who should be responsible for the safety completely broke rules to make this film, and what do you know, three people are dead.
Wit that said, I'm sure the music is great.
The score is excellent! What happened to Vic Morrow and the two children was tragic but really, what's that got to do with someone's enjoyment of a score. What are you trying to say here Panthera?On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorPanthera
- CommentTimeNov 12th 2008
I was venting my anger, while at the same time acknowledging the fact that the music is probably very good. Jerry Goldsmith is an excellent composer. -
- CommentTimeNov 12th 2008
Panthera wrote
I love this score so much. I wish the music people would release it
It's not only my favourite score, but my heart and soul. I want to see it released or get the real Academy Promo before my last day!
NP: Dinotopia (complete) - Trevor Jones
Boy, I am ever glad I got my hands on this! Excellent stuff!! -
- CommentTimeNov 12th 2008
"Some Kind of Wonderful" (rejected)
Ira Newborn
Very 80's in some of it's synth sounds, which can be more along the lines of a light-hearted Jan Hammer.
Then it's got it's seperate side with bass, drums, cymbol and various accompanyment, which is distntinctly 80's as well (none of this is meant negatively).
It's got a pleasant enough theme, and I am sure would have worked very well in the film, but it's not exactly something I would jump onto again because I needed to hear it.
Well, while typing this up the score ended, so now it's on to non DVD ripped tracks from "Planes, Trains, & Automobiles".The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentTimeNov 12th 2008
NP: John Williams Greatest Hits 1969-1999
I must confess, I have very few JW scores... so I borrowed this from a local library. And now I deeply regret that I didn't buy Hook when it was sold at ¥200 last yearLabels are for cans, not people. - Anthony Rapp -
- CommentTimeNov 12th 2008
On an African excursion.
Listening to all of these while I cram for my exam :
Congo
Ghost and the Darkness
Amistad
Tears of the Sun
Lion King
Prince of Egypt
Blood Diamond
Yeah Boooiiieeee! -
- CommentTimeNov 12th 2008
NP: Harry Potter and The Goblet of Fire - Patrick Doyle
It's been quite a while since I played this, so here it goes. Despite an excessive use of cymbals, I like this quite a lot! The Story Continues, Quidditch World Cup, The Dark Mark, Golden Egg, The Black Lake and Voldemort are amazing!! -
- CommentTimeNov 12th 2008
lp wrote
NP: Comand & Conquer - Red Alert 3 - Frank Klepacki
One part MV/RC, one part HeavyMetal/MetalCore, with a smidge of Yoko Kanno, all adding up to an engrossing listening experience. It's my first Frank Klepacki score and my second C&C score (after Tiberium War by Steve Jablonsky & Trevor Morris) and I'm quite surprised at how good it is. The action tracks does have that familiar "heard it before, I think" but it's so convicted to being so badass sounding that I just can't help but enjoy.
MV/RC fans should take a listen to it.
Pure metal rampage. Think of Conan the Barbarian crossed with Goldsmith's Kull, turn the volume and the distortion up and you have this!Love Maintitles. It's full of Wanders. -
- CommentTimeNov 12th 2008
Panthera wrote
Miya wrote
NP: The Power Of One - Hans Zimmer
After seeing French animated film Kirikou et la sorcière (Kirikou And The Sorceress), I wanted to play something African. Even though Youssou N'Dour's score on that film was totally different from Zimmer's.
Unimportant note: Lyrics of Penny Whistle Song sounds to me like Japanese words "ohikkoshi wa? ohikkoshi wa? (moving house? moving house?)"
Is that a good African sounding score?I never heard of it, but you might have caught my interest. I have a tendency to really like those types of scores. I also think The Power of One is great, but The Lion King will always be my favorite African style Zimmer score.
Kirikou is nothing like Zimmer's (or Lebo M's) score with South African choir. It's smaller but good. I think it's mostly in the traditional style of West African music (because Youssou N'Dour is from there).
I can't find any audio clips but here are some good examples...
Opening
http://www.youtube.com/watch?v=3V9syLZ3Ipg
http://www.youtube.com/watch?v=g1W9nDnoy9U
Theme song (infectious )
http://www.youtube.com/watch?v=wsQ2l6sWSnY
Panthera wrote
DemonStar wrote
NP: Eight Below - Mark Isham
Why, this is terrific! Lovin' it!!
For some reason scores focused on sled dogs or huskies in general hav really good music. Mark Isham's is excellent. It deserves a physical CD release.
I want it as a physical CD or at least in higher quality download. And Disney should stop releasing soundtracks as iTunes US exclusive. I thought we're living in globalization age but was I wrong?!
(I can buy those exclusive stuff with a bit of cheating, but it's expensive and bothering )Labels are for cans, not people. - Anthony Rapp -
- CommentTimeNov 12th 2008
I've luckily managed to come across a real promo of Eight Below which was physically pressed, and it's from a lossless source! But I'd really like to see an official physically pressed CD, yeah. -
- CommentTimeNov 12th 2008
NP: Grand Prix - Maurice Jarre
First Listen.
Great themes and a very fine sound quality. -
- CommentTimeNov 12th 2008
Panthera wrote
Steven wrote
Twilight Zone: The Movie Jerry Goldsmith
CLASSIC score. Goldsmith's creativity during the 70s and early 80s (perhaps even peaking during the latter part of that 'era') was astounding, and this score is certainly one of the best.
If there was ever one composer who would be best suited to scoring dreams, Goldsmith would probably be my first choice (well, early-80s Goldsmith).
Too bad one of the lead actors got decapitated and two children got crushed to death in a helicopter accident. The assistant director who should be responsible for the safety completely broke rules to make this film, and what do you know, three people are dead.
Wit that said, I'm sure the music is great.
Um. Yes, yes it is... -
- CommentTimeNov 12th 2008
Panthera wrote
Miya wrote
NP: The Power Of One - Hans Zimmer
After seeing French animated film Kirikou et la sorcière (Kirikou And The Sorceress), I wanted to play something African. Even though Youssou N'Dour's score on that film was totally different from Zimmer's.
Unimportant note: Lyrics of Penny Whistle Song sounds to me like Japanese words "ohikkoshi wa? ohikkoshi wa? (moving house? moving house?)"
Is that a good African sounding score?I never heard of it, but you might have caught my interest. I have a tendency to really like those types of scores. I also think The Power of One is great, but The Lion King will always be my favorite African style Zimmer score.
DemonStar wrote
NP: Eight Below - Mark Isham
Why, this is terrific! Lovin' it!!
For some reason scores focused on sled dogs or huskies in general hav really good music. Mark Isham's is excellent. It deserves a physical CD release.
Oh, wow, The Power of One is one of the very best African-sounding scores if you ask me. I would even dare to say that it's way, WAY better than The Lion King even (but then again, I've never heard the expanded Lion King music).
And I agree, Eight Below is my kind of Isham! Emotional, adventurous, majestic, just like Fly Away Home and Racing Stripes. I, too, have found this pressed boot, on the same disc as A Midnight Clear.
NP: Lucky You, Christopher Young
A highly-prized new promo-only score, but so far this 88-minute release is very hip, rock-infused and unsubtle... I miss the other recent Young release: Something the Lord Made.''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentTimeNov 12th 2008 edited
HeeroJF wrote
Oh, wow, The Power of One is one of the very best African-sounding scores if you ask me. I would even dare to say that it's way, WAY better than The Lion King even (but then again, I've never heard the expanded Lion King music).
For the African stuff, Power of One is perhaps a bit better than The Lion King. But for everything else, my vote goes for TLK. Do check out the TLK expanded boot sometime, hope you can stand the horrible mono sound in quite a lot of awesome tracks
NP: Water Horse: Legend Of The Deep - James Newton Howard
Undoubtebly one of the best scores of last year IMO!! -
- CommentTimeNov 12th 2008
The thing is, I've kinda stopped collecting CDR boots. They just don't seem to be worth it because CDRs do degenerate with time and become unplayable, and they often get replaced by a subsequent pressed-CD releases anyways, forcing me to get rid of them on eBay.
So unless one of those awesome pressed-CD boots of TLK comes out (like the new Lucky You or Catwoman that just came out), I'll keep waiting. I still believe good things happen to those who wait.
Water Horse is truly wonderful. Just had one listen so far, but I know there's more wonders to discover there, with time.
NP: The Weather Man, Hans Zimmer
It's another one of those example of pressed-CD boots I was just talking about. I've actually already shared my thoughts on this one just now on the Hans Zimmer thread, so there's not much more to say about it now. Summary: it's very slow, very vague, very Thomas Newman-ish, and very long. It'll take patience to like this one.''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentTimeNov 12th 2008
^ Watch the movie, it will help you appreciate it.Love Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeNov 12th 2008 edited
NP : THE FINAL CONFLICT - Jerry Goldsmith
There's not many composers who could trump his previous two efforts, particularly when those two efforts were so fantastic, but it's done here.....boy is it ever!
GeniusOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 12th 2008
Timmer wrote
NP : THE FINAL CONFLICT - Jerry Goldsmith
There's not many composers who could trump his previous two efforts, particularly when those two efforts were so fantastic, but it's done here.....boy is it ever!
Genius
The Omen use to be my favourite of the three. I still don't know why to this day. -
- CommentTimeNov 12th 2008
Steven wrote
Timmer wrote
NP : THE FINAL CONFLICT - Jerry Goldsmith
There's not many composers who could trump his previous two efforts, particularly when those two efforts were so fantastic, but it's done here.....boy is it ever!
Genius
The Omen use to be my favourite of the three. I still don't know why to this day.
Same here. But it's really tough to choose...these scores are simply phenomenal.Love Maintitles. It's full of Wanders.