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  1. FalkirkBairn wrote
    Christodoulides wrote
    why not? the score simply r.o.c.k.s!

    Yeah, about 5 minutes that's buried within a 20+ minute cue! wink


    This sums up my feelings about this massively overrated score perfectly. The hymn in the middle is nice, too, though unintelligable.
    •  
      CommentAuthorThor
    • CommentTimeNov 11th 2009 edited
    christopher wrote
    FalkirkBairn wrote
    Christodoulides wrote
    why not? the score simply r.o.c.k.s!

    Yeah, about 5 minutes that's buried within a 20+ minute cue! wink


    This sums up my feelings about this massively overrated score perfectly. The hymn in the middle is nice, too, though unintelligable.


    That hymn is not a Zimmer composition, of course, but one of the most famous traditional hymns of all time, "Eternal Father, Strong to Save" (used in many other films too, like TITANIC).
    I am extremely serious.
  2. Oh, I knew it was composed by Zimmer, but didn't he oversee the muddy recording?
    •  
      CommentAuthorThor
    • CommentTimeNov 11th 2009 edited
    christopher wrote
    Oh, I knew it was composed by Zimmer, but didn't he oversee the muddy recording?


    I guess, but the "muffledness" of it was intentional, of course, the famous lyrics:

    Eternal Father, strong to save,
    Whose arm hath bound the restless wave,
    Who bidd'st the mighty ocean deep
    Its own appointed limits keep;
    Oh, hear us when we cry to Thee,
    For those in peril on the sea!

    ...coming through as almost through a pillow, connoting a cry from the crampled and claustrophobic submarine, deep beneath the surface.
    I am extremely serious.
  3. I think it was "For those who PERISHED in the sea"
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorThor
    • CommentTimeNov 12th 2009
    PawelStroinski wrote
    I think it was "For those who PERISHED in the sea"


    No, it's peril. As in those in danger on the sea and in need of a saving prayer.
    I am extremely serious.
    •  
      CommentAuthorMartijn
    • CommentTimeNov 12th 2009 edited
    PawelStroinski wrote
    I think it was "For those who PERISHED in the sea"


    No, it wasn't.

    EDIT: AH. Thor had already jumped in.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  4. Thor wrote
    PawelStroinski wrote
    I think it was "For those who PERISHED in the sea"


    No, it's peril. As in those in danger on the sea and in need of a saving prayer.


    Oh, I always understood it as perished. Maybe because I thought it's really a funeral hymn.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeNov 12th 2009
    PawelStroinski wrote
    You bought CRIMSON TIDE? shocked


    It's junk.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  5. I actually love it, but I was shocked that, from all people, Joep bought it!
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorBhelPuri
    • CommentTimeNov 13th 2009
    3 BSX cds and 1 MSM

    Basil Poledouris - Wind/ A Whale for the Killing
    Lee Holdridge - Winterhawk
    Bill Conti - Murderers Among Us
    Guy Farley - Knife Edge

    And now I will switch to eating ramen since I am broke
    • CommentAuthorJoep
    • CommentTimeNov 13th 2009 edited
    Some scores are just good because of the memories. Like in the case of Crimson Tide.

    New scores:

    Ji-woong Bark - Bom Yeoreum Gaeul Gyeoul Geurigo Bom
    Pascal Gaigne - Azuloscurocasinegro
    Franco Battiato & Rens Machielse - Plantage Allee (second copy)
    •  
      CommentAuthorBhelPuri
    • CommentTimeNov 13th 2009
    Joep wrote
    New scores:

    Ji-woong Bark - Bom Yeoreum Gaeul Gyeoul Geurigo Bom


    Holy cow! Where did you find it? I've been searching for it for years now.
    • CommentAuthorJoep
    • CommentTimeNov 13th 2009
    Found it in a secondhand shop.
    •  
      CommentAuthorBregt
    • CommentTimeNov 13th 2009
    BhelPuri wrote
    Joep wrote
    New scores:

    Ji-woong Bark - Bom Yeoreum Gaeul Gyeoul Geurigo Bom


    Holy cow! Where did you find it? I've been searching for it for years now.

    Not sure, but this is quite a freaky conversation.
    Kazoo
    • CommentAuthorTimmer
    • CommentTimeNov 14th 2009
    ^
    dizzy

    True!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeNov 14th 2009
    Indeed, for the "holy cow" part mostly wink
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeNov 14th 2009
    ^
    Double True! biggrin
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorBhelPuri
    • CommentTimeNov 15th 2009
    biggrin
    By now you should be aware that Joep likes to use the less popular title for listing scores. I've only seen the trailer for 'Spring, Summer, Fall, Winter... and Spring' and I've wanted that score for quite some time now. That score is super rare. You're lucky, Joep!
    Here's the trailer for those who're interested- http://www.youtube.com/watch?v=jdRkhD_hmo0
  6. Made my first substantial online purchase of CDs in many months today. For a while I've been content to go the iTunes / occasional CD store visit to get the odd score over the last five months. Today I thought it high time to get a package in the door again:

    - Five Man Army (Morricone)
    - Fantastic Mr Fox (Desplat)
    - New Moon (Desplat) - pre-order
    - The Informant (Hamlisch)
    - Marco Polo (Armand Amar)
    - Le Voyage en Ballon (can't remember composer's name)
    - Amelia (Yared)
    - EDIT - Oh, and The Red Canvas, that Rozsa-esque score everyone is excited about!
    A butterfly thinks therefore I am
    •  
      CommentAuthorFalkirkBairn
    • CommentTimeNov 16th 2009 edited
    franz_conrad wrote
    For a while I've been content to go the iTunes / occasional CD store visit to get the odd score...

    Yes, some of these download-only scores can be quite odd.

    Recently bought as downloads:

    South Pacific - David Mitcham
    Score and Polynesian songs from the recent BBC documentary series. There's some lovely tracks in this score. Use of Hawaiian guitar(?) and vocals reminds me of turquoise seas and golden sandy beaches. (Or it could just be the artwork.)

    Inventing L.A.: The Chandlers and Their Times - Earl Rose
    A score for a documentary which tracks the rise of a powerful family in Los Angeles and their newspaper (L.A. Times?) I've not had a chance to listen much to this but I liked the Phillip Glass-style, ostinato-driven tracks on this one.

    IL-2 Sturmovik: Birds of Prey - Jeremy Soule
    Orchestral(-style?) score for a WWII flight simulator game, the clips sound great (on a par with his recent Order of War) but I'm having trouble downloading the purchase from directsong.com so I'll catch the whole tracks later.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    •  
      CommentAuthorDemetris
    • CommentTimeNov 16th 2009
    Downloads and itunes EXCLUSIVELY are bound to diminish one's listening experience, or chop it up in pieces. I recently tried searching for options to help me re-boost my listening experience enjoyment and i was led to film music vinyl (lp's) which i hope they'll bring a drastic change for me, a much needed one, both film music quality-wise (very few new releases are available in the format) and also due to the whole "process" of the lp buying and listening business smile
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorSouthall
    • CommentTimeNov 16th 2009
    FalkirkBairn wrote
    South Pacific - David Mitcham
    Score and Polynesian songs from the recent BBC documentary series. There's some lovely tracks in this score. Use of Hawaiian guitar(?) and vocals reminds me of turquoise seas and golden sandy beaches. (Or it could just be the artwork.)


    This got released? Will have to get it then! (If they released this - could they not do the same for Edmund Butt's Yellowstone? And, for that matter, why is there still no sign of George Fenton's Life?)
  7. Southall wrote
    FalkirkBairn wrote
    South Pacific - David Mitcham
    Score and Polynesian songs from the recent BBC documentary series. There's some lovely tracks in this score. Use of Hawaiian guitar(?) and vocals reminds me of turquoise seas and golden sandy beaches. (Or it could just be the artwork.)


    This got released? Will have to get it then! (If they released this - could they not do the same for Edmund Butt's Yellowstone? And, for that matter, why is there still no sign of George Fenton's Life?)

    South Pacific's only released as a download. I don't know if it's due a physical CD release.

    I don't know about the others - though I'm hoping that Mikael can sort something out with Ed Butt's Yellowstone.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  8. Christodoulides wrote
    Downloads and itunes EXCLUSIVELY are bound to diminish one's listening experience, or chop it up in pieces...i was led to film music vinyl (lp's) which i hope they'll bring a drastic change for me...

    Here we go again!

    For me, at least, I'm pleased that I don't have to listen to all the pops, crackles, jumps and scratches that were associated with vinyl (no matter how careful at protecting these discs).

    And, as far as "diminishing one's listening experience", I have many downloaded scores and I'm happy with all of them.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    • CommentAuthorJoep
    • CommentTimeNov 16th 2009 edited
    BhelPuri wrote
    By now you should be aware that Joep likes to use the less popular title for listing scores.

    No, I use the correct and original title. That's very important to me. However, I can understand some titles are hard to remember in their original language.
    •  
      CommentAuthorBhelPuri
    • CommentTimeNov 16th 2009
    Joep wrote
    BhelPuri wrote
    By now you should be aware that Joep likes to use the less popular title for listing scores.

    No, I use the correct and original title. That's very important to me. However, I can understand some titles are hard to remember in their original language.


    I know. I was just teasing. But it would help a lot if you also included the English title for the movies.
    •  
      CommentAuthorDemetris
    • CommentTimeNov 17th 2009
    FalkirkBairn wrote
    Christodoulides wrote
    Downloads and itunes EXCLUSIVELY are bound to diminish one's listening experience, or chop it up in pieces...i was led to film music vinyl (lp's) which i hope they'll bring a drastic change for me...

    Here we go again!

    For me, at least, I'm pleased that I don't have to listen to all the pops, crackles, jumps and scratches that were associated with vinyl (no matter how careful at protecting these discs).

    And, as far as "diminishing one's listening experience", I have many downloaded scores and I'm happy with all of them.


    Alan, i have thousands of mp3s which i listen everyday. It's not a matter of mp3 vs lp or anything, just the whole experience of collecting and listening to vinyls or cds, i.e. physical contact, smell, artwork etc etc instead of plain mp3s on hard disk. It's a psychological thing, not a matter of quality we're discussing here.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorMartijn
    • CommentTimeNov 17th 2009
    Christodoulides wrote
    It's a psychological thing, not a matter of quality we're discussing here.


    I fully agree.
    Psychologically the buzz of getting the LP out of its cover, putting it on, and seeing the mechanical action of the arm descending on the vinyl to produce the music is better than any format that has come since.

    Of course there are also any number of environment variables (for example most of my records I bought when I was on a very tight budget, so each purchase had to be (and consequently was) very special), but of late I'm entertaining the theory that the amount of effort put in before experiencing the pay-off has a greadt deal to do with the amount of satisfaction derived.

    I came to this as I was painstakingly tagging, retagging and organizing my MP3 collection.
    Downloading, paid or no, doesn't bring me any specific thrill. My interest and appreciation really peaks when I've actually spent some time and effort on the material!

    (Does that sound weird?)
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  9. Christodoulides wrote
    It's a psychological thing, not a matter of quality we're discussing here.

    There was me flying off the handle with my post. shame

    Sorry!

    When I think back to when I was buying LPs I find that I got the same pleasure of unwrapping and playing the discs as I do when unwrapping CDs. What I most remember from the LP days was actually finding the title. Shops back then held very few soundtracks (I'd have to order them from independent outlets that seemed more prepared to order "weird" items like soundtracks) - due to the fact that few soundtracks were released - and a lot of my purchases were as a result of unexpected finds. That was the great thing for me.

    Nowadays - CD or mp3 - it's relatively easy to get any title you want (legally or otherwise) so there's very little effort needed to find something other than where to look for the online outlet.

    Maybe that's why there's the constant "want...want...want" mentality of a lot of people (myself included). People have their Holy Grail titles that they are constantly wanting released. And when it is finally released there's a short time where people are glad but then there's the want of the next release. FSM and Intrada are good examples: as soon as titles are announced up pops another topic anticipating the next release!
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn