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[Closed] Now Playing XLVI

General Discussions » Now Playing XLVI (Posts 5701 to 5730 of 6016)

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    •  
      CommentAuthorMartijn
    • CommentTimeSep 6th 2014 edited
    Steven wrote
    Martijn wrote
    NP: Robotech: Invasion - Jesper Kyd
    Dark, moody, electronic, and relentlessly oppressive.
    Perfect music for a Saturday evening.
    (What? I'm in that kind of mood!)


    Fuck you, asshole!

    (Yeah, me too.)


    Yeah.

    (We should totally hang out.)
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorSouthall
    • CommentTimeSep 6th 2014
    The French Revolution - Delerue, G.

    Music Box release arrived today. First time I've heard the score. Wowzers!
    http://www.movie-wave.net | http://facebook.com/moviewave
    •  
      CommentAuthorMartijn
    • CommentTimeSep 6th 2014
    Told ya!
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    • CommentAuthorTimmer
    • CommentTimeSep 6th 2014
    Southall wrote
    The French Revolution - Delerue, G.

    Music Box release arrived today. First time I've heard the score. Wowzers!


    It is EXCELLENT! Still waiting for my copy. ( CDR copy heading for bin )
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSteven
    • CommentTimeSep 6th 2014
    Martijn wrote
    Steven wrote
    Martijn wrote
    NP: Robotech: Invasion - Jesper Kyd
    Dark, moody, electronic, and relentlessly oppressive.
    Perfect music for a Saturday evening.
    (What? I'm in that kind of mood!)


    Fuck you, asshole!

    (Yeah, me too.)


    Yeah.

    (We should totally hang out.)


    You bring the port, I'll bring the whisky. Cocksucker.
    •  
      CommentAuthorSteven
    • CommentTimeSep 6th 2014
    Timmer wrote
    Southall wrote
    The French Revolution - Delerue, G.

    Music Box release arrived today. First time I've heard the score. Wowzers!


    It is EXCELLENT! Still waiting for my copy. ( CDR copy heading for bin )


    Om nom nom tasty CDs
    • CommentAuthorTimmer
    • CommentTimeSep 7th 2014
    biggrin
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014 edited
    Southall wrote
    Demetris wrote
    Southall wrote
    Field of the Lost Shoes - Frederik Wiedmann

    Nice, if generic.


    Yes but it's nice for a chance, to listen to a properly composed and arranged orchestral score, with coherence, central themes that drive the whole around instead of random wallpaper music we often get for this kind of films these days.


    Do you think it's all orchestral? Some of the brass sounded a bit sampled to me, but I wasn't listening that closely.


    No, i agree with you there's probably some samples in there too but it's so well mixed and arranged in the orchestra that doesn't sound synthetic almost at all.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    Steven wrote
    Those girls? More like In Flames.


    Those girls? More like GOJIRA, and LAMB OF GOD
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    Forget Calvary. Want to hear to a dark, mesmerizing and beautiful score?

    GEORGE S CLINTON - Bury My Heart At Wounded Knee

    So not his usual style but so good.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    Then changed to The Hot Potato (Guy Farley) via moviescore media

    The best modern Mancinian score not by Mancini (of course wink )
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    JORIS DE MAN - Killzone (1,2,3) scores. Pure awesome!
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    Sunday at the office (don't ask) and i am background re-visiting my music, throwing away a lot of junk and re-discovering some true gems.

    MASAMICHI AMANO - Super Atragon - Metal Pulse Music Edition

    Impressive, orchestral, grand, epic. Love it. Anyone else?
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorScribe
    • CommentTimeSep 7th 2014
    Yup Super Atragon is a wonderful old-fashioned adventure score smile
    I love you all. Never change. Well, unless you want to!
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    Scribe wrote
    Yup Super Atragon is a wonderful old-fashioned adventure score smile


    Matt, glad you like it, it's such a fine score.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeSep 7th 2014
    Demetris wrote
    Then changed to The Hot Potato (Guy Farley) via moviescore media

    The best modern Mancinian score not by Mancini (of course wink )


    Nope! It's much more John Barry than Mancini. A fact!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014 edited
    A selection of fine, charming orchestral brilliance with romantic basis, Balkan and Eastern European elements, from OSVALDO GOLIJOV (Tetro, the man who cried, youth without youth). This, is film music.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    PANU AALTIO (the man wrote the exceptional "home of the dark butterflies" in 2009 and Metsan Tarina a couple of years back) - Apache Air Assault. It's ridiculous what kind of effort and class he puts into writing music for anything, even this. Imagine how would a Nick Glennie Smith's score for something like that if he was actually a composer of Panu's level.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    Who's familiar with CHANCE THOMAS's beautiful THE LORD OF THE RINGS ONLINE - RIDERS OF ROHAN ? I'd take this over Shore's Hobbit 2 anyday.
    Love Maintitles. It's full of Wanders.
  20. Demetris wrote
    PANU AALTIO (the man wrote the exceptional "home of the dark butterflies" in 2009 and Metsan Tarina a couple of years back) - Apache Air Assault. It's ridiculous what kind of effort and class he puts into writing music for anything, even this. Imagine how would a Nick Glennie Smith's score for something like that if he was actually a composer of Panu's level.


    Why did you pick Nick Glennie-Smith who of all composers from the MV/RC mold is actually decent bordering on good at times? biggrin

    I have to get to Aaltio.
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014
    CYRILLE AUFORT - ombline and splice. Somebody give this man more to score. Elegant, thematic-driven horror/thriller scoring.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeSep 7th 2014 edited
    PawelStroinski wrote
    Demetris wrote
    PANU AALTIO (the man wrote the exceptional "home of the dark butterflies" in 2009 and Metsan Tarina a couple of years back) - Apache Air Assault. It's ridiculous what kind of effort and class he puts into writing music for anything, even this. Imagine how would a Nick Glennie Smith's score for something like that if he was actually a composer of Panu's level.


    Why did you pick Nick Glennie-Smith who of all composers from the MV/RC mold is actually decent bordering on good at times? biggrin

    I have to get to Aaltio.


    Because this score in particular reminded me of a much more inspired and better Nick Glennie Smith. Aaltio's rest body of work has no relation to Glennie Smith or such a sound in general. Only this score. Nick is fine, WE WERE SOLDIERS is gorgeous. But he's often repetitive and doesn't take his scores to the next level, something's missing most of the times.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorSteven
    • CommentTimeSep 7th 2014
    Demetris wrote
    Scribe wrote
    Yup Super Atragon is a wonderful old-fashioned adventure score smile


    Matt, glad you like it, it's such a fine score.


    It is, but if you're not in the mood for it, it's also really fucking boring. It's not something I'd ever consider putting on if I was drunk, I'll put it that way. (Which is most of the time.)
  24. Demetris wrote
    PawelStroinski wrote
    Demetris wrote
    PANU AALTIO (the man wrote the exceptional "home of the dark butterflies" in 2009 and Metsan Tarina a couple of years back) - Apache Air Assault. It's ridiculous what kind of effort and class he puts into writing music for anything, even this. Imagine how would a Nick Glennie Smith's score for something like that if he was actually a composer of Panu's level.


    Why did you pick Nick Glennie-Smith who of all composers from the MV/RC mold is actually decent bordering on good at times? biggrin

    I have to get to Aaltio.


    Because this score in particular reminded me of a much more inspired and better Nick Glennie Smith. Aaltio's rest body of work has no relation to Glennie Smith or such a sound in general. Only this score. Nick is fine, WE WERE SOLDIERS is gorgeous. But he's often repetitive and doesn't take his scores to the next level, something's missing most of the times.


    Well, the story I've heard is that Glennie-Smith is not really that much into composing. The truth is that he got his first high-profile gig on The Rock based on the strength of his additional music on Bad Boys. Then while they loved some of the material, Bruckheimer, Simpson and Bay made The Rock a total mess of a process (and the truth is that Bay can be, as far as I understand, very rude to composers), which in a way traumatized Glennie-Smith to the point that he basically writes for his friends, mostly conducts (and loves that), does some smaller or bigger help mostly on Zimmer scores (heard he supervised the Da Vinci Code process after the 50-60 minute suite was written by the big man, though I don't trust that source anymore) and writes "songs for his girlfriend". Basically he's just not that into it anymore.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeSep 8th 2014
    NP : THE HOME OF DARK BUTTERFLIES - Panu Aaltio



    Pretty good. I hear influences from other composers, particularly Michael Nyman.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeSep 8th 2014 edited
    Timmer wrote
    NP : THE HOME OF DARK BUTTERFLIES - Panu Aaltio



    Pretty good. I hear influences from other composers, particularly Michael Nyman.


    Half way through and to be honest I'm finding this totally un-engaging, dreary and boring.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeSep 8th 2014
    I've had enough!

    NP : ZULU - John Barry



    "phew!" Saved! punk
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeSep 8th 2014
    Timmer wrote
    Timmer wrote
    NP : THE HOME OF DARK BUTTERFLIES - Panu Aaltio



    Pretty good. I hear influences from other composers, particularly Michael Nyman.


    Half way through and to be honest I'm finding this totally un-engaging, dreary and boring.


    Seriously? the main theme is incredibly beautiful! You have to relisten when you're in the mood smile
    Love Maintitles. It's full of Wanders.
  29. Timmer wrote
    Timmer wrote
    NP : THE HOME OF DARK BUTTERFLIES - Panu Aaltio



    Pretty good. I hear influences from other composers, particularly Michael Nyman.


    Half way through and to be honest I'm finding this totally un-engaging, dreary and boring.

    "Forgiveness" is a great cue towards the end of the album, you should at least listen to that one.
    •  
      CommentAuthorThor
    • CommentTimeSep 8th 2014
    NP: THE GRANDMASTER (Shigeru Umebayashi)

    I was not as taken by the film as everyone else, but the lyrical, string-driven sweetness of the score is quite good. I have to be in a particular type of mood, though.
    I am extremely serious.

5701 to 5730 of 6016

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