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[Closed] Now Playing XXXI
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- CommentTimeJun 30th 2009
Erik Woods wrote
Thomas Glorieux wrote
I'm not saying the music is bad, it does everything right. But I can't enjoy this when it is presented this way.
"Presented this way" meaning 45 tracks where most of them bleed into each other? Tell me, if you didn't look at the back of the CD and just listened to the album without prior knowledge of the track names and times would you still have the same reaction?
-Erik-
It's not the number of tracks Erik, the music is very fragmented and all over the place, with the exception of some tracks, suite-like ones.Love Maintitles. It's full of Wanders. -
- CommentTimeJun 30th 2009
NP: Ratatouille - Michael Giacchino
I just watched it on DVD yesterday (haven't seen it since on theater!) and I can say it's the best Pixar story I've ever seen. And best score.
(I play this score almost everyday since I bought it, but I don't say so every time not to make everyone . )Labels are for cans, not people. - Anthony Rapp -
- CommentAuthorfranz_conrad
- CommentTimeJun 30th 2009
NP: The Dark Knight (Zimmer / Newton Howard)
Ironically, the only track I tend to skip is the 'Harvey Two-Face' track.
Listening to it reminds me of what a strong film it was.A butterfly thinks therefore I am -
- CommentAuthorfranz_conrad
- CommentTimeJun 30th 2009
NP: Surviving Picasso (Richard Robbins)
Fantastic minimalist score. My favourite of Robbins' Merchant-Ivory scores. (His only scores?)A butterfly thinks therefore I am -
- CommentTimeJun 30th 2009 edited
Erik Woods wrote
NP: The Journey of Natty Gann - James Horner
First listen...
Sublime Americana score featuring quite possibly one of greatest themes Horner has ever composed!
Guys - this score is DYNAMITE! Classic Horner. One of his finest. F__k the new scores coming out this year, throw your hard earned cash in Intrada's direction and play this one over and over again! This, my friends, is true film music GOLD! I can't see how ANYONE would be disappointed by this one! I'm going to spin it again! I'm so very thrilled and proud to own this gem!!!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeJun 30th 2009
Erik Woods wrote
Erik Woods wrote
NP: The Journey of Natty Gann - James Horner
First listen...
Sublime Americana score featuring quite possibly one of greatest themes Horner has ever composed!
Guys - this score is DYNAMITE! Classic Horner. One of his finest. F__k the new scores coming out this year, throw your hard earned cash in Intrada's direction and play this one over and over again! This, my friends, is true film music GOLD! I can't see how ANYONE would be disappointed by this one! I'm going to spin it again! I'm so very thrilled and proud to own this gem!!!
-Erik-
I can't wait!
I watched the film many times over the years just to hear this wonderful score.
At last it is finally being released!!! -
- CommentTimeJun 30th 2009
Jaws
Listening to two of the releases. One of my favorite score dealing with the sea and adventure.
Farewell and adieu to you, Spanish Ladies,
Farewell and adieu to you, ladies of Spain;
:sigh:
I live in the wrong century... -
- CommentAuthorAnthony
- CommentTimeJun 30th 2009
Miya wrote
NP: Ratatouille - Michael Giacchino
I just watched it on DVD yesterday (haven't seen it since on theater!) and I can say it's the best Pixar story I've ever seen. And best score.
(I play this score almost everyday since I bought it, but I don't say so every time not to make everyone . )
How often to do you listen to non-animation scores? -
- CommentTimeJun 30th 2009
Anthony wrote
How often to do you listen to non-animation scores?
Almost everyday. More than half of my library are animation scores, but I still have some live-action scores to play (though I prefer to write about animated scores on NP thread )
NP: Dark Blue Almost Black - Pascal Gaigne
Labels are for cans, not people. - Anthony Rapp -
- CommentTimeJun 30th 2009
franz_conrad wrote
NP: The Dark Knight (Zimmer / Newton Howard)
Ironically, the only track I tend to skip is the 'Harvey Two-Face' track.
Listening to it reminds me of what a strong film it was.
But you must get some kind of enjoyment out it since you imply you return for repeat listens? It certainly fits the mood which you prefer to hear in scores, that much is certain. -
- CommentTimeJun 30th 2009
Anthony wrote
Miya wrote
NP: Ratatouille - Michael Giacchino
(I play this score almost everyday since I bought it...)
How often to do you listen to non-animation scores?
How often do you listen to non-score albums? I will admit that it's 90% scores for me. I'm [almost] as obsessed with scores as a certain two members are about a certain individual score.
How odd it is that it seems normal to us to have a niche interest -i.e. scores- yet we deem it odd to have such a strong niche interest within a strong niche interest! (Joep anyone?) -
- CommentTimeJun 30th 2009
It's 99% scores for me! -
- CommentTimeJun 30th 2009
What's the other 1%? -
- CommentTimeJun 30th 2009
Disney songs?Labels are for cans, not people. - Anthony Rapp -
- CommentTimeJun 30th 2009
A few songs from here and there, some classical albums. -
- CommentTimeJun 30th 2009
Miya wrote
Disney songs?
I'll include them with scores under the category "film music". -
- CommentTimeJun 30th 2009
So really it's 100%? -
- CommentTimeJun 30th 2009
More or less! -
- CommentTimeJun 30th 2009 edited
The Mummy Returns Alan Silvestri
A great retort to crappy music being played from my brother's bedroom. I miss uni... roll on September!! -
- CommentTimeJun 30th 2009
NP: Angela's Ashes - John Williams
First listen. Lovely themes! -
- CommentAuthorPawelStroinski
- CommentTimeJun 30th 2009
That's a great score indeed, Ravi.http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeJun 30th 2009 edited
Christodoulides wrote
Erik Woods wrote
Thomas Glorieux wrote
I'm not saying the music is bad, it does everything right. But I can't enjoy this when it is presented this way.
"Presented this way" meaning 45 tracks where most of them bleed into each other? Tell me, if you didn't look at the back of the CD and just listened to the album without prior knowledge of the track names and times would you still have the same reaction?
-Erik-
It's not the number of tracks Erik, the music is very fragmented and all over the place, with the exception of some tracks, suite-like ones.
indeed, too much going on in too short moments
the longest tracks are indeed the good ones
ah well, I prefer Bolt over the Ice Age's anytimewaaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentTimeJun 30th 2009
Erik Woods wrote
Erik Woods wrote
NP: The Journey of Natty Gann - James Horner
First listen...
Sublime Americana score featuring quite possibly one of greatest themes Horner has ever composed!
Guys - this score is DYNAMITE! Classic Horner. One of his finest. F__k the new scores coming out this year, throw your hard earned cash in Intrada's direction and play this one over and over again! This, my friends, is true film music GOLD! I can't see how ANYONE would be disappointed by this one! I'm going to spin it again! I'm so very thrilled and proud to own this gem!!!
-Erik-
God you're not helping my wallet.
I'm SO tempted to get this one, but it's a lot of money for a CD regardless of how good it may be! -
- CommentTimeJun 30th 2009
NP:Perfect Storm (Horner)
Wow, definetly horner was in love with his theme here (well, always he is).
it's one of my favourites scores from Horner, and one of the few scores I listen from this composer (With Apollo 13)
Does anyone else notice this Bernard Herrman moment in the middle some track ?
NP: The 13th Warrior ( Goldsmith)
Addicted to it, again.
How i said, It doesn't have the vibrant and heroic action music and the love theme of First Knight.
But it's a great combination of the majeustosity of Mulan, the chorus of First Knight and the exotism of The Mummy.
"Swork Maker" is unexpectedly so joyful! -
- CommentTimeJun 30th 2009 edited
Nautilus wrote
NP:Perfect Storm (Horner)
Wow, definetly horner was in love with his theme here (well, always he is).
it's one of my favourites scores from Horner, and one of the few scores I listen from this composer (With Apollo 13)
One of my favourites too. And can you blame him with being in love with the theme?
Does anyone else notice this Bernard Herrman moment in the middle some track ?
... say what? -
- CommentAuthorPawelStroinski
- CommentTimeJun 30th 2009
Yeah, which middle track?http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeJun 30th 2009
The MIDDLE middle track, of course.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeJun 30th 2009
But is he counting all 10 tracks including the song, in which case there is no middle track, or just the 9 score tracks? (In which case the fifth track, 'The Decision To Turn Around', is the middle track.) Then of course there's...
<looks up to see an empty room>
Ah. -
- CommentAuthorfranz_conrad
- CommentTimeJun 30th 2009
Steven wrote
franz_conrad wrote
NP: The Dark Knight (Zimmer / Newton Howard)
Ironically, the only track I tend to skip is the 'Harvey Two-Face' track.
Listening to it reminds me of what a strong film it was.
But you must get some kind of enjoyment out it since you imply you return for repeat listens? It certainly fits the mood which you prefer to hear in scores, that much is certain.
Oh absolutely. I'm not criticising the music at all! If I didn't enjoy it, I wouldn't listen to it. I do think it helps a bit that it helps me remember a great film.A butterfly thinks therefore I am -
- CommentTimeJun 30th 2009
Steven wrote
<looks up to see an empty room>
Stuck in the middle.
With you.
Or stuck in a room with R2.
Free flow association is the bomb.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn