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JOHN POWELL

General Discussions » JOHN POWELL (Posts 1771 to 1800 of 2450)

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    • CommentAuthorAnthony
    • CommentTimeMay 27th 2010
    plindboe wrote
    Anthony wrote
    HGW came up with the main Shrek theme, Powell did the rearrangement for Singing Princess.


    Ah, think I'd rather credit it to Harry then as the melody is really what matters.

    Peter smile


    David Arnold doesn't write Bond scores.
    •  
      CommentAuthorDemetris
    • CommentTimeMay 27th 2010
    If Pawel said it, then it's true wink

    So they're making another KFP? Yay!
    Love Maintitles. It's full of Wanders.
  3. Yes, let's say that I've got a very good source here biggrin
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorplindboe
    • CommentTimeMay 27th 2010
    Anthony wrote
    David Arnold doesn't write Bond scores.


    I'm talking about the core material, it doesn't necessarily have to be melodic. Just like if someone makes a cover version of Morricone's "The good, the bad and the ugly". Morricone still did the essential work and should be credited for it.

    Peter smile
    •  
      CommentAuthorMiya
    • CommentTimeMay 30th 2010 edited
    LSH wrote
    The Bear and the Bow


    Their names (John Powell & Robert Folk) disappeared from Brave (renamed) page and now on Disney's King Of The Elves, which is already cancelled uhm

    Also wikipedia/IMDb says Hans Zimmer & John Powell are on the new WINNIE THE POOH movie uhm uhm
    http://en.wikipedia.org/wiki/Winnie_the_Pooh_(2011_film)


    Looks like someone putting Powell name randomly on Disney pages, for fun? dizzy
    Labels are for cans, not people. - Anthony Rapp
    • CommentAuthorAnthony
    • CommentTimeMay 30th 2010
    I wouldn't trust Wikipedia in general unless it's backed up somewhere else.
    • CommentAuthortimme
    • CommentTimeJun 9th 2010
    KNIGHT AND DAY
    Original Motion Picture Soundtrack

    Music Composed by John Powell


    Tom Cruise
    Cameron Diaz

    In the sexy action-comedy KNIGHT AND DAY, Tom Cruise is a covert agent sent on a mission he was never meant to complete, and Cameron Diaz is a woman caught between the agent and those he claims set him up. As their globetrotting adventure erupts into a maze of double-crosses, close escapes and false identities, they come to realize that all they can count on is each other.

    Action score specialist John Powell (The Bourne Trilogy) is called to duty for another adrenaline-pumped workout.

    20th Century Fox will open KNIGHT AND DAY nationwide on June 23.

    Varèse Sarabande Catalog #: 302 067 034 2
    Release Date: 07/06/10
    •  
      CommentAuthorDemonStar
    • CommentTimeJun 9th 2010 edited
    Woot! Eagerly awaiting this one. punk

    I wonder what's up with this new trend of releasing soundtracks several days after the film's release, though.
    •  
      CommentAuthorSteven
    • CommentTimeJun 9th 2010 edited
    He seems perfect for this film considering how well he scored Mr. & Mrs. Smith. (What an odd paring Diaz and Cruise is though?)
    • CommentAuthorAnthony
    • CommentTimeJun 9th 2010
    So James Mangold directed this and hired Beltrami for his previous film 3:10 To Yuma, but now Beltrami is on Jonah Hex following Powell's departure from that movie. angelic
    • CommentAuthorTimmer
    • CommentTimeJun 9th 2010
    Steven wrote
    He seems perfect for this film considering how well he scored Mr. & Mrs. Smith. (What an odd paring Diaz and Cruise is though?)


    Yeah, she's precisely 47 and 3/8ths inches taller than him.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeJun 9th 2010
    What an incredibly stupid film. If he goes the MR AND MRS SMITH way, then we've won another great action score beer
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeJun 9th 2010
    And the irony from VARESE''s tag:

    "Action score specialist John Powell (The Bourne Trilogy) is called to duty for another adrenaline-pumped workout.
    "

    And no mention to his finest moment to date which also happens to be in the action genre, PAYCHECK.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJun 9th 2010
    Christodoulides wrote
    And the irony from VARESE''s tag:

    "Action score specialist John Powell (The Bourne Trilogy) is called to duty for another adrenaline-pumped workout.
    "

    And no mention to his finest moment to date which also happens to be in the action genre, PAYCHECK.


    PAYCHECK is good but I'd take any of his BOURNE scores over it.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemetris
    • CommentTimeJun 9th 2010 edited
    Seriously? Anyway, it should have at least been mentioned in the tag description for sure.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJun 9th 2010
    Seriously! But please note that I said PAYCHECK is good.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorMartijn
    • CommentTimeJun 9th 2010
    Timmer wrote
    Seriously! But please note that I said PAYCHECK is good.


    Just saw the film.
    Which was terrible.

    Ruined a great score.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorDemetris
    • CommentTimeJun 9th 2010 edited
    You saw a film with Bennifer in it? You're brave my friend.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeJun 9th 2010
    Btw, about that discussion we had these days on crappy films great scores, well yeah, more of this please. It can be done and film music history has shown as such and the results were most of the times great so far. Bravo to Powell for scoring Bennifer like that. wink
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJun 9th 2010
    Martijn wrote
    Timmer wrote
    Seriously! But please note that I said PAYCHECK is good.


    Just saw the film.
    Which was terrible.

    Ruined a great score.


    :sigh:
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeJun 9th 2010
    Oh, and thanks for the tip, I'll NEVER watch it.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorMartijn
    • CommentTimeJun 9th 2010
    Christodoulides wrote
    You saw a film with Bennifer in it? You're brave my friend.


    Nope. It has Ben Affleck alright, but his counterpart is Uma Thurman!
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorNautilus
    • CommentTimeJun 9th 2010
    Changing the subject...


    "dragon's den" from How to train.... is fucking amazing!

    It's the closest thing to cuthroad island you can hear out there!
    • CommentAuthorAnthony
    • CommentTimeJun 9th 2010
    I like Paycheck. It's stupid but it's fun.

    And it's my #2 Powell score after Supremacy. I consider 2003-2004 to be his best years. Would love a complete score to Paycheck.
    •  
      CommentAuthorNautilus
    • CommentTimeJun 9th 2010
    Anthony wrote
    I like Paycheck. It's stupid but it's fun.

    And it's my #2 Powell score after Supremacy. I consider 2003-2004 to be his best years. Would love a complete score to Paycheck.


    I agree with all you said.
    • CommentAuthorAnthony
    • CommentTimeJun 9th 2010
    The Last Airbender is cool too.
    •  
      CommentAuthorNautilus
    • CommentTimeJun 9th 2010
    Anthony wrote
    The Last Airbender is cool too.


    The last Airbender could have been PERFECT if the "mystical" stuff was more in the line of Snow Falling on Cedars.

    But yes, it is fucking cool.
    •  
      CommentAuthorScribe
    • CommentTimeJun 9th 2010
    It's interesting you should mention that score...I haven't heard Airbender but SFOC is a fine example of a score that doesn't really have a "main theme" and yet manages to be pretty much perfect despite that. It has plenty of recurring motifs but nothing that really jumps out as being the primary one for the film. Which I hear is the case for Airbender.
    I love you all. Never change. Well, unless you want to!
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      CommentAuthorDemetris
    • CommentTimeJun 9th 2010
    Sfoc does have a main theme.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorScribe
    • CommentTimeJun 9th 2010 edited
    Which of the many - what I consider too introverted and low-key to be called themes - motifs do you consider the main theme?
    I love you all. Never change. Well, unless you want to!

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