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    •  
      CommentAuthorSouthall
    • CommentTimeMay 12th 2009
    Thomas Glorieux wrote
    BhelPuri wrote
    Steven wrote
    Thomas Glorieux wrote
    NP: THE NYMPH -- Ennio Morricone

    For whatever reason, I can't grow into it


    biggrin

    You are priceless Thomas.


    Where are you getting these Morricone scores, btw? I bought so many of them some years back and now I'm saturated and broke.


    let's say I got all of these from sources that everyone uses tongue


    Shops?

    I love Ninfa Plebea - wonderful album. Haven't listened to it for years.
  1. Southall wrote
    Thomas Glorieux wrote
    BhelPuri wrote
    Steven wrote
    Thomas Glorieux wrote
    NP: THE NYMPH -- Ennio Morricone

    For whatever reason, I can't grow into it


    biggrin

    You are priceless Thomas.


    Where are you getting these Morricone scores, btw? I bought so many of them some years back and now I'm saturated and broke.


    let's say I got all of these from sources that everyone uses tongue


    Shops?

    I love Ninfa Plebea - wonderful album. Haven't listened to it for years.


    close shame
    It has all the trademarks a Morricone score should have, but no it doesn't reach my special place wink
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
    • CommentAuthorTimmer
    • CommentTimeMay 12th 2009
    Which of his scores would you compare it to James?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSouthall
    • CommentTimeMay 12th 2009
    Melodic, romantic ones! (If I'm remembering it correctly.)
  2. Southall wrote
    Melodic, romantic ones! (If I'm remembering it correctly.)


    yes, a couple of his more suspense cues (albeit very likeable)
    soft romantic theme, but nothing special (if you heard many Morricone's already)
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
    • CommentAuthorTimmer
    • CommentTimeMay 12th 2009
    Thomas Glorieux wrote
    Southall wrote
    Melodic, romantic ones! (If I'm remembering it correctly.)


    yes, a couple of his more suspense cues (albeit very likeable)
    soft romantic theme, but nothing special (if you heard many Morricone's already)


    I wondered if it was like Butterfly which I really like!?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  3. Timmer wrote
    Thomas Glorieux wrote
    Southall wrote
    Melodic, romantic ones! (If I'm remembering it correctly.)


    yes, a couple of his more suspense cues (albeit very likeable)
    soft romantic theme, but nothing special (if you heard many Morricone's already)


    I wondered if it was like Butterfly which I really like!?


    can't remember that score, heard it long time ago
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
    •  
      CommentAuthorSouthall
    • CommentTimeMay 12th 2009
    Timmer wrote
    Thomas Glorieux wrote
    Southall wrote
    Melodic, romantic ones! (If I'm remembering it correctly.)


    yes, a couple of his more suspense cues (albeit very likeable)
    soft romantic theme, but nothing special (if you heard many Morricone's already)


    I wondered if it was like Butterfly which I really like!?


    It's times like this when you need plindboe to poke his head into the Now Playing thread. I've never heard Butterfly.
    • CommentAuthorTimmer
    • CommentTimeMay 12th 2009
    Southall wrote
    Timmer wrote
    Thomas Glorieux wrote
    Southall wrote
    Melodic, romantic ones! (If I'm remembering it correctly.)


    yes, a couple of his more suspense cues (albeit very likeable)
    soft romantic theme, but nothing special (if you heard many Morricone's already)


    I wondered if it was like Butterfly which I really like!?


    It's times like this when you need plindboe to poke his head into the Now Playing thread. I've never heard Butterfly.


    Be sure to watch the film starring Pia Zadora.....it's a masterpiece.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorBobdH
    • CommentTimeMay 12th 2009 edited
    WP: THIRTEEN DAYS - Trevor Jones
    Really good and grand orchestral score that brings out the best of Jones' dark, yet at turns romantic style. As such, it's a better balanced affair than his dark and brooding Dark City or other bombastic works, even though it does contain similair heavy action stuff. Once again, I fell in love with his signature sound; even though he tends to repeat himself on several occasions, it's got such a great effect that I don't really mind. The only minor quible is the lack of a strong theme, which Jones normally excels in, yet it certainly suits this particulair score to downplay it on that level. Very good stuff.
    •  
      CommentAuthorDemetris
    • CommentTimeMay 12th 2009
    BobdH wrote
    WP: THIRTEEN DAYS - Trevor Jones
    Really good and grand orchestral score that brings out the best of Jones' dark, yet at turns romantic style. As such, it's a better balanced affair than his dark and brooding Dark City or other bombastic works, even though it does contain similair heavy action stuff. Once again, I fell in love with his signature sound; even though he tends to repeat himself on several occasions, it's got such a great effect that I don't really mind. The only minor quible is the lack of a strong theme, which Jones normally excels in, yet it certainly suits this particulair score to downplay it on that level. Very good stuff.


    Love it! That main theme is so irresistibly infectious!
    Love Maintitles. It's full of Wanders.
  4. Got and popped in the Intrada "Something Wicked This Way Comes". Going to have to whip out the bootleg 14 track, and LaserDisc isolated score to see what's what; three years ago I could have done it easily, but the whole score has fallen by the way side in these passed years as I got cuahgt up repeatedly playing certain releases ("Capricorn One", "Baby: Secret of the Lost Legend", "CHiPs" [V1]).


    Ahhh, LaserDisc -- the failed medium I rightfully ignored when new.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorBobdH
    • CommentTimeMay 12th 2009 edited
    Christodoulides wrote
    Love it! That main theme is so irresistibly infectious!


    Really? confused Hmm... got to listen to it again, then? I did get a part of the main theme in my head afterwards (it certainly is a gorgeous melody), but forgot it pretty quickly. I though it lacked a memorable theme on purpous, 'cause of the true-ness of the historical event, 'n such.
    •  
      CommentAuthorBhelPuri
    • CommentTimeMay 12th 2009 edited
    Timmer wrote
    Southall wrote
    Timmer wrote
    Thomas Glorieux wrote
    Southall wrote
    Melodic, romantic ones! (If I'm remembering it correctly.)


    yes, a couple of his more suspense cues (albeit very likeable)
    soft romantic theme, but nothing special (if you heard many Morricone's already)


    I wondered if it was like Butterfly which I really like!?


    It's times like this when you need plindboe to poke his head into the Now Playing thread. I've never heard Butterfly.


    Be sure to watch the film starring Pia Zadora.....it's a masterpiece.


    You're kidding about the movie, right? biggrin
    If I remember right Butterfly is one of the moody underscores. Ninfa is much better--a bit like Malena though I don't remember anything about the tension cues.
    Ennio was nominated for a Golden Globe and a Razzie for Butterfly lol
    •  
      CommentAuthorMartijn
    • CommentTimeMay 12th 2009
    Black Hawk Down - Hans Zimmer

    In the mood for something vicious, and this fits the bill eminently.
    Barra Barra may be the nastiest thing Zimmer's ever done.
    And I love it.
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  5. Except that the track isn't by Zimmer. It's a song.
    http://www.filmmusic.pl - Polish Film Music Review Website
  6. Chant on the other hand...
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorMartijn
    • CommentTimeMay 12th 2009
    Really?
    Damn. How could I have missed those vocals the first sixty two times I heard it?
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorMartijn
    • CommentTimeMay 12th 2009
    All sarcasm aside, the lyrics are written by Rachid whatsisface (it's originally a poem, I think?), but the music is very much Zimmer's (and co).
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorSteven
    • CommentTimeMay 12th 2009 edited
    Richard 'wrote the best track on Da Vinci Code' Harvey?

    edit: wait, never mind. Damn dyslexic tendencies...
    •  
      CommentAuthorNautilus
    • CommentTimeMay 12th 2009 edited
    Steven wrote
    Richard 'wrote the best track on Da Vinci Code' Harvey?

    edit: wait, never mind. Damn dyslexic tendencies...


    crazy "Poisoned Chalice" is by far better than the overrated and out of place Harvey's piece. (And it's the second best piece Zimmer has ever composed too.)
    •  
      CommentAuthorSteven
    • CommentTimeMay 12th 2009
    Nah.
  7. Thomas Glorieux wrote
    Atham wrote
    Something Wicked This Way Comes - James Horner

    Classic Horner!

    So rich. So dark. Got to be good for you! cool


    dude are you reading this? wink


    shocked shocked shocked

    That's it!!! I'm ordering this now.

    The bootleg I have must be something else entirely!! It must be !!!!

    Speed Racer (Michael Giacchino)

    I'll just say that I enjoy the movie more than the music alone, the score is just too chaotic for my taste... I have a hard time trying to analyze it and making sense of it, where's the structure in this? I can hear a theme once in a while but I simply cannot get into this. Oh well, I'm gonna go order Star Trek now. cheesy
    "considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.
  8. Martijn wrote
    All sarcasm aside, the lyrics are written by Rachid whatsisface (it's originally a poem, I think?), but the music is very much Zimmer's (and co).


    No. It's from a previous album. smile
    A butterfly thinks therefore I am
    •  
      CommentAuthorMartijn
    • CommentTimeMay 13th 2009 edited
    Hmmm... I guess "written by" might mean "composed by"?
    The liner notes aren't completely clear.

    There's a credit "written by Rachid Taha and Steve Hillage".

    But there's also a credit "Music composed by Hans Zimmer", with an additional note that Rachid Taha is a "featured vocalist" on the album, suggesting that the credits for songs/score aren't separately denoted.

    I'm confused. confused ( <- See?)
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
    •  
      CommentAuthorMartijn
    • CommentTimeMay 13th 2009 edited
    Not too easy to find, but Franzie's right (sorry Pawel shame ) : the first mention I can find of the song is on Taha's own album Made In Medina from 2000 (with Black Hawk Down clocking in a year later).
    'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn
  9. Mind you... it still works very well in the context of the BHD album. smile

    My own favourite sound on that album is 'Still'. That particular thing Zimmer does with the lean string arrangement underneath the voice - haunting is not too cliched a word for it.

    NP: Alexandria (Sigle)

    Speaking of haunting. Russians really know how to move the soul.
    A butterfly thinks therefore I am
    •  
      CommentAuthorAtham
    • CommentTimeMay 13th 2009
    Timmer wrote
    NP : THE VALLEY OF GWANGI - Jerome Moross



    Cowboys vs Dinosaurs cool This is a great lengthy suite but why Silva didn't record the title theme totally baffles me!? confused


    Don't even start me on this! sad



    Someone please re-record the entire score!
    •  
      CommentAuthorSouthall
    • CommentTimeMay 13th 2009
    Nautilus wrote
    Steven wrote
    Richard 'wrote the best track on Da Vinci Code' Harvey?

    edit: wait, never mind. Damn dyslexic tendencies...


    crazy "Poisoned Chalice" is by far better than the overrated and out of place Harvey's piece. (And it's the second best piece Zimmer has ever composed too.)


    I never saw the attraction of the Harvey piece either. Think there are several cues by Zimmer on that album that are superior.
  10. I think the attraction, except it being a really good piece, is that it comes right after the tour-de-force that Chevaliers de Sangreal is, so it really calms the music down and works as a soothing experience.
    http://www.filmmusic.pl - Polish Film Music Review Website