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[Closed] Now Playing XXXII
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- CommentAuthorErik Woods
- CommentTimeSep 7th 2009
Nautilus wrote
NP:Angels and Demons (zimmer).
If you want John Williams I'm sure you have 10 guys or so , including the maestro himself, who composes music like him.
That's Why Zimmer is where he is. because he can compose things without any kind of rubbish.
WHAT. THE. F__K?!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorNautilus
- CommentTimeSep 7th 2009
Mmm.... What happen with you guys??? -
- CommentAuthorThomas Glorieux
- CommentTimeSep 7th 2009
Christodoulides wrote
Thomas Glorieux wrote
ORPHAN -- John Ottman
and another reason why film music is degenerating
John Ottman? He always was such a reason
Thomas Glorieux wrote
THE FINAL DESTINATION --- Brian Tyler
Welcome to Brian Tyler music we have heard before
Indeed. Must be REALLY be in Brian Tyler mood to enjoy this anymore...which isn't really frequent..
Final Destination will work perfectly in the movie, but this guy must seriously start getting his act together, because this is even worse than Horner, this is repeating entire scores
waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentAuthorDemetris
- CommentTimeSep 7th 2009
True, nobody doubts it's going to work in the movie but it's ALL THE SAME TRICKS. Same instrumentation, arrangements, same philosophy behind the themes, same timpani and middles eastern percussion, same rhythms and tempi, same phrasing and dynamics, SAME SOUND, same everything.Love Maintitles. It's full of Wanders. -
- CommentAuthorNautilus
- CommentTimeSep 7th 2009 edited
Christodoulides wrote
True, nobody doubts it's going to work in the movie but it's ALL THE SAME TRICKS. Same instrumentation, arrangements, same philosophy behind the themes, same timpani and middles eastern percussion, same rhythms and tempi, same phrasing and dynamics, SAME SOUND, same everything.
The Final Destination doesn't have the same sound than other Tyler scores. it's not so "busy" in orchestrations. I can't compare it with Darkness falls or The Hunted. In fact it's like if Tyler tried to addapt his style to the Shirley Walker sound.
But I'm surprised to read this comments from you, because what you are saying is what I said months ago and You had a terrible discussion with me about this.
I have been saying Tyler was very near to self plagiarism since Timeline-Children of Dune-Darkness Falls- Annapolis. Scores where the main themes was far too similiar. He needs to fine better tunes, and leave so heavy orchestrations aside.
Being said that, and even with his "problems", I like Tyler. -
- CommentAuthorPawelStroinski
- CommentTimeSep 7th 2009
David Shire - The Taking of Pelham One Two Three
Great movie and great score. The combination of jazz and twelve-tone is great for the urban thriller with Walter Matthau and Robert Shaw, which also was photographed by the creator of the 70's gritty looks of New York City - nobody else than Owen Roizman (The French Connection, Pelham, Three Days of the Condor, quite a list, isn't it?).
The score is very effective in the film, gives it a nervous, urban and gritty edge (something that today is dominated by hip-hop inspiration, which of course is nowhere as nervous, but appropriately gritty). On the album it's not much worse. You can definitely say that Shire put some style and creativity into this project. The thriller is good anyway, acting is top-notch, cinematography - Roizman's name says it all and has some wonderful dialogue, which on one hand is very realistic (look for the language used there), on the other hand sometimes surprisingly witty:
"What's happening?"
"You won't believe it."
"You know me. I'll believe everything!"
"A subway train has been hijacked"
"I don't believe it."http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorDemetris
- CommentTimeSep 7th 2009
I am talking about his last 2 years specifically. There were traits of this in his earlier scores but he had too much things going on musically that separated each from the other. The last 2 years though, with the exception of THE LAZARUS PROJECT and BANGKOK DANGEROUS (Each having a somewhat unique sound) he's been doing exactly the same thing over and over again.Love Maintitles. It's full of Wanders. -
- CommentAuthorDemetris
- CommentTimeSep 7th 2009
MYCHAEL DANNA - Nativity Story
A pretty brilliant modern score in lots of aspects.Love Maintitles. It's full of Wanders. -
- CommentAuthorDemetris
- CommentTimeSep 8th 2009
ERNEST GOLD - Exodus, 2009 Edition Tadlow Music released in September 9, 2009.
Words fail me when i come to describe such a masterpiece.Love Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeSep 8th 2009
Christodoulides wrote
ERNEST GOLD - Exodus, 2009 Edition Tadlow Music released in September 9, 2009.
Words fail me when i come to describe such a masterpiece.
Without a doubt it has one of THE greatest themes ever written.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorDemetris
- CommentTimeSep 8th 2009
It's ridiculously, beyond-words good.Love Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeSep 8th 2009
Have you never heard it before?On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorDemetris
- CommentTimeSep 8th 2009
But of course i've heard it, it's a classic. But i haven't played the cd for way long now. Words fail me, really; and this one here is a great representation of the material in brilliant sound quality.Love Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeSep 8th 2009
I'm not surprised, the original score has horrible sound.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorDemetris
- CommentTimeSep 8th 2009
MIKLOS ROZSA - king of kings
Talking about brilliant classic themes and scores.Love Maintitles. It's full of Wanders. -
- CommentAuthorFalkirkBairn
- CommentTimeSep 8th 2009
Christodoulides wrote
But of course i've heard it, it's a classic. But i haven't played the cd for way long now. Words fail me, really; and this one here is a great representation of the material in brilliant sound quality.
I remember a few weeks ago I was complaining about the 2 CDs this Exodus re-recording is spread over and thinking at the time that I wouldn't shell out for the 2-CDs. But after hearing the clips (video and audio) I immediately ordered it - with all thoughts of 1 or 2 CD discussion forgotten.
It sounded wonderful and I'm looking forward to hearing it all.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorDemetris
- CommentTimeSep 8th 2009
FalkirkBairn wrote
Christodoulides wrote
But of course i've heard it, it's a classic. But i haven't played the cd for way long now. Words fail me, really; and this one here is a great representation of the material in brilliant sound quality.
I remember a few weeks ago I was complaining about the 2 CDs this Exodus re-recording is spread over and thinking at the time that I wouldn't shell out for the 2-CDs. But after hearing the clips (video and audio) I immediately ordered it - with all thoughts of 1 or 2 CD discussion forgotten.
It sounded wonderful and I'm looking forward to hearing it all.
It's brilliant, every bit of it, believe me you did right!Love Maintitles. It's full of Wanders. -
- CommentAuthorfranz_conrad
- CommentTimeSep 8th 2009
Glad to hear EXODUS has come out well! I look forward to getting it myself.A butterfly thinks therefore I am -
- CommentAuthorDreamTheater
- CommentTimeSep 8th 2009
Thomas Glorieux wrote
ORPHAN -- John Ottman
and another reason why film music is degenerating
Man oh man, why you torture yourself like this? Go and listen to your Star Wars anthology dammit. A year passed by and it's collecting dust? But you can listen to crap without a moment's pause??? I feel for you dude.
"considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentAuthorFalkirkBairn
- CommentTimeSep 8th 2009
NP: Legend - Jerry Goldsmith
I'm just finishing off the final track of this new (to me at least) Goldsmith score - and I have to say that, on balance, I'm glad that I have it!
This is only my first listen but it seems to me that the level of obtrusive plinky-plonky electronics from the first few cues decreases in the latter half of the score. There is still an electronic presence in these later cues but they are better integrated into the orchestral score.
I'll certainly revisit this one soon.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorFalkirkBairn
- CommentTimeSep 8th 2009 edited
Thomas Glorieux wrote
ORPHAN -- John Ottman
and another reason why film music is degenerating
Ottman's score to Orphan is something I shall NOT be returning to in a hurry!
NP: "Meet Van Zan" - Reign of Fire - Edward ShearmurThe views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorSteven
- CommentTimeSep 8th 2009 edited
FalkirkBairn wrote
NP: Legend - Jerry Goldsmith
I'll certainly revisit this one soon.
So that's a yes to the waltz then?
DreamTheater wrote
Go and listen to your Star Wars anthology dammit.
Best piece of advice this forum has seen in quite some time. -
- CommentAuthorFalkirkBairn
- CommentTimeSep 8th 2009
Steven wrote
So that's a yes to the waltz then?
It's more a no than a yes! There were more interesting tracks and I'm not usually too keen on cues that are compositions that have an out-and-out structure to them (structure as in being something like a waltz, etc.)...though I'm sure I can come up with exceptions to this.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorSteven
- CommentTimeSep 8th 2009
The Blue Danube? -
- CommentAuthorFalkirkBairn
- CommentTimeSep 8th 2009
Steven wrote
The Blue Danube?
Nope!
My classical music tastes tend to be towards baroque.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorSteven
- CommentTimeSep 8th 2009
No to The Blue Danube!? Bloody hell. Each to their own I guess.
I don't really find much substance to most baroque music. I don't mean that I find the music lacking in quality, I mean there's Bach for crying out loud.... but I find it far too "flowery". Too delicate. I like something with a bit of meat on its bones (in more ways than one), and that's why the late romantic and early 20th century periods are generally my favourites as far as classical music is concerned (although I naturally like a lot of Beethoven and Mozart).
No to The Blue Danube though!!? Honestly!
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- CommentAuthorErik Woods
- CommentTimeSep 8th 2009
NP: Star Trek Volume 2 - Various Artists
The Royal Philharmonic Orchestra; cond. by Fred Steiner
I haven't seen too many original Star Trek television episodes but I managed to catch one this evening and I glad I watched it in its entirely. The episode was "Mirror, Mirror" - a parallel universe episode. It was a solid episode that was superbly scored by Fred Steiner. I'm not too familiar with original Trek TV scores either so I'm glad my first real impression was made with this episode. Steiner composed a wonderful, large scale score anchored by a delicious, menacing and memorable 7 note theme for the alternate universe that is heard in the opening track in this just under 9 minute re-recorded suite brilliantly performed by the Royal Philharmonic. It's a spectacular recording by engineer Peter Bown that hard pans the brass to the extreme right and the horns to the extreme left. This is a technique that I love and have associated with Eric Tomlinson recordings. It gives the orchestra room to breathe yet makes them sound bigger and bolder. There is also a lovely love theme associated with Kirk and his alternate universe girlfriend. Steiner's score is really, really good and I wish there was more available!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorTimmer
- CommentTimeSep 8th 2009
FalkirkBairn wrote
Steven wrote
The Blue Danube?
Nope!
My classical music tastes tend to be towards baroque.
Waltzing Matilda? Michael's all time favourite piece if I'm not mistaken.
On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorDemetris
- CommentTimeSep 8th 2009
DreamTheater wrote
Thomas Glorieux wrote
ORPHAN -- John Ottman
and another reason why film music is degenerating
Man oh man, why you torture yourself like this? Go and listen to your Star Wars anthology dammit. A year passed by and it's collecting dust? But you can listen to crap without a moment's pause??? I feel for you dude.

Or Exodus, the 2009 version. Damn it's been the 2nd day in a row i can't get it out of the player!Love Maintitles. It's full of Wanders. -
- CommentAuthorDemetris
- CommentTimeSep 8th 2009
Steven wrote
No to The Blue Danube!? Bloody hell. Each to their own I guess.
I don't really find much substance to most baroque music. I don't mean that I find the music lacking in quality, I mean there's Bach for crying out loud.... but I find it far too "flowery". Too delicate. I like something with a bit of meat on its bones (in more ways than one), and that's why the late romantic and early 20th century periods are generally my favourites as far as classical music is concerned (although I naturally like a lot of Beethoven and Mozart).
No to The Blue Danube though!!? Honestly!

...although the grandeur of the late classical and the whole romantic era is unquestionably shiveringly good, still the work of Bach and Vivaldi, to name just THE 2 of the Baroque era, are beyond words outstanding.Love Maintitles. It's full of Wanders.
