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[Closed] Now Playing XXXVII

General Discussions » Now Playing XXXVII (Posts 721 to 750 of 3023)

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    • CommentAuthorAnthony
    • CommentTimeOct 23rd 2010 edited
    Timmer wrote
    NP : LARGO WINCH - Alexandre Desplat



    cool


    beer
  2. We need a film called "Key Largo Wench". Rahman can score. Just an weird thought.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorDemetris
    • CommentTimeOct 23rd 2010
    Erik Woods wrote
    justin boggan wrote
    Steven wrote
    justin boggan wrote
    Still making my way threw the Jones box.


    Cough.


    Listen, and listen good dickahontas:


    Stop being an ass hat, Justin!

    -Erik-


    The world would explode if that ever actually happened!
    Love Maintitles. It's full of Wanders.
  4. True. And I think that his basic pride that is his rejected scores website has its reputation ruined after what he said about the Mission: Impossible scores.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeOct 23rd 2010
    NP : STAR WARS : THE EMPIRE STRIKES BACK - John Williams



    It really doesn't get much better than this.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorJim Ware
    • CommentTimeOct 24th 2010 edited
    Doctor Who - Series 4 - The Specials - Murray Gold

    Gold's music works better on album than it does in the TV show, but still has all the subtlety of being hit in the face with a brick.
  7. Still on New Moon...I like how on the track "The Volturi", there's a brief minute-long explosion of furious action sandwiched about 2/3 into the piece, which is mostly low-key suspense. I think that brief 60-second section dispels once and for all the notion that Desplat can't write action music...
    •  
      CommentAuthorsdtom
    • CommentTimeOct 24th 2010
    working on the new release The Deep from John Barry
    listen to more classical music!
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 24th 2010
    Kevin Scarlet wrote
    Still on New Moon...I like how on the track "The Volturi", there's a brief minute-long explosion of furious action sandwiched about 2/3 into the piece, which is mostly low-key suspense. I think that brief 60-second section dispels once and for all the notion that Desplat can't write action music...


    It's not bad.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorDemetris
    • CommentTimeOct 24th 2010
    That's modest. The score is mindblowing wink
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 24th 2010
    It has it's moments. I drags like hell in the middle of the album and never quite reaches the highest of it's wonderful main theme! In saying that, it's one of Desplat's more accessible and enjoyable albums.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  12. Willow - James Horner

    Is this where the infamous 4-note danger motif got its start?
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 24th 2010
    No... much much earlier then that... but I think Willow is where Horner used it best!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  14. A Sight for Sore Eyes - Desplat

    This deserves more attention than I think it's been getting. I think I like the suspenseful Desplat as much as (maybe slightly more than) the romantic Desplat.
  15. Hangover Square - Herrmann

    Piano concerto! biggrin
  16. Erik Woods wrote
    It has it's moments. I drags like hell in the middle of the album and never quite reaches the highest of it's wonderful main theme! In saying that, it's one of Desplat's more accessible and enjoyable albums.

    -Erik-


    It's one of my least favourite of his. Mind you, for 'Dreamcatcher', 'Marry me' and 'To Volterra', I'll happily put it on.
    A butterfly thinks therefore I am
  17. Kevin Scarlet wrote
    A Sight for Sore Eyes - Desplat

    This deserves more attention than I think it's been getting. I think I like the suspenseful Desplat as much as (maybe slightly more than) the romantic Desplat.


    What is this?
    A butterfly thinks therefore I am
  18. franz_conrad wrote
    Kevin Scarlet wrote
    A Sight for Sore Eyes - Desplat

    This deserves more attention than I think it's been getting. I think I like the suspenseful Desplat as much as (maybe slightly more than) the romantic Desplat.


    What is this?

    A Sight for Sore Eyes, or Inquiétudes by its French title, is a 2003 thriller. I think I just searched for a torrent of Desplat's score to get a hold of it. As far as I know, it's not available for release in the States.
  19. Oh, yeah, Inquietudes. I know it well. I'd never seen that English title before. (Feels a bit forced.)
    A butterfly thinks therefore I am
  20. Kevin Scarlet wrote
    Hangover Square - Herrmann

    Piano concerto! biggrin

    Concerto Macabre...words fail to express how much I love this piece.
    •  
      CommentAuthorNautilus
    • CommentTimeOct 25th 2010
    Kevin Scarlet wrote
    Willow - James Horner

    Is this where the infamous 4-note danger motif got its start?


    Booooooooooring.
    •  
      CommentAuthorsdtom
    • CommentTimeOct 25th 2010
    Kevin Scarlet wrote
    Kevin Scarlet wrote
    Hangover Square - Herrmann

    Piano concerto! biggrin

    Concerto Macabre...words fail to express how much I love this piece.


    An excellent work.
    Thomas
    listen to more classical music!
    •  
      CommentAuthorsdtom
    • CommentTimeOct 25th 2010
    The Deep for review
    listen to more classical music!
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 25th 2010 edited
    The volume is up to 11 as I spinning "The Battle / To Dawg's Ship / Morgan Battles Dawg / Dawg's Demise / The Triumph" from Debney's great CutThroat Island!!!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorNautilus
    • CommentTimeOct 25th 2010
    Erik Woods wrote
    The volume is up to 11 as I spinning "The Battle / To Dawg's Ship / Morgan Battles Dawg / Dawg's Demise / The Triumph" from Debney's great CutThroat Island!!!

    -Erik-


    Noise!
    •  
      CommentAuthorScribe
    • CommentTimeOct 25th 2010
    shocked
    I love you all. Never change. Well, unless you want to!
  27. Nautilus wrote
    Erik Woods wrote
    The volume is up to 11 as I spinning "The Battle / To Dawg's Ship / Morgan Battles Dawg / Dawg's Demise / The Triumph" from Debney's great CutThroat Island!!!

    -Erik-


    Noise!


    if any noise is that thematic, rip roaring, epic and brilliantly bombastic, give me noise any day punk
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 25th 2010 edited
    Nautilus wrote
    Erik Woods wrote
    The volume is up to 11 as I spinning "The Battle / To Dawg's Ship / Morgan Battles Dawg / Dawg's Demise / The Triumph" from Debney's great CutThroat Island!!!

    -Erik-


    Noise!


    By saying that you'd suggest that the track above is entirely dissonant and atonal. WRONG!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorplindboe
    • CommentTimeOct 25th 2010 edited
    Cutthroat island gives me a headache too. Mighty fine score though; I just can't listen to more than 2 tracks in a row.

    Peter smile
    •  
      CommentAuthorErik Woods
    • CommentTimeOct 25th 2010
    You know... those that say that CutThroat is all bombast really hasn't pay attention to the score especially the 2CD release which really opens up the score, allows it to breathe and provides some quieter more reflective cues not available of the first release. The original release, while excellent, was indeed action heavy and I can see how some might have difficulty getting through it all especially if they don't want to hear one superb action cue after another. So, I highly recommend checking out the Promethus 2CD set which, IMHO, plays significantly better than the single disc version. From start to finish Cutthroat is a well constructed score and is one of the all time best!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!

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