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[Closed] Now Playing XLVI
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- CommentAuthorTimmer
- CommentTimeMay 5th 2014
NP : ATTILA THE HUN - Daniel Pemberton
There are some really nice moments in this but some tracks just go into typical generic film music territory. Not as enjoyable as Space Dive.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorTimmer
- CommentTimeMay 5th 2014
Nahhhh! Got fed up with Attila.
NP : MAD MAX BEYOND THUNDERDOME - Maurice Jarre
BRILLIANT!!!!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorSouthall
- CommentTimeMay 5th 2014
ET - John Williams
Not bad, my dear. Not bad at all. -
- CommentAuthorCaptain Future
- CommentTimeMay 5th 2014 edited
NP: Something Umentionable.
It has to do with rock music and symphonic music and duels and good versus evil ...
VolkerBach's music is vibrant and inspired. -
- CommentAuthorThor
- CommentTimeMay 5th 2014
I am extremely serious. -
- CommentAuthorCaptain Future
- CommentTimeMay 5th 2014 edited
... and someone who was born in the village of Glenfinnan on the shores of Loch Shiel.Bach's music is vibrant and inspired. -
- CommentAuthorFalkirkBairn
- CommentTimeMay 5th 2014
Macbeth?The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorCaptain Future
- CommentTimeMay 5th 2014
And who is imortal.Bach's music is vibrant and inspired. -
- CommentAuthorSouthall
- CommentTimeMay 5th 2014
Kirk Douglas? -
- CommentAuthorCaptain Future
- CommentTimeMay 5th 2014 edited
Could be.
But there can be only one.Bach's music is vibrant and inspired. -
- CommentAuthorThor
- CommentTimeMay 5th 2014
HIGHLANDER?I am extremely serious. -
- CommentAuthorTimmer
- CommentTimeMay 6th 2014
Southall wrote
Kirk Douglas?
On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorCaptain Future
- CommentTimeMay 6th 2014
Thor wrote
HIGHLANDER?
Bright boy!
Bach's music is vibrant and inspired. -
- CommentAuthorKevin Scarlet
- CommentTimeMay 6th 2014
Thor wrote
NP: THE MASTER (Jonny Greenwood)
Mezmerizing. I love how, in "Overtones", there's that single consonant chord popping up with regular intervals trying desperately to drag the dissonance back to the ground -- perhaps a bit like Phoenix' relationship to the Hoffmann character.
One of the best scores in years. -
- CommentAuthorJosh B
- CommentTimeMay 6th 2014
Godzilla - Alexandre Desplat
Well-written, as you'd expect from this composer but not much of this stuck with me on a first-listen, aside from some pretty entertaining dissonant orchestral crashes. Didn't pick out any major themes or anything but I'm sure they're there somewhere. -
- CommentAuthorDavid OC
- CommentTimeMay 6th 2014
Charlie Wilson's War - JNH
Couldn't remember a note of this - but that main theme is superb! -
- CommentAuthorEdmund Meinerts
- CommentTimeMay 6th 2014
Kevin Scarlet wrote
Thor wrote
NP: THE MASTER (Jonny Greenwood)
Mezmerizing. I love how, in "Overtones", there's that single consonant chord popping up with regular intervals trying desperately to drag the dissonance back to the ground -- perhaps a bit like Phoenix' relationship to the Hoffmann character.
One of the best scores in years.
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- CommentAuthorThor
- CommentTimeMay 6th 2014
Not enough brass screaming and pounding percussion for ya, Edmund?
I am extremely serious. -
- CommentAuthorSteven
- CommentTimeMay 6th 2014
Thor wrote
brass screaming and pounding percussion
Heaven! -
- CommentAuthorPawelStroinski
- CommentTimeMay 6th 2014
Miklos Rozsa - El Cid
Should have this masterpiece some in around 2 weeks
All has been said about it, I think.http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentAuthorEdmund Meinerts
- CommentTimeMay 6th 2014
Steven wrote
Thor wrote
brass screaming and pounding percussion
Heaven!
Give me ALL the brass and ALL the percussion! More! More! LOUDER!
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- CommentAuthorThor
- CommentTimeMay 6th 2014
He, he....oh, the spirited energy of youth.I am extremely serious. -
- CommentAuthorThor
- CommentTimeMay 6th 2014 edited
NP: THE NATIVITY STORY (Mychael Danna)
Ah, this is more like it. Slow, gorgeous, textural, soothing! Not a screaming brass in sight. Bliss!
I am extremely serious. -
- CommentAuthorMartijn
- CommentTimeMay 6th 2014
Thor wrote
He, he....oh, the spirited energy of youth.
Not a bit of it, dear boy. You know the age old adage that holds true for all music: the only thing better than ten pieces of brass is twenty pieces of brass.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentAuthorThor
- CommentTimeMay 6th 2014
I wouldn't mind if the whole brass section were replaced with woodwinds.I am extremely serious. -
- CommentAuthorEdmund Meinerts
- CommentTimeMay 6th 2014
Thor wrote
I wouldn't mind if the whole brass section were replaced with woodwinds.
That would certainly be an interesting experiment. I wonder what Cutthroat Island would sound like as an all-oboe ensemble. -
- CommentAuthorMartijn
- CommentTimeMay 6th 2014
Thor wrote
I wouldn't mind if the whole brass section were replaced with woodwinds.
Or soft pillows, presumably.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentAuthorFalkirkBairn
- CommentTimeMay 6th 2014
NP: Blade Runner - Vangelis
This is the BSX "celebration" re-recording of Vangelis' score. I like how close to the original Edgar Rothermich seems to have gotten.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorThor
- CommentTimeMay 6th 2014 edited
FalkirkBairn wrote
NP: Blade Runner - Vangelis
This is the BSX "celebration" re-recording of Vangelis' score. I like how close to the original Edgar Rothermich seems to have gotten.
Curiously, when it comes to orchestral scores, I'm very open-minded as to re-interpretations and re-recordings. In fact, I usually prefer rerecordings over originals for older scores.
With electronic music, however, it's different. It has such unique sound that anything that tries to approximate it, but not quite getting there, doesn't work for me. The exception is if the re-interpretation is done more radically (re-mixes etc.). So either go all out there, or don't do it at all -- that's my view.I am extremely serious. -
- CommentAuthorFalkirkBairn
- CommentTimeMay 6th 2014
I very much prefer re-recordings to be very faithful to the originals, whether it's orchestral or electronic. I want re-recordings to recreate the original music as closely as possible. So, I suppose I question the need for re-recordings when I see one.
Vast improvements in sound quality of the re-recorded music over the original score is a great justification for a re-recording. But I do still find merit in the original recordings. Re-recorded tracks for a "Best of" compilation I tend to avoid completely as I have found them to be - in the majority of cases - lacking in the recreation of the original pieces.
Projects where the re-recorded music is trying something different with the original music - e.g., a string quartet or guitar trio version - are definitely worth listening to. But I still ask the question of whether it adds anything to the original version.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
