Categories
Vanilla 1.1.4 is a product of Lussumo. More Information: Documentation, Community Support.
[Closed] Now Playing XVII
-
- CommentTimeNov 25th 2008
I think it is. It's got a wonderfully Christmasy feel to it... but that may have more to do with the fact that *I* feel very Christmasy at the moment!? -
- CommentTimeNov 25th 2008
Timmer wrote
Steven wrote
Steven wrote
The Curious Case Of Benjamin Button Alexandre Desplat
Very very interesting. Very relaxing too.
This is great stuff! Elegant, quirky, serene, relaxing and genuinely interesting all throughout the 1 hour running time.
What's with the sudden rush of excellent scores? is 2008 determined to be better than 2007??
This really sounds right up my alley!
Excellent score. I loved it too.Love Maintitles. It's full of Wanders. -
- CommentTimeNov 25th 2008
Timmer wrote
Steven wrote
Steven wrote
The Curious Case Of Benjamin Button Alexandre Desplat
Very very interesting. Very relaxing too.
This is great stuff! Elegant, quirky, serene, relaxing and genuinely interesting all throughout the 1 hour running time.
What's with the sudden rush of excellent scores? is 2008 determined to be better than 2007??
This really sounds right up my alley!
This post following musings about homosexual rape in Turkish prisons leads me to once again commend Steven for his uncharacteristic restraint.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentAuthorTimmer
- CommentTimeNov 25th 2008
Martijn wrote
Timmer wrote
Steven wrote
Steven wrote
The Curious Case Of Benjamin Button Alexandre Desplat
Very very interesting. Very relaxing too.
This is great stuff! Elegant, quirky, serene, relaxing and genuinely interesting all throughout the 1 hour running time.
What's with the sudden rush of excellent scores? is 2008 determined to be better than 2007??
This really sounds right up my alley!
This post following musings about homosexual rape in Turkish prisons leads me to once again commend Steven for his uncharacteristic restraint.
It didn't escape my attention either Martijn, I almost almost returned to edit my post but then it seemed that no one noticed so I left it as is!
I was wrong.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 25th 2008
Timmer wrote
Martijn wrote
Timmer wrote
Steven wrote
Steven wrote
The Curious Case Of Benjamin Button Alexandre Desplat
Very very interesting. Very relaxing too.
This is great stuff! Elegant, quirky, serene, relaxing and genuinely interesting all throughout the 1 hour running time.
What's with the sudden rush of excellent scores? is 2008 determined to be better than 2007??
This really sounds right up my alley!
This post following musings about homosexual rape in Turkish prisons leads me to once again commend Steven for his uncharacteristic restraint.
It didn't escape my attention either Martijn, I almost almost returned to edit my post but then it seemed that no one noticed so I left it as is!
I was wrong.
Don't worry, I was about to pounce on that one, too.
NP: Lover's Prayer, Joel McNeely
Beautiful stuff.''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentAuthorTimmer
- CommentTimeNov 25th 2008
NP : BIRTH - Alexandre Desplat
All this Desplat talkOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 25th 2008
Timmer wrote
Martijn wrote
Timmer wrote
Steven wrote
Steven wrote
The Curious Case Of Benjamin Button Alexandre Desplat
Very very interesting. Very relaxing too.
This is great stuff! Elegant, quirky, serene, relaxing and genuinely interesting all throughout the 1 hour running time.
What's with the sudden rush of excellent scores? is 2008 determined to be better than 2007??
This really sounds right up my alley!
This post following musings about homosexual rape in Turkish prisons leads me to once again commend Steven for his uncharacteristic restraint.
It didn't escape my attention either Martijn, I almost almost returned to edit my post but then it seemed that no one noticed so I left it as is!
I was wrong.
Nah. Otherwise I'm making up the connections... I'd rather the joke speak for itself. This is why Demetris' comments are ripe for my humour! -
- CommentTimeNov 25th 2008
Martijn wrote
omaha wrote
He may have like the rape in the Turkish prison...
Liked being the victim of rape?
That would make him a more disturbing fellow than I would have thought likely,
There were accounts that he would pay someone to beat him once a year. He would tell a story of how is Uncle once caught him stealing and made him swear to get beaten once a year. Something crazy like that. Sounds like he kinda wanted to cover up the fact that he liked it.
Before his Lawrence of Arabia stuff when he was a studying archeologist he had a young boy living with him. And he did a nude painting of the boy on his ceiling in a Greco-roman style. Just some stuff to make some people cock their heads.
A good man, great writer, a historical hero during a much needed time, and the inspiration for one of the greatest movies ever made. -
- CommentAuthorTimmer
- CommentTimeNov 25th 2008
NP : THE 13th WARRIOR - Jerry Goldsmith
Yeah man!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 25th 2008 edited
Timmer wrote
NP : THE 13th WARRIOR - Jerry Goldsmith
Yeah man!
Not only that, but it provided my favourite Graeme Revell score. Isn't it ironic that a composer's best score be a rejected score? I wouldn't say I necessarily like it better than Goldsmith's, but man, if only he'd scored The Crow or Daredevil like that, I'd be such a bigger fan of his.
NP: Gangs of New York, Rejected. Elmer Bernstein
The liner notes that the "real gem" on this CD set is Gangs of New York, but I've yet to truly open up to the supposed wonders of this score. To me, so far, it's just a good old average Bernstein score. The real masterpiece of this set, if you ask me, is the rejected score of The Journey of Natty Gann. It helps I've owned another copy of this jewell for years already.''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentAuthorTimmer
- CommentTimeNov 25th 2008
Timmer wrote
NP : THE 13th WARRIOR - Jerry Goldsmith
Yeah man!
Seeing as I'm still in the right mood.....
NP : THE MUMMY - Jerry Goldsmith
On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 25th 2008
Miya, you can hear the complete score to Road to Perdition at the film's official website. It doesn't touch Meet Joe Black, IMO. 'That Next Place' is one of my ten favorite cues...maybe five favorite. If you haven't heard it you might want to check out Cinderella Man. There are a lot of short cues, but some very nice thematic ones, and the finale title track is worth the price of the album. -
- CommentTimeNov 26th 2008
omaha wrote
There were accounts that he would pay someone to beat him once a year. He would tell a story of how is Uncle once caught him stealing and made him swear to get beaten once a year. Something crazy like that. Sounds like he kinda wanted to cover up the fact that he liked it.
Before his Lawrence of Arabia stuff when he was a studying archeologist he had a young boy living with him. And he did a nude painting of the boy on his ceiling in a Greco-roman style. Just some stuff to make some people cock their heads.
All sounds properly boarding school; nothing out of the ordinary. Whole generations of British leaders were raised like that
Interesting information there, Gardner. I should read up on the man.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeNov 26th 2008
Steven wrote
Nah. Otherwise I'm making up the connections... I'd rather the joke speak for itself.
Pah! You're just sore 'cuz you missed it!'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeNov 26th 2008
Martijn wrote
Steven wrote
Nah. Otherwise I'm making up the connections... I'd rather the joke speak for itself.
Pah! You're just sore 'cuz you missed it!
No I'm not. Go away... -
- CommentTimeNov 26th 2008
NP: Seiken Densetsu: Legend of Mana, Yoko Shimomura
As much as I woe the begone days of video game action scores, RPGs is really where game scoring of old is still alive and more beautiful than ever. We have the same highly thematic scoring techniques of yesteryear but this time in full orchestral glory. This installment of the Seiken Densetsu does not disappoint. It's one breathtaking theme after the other. And at 2 discs full of music, I still can't get enough.''The mandate, as well as the benefit, of responsibility is the ability to tell when one can afford to be irresponsible.'' - Me -
- CommentTimeNov 26th 2008
NP:The Lord of the Rings: The Two Towers ~Howard Shore
No comments needed!Whatever you gaze rests on,do not use your vision, but the eyes of your soul...She knows better... -
- CommentTimeNov 26th 2008
The Curious Case of Benjamin Button - Alexandre Desplat
First listen... about 9 tracks in... lots of Desplat minimalist noodling... but nothing standing out so far. I'm worried that I'm being set up for yet another Desplat disappointment. I really hope something grabs my attention soon.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeNov 26th 2008
I was Playing : Days of Thunder (zimmer)
This was the main reason why I'm now writting here ( Dammed! could say a lot of people).
I remember waching the movie only for this "triumph" motif with electric guitars. I love it!
Why the last action track is not in the bootleg???
NP:K2 (Zimmer)
One of the best Zimmer scores ever. And one of my favourites.
There are a lot of REAl orchestra and a lot of ETNICH instruments here. You can hear some stuff from his posterior works : Prince of Egypt, Gladiator, Peacemaker... -
- CommentTimeNov 26th 2008
NP: The Dark Knight - Hans Zimmer and James Newton Howard
Like A Dog Chasing Cars is stuck in my head today!! -
- CommentAuthorTimmer
- CommentTimeNov 26th 2008
Stavroula wrote
NP:The Lord of the Rings: The Two Towers ~Howard Shore
No comments needed!
Indeed!
NP : THE BLUE MAX - Jerry Goldsmith
One of my favourite JG scores, fabulous theme with some incredibly muscular action writing, a pure joy from begining to end.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 26th 2008 edited
NP: Hancock - John Powell
Saw the film last night and LOVED IT! Lots of fun, good twist even though my wife saw it coming a mile away, solid special effects (although the flying sequences sucked) and the score, especially the final two tracks, really impressed me. One of the biggest laughs I got was Powell's nod to Superman when the new and improved Hancock arrives to save the day in the middle of the film. Is that cue even on the score album?!
Anyway, the highlight of the score, IMHO, are the last two cues. They worked brilliantly in the movie, pumped up the emotions and sent shivers down my spine! And they got a great mix two. Front and centre leading the way!
I also dig the (cliched) urban sound of Hancock's theme at the beginning of the picture and it's development throughout the score. It begins as a tragic theme that would eventually develop into the heroic, fully symphonic version we would later hear in the middle and end of the film during the short lived end credits.
I think this is a superb score!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeNov 26th 2008
Perhaps when I've seen the movie I will listen to more than just 'Hollywood Blvd', 'Death and Transfiguration' and 'The Moon and The Superhero' - but those three tracks are AWESOME.
Glad to hear a positive opinion about the movie, I'm looking forward to seeing this on BluRay when I get back home for Christmas. -
- CommentTimeNov 26th 2008
Erik Woods wrote
NP: Hancock - John Powell
Saw the film last night and LOVED IT! Lots of fun, good twist even though my wife saw it coming a mile away, solid special effects (although the flying sequences sucked) and the score, especially the final two tracks, really impressed me. One of the biggest laughs I got was Powell's nod to Superman when the new and improved Hancock arrives to save the day in the middle of the film. Is that cue even on the score album?!
Anyway, the highlight of the score, IMHO, are the last two cues. They worked brilliantly in the movie, pumped up the emotions and sent shivers down my spine! And they got a great mix two. Front and centre leading the way!
I also dig the (cliched) urban sound of Hancock's theme at the beginning of the picture and it's development throughout the score. It begins as a tragic theme that would eventually develop into the heroic, fully symphonic version we would later hear in the middle and end of the film during the short lived end credits.
I think this is a superb score!
-Erik-
From a superb Composer! -
- CommentTimeNov 26th 2008 edited
Back to The Curious Case of Benjamin Button - Alexandre Desplat
I wouldn't say that this score is mediocre but it's not overall a GREAT score. There is some exceptional writing in Button but I'm flabbergasted at some of the praise that this score is getting. It doesn't really go above and beyond... at least during the first two-thirds of the score. The biggest issue I have is that the score starts off with a whimper. The first half, minus "A New Life" (which lifts from the far superior Birth) really doesn't grab your attention and for me had me wanting to turn the score off because I didn't really hear where this score was going. However, the orchestrations are tight and clean and well thought out... as always with Desplat.
Now thankfully I didn't turn this score off because as we get to the last quarter of the score Desplat finally comes out of his shell and delivers that emotional punch I was looking for. It's not something that SAVES this score but it did wake me up from the daze I was in. Another elements that stood out was the sax solo in "Growing Younger." Smooth and soothing. Very jazzy and John Williams like. And there is a gorgeous piano solo featuring "Benjamin and Daisy" theme which I adore and is the main track I would most definitely return to.
Overall, it's a solid effort and technically impressive but lacks that lasting touch. However, I'm thinking more spins might help with my appreciation but usually a score that don't knock me dead on the fist listen RARELY holds up on further listens. However, I must say that I'm still regretting not including BIRTH on my best of 2004 list. Even though it's use in the film didn't impress me it still goes down as one of the most original scores of the decade and a fabulous listen on CD.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorTimmer
- CommentTimeNov 26th 2008
NP : OUR MAN FLINT - Jerry Goldsmith
This is the original tracks coupled with In Like Flint, I wish I'd bought the varese re-releases of the original albums which IMO are a far superior listening experience. I do have the old LPs but it's a pain in the arse setting up my turntable.
Still, this is a great, goofy fun listen.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 26th 2008
There is no other K2's fan? ( i mean the score, not the mountain ). Seriously????
Why people never talk about this all time top Zimmer score??? -
- CommentAuthorAnthony
- CommentTimeNov 26th 2008
Erik Woods wrote
NP: Hancock - John Powell
One of the biggest laughs I got was Powell's nod to Superman when the new and improved Hancock arrives to save the day in the middle of the film. Is that cue even on the score album?!
Sorry bud, it ain't. -
- CommentTimeNov 26th 2008
Anthony wrote
Erik Woods wrote
NP: Hancock - John Powell
One of the biggest laughs I got was Powell's nod to Superman when the new and improved Hancock arrives to save the day in the middle of the film. Is that cue even on the score album?!
Sorry bud, it ain't.
That is RETARDED! A great tip of the cap to Superman - one of the most memorable cue in the score - and they don't include it on the album? How frustrating!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeNov 26th 2008
Once more just because I need to relax...
El Cid ~ Miklos RozsaWhatever you gaze rests on,do not use your vision, but the eyes of your soul...She knows better...