Categories
Vanilla 1.1.4 is a product of Lussumo. More Information: Documentation, Community Support.
[Closed] Now Playing XVII
-
- CommentTimeDec 19th 2008
I try to limit it downLove Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeDec 19th 2008
Christodoulides wrote
I try to limit it down
Yeah right!
but I wouldn't have it any other wayOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeDec 19th 2008 edited
JOHN DEBNEY - the stoning of Soraya M.
A good score, a satisfying listening experience, well-built and with surprisingly strong thematic material. The use of instrumentation (duduk and female vocals) as well as the arrangements will always send to the far superior PASSION OF THE CHRIST though, a score the stoning of Soraya M is bound to crawl under.Love Maintitles. It's full of Wanders. -
- CommentTimeDec 19th 2008
Patton (Jerry Goldsmith)
I like this for the brilliant themes, but otherwise this is very restrained scoring from the master, I like it though, but it's not one I put on regularly. The Patton theme as well as the german theme though are top notch, but I think the score is too short so it's already over by the time the score has developed into something interesting. I prefer his thematically rich stuff from a decade later on.
3.5 STARS
The Twins Effect (Chan Kwong Wing)
This score for the Hong Kong action film is like a mix of different styles of music all tucked together. Light jazz, piano music, techno tunes and conventional thematic writing, there's even a cue which accompanies a cell phone call. Consistency is hard to find here, but there are some great tracks, especially those with choir and which have a certain gothic feel to them. If the whole score could have been like those tracks this would have been truly awesome.
3.5 STARS"considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeDec 19th 2008
Christodoulides wrote
JOHN DEBNEY - the stoning of Soraya M.
A good score, a satisfying listening experience, well-built and with surprisingly strong thematic material. The use of duduk and female vocals will always send to PASSION OF THE CHRIST though, a far superior score the stoning of Soraya M is bound to crawl under.
What about track 16, "The Stoning of Soraya M."?Anything with an orchestra or with a choir....at some point will reach you -
- CommentTimeDec 19th 2008
Played today:
E Ridendo L'uccise by Ennio Morricone
very nice renaissance-flavoured music with the additional choir, another gem from the Maestro
Band of Brothers by Michael Kamen
I bought this on some board members' suggestion but I couldn't finish my first listening because I had to come to work. So far: the first four cues are great, the following five haven't had much impression on me. I will continue listening to it later on -
- CommentTimeDec 19th 2008
NP: Timeline (rejected) - Jerry Goldsmith
Man, why was this rejected?! It's amazing! -
- CommentTimeDec 19th 2008
NP: The Tale of Despereaux - William Ross
Easily one of my favorite scores! Charming, action-packed, and exciting with a couple very good themes! -
- CommentTimeDec 19th 2008
Timmer wrote
Christodoulides wrote
I try to limit it down
Yeah right!
but I wouldn't have it any other way
Welllll, maybe sometimes... -
- CommentTimeDec 19th 2008
Marselus wrote
Christodoulides wrote
JOHN DEBNEY - the stoning of Soraya M.
A good score, a satisfying listening experience, well-built and with surprisingly strong thematic material. The use of duduk and female vocals will always send to PASSION OF THE CHRIST though, a far superior score the stoning of Soraya M is bound to crawl under.
What about track 16, "The Stoning of Soraya M."?
Falls in the same category imo. I've heard the entire score 5 times today.Love Maintitles. It's full of Wanders. -
- CommentTimeDec 19th 2008
NP: Valkyrie - John Ottman
My second go at it and it confirms my initial assessment of the score. It's really, really, REALLY good. Top 10 of the year? Maybe. It's a long score and while things to slow down considerably in the middle of the album Ottman does enough for you to keep listening on. And you are rewarded at the end of the score with one of the best cues of the year "Long Live Sacred Germany."
This is probably my biggest surprise of the year!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorTimmer
- CommentTimeDec 19th 2008
Earlier I played...
HEAVY METAL - Elmer Bernstein
If scores were physiques this one would be Arnold Schwarzenegger in his prime, a seriously great and muscular score.
NP : THE BEYONDNESS OF THINGS - John Barry
Gorgeously deep resonating orchestration, a true joy from beginning to endOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeDec 19th 2008
DreamTheater wrote
Patton (Jerry Goldsmith)
I like this for the brilliant themes, but otherwise this is very restrained scoring from the master, I like it though, but it's not one I put on regularly. The Patton theme as well as the german theme though are top notch, but I think the score is too short so it's already over by the time the score has developed into something interesting. I prefer his thematically rich stuff from a decade later on.
3.5 STARS
This is as 5-star as they get in my book. "German March" (aka "Winter March") is one of those pieces which is just heavenly to me; and of course the main theme is another. -
- CommentTimeDec 19th 2008
Southall wrote
DreamTheater wrote
Patton (Jerry Goldsmith)
I like this for the brilliant themes, but otherwise this is very restrained scoring from the master, I like it though, but it's not one I put on regularly. The Patton theme as well as the german theme though are top notch, but I think the score is too short so it's already over by the time the score has developed into something interesting. I prefer his thematically rich stuff from a decade later on.
3.5 STARS
This is as 5-star as they get in my book. "German March" (aka "Winter March") is one of those pieces which is just heavenly to me; and of course the main theme is another.
I think it's a Goldsmith classic. So well spotted in the film, less is more. -
- CommentTimeDec 19th 2008 edited
Fuck it...
Patton Jerry Goldsmith
<- George C. Scott -
- CommentTimeDec 19th 2008
I love George C. Scott.
I love Jerry Goldsmith
I love his score for Patton.
(I also love cheese, but that would be off-topic.) -
- CommentTimeDec 19th 2008
It seems we have at least four things in common then. In true MT fashion, I think we should now discuss cheese.
And now for something completely different...
Hoosiers Jerry Goldsmith
It isn't George C. Scott, it isn't Patton, but it is Goldsmith and cheese. And I LOVE IT! -
- CommentTimeDec 19th 2008
-
- CommentTimeDec 19th 2008
Southall wrote
The Stoning - John Debney
YAWN.
Agree. Even the "Imagine I Composed It" trick didn't work. -
- CommentAuthorPawelStroinski
- CommentTimeDec 19th 2008
Hans Zimmer - Black Hawk Down
On CD finally.http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeDec 19th 2008 edited
Southall wrote
DreamTheater wrote
Patton (Jerry Goldsmith)
I like this for the brilliant themes, but otherwise this is very restrained scoring from the master, I like it though, but it's not one I put on regularly. The Patton theme as well as the german theme though are top notch, but I think the score is too short so it's already over by the time the score has developed into something interesting. I prefer his thematically rich stuff from a decade later on.
3.5 STARS
This is as 5-star as they get in my book. "German March" (aka "Winter March") is one of those pieces which is just heavenly to me; and of course the main theme is another.
Patton is the definition of a 5 star score!
Southall wrote
The Stoning - John Debney
YAWN.
Yeah, it doesn't hold up well. The sneak peak cues on Debney's site shows potential. But the full album is tiresome. The three best cues are the last three tracks. It's one of his better dramatic works but doesn't come close to Passion or Dragonfly.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeDec 19th 2008
And the opening titles are quite good.Love Maintitles. It's full of Wanders. -
- CommentTimeDec 19th 2008
JOHN DEBNEY - Mummy 3 promo
Far more enjoyable than Edelman's score.Love Maintitles. It's full of Wanders. -
- CommentTimeDec 19th 2008
NP: Bolt - John Powell
Fun score with lots of good moments, short as they may be. -
- CommentTimeDec 19th 2008
JOHN OTTMAN - Valkyrie
I am listening to the opening titles right now "They'll Remember You" and i am deeply impressed; at times i looked at the winamp player to check if something by Ottman was actually playing. Well done.Love Maintitles. It's full of Wanders. -
- CommentTimeDec 20th 2008
Erik Woods wrote
Southall wrote
DreamTheater wrote
Patton (Jerry Goldsmith)
I like this for the brilliant themes, but otherwise this is very restrained scoring from the master, I like it though, but it's not one I put on regularly. The Patton theme as well as the german theme though are top notch, but I think the score is too short so it's already over by the time the score has developed into something interesting. I prefer his thematically rich stuff from a decade later on.
3.5 STARS
This is as 5-star as they get in my book. "German March" (aka "Winter March") is one of those pieces which is just heavenly to me; and of course the main theme is another.
Patton is the definition of a 5 star score!
Southall wrote
The Stoning - John Debney
YAWN.
Yeah, it doesn't hold up well. The sneak peak cues on Debney's site shows potential. But the full album is tiresome. The three best cues are the last three tracks. It's one of his better dramatic works but doesn't come close to Passion or Dragonfly.
-Erik-
Agreed, on all points. -
- CommentTimeDec 20th 2008
To the admirers of Patton, I get it why you rate it so highly, it's of course Goldsmith doing what he does best, but are you in the possession of some expanded album or something, because I was talking about the 35 minute long one, and while I think it's reasonable, it just doesn't send me soaring to film score heaven. Goldsmith wrote much better in his career. Also, I've never seen the film, so that must be where my ignorance comes from."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeDec 20th 2008
DreamTheater wrote
To the admirers of Patton, I get it why you rate it so highly, it's of course Goldsmith doing what he does best, but are you in the possession of some expanded album or something, because I was talking about the 35 minute long one, and while I think it's reasonable, it just doesn't send me soaring to film score heaven. Goldsmith wrote much better in his career. Also, I've never seen the film, so that must be where my ignorance comes from.
It's not for everyone. You are in possession of the full thing, it's a very short score. And all the better for it! It does help to have seen the movie to see how great a score it is.
But the theme can be appreciated regardless of whether you've seen the film or not I think. -
- CommentTimeDec 20th 2008
Read James's rather interesting review to get an insight as to why we all love it. -
- CommentTimeDec 20th 2008
DreamTheater wrote
Goldsmith wrote much better in his career.
Just because it's a 5 star score doesn't mean that Goldsmith never wrote another 5 star score. But Patton is pretty much as perfect of a score that you will ever hear!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!