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[Closed] Now Playing XXXI

General Discussions » Now Playing XXXI (Posts 691 to 720 of 2974)

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    •  
      CommentAuthorSteven
    • CommentTimeJul 4th 2009
    Timmer wrote
    .


    James... James Horner?
  2. Not buying the 'JD Dies' connection to THIN RED LINE. I hear it's roots more in the unused Coda cue from HEAT that became the coda cue from MICHAEL COLLINS.
    A butterfly thinks therefore I am
    •  
      CommentAuthorDemetris
    • CommentTimeJul 4th 2009
    PawelStroinski wrote
    Well, when it comes to the particular score that The Thin Red Line is, it's for the better smile

    Black Hawk Down influence is not bad, Gladiator's is much worse. That's my humple opinion.


    There's also his african scores, the friggin **** ***g and his pirates' scores.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeJul 4th 2009
    franz_conrad wrote
    Not buying the 'JD Dies' connection to THIN RED LINE. I hear it's roots more in the unused Coda cue from HEAT that became the coda cue from MICHAEL COLLINS.


    It's rather obvious to my ears, even the rhythmic elements are all there. Same goes for Shore's YARDS, which is also rather TTRL influenced.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009
    NP : QUANTUM OF SOLACE - David Arnold



    Possibly my favourite Arnold Bond score!?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSteven
    • CommentTimeJul 4th 2009
    It's fecking cool, but Tomorrow Never Dies will always remain my favourite Arnold-Bond score (and as much as I appreciate the older Barry scores, it's also my favourite Bond score... the playcount is evidence enough for that).
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009 edited
    Backseat Driver has had hundreds of plays from me, one of the best full throtle action tracks ever. The rest of the score has it's moments with a big tip of the hat to the Guv'nor, without the Barry injection it would be just another anonymous action score.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009
    NP : SAVING PRIVATE RYAN - John Williams



    Classic!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorDemonStar
    • CommentTimeJul 4th 2009
    NP: Largo Winch - Alexandre Desplat

    Awesomeness! punkpunkpunkpunkpunk
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009
    NP : THE FLY II - Christopher Young



    Very Hellraiser'ish, excellent horror score cool
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorWilliam
    • CommentTimeJul 4th 2009
    NP: Knowing - Marco Beltrami

    An OK score. The ending is nice.
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009
    NP : THE COTTON CLUB - John Barry & Various



    Great album with old jazz standards re-recorded to sound like they were recorded yesterday ( Mood Indigo, Ill Wind, Minnie The Moocher etc ). Only two score pieces from John Barry and damn excellent they are too ( and people complain about a 'mere' 16 minutes of Goldenthal rolleyes ), I'd hope that one day a deluxe edition of Barry's excellent score gets a full release.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthoromaha
    • CommentTimeJul 4th 2009
    Apollo 13

    Horner

    Epic.
    •  
      CommentAuthoromaha
    • CommentTimeJul 4th 2009
    Steven wrote
    It's fecking cool, but Tomorrow Never Dies will always remain my favourite Arnold-Bond score (and as much as I appreciate the older Barry scores, it's also my favourite Bond score... the playcount is evidence enough for that).


    I agree completely

    And love all the moments with a big tip of the hat to the Guv'nor.
    It really makes it.
    •  
      CommentAuthorSteven
    • CommentTimeJul 4th 2009
    omaha wrote
    Steven wrote
    It's fecking cool, but Tomorrow Never Dies will always remain my favourite Arnold-Bond score (and as much as I appreciate the older Barry scores, it's also my favourite Bond score... the playcount is evidence enough for that).


    I agree completely

    And love all the moments with a big tip of the hat to the Guv'nor.
    It really makes it.


    I find I prefer Barry when someone else, like Arnold, is replicating his style.

    But now I need to start running as a certain Bristolian has probably already got a hit out on me...
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009
    Barry's perch is amongst the living gods barely noticing the minnows as they play.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009 edited
    But ME on the other hand.... angry crazy explode


    if you see a cow, a badger and a raven, that's not a sequel to The Incredible Journey....be afraid....be mildly afraid...
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009
    NP : LIVE AND LET DIE - George Martin



    Quite possibly the best non Barry, Bond score, excellent fun! punk
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  19. I love the song and the Car Chase music. Some of the best Bond action music ever.
    http://www.filmmusic.pl - Polish Film Music Review Website
    • CommentAuthorTimmer
    • CommentTimeJul 4th 2009 edited
    It's a fantastic Bond song, a true classic right up there with Goldfinger, Diamonds Are Forever, You Only Live Twice and The Spy Who Loved Me.

    And George's 'voodoo' music is cooking cool
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  21. Hans Zimmer - The Last Samurai

    Revisiting an old friend. What a good score. Zimmer in his restrained mode with the album REALLY being Algren's journey.
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorSteven
    • CommentTimeJul 4th 2009
    Superman - The Movie John Williams

    Arguably the best superhero score out there, with THE best superhero theme.
    •  
      CommentAuthorWilliam
    • CommentTimeJul 4th 2009
    NP: Twilight - Carter Burwell

    It'll be interesting to hear where Desplat goes with this.
    •  
      CommentAuthorSteven
    • CommentTimeJul 4th 2009
    Vertical Limit James Newton Howard

    When it comes to scoring geological features such as mountains and volcanoes, JNH is the man. I've always thought his theme from Dante's Peak was PERFECT for volcanoes! It's weird how it fits, but it does. (I think JNH was a geologist in his previous life.)
    •  
      CommentAuthorDemetris
    • CommentTimeJul 4th 2009
    I'd say he's the man when it comes to scoring everything beer
    Love Maintitles. It's full of Wanders.
  26. Except Michael Clayton bunny
    http://www.filmmusic.pl - Polish Film Music Review Website
  27. Howard Shore - Doubt

    I watched the movie today and the score works very well. Slightly Celtic (Irishmen in the school and with the name Brendan FLYNN, I guess Phillip Seymour Hoffman plays one) with subtle choral writing. Reminds of LotR a bit at times (third track). Not the best work of his career or even most emotionally compelling, but not a really BAD one.
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorDemetris
    • CommentTimeJul 4th 2009
    You managed to watch it? I fell :sheep: after the 20 minute mark. A priest might have sexually harassed a little naive boy. Some old austere nun suspects him. He might have sexually harassed him; he might not; he might have done it actually, the nun suspects and researches with other rusty old hacks. He might have not done it afterwards but we are not sure...Zz.
    Love Maintitles. It's full of Wanders.
  29. I think that's the great idea behind it. It's not about is he guilty or not. It's about the interpersonal relations. More than the suspicions, the more interesting and important are the REASONS behind the suspicions.
    http://www.filmmusic.pl - Polish Film Music Review Website
    •  
      CommentAuthorDemetris
    • CommentTimeJul 4th 2009
    Reasons? Old rusty austere feminist nuns who have nothing better to do with their lives. Here, go see a better movie wink tongue
    Love Maintitles. It's full of Wanders.

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