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  1. Oh yes...

    I am still waiting for Southall's review of this one!
    http://www.filmmusic.pl - Polish Film Music Review Website
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      CommentAuthorDemetris
    • CommentTimeAug 3rd 2011
    John Chambers wrote
    The Thin Red Line Zimmer

    An astounding piece of work, I love much of Zimmer's work but in my opinion nothing comes anywhere close to the genius of this.


    Word.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorNautilus
    • CommentTimeAug 3rd 2011
    NP: rise of the planet of the apes (thor 2)

    I miss Goldsmith, and I even miss Elfman.

    What is going on with composers this summer? sad
    •  
      CommentAuthorNautilus
    • CommentTimeAug 3rd 2011
    Oh.. by the way....Harry Gregson Williams is such a boring composer.

    Cowboy and Aliens is he doing "nothing" again.

    What a shame.
  2. Legends of the Fall Horner

    A stunner.
    •  
      CommentAuthorNautilus
    • CommentTimeAug 3rd 2011
    John Chambers wrote
    Legends of the Fall Horner

    A stunner.


    Boring.
    •  
      CommentAuthorStavroula
    • CommentTimeAug 3rd 2011
    Come on Jordi! Legends of the Fall boring?! No, no, no!
    Whatever you gaze rests on,do not use your vision, but the eyes of your soul...She knows better...
    •  
      CommentAuthorNautilus
    • CommentTimeAug 3rd 2011
    Stavroula wrote
    Come on Jordi! Legends of the Fall boring?! No, no, no!


    Oh! you know my real name!
    Noooooooooooooooo wink
    •  
      CommentAuthorStavroula
    • CommentTimeAug 3rd 2011
    Por supuesto qué yo lo creo Jordi! wink
    Whatever you gaze rests on,do not use your vision, but the eyes of your soul...She knows better...
    •  
      CommentAuthorNautilus
    • CommentTimeAug 3rd 2011
    no, seriously. I never went into that one. and It's too Barry for my taste. (Ok, You can kill me now).

    Give me Braveheart instead wink
    •  
      CommentAuthorErik Woods
    • CommentTimeAug 3rd 2011
    Nautilus wrote
    no, seriously. I never went into that one. and It's too Barry for my taste. (Ok, You can kill me now).


    dizzy
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeAug 3rd 2011
    John Chambers wrote
    Legends of the Fall Horner

    A stunner.


    A beautiful score!
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeAug 3rd 2011
    Nautilus wrote
    John Chambers wrote
    Legends of the Fall Horner

    A stunner.


    Boring.


    uhm
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorNautilus
    • CommentTimeAug 3rd 2011 edited
    Timmer wrote
    Nautilus wrote
    John Chambers wrote
    Legends of the Fall Horner

    A stunner.


    Boring.


    uhm


    Not as boring as The Thin Red Line, thought :P
    •  
      CommentAuthorErik Woods
    • CommentTimeAug 3rd 2011
    Now you're just trolling!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorNautilus
    • CommentTimeAug 3rd 2011
    Erik Woods wrote
    Now you're just trolling!

    -Erik-


    no. I don't.
    •  
      CommentAuthorSouthall
    • CommentTimeAug 3rd 2011
    Rush Hour - Lalo Schifrin

    Wonderful. As enjoyable as anything he's ever done.
  3. Dangerous Beauty - George Fenton

    Typical Fenton orchestral romance.
    Revenge is sweet... Revenge is best served cold... Revenge is ice cream.
    •  
      CommentAuthorDemetris
    • CommentTimeAug 4th 2011
    HEITOR PEREIRA - Smurfs

    Oh God, make it stop.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorMarselus
    • CommentTimeAug 4th 2011
    Christodoulides wrote
    HEITOR PEREIRA - Smurfs

    Oh God, make it stop.


    Why do you do this to yourself D? Why?
    Anything with an orchestra or with a choir....at some point will reach you
    • CommentAuthorTimmer
    • CommentTimeAug 4th 2011
    Christodoulides wrote
    HEITOR PEREIRA - Smurfs

    Oh God, make it stop.


    The Smurfs or the score?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    • CommentAuthorTimmer
    • CommentTimeAug 4th 2011
    ...and is Father Abraham involved?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  4. NP: Mildred Pierce (Carter Burwell)

    I know the film is the excuse, but did this score have to be so boring to listen to?
    A butterfly thinks therefore I am
    •  
      CommentAuthorDemetris
    • CommentTimeAug 4th 2011
    Timmer wrote
    Christodoulides wrote
    HEITOR PEREIRA - Smurfs

    Oh God, make it stop.


    The Smurfs or the score?


    The score, it's hideous.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorErik Woods
    • CommentTimeAug 4th 2011 edited
    Over at Filmtracks there was a thread asking to list our favorite cues of the year... so far. I haven't heard many GREAT scores but there have been some great individual tracks written for film this year. I'm currently spinning my ten current favorites which include...

    - "The Vampire Train" from PRIEST by Christopher Young
    A big, meaty, action cue that blends the modern techniques of RC/MV and Young's own organic and unique orchestral palette.

    - "Captain America March" from CAPTAIN AMERICA by Alan Silvestri
    I don't have too many kind words to say about the score proper but this piece is extraordinary!

    - "Go In Peace" from EL GRAN MILAGRO by Mark McKenzie
    A piece written from the heart and soul of one of the most under appreciated composers of our time.

    - "The Rising Soul (End Credits) from HAWK by Stuart Hancock
    If the rest of the score was this good it would be on my Top 10 list easily. Too bad the producers ditch the original idea of a thematically rich score instead opting for the dull, textured, atmospheric bore fest we were given.

    - "Letting Go" from SUPER 8 by Michael Giacchino
    The score as a whole is rather lukewarm and the film (especially this scene) tries far too hard to give us the same sort of epic and emotional climax we experienced in E.T. Unfortunately, Abrams couldn't deliver the goods however Giacchino did his best to make up for that lack of emotion in his music and he let's it all pour out in this splendid finale cue!

    - "Game of Thrones Main Theme" from GAME OF THRONES by Ramin Djawadi
    Next to McKenzie's track above this is my favorite cue of the year accompanying one of the finest main title sequences I've ever seen! Great show as well!

    - "Circles" from THE TREE OF LIFE by Alexandre Desplat
    I'd gladly take more of Desplat in this mode then in Harry Potter mode. A superb album from start to finish that warrants repeated listens.

    - "Turtle Bay Surfing" from SOUL SURFER by Marco Beltrami
    One of the finest scores of the year and one of Beltrami's strongest dramatic scores.

    - "Main Title" from SOURCE CODE by Chris Bacon
    We rarely hear main title cues like this any more.

    - "Final Montage: The Power of Movies" from THESE AMAZING SHADOWS by Peter Golub
    Written for a documentary about the National Film Registry and the power of film. Golub concludes his impressive score with this emotional cue that slowly builds into a swell of orchestral warmth, sweep, power and emotion!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  5. Solaris Martinez

    Hypnotic and intoxicating, I picked this up when La La Land re-released it and it's got a lot of listens since. I'm not sure why I love it so much but it gets me every time.
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      CommentAuthorStavroula
    • CommentTimeAug 4th 2011
    "Game of Thrones Main Theme" from GAME OF THRONES by Ramin Djawadi
    Next to McKenzie's track above this is my favorite cue of the year accompanying one of the finest main title sequences I've ever seen! Great show as well!


    I like this cue very much too and as for the show, I've seen it (don't ask how since it's not aired yet in Greece) I think it's pretty well done but a bit hardcore as is the book.
    Whatever you gaze rests on,do not use your vision, but the eyes of your soul...She knows better...
    •  
      CommentAuthorThor
    • CommentTimeAug 4th 2011
    Excellent playlist, Erik!
    I am extremely serious.
    •  
      CommentAuthorThor
    • CommentTimeAug 4th 2011
    John Chambers wrote
    Solaris Martinez

    Hypnotic and intoxicating, I picked this up when La La Land re-released it and it's got a lot of listens since. I'm not sure why I love it so much but it gets me every time.


    Hypnotic is the keyword here. Love this one.
    I am extremely serious.
  6. Erik Woods wrote

    - "Main Title" from SOURCE CODE by Chris Bacon
    We rarely hear main title cues like this any more.

    -Erik-


    I agree, a great track and I had goose bumps when it played in the cinema.