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[Closed] Now Playing XLIII

General Discussions » Now Playing XLIII (Posts 2431 to 2460 of 3002)

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  1. I am listening to Danny Elfman's "Spider-Man 2". Erik mentioned it as beeing even better than the first one which promted me to buye it. (I only had the first one in my collection.)

    I have reached track No 4 now and for what I have heard so far, buying this score wasn't a bad idea at all.
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorCristian
    • CommentTimeDec 11th 2012
    The Postman - James Newton Howard

    Waterworld little brother. More soft and quite music here, but not boring, always interesting. I think it helps for the moments when action music kicks in with full choir. And what a great theme, it gives me chills every time I hear it.

    Great post apocalyptic score this and Waterworld gives me high hopes for After Earth.
    http://cristianlee.1x.com/
    • CommentAuthorTimmer
    • CommentTimeDec 11th 2012
    Cristian wrote
    The Postman - James Newton Howard

    Waterworld little brother. More soft and quite music here, but not boring, always interesting. I think it helps for the moments when action music kicks in with full choir. And what a great theme, it gives me chills every time I hear it.

    Great post apocalyptic score this and Waterworld gives me high hopes for After Earth.


    Not a bad score but what a truly dire film, what was he thinking?
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSteven
    • CommentTimeDec 11th 2012
    Inception Hans Zimmer

    According to my girlfriend, 'Dream Is Collapsing' sounds like something from a Resident Evil score. Anyone know which one that might be? I know next to nothing about Resident Evil.
    •  
      CommentAuthorThor
    • CommentTimeDec 11th 2012
    Timmer wrote
    Cristian wrote
    The Postman - James Newton Howard

    Waterworld little brother. More soft and quite music here, but not boring, always interesting. I think it helps for the moments when action music kicks in with full choir. And what a great theme, it gives me chills every time I hear it.

    Great post apocalyptic score this and Waterworld gives me high hopes for After Earth.


    Not a bad score but what a truly dire film, what was he thinking?


    I think I'm one of the few people in this world who actually enjoyed THE POSTMAN.
    I am extremely serious.
    • CommentAuthorTimmer
    • CommentTimeDec 11th 2012
    A successful delivery to Thor eh? cheesy
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorThor
    • CommentTimeDec 11th 2012
    Indeed.
    I am extremely serious.
    •  
      CommentAuthorBregt
    • CommentTimeDec 11th 2012 edited
    Steven wrote
    Inception Hans Zimmer

    According to my girlfriend, 'Dream Is Collapsing' sounds like something from a Resident Evil score. Anyone know which one that might be? I know next to nothing about Resident Evil.

    Jeff Danna's score is the only one I know. There's some in-the-face elements like Inception in there too, that's right! Here's a cool track from that score (not a very good quality).
    Kazoo
    •  
      CommentAuthorScribe
    • CommentTimeDec 11th 2012 edited
    NP: The Hobbit - Howard Shore
    First listen, only disc 1 for now. Only on the first track. I don't care how meandering it is, I'm just glad to be listening to a new Middle Earth score for the first time in 9 years! beer to Howard Shore and his wonderful sonic palette for these films.
    I love you all. Never change. Well, unless you want to!
    • CommentAuthorTimmer
    • CommentTimeDec 11th 2012
    NP : THE BIG COUNTRY - Jerome Moross



    Proper music.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorSouthall
    • CommentTimeDec 11th 2012
    Erik Woods wrote
    But... what do I know? I'm not a pro-fessional album producer.

    -Erik-


    You're a better one than Howard Shore, that much is certain.
    http://www.movie-wave.net | http://facebook.com/moviewave
    •  
      CommentAuthorThor
    • CommentTimeDec 11th 2012
    Southall wrote
    Erik Woods wrote
    But... what do I know? I'm not a pro-fessional album producer.

    -Erik-


    You're a better one than Howard Shore, that much is certain.


    Especially since Shore wasn't really 'doing his job' as record producer in the first place. I'd take a 'best of' playlist by "amateur" Erik Woods any day!
    I am extremely serious.
    •  
      CommentAuthorDemetris
    • CommentTimeDec 11th 2012
    Erik Woods wrote
    Erik Woods wrote
    NP: Zero Dark Thirty. Ready. Set. Hut! wink - Alexandre Desplat

    Loving that first track. Fuck you, Desplat. I'm supposed to HATE everything you write! angry biggrin

    -Erik-


    And after that last track Desplat looses me. DUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUL! And the electronic Desplatian pulse underneath it all is like having a migraine headache! You can't escape from it! sleep Things do get a bit more interested when the action kicks in and I hope that the latter half picks up the pace significantly.

    -Erik-


    Sounds to me you were pre-determined not to like it, perhaps? smile It's not Rise of the Guardians, the film's got a very grim tone it seems. The music fits wonderfully, i am sure.
    Love Maintitles. It's full of Wanders.
    • CommentAuthorTimmer
    • CommentTimeDec 11th 2012
    With the subject matter and Katherine Bigelow at the helm the film couldn't be anything other than grim and serious.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorErik Woods
    • CommentTimeDec 11th 2012 edited
    Demetris wrote
    Sounds to me you were pre-determined not to like it, perhaps? smile


    Bollocks. My mind was open and clear the moment I started the album. Like I said, I loved the opening cue. More of that would have been nice.

    Demetris wrote
    It's not Rise of the Guardians,


    You don't say.

    Demetris wrote
    the film's got a very grim tone it seems. The music fits wonderfully, i am sure.


    And gritty means don't do too much or the film won't be serious enough. What is that? A melody? Kill it! KILL IT WITH FIRE!!!! More drone and duduk! And we've hired the London Symphony Orchestra... let's barely use them.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorScribe
    • CommentTimeDec 11th 2012
    Scribe wrote
    NP: The Hobbit - Howard Shore
    First listen, only disc 1 for now. Only on the first track. I don't care how meandering it is, I'm just glad to be listening to a new Middle Earth score for the first time in 9 years! beer to Howard Shore and his wonderful sonic palette for these films.


    I'm not understanding all the criticism about this score. Then again, I liked the LotR Complete albums too. This seems to be just as engaging. Sure, there are some more ambient cues, but even they are far more brain-pleasing to me than the ambient cues of most other modern film scores.
    I love you all. Never change. Well, unless you want to!
    •  
      CommentAuthorDemetris
    • CommentTimeDec 11th 2012
    Well, of course! Everything is better than the modern electronic crap we get passed around as scores these days, but i guess Shore set the bar way too high to really reach or pass it, after LOTR. If you forget all the lotr material and the original releases' / movies' greatness, and see Hobbit on its own, it's quite good.
    Love Maintitles. It's full of Wanders.
  18. Scribe wrote
    Scribe wrote
    NP: The Hobbit - Howard Shore
    First listen, only disc 1 for now. Only on the first track. I don't care how meandering it is, I'm just glad to be listening to a new Middle Earth score for the first time in 9 years! beer to Howard Shore and his wonderful sonic palette for these films.


    I'm not understanding all the criticism about this score. Then again, I liked the LotR Complete albums too. This seems to be just as engaging. Sure, there are some more ambient cues, but even they are far more brain-pleasing to me than the ambient cues of most other modern film scores.


    I could not agree more!
    beer
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorScribe
    • CommentTimeDec 11th 2012
    I was never expecting it to be as "epic" and motif-ly complex as LotR because the story is much simpler and more childish so there is a lot less for Shore to work with.
    I love you all. Never change. Well, unless you want to!
  20. Scribe wrote
    I was never expecting it to be as "epic" and motif-ly complex as LotR because the story is much simpler and more childish so there is a lot less for Shore to work with.


    And it's a build up to the LothR scores that "will follow" this trilogy. Shore is holding back on purpose so that everything will make sense in retrospect.
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorScribe
    • CommentTimeDec 11th 2012
    But even with the "holding back", the action music and even, to a lesser extent, the suspense material is quite engaging and harmonically rich...perhaps even more so than the similar material in LotR, in some cases.
    I love you all. Never change. Well, unless you want to!
  22. Scribe wrote
    But even with the "holding back", the action music and even, to a lesser extent, the suspense material is quite engaging and harmonically rich...perhaps even more so than the similar material in LotR, in some cases.


    Agreed!
    Bach's music is vibrant and inspired.
  23. Demetris wrote
    ZERO DARK THIRTY - Alexandre Desplat

    Inception meets Desplat and boy it's good.

    You had me at Inception.
    • CommentAuthorJosh B
    • CommentTimeDec 12th 2012
    Zero Dark Thirty - Alexandre Desplat

    Zzzzzzzzzzzzzz.... I'M AWAKE, I'M AWAKE! There's some real highlights here (like "Flight to Compound" and "Preparation for Attack") but these good cues are surrounded by material that it feels like anyone could write. Just toss in a bass drone, add some occasional ethnic touches and voila! Take tracks 1, 2, 7, 8, and 9 and you have a decent suite. Everything else can take a hike.
  25. Timmer wrote
    Cristian wrote
    The Postman - James Newton Howard

    Waterworld little brother. More soft and quite music here, but not boring, always interesting. I think it helps for the moments when action music kicks in with full choir. And what a great theme, it gives me chills every time I hear it.

    Great post apocalyptic score this and Waterworld gives me high hopes for After Earth.


    Not a bad score but what a truly dire film, what was he thinking?


    I actually like The Postman (the film), I even put in on my Christmas list smile
    waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh
    •  
      CommentAuthorThor
    • CommentTimeDec 12th 2012
    Thomas Glorieux wrote
    I actually like The Postman (the film), I even put in on my Christmas list smile


    Great! It's you and me, Thomas. smile
    I am extremely serious.
    •  
      CommentAuthorCristian
    • CommentTimeDec 12th 2012
    The League Of Extraordinary Gentlemen - Trevor Jones

    Where the fuck is Trevor Jones? Come back to scoring immediately!
    http://cristianlee.1x.com/
    •  
      CommentAuthorDemetris
    • CommentTimeDec 12th 2012
    Cristian wrote
    The League Of Extraordinary Gentlemen - Trevor Jones

    Where the fuck is Trevor Jones? Come back to scoring immediately!


    This is pretty good isn't it? He's considered too orchestral and old-fashioned for today's directors.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorlp
    • CommentTimeDec 12th 2012
    NP: Battle: LA - Brian Tyler

    Giving this one a second listen. Hope it's better than the first time I tried to listen to it.
    •  
      CommentAuthorCristian
    • CommentTimeDec 12th 2012
    Demetris wrote
    Cristian wrote
    The League Of Extraordinary Gentlemen - Trevor Jones

    Where the fuck is Trevor Jones? Come back to scoring immediately!


    This is pretty good isn't it?


    Yes, it is!

    Demetris wrote
    He's considered too orchestral and old-fashioned for today's directors.


    wall
    http://cristianlee.1x.com/

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