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- CommentTimeJan 17th 2009
Timmer wrote
REIGN OF FIRE gets the big thumbs from me too
ME THREE!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorfranz_conrad
- CommentTimeJan 17th 2009
I've never heard REIGN OF FIRE.
Or IRON WILL.
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.)A butterfly thinks therefore I am -
- CommentTimeJan 17th 2009
LSH wrote
I know, I can hear it.
Field Attack and Meet Van Zan, really, really loud. Oh Dear, my neighbors (complete with something i did last night very, very late ) won't like me at all now.Love Maintitles. It's full of Wanders. -
- CommentTimeJan 17th 2009
franz_conrad wrote
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.
Thank you tooLove Maintitles. It's full of Wanders. -
- CommentAuthorAnthony
- CommentTimeJan 17th 2009
Christodoulides wrote
franz_conrad wrote
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.
Thank you too
Just because this score sounds "big", why do people think it sounds like John Williams?
It doesn't! -
- CommentTimeJan 17th 2009
franz_conrad wrote
I've never heard REIGN OF FIRE.
Or IRON WILL.
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.)
Which is fine by me. It's stunning music and what a fantastic main theme!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeJan 17th 2009
Anthony wrote
Christodoulides wrote
franz_conrad wrote
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.
Thank you too
Just because this score sounds "big", why do people think it sounds like John Williams?
It doesn't!
The BIGorchestral stuff does... it's written in that John Williams style.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeJan 17th 2009
Erik Woods wrote
Anthony wrote
Christodoulides wrote
franz_conrad wrote
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.
Thank you too
Just because this score sounds "big", why do people think it sounds like John Williams?
It doesn't!
The BIGorchestral stuff does... it's written in that John Williams style.
-Erik-
AND the main theme. Thank you too, Erik.
Anthony, i am not saying it's NOT good music. But it's heavily unoriginal. Some might bother, others not and it's perfectly fine with me.Love Maintitles. It's full of Wanders. -
- CommentTimeJan 17th 2009
franz_conrad wrote
I've never heard REIGN OF FIRE.
Or IRON WILL.
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.)
You don't know what you're missing with REIGN OF FIRE, Michael. That, my friend, is exquisite film scoring.Love Maintitles. It's full of Wanders. -
- CommentTimeJan 17th 2009
franz_conrad wrote
I've never heard REIGN OF FIRE.
Or IRON WILL.
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.)
Literally? -
- CommentAuthorfranz_conrad
- CommentTimeJan 17th 2009
Anthony wrote
Christodoulides wrote
franz_conrad wrote
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.
Thank you too
Just because this score sounds "big", why do people think it sounds like John Williams?
It doesn't!
The bit that really got me was the way the counterline from the main theme of THE PATRIOT comes in.
Sorry Anthony - I think it's fantastic sounding, but that's only because I could have sworn that this composer had been Williams ghostwriter for the last decade.A butterfly thinks therefore I am -
- CommentTimeJan 17th 2009
franz_conrad wrote
Southall wrote
The Curious Case of Benjamin Button - Alexandre Desplat
I like this, I really do, but it's the first Desplat score which I feel is just a little too clinical.
Bah... go and listen to THE BOY IN STRIPED PYJAMAS if you want those buttons pushed.
You don't have to push the buttons to avoid being too clinical though. Where's the passion in the performance? It's so stilted. I know it's deliberate and it's common in Desplat scores, but he seems to go further than he usually does here. It's the first time a Desplat album has left me checking to see how much longer there is to go because I'm a bit tired of it. Like I said - I do like it - but it's not had anything like the impact that Birth or Painted Veil did on me. -
- CommentTimeJan 17th 2009
franz_conrad wrote
Anthony wrote
Christodoulides wrote
franz_conrad wrote
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.
Thank you too
Just because this score sounds "big", why do people think it sounds like John Williams?
It doesn't!
The bit that really got me was the way the counterline from the main theme of THE PATRIOT comes in.
Sorry Anthony - I think it's fantastic sounding, but that's only because I could have sworn that this composer had been Williams ghostwriter for the last decade.
If anyone says this doesn't sound like John Williams, they either haven't heard it, or haven't heard John Williams. -
- CommentAuthorfranz_conrad
- CommentTimeJan 17th 2009 edited
Hey, I did say the album was too long. (referring to Ben Button)
But I see your point... his style of performance is very open to that criticism. I thought you were saying the emotion inherent in the writing was too clinical.A butterfly thinks therefore I am -
- CommentTimeJan 17th 2009
franz_conrad wrote
Hey, I did say the album was too long. (referring to Ben Button)
Ah, but you had to take a swipe at poor James Horner along the way! -
- CommentTimeJan 17th 2009
Southall wrote
franz_conrad wrote
Anthony wrote
Christodoulides wrote
franz_conrad wrote
And until tonight, or AFRIKA. (Though now that I have, I must say - this is a composer who knows how to literally be John Williams.
Thank you too
Just because this score sounds "big", why do people think it sounds like John Williams?
It doesn't!
The bit that really got me was the way the counterline from the main theme of THE PATRIOT comes in.
Sorry Anthony - I think it's fantastic sounding, but that's only because I could have sworn that this composer had been Williams ghostwriter for the last decade.
If anyone says this doesn't sound like John Williams, they either haven't heard it, or haven't heard John Williams.
OH THANK YOU!Love Maintitles. It's full of Wanders. -
- CommentAuthorfranz_conrad
- CommentTimeJan 17th 2009
Sometimes I can't help taking a swipe at Jimmy.
Has anyone noticed that Holst's Jupite....A butterfly thinks therefore I am -
- CommentTimeJan 17th 2009
franz_conrad wrote
Sometimes I can't help taking a swipe at Jimmy.
Has anyone noticed that Holst's Jupite....
Some day you'll come to regret all this. Some day. -
- CommentAuthorfranz_conrad
- CommentTimeJan 17th 2009
I know it, but I do.
NP: Wall-E (Newman)
Clearly the best score of 2008. (Time to be agreeable, and instead annoy Demetris.)A butterfly thinks therefore I am -
- CommentTimeJan 17th 2009
franz_conrad wrote
I know it, but I do.
NP: Wall-E (Newman)
Clearly the best score of 2008. (Time to be agreeable, and instead annoy Demetris.)
Tee-hee. I don't know if you're saying that only to be agreeable and to annoy Demetris (both of which are worthy aims) but you're clearly right - it is the best score of 2008. -
- CommentTimeJan 17th 2009 edited
Christodoulides wrote
AND the main theme. Thank you too, Erik.
Anthony, i am not saying it's NOT good music. But it's heavily unoriginal. Some might bother, others not and it's perfectly fine with me.
It might not be an original "style" but it's original music. Funny that you praise Reign of Fire yet you don't call out Shearmur for being heavily influenced by Goldenthal.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorfranz_conrad
- CommentTimeJan 17th 2009
If REIGN OF FIRE is *that* influenced by Goldenthal that I could swear he'd written it, I'll buy it. (I've been waiting too long for a new Goldenthal score.)
Southall wrote
franz_conrad wrote
I know it, but I do.
NP: Wall-E (Newman)
Clearly the best score of 2008. (Time to be agreeable, and instead annoy Demetris.)
Tee-hee. I don't know if you're saying that only to be agreeable and to annoy Demetris (both of which are worthy aims) but you're clearly right - it is the best score of 2008.
That song at the end does annoy me though. It isn't LAST MIMZY bad, but it's got more to the 2nd half of the film than the 1st half (the brilliant part). Something for the kids to sing along to. Blech.A butterfly thinks therefore I am -
- CommentAuthorTimmer
- CommentTimeJan 17th 2009
I highly recommend you buy REIGN OF FIRE Michael, it's superb.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorAnthony
- CommentTimeJan 17th 2009
Sounds rather loud to me...
...I've got the DVD but have never watched it so I think I'll check it out in the movie first. -
- CommentTimeJan 17th 2009
Anthony wrote
Sounds rather loud to me...
...I've got the DVD but have never watched it so I think I'll check it out in the movie first.
Awesome movie, too!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeJan 17th 2009 edited
Erik Woods wrote
Christodoulides wrote
AND the main theme. Thank you too, Erik.
Anthony, i am not saying it's NOT good music. But it's heavily unoriginal. Some might bother, others not and it's perfectly fine with me.
It might not be an original "style" but it's original music. Funny that you praise Reign of Fire yet you don't call out Shearmur for being heavily influenced by Goldenthal.
-Erik-
It is heavily influenced as well, who said it wasn't? But it's a damn fine score with bold thematic statements and a massive sound, some of the most impressive scores of the genre one will likely hear, ever and i just love it. AFRIKA is good too, i am not too fond of John Williams' plagiarisms in general, but i can understand how many people will like it. No problem with me. The fact that i love REIGN OF FIRE doesn't make AFRIKA more original though.Love Maintitles. It's full of Wanders. -
- CommentTimeJan 17th 2009 edited
Christodoulides wrote
The fact that i love REIGN OF FIRE doesn't make AFRIKA more original though.
That wasn't my argument. The issue I have is that you shit all over a composer who is influenced by John Williams yet praise a score written by some one who is influenced by one of your favorite composers.
But then again we are all guilty of doing that...
As for Afrika - it's a damn fine score with bold thematic statements and a massive sound, some of the most impressive scores of the genre one will likely hear, ever and i just love it.
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeJan 17th 2009
I haven't placed doo-doo over nobody; except for TYLER BATESLove Maintitles. It's full of Wanders. -
- CommentTimeJan 17th 2009
MARCO BELTRAMI - TERMINATOR 3: Rise of the Machines
Loud. BLISSLove Maintitles. It's full of Wanders. -
- CommentAuthorTimmer
- CommentTimeJan 17th 2009
NP : INDIANA JONES AND THE TEMPLE OF DOOM - John Williams
HeavenOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt